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Dough and Dynamite

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29: 277:. Before Sennett left, he put Chaplin and Conklin jointly in charge of creating a new comedy with basically no guidelines. The two comedians began creating a film in which each man was a roominghouse boarder competing against one another in trying to woo the landlady, but they abandoned the idea after a short time. When they saw a "help wanted" sign outside a local bakery, the idea of a slapstick comedy set within a bakery came to both men almost simultaneously. Sennett claimed, however, that it was his idea to have a stick of dynamite concealed in a loaf of bread. Sennett declared 236: 1418: 241: 238: 239: 261:
boss and co-worker Chester Conklin. Meanwhile, the vengeful strikers have arranged to smuggle a loaf of bread concealing a stick of dynamite into the bakery. During a free-for-all involving Charlie, Chester, and their boss, the dynamite dramatically explodes. At the end of the film, Charlie emerges groggily from a pile of sticky dough.
240: 296:, writing, "In a comparatively short time, Charles Chaplin has earned a reputation as a slapstick comedian second to none. His odd little tricks of manner and his refusal to do the most simple things in an ordinary way are essential features of his method, which thus far has defied successful imitation." 260:
working as waiters at a restaurant. Charlie is especially inept and his comic carelessness enrages the customers. The workers in the restaurant's bakery go on strike for more pay, but are fired by the unsympathetic proprietor. Charlie is put to work in the bakery where his lack of skills upsets his
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commented, "Two reels of pure nonsense, some of which is very laughable indeed. Chas. Chaplin appears as a waiter in a French restaurant and bakery. He has a terrible time breaking dishes and getting the dough over the floor. The bakers go on strike and at the last the whole place is blown up by
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dynamite. This is well-pictured and very successful for this form of humor."
273:, he recalled he was absent from Keystone Studios for most of the filming of 116: 108: 100: 92: 84: 80: 1106: 690: 595: 326: 76: 52: 1280: 987: 944: 909: 221: 148: 420: 747: 392: 491: 1181: 444: 1417: 1424:This 1910s short comedy film–related article is a 1466: 264: 1449: 460: 281:to be Chaplin's breakout film with Keystone. 673:Charlie: The Life and Art of Charles Chaplin 1456: 1442: 467: 453: 27: 234: 1480:Short films directed by Charlie Chaplin 1467: 269:In Mack Sennett's 1954 autobiography, 448: 1412: 652:Chaplinesque, My Life and Hard Times 528:Charlie Chaplin: Intimate Close-Ups 474: 13: 14: 1541: 405: 1416: 383:(as Charles Parrott) - Customer 335:- Mme. La Vie, the Baker's Wife 329:- Monsieur La Vie, Bakery Owner 256:The story involves Chaplin and 1510:Films produced by Mack Sennett 1485:American black-and-white films 788:The Face on the Bar Room Floor 629:Charlie Chaplin's Comic Capers 1: 1530:1910s short comedy film stubs 401:- Striking Baker (uncredited) 292:praised Chaplin's efforts in 1490:Silent American comedy films 1428:. 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Index


Charlie Chaplin
Mack Sennett
Chester Conklin
Fritz Schade
Norma Nichols
Cecile Arnold
Vivian Edwards
Phyllis Allen
John Francis Dillon
Edgar Kennedy
Slim Summerville
Charley Chase
Wallace MacDonald
Glen Cavender
Frank D. Williams
Sydney Chaplin
Mutual Film Corporation
silent film
Keystone Studios
Charlie Chaplin
Chester Conklin
Moving Picture World
Charlie Chaplin
Chester Conklin
Fritz Schade
Norma Nichols
Glen Cavender
Cecile Arnold
Vivian Edwards

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