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442:, after which the album was delayed—for a final time—to the spring of 2000. Bonham was ultimately able to keep nine of the songs she recorded with Froom and Blake on the final album, whilst cutting its track list down from fifteen to twelve songs by removing "love ballads" that she said were written about Slingeneyer, her fiancé at the time. Prior to its release, Bonham would also change the album's title to 539: 501: 534: 529: 524: 519: 496: 491: 486: 481: 400:, was anxious about her working with Froom and Blake as both of them "were not known as hitmakers". Although the label did not interfere with its recording (due to Froom's refusal to allow any of its personnel into the studio), they were able to pressure Bonham into writing more commercial songs for the album. As she was writing potential hit singles, Island's parent company 258: 434:(1996), in order to "get new life into what I was doing". Island responded enthusiastically to "Behind Every Good Woman"; according to Bonham, "When I played them , they were high-fiving each other and saying, 'This is it, this is the anthem. Thank you for giving us this one—now we finally have the record we need". 437:
Amidst further corporate shakeups which saw most of the people she worked with at the label leave, Island Records' new management requested that Bonham write a "second single"—in between an already selected "first" and "third"—for the album. In December 1999, she recorded "Fake It" with producer Don
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is a record that reveals much of its strengths only with repeated listens, and that's part of the problem. Apart from the hardcore fans that have stuck with her for five years, not many people will give it a chance. If they do, they'll find that it's a smart, assured, and distinctive second effort
446:, although some promotional copies bear its original title. Bonham said: "I didn't want to sound too bitter. The first title was my concept of the music business, like a dust devil sweeping through a deserted land. When I thought about that, I decided I didn't want to go there." 381:. Bonham said that she chose to work with them "for their credibility and for the way they make records 'sound.' " The recording sessions with Froom and Blake, which were completed by May 1998, were worked on with the assistance of bassist 1391: 608:
wrote that the "trouble is perhaps, that for all Bonham's musical craftiness (and her violin-playing which saws through a few tracks) and attitude, she's not that memorable, especially melodically." The
43: 1323: 1375: 1620: 1182: 1270: 347:, and it experienced virtually no radio airplay. The album and its only single, "Behind Every Good Woman" failed to appear on any sales charts worldwide. 1722: 1678: 1421: 597:
of AllMusic wrote: "Though it occasionally sounds a little out of time -- it's a record that would have made more sense in 1997 than in 2000 --
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received generally positive reviews from critics. However, the album struggled to find an audience in a musical climate dominated by
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and Steve Slingeneyer. After recording concluded, Bonham embarked on a warm-up tour for the album—then known as
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thought that the album "collects music that is even richer and more distinctive" than the debut.
594: 583: 1850: 1579: 604: 337:, but was delayed until the spring of 2000, as Island was going through a major restructuring. 95: 1601: 1449: 1759: 1470: 1351: 1293: 1236: 1022: 1003: 405: 386: 89: 1913: 1868: 1546: 1475: 1454: 1318: 1298: 1241: 1177: 1148: 548: 1048: 8: 1811: 412:. The merger led to the album being delayed into 1999. Frustrated, Bonham relocated from 382: 229: 333:
and Don Gilmore. The album was supposed to be released in October 1998 under the title
1123: 963: 360: 321:. The album was recorded between March 1998 and December 1999 by Bonham and producers 1818: 1383: 1356: 1153: 611: 257: 1047:
Assistants: Doug Boehm, David Bryant, Robert Carranza, Juan Garcia, Evan Hollander,
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Producers: Tracy Bonham, Tchad Blake, Mitchell Froom, Mark Endert, Don Gilmore
1902: 1886: 1825: 1387: 1360: 1213: 1157: 972: 950: 430: 417: 1782: 1704: 1458:. Vol. 112, no. 10. Nielsen Business Media, Inc. pp. 1, 123. 1302:. Vol. 110, no. 18. Nielsen Business Media, Inc. pp. 13, 83. 1114: 1017: 314: 198: 150: 55: 42: 1479:. Vol. 111, no. 51. Nielsen Business Media, Inc. pp. 62–63. 1745: 1152:. Vol. 61, no. 656. CMJ Network Inc. March 6, 2000. p. 8. 1055: 1028: 938: 690: 652: 439: 425: 421: 378: 330: 326: 183: 173: 124: 111: 1574: 560: 1245:. Vol. 110, no. 10. Nielsen Business Media, Inc. p. 38. 1500: 1007: 996: 984: 473: 401: 344: 17: 1011: 980: 954: 262:
Cover of the promo version of the album with its original title,
1751: 946: 942: 413: 1671:"Catherine Wheel, Tracy Bonham Demonstrate the Power of Rock" 976: 50: 393:—and in anticipation of its planned October 1998 release. 1608:. SPIN Media LLC. June 16, 2000 – via Google Books. 313:
is the second studio album by American singer-songwriter
1128:. Vol. 29, no. 33. pp. 1, 3 – via 1322:. CMJ Network, Inc. April 10, 2000. pp. 1, 10. 1570:"Tracy Bonham: Down Here - PopMatters Music Review" 1492: 1314:"Tracy Bonham Returns From Hiatus with 'Down Here'" 408:, resulting in the label's consolidation into the 1900: 1721:: CS1 maint: others in cite AV media (notes) ( 879:"You Can't Always Not Get What You Don't Want" 1767: 1263:"Tracy Bonham: Please Crawl Out Your Window" 1070:Art direction: Ondine Bue, Steve Slingeneyer 516: 478: 354: 1774: 1760: 1374:Harrington, Richard (September 13, 1998). 1373: 256: 41: 1170: 602:that is a quantum leap past her debut." 1539: 1260: 1901: 1567: 1524: 1507:from the original on December 23, 2011 1447: 1113: 901: 875: 849: 624:All tracks are written by Tracy Bonham 317:, released on April 18, 2000, through 1755: 1618: 1488: 1486: 1468: 1443: 1441: 1439: 1344: 1291: 1234: 1203: 1067:Design: Ondine Bue, Steve Slingeneyer 915: 823: 797: 771: 745: 719: 705: 675: 661: 645: 459: 351:was Bonham's final album for Island. 30:2000 studio album by Tracy Bonham 1424:from the original on August 16, 2023 1394:from the original on August 27, 2017 1326:from the original on August 16, 2023 1256: 1254: 1252: 1204:Quill, Colleen Maree (August 2004). 1185:from the original on August 16, 2023 1109: 1107: 1105: 1103: 1101: 1099: 1097: 1095: 1093: 1091: 1693: 1273:from the original on March 11, 2023 359:In 1996, Tracy Bonham released her 13: 1681:from the original on March 9, 2023 1518: 1483: 1436: 1306: 1173:"Tracy Bonham Makes A Fresh Start" 14: 1930: 1733: 1621:"Wall of Sound Review: Down Here" 1540:Willman, Chris (April 21, 2000). 1529:. Vol. 1. MUZE. p. 747. 1527:The Encyclopedia of Popular Music 1469:Verna, Paul (December 18, 1999). 1294:"Atlantic's Froom Bows as Artist" 1261:Semioli, Tom (January 6, 2013) . 1249: 1197: 1088: 1061:String arrangements: Tracy Bonham 518: 511:The Encyclopedia of Popular Music 480: 1781: 1568:Fufkin, David (April 18, 2000). 1171:Lipshutz, Jason (July 6, 2010). 618: 537: 532: 527: 522: 517: 499: 494: 489: 484: 479: 373:in New York City with producers 1663: 1645: 1612: 1594: 1561: 1533: 1462: 1450:"Island's Tracy Bonham is Back" 1448:Taylor, Chuck (March 4, 2000). 1406: 1367: 1281:– via vinylmanifesto.com. 1919:Albums produced by Tchad Blake 1338: 1285: 1228: 1164: 1136: 1064:Pitch adjustment: Tracy Bonham 989:Don Gilmore - bass, production 630: 1: 1235:Verna, Paul (March 7, 1998). 1081: 1035: 438:Gilmore at Scream Studios in 1798:The Burdens of Being Upright 1016:Sebastian Steinberg - bass, 928: 449: 366:The Burdens of Being Upright 212:The Burdens of Being Upright 7: 1355:. No. 62. p. 86. 1292:Verna, Paul (May 2, 1998). 933:Personnel per liner notes. 905:"Give Us Something to Feel" 10: 1935: 410:Island Def Jam Music Group 25:Down Here (disambiguation) 22: 15: 1878: 1860: 1842: 1789: 1653:"Tracy Bonham: Down Here" 1493:Stephen Thomas Erlewine, 1376:"The Top Records of Fall" 665:"Behind Every Good Woman" 640: 637: 634: 629: 467: 464: 302: 291:"Behind Every Good Woman" 285: 274: 270: 255: 251: 246: 242: 205: 197: 161: 149: 133: 110: 98:, Los Angeles, California 78: 70: 62: 49: 40: 35: 355:Background and recording 74:March 1998–December 1999 16:Not to be confused with 1119:"Tracy: What Happened?" 959:Gregg Arreguin - guitar 595:Stephen Thomas Erlewine 396:Bonham's record label, 294:Released: March 7, 2000 92:, Hollywood, California 1851:The Liverpool Sessions 1711:. 2000. 314-524 564-2. 1525:Larkin, Colin (2006). 1345:Anon. (October 1998). 605:The New Zealand Herald 1420:. December 31, 1998. 1352:CMJ New Music Monthly 1206:"Venus: Tracy Bonham" 1054:Mixing: Tchad Blake, 1044:Engineer: Tchad Blake 979:, drum loop, sounds, 406:Universal Music Group 391:Trail of a Dust Devil 363:-selling debut album 335:Trail of a Dust Devil 264:Trail of a Dust Devil 1582:on September 3, 2000 1547:Entertainment Weekly 1414:"Local - Year ahead" 1319:CMJ New Music Report 1149:CMJ New Music Report 1002:Steve Slingeneyer - 992:Dan Rothchild - bass 549:Entertainment Weekly 455:Professional ratings 23:For other uses, see 1909:Tracy Bonham albums 1879:Promo/radio singles 1812:Blink the Brightest 1717:cite AV media notes 1619:Strickman, Andrew. 1117:(August 18, 2000). 1049:S. "Husky" Hoskulds 679:"You Don't Know Me" 456: 383:Sebastian Steinberg 230:Blink the Brightest 1748:(list of releases) 1677:. August 2, 2000. 1633:on August 15, 2000 1267:Amplifier Magazine 1216:on August 30, 2004 1124:The Boston Phoenix 964:baritone saxophone 723:"Cold Day In Hell" 454: 247:Alternative covers 1896: 1895: 1819:Masts of Manhatta 1675:Los Angeles Times 1418:bostonphoenix.com 1077:, Norman Jean Roy 995:Andrew Sherman - 925: 924: 612:Los Angeles Times 592: 591: 424:, who engineered 404:was merged into 306: 305: 238: 237: 1926: 1776: 1769: 1762: 1753: 1752: 1727: 1726: 1720: 1712: 1697: 1691: 1690: 1688: 1686: 1667: 1661: 1660: 1649: 1643: 1642: 1640: 1638: 1629:. Archived from 1616: 1610: 1609: 1598: 1592: 1591: 1589: 1587: 1578:. Archived from 1565: 1559: 1558: 1556: 1554: 1537: 1531: 1530: 1522: 1516: 1515: 1514: 1512: 1490: 1481: 1480: 1466: 1460: 1459: 1445: 1434: 1433: 1431: 1429: 1410: 1404: 1403: 1401: 1399: 1371: 1365: 1364: 1342: 1336: 1335: 1333: 1331: 1310: 1304: 1303: 1289: 1283: 1282: 1280: 1278: 1258: 1247: 1246: 1232: 1226: 1225: 1223: 1221: 1212:. Archived from 1201: 1195: 1194: 1192: 1190: 1168: 1162: 1161: 1140: 1134: 1133: 1130:Internet Archive 1111: 1075:Valerie Phillips 918: 632: 627: 626: 542: 541: 540: 536: 535: 531: 530: 526: 525: 521: 520: 504: 503: 502: 498: 497: 493: 492: 488: 487: 483: 482: 457: 453: 295: 292: 260: 207: 206: 190: 145: 144: 140: 120:Alternative rock 45: 33: 32: 1934: 1933: 1929: 1928: 1927: 1925: 1924: 1923: 1899: 1898: 1897: 1892: 1874: 1856: 1838: 1785: 1780: 1736: 1731: 1730: 1714: 1713: 1699: 1698: 1694: 1684: 1682: 1669: 1668: 1664: 1651: 1650: 1646: 1636: 1634: 1617: 1613: 1600: 1599: 1595: 1585: 1583: 1566: 1562: 1552: 1550: 1538: 1534: 1523: 1519: 1510: 1508: 1491: 1484: 1467: 1463: 1446: 1437: 1427: 1425: 1412: 1411: 1407: 1397: 1395: 1380:Washington Post 1372: 1368: 1343: 1339: 1329: 1327: 1312: 1311: 1307: 1290: 1286: 1276: 1274: 1259: 1250: 1233: 1229: 1219: 1217: 1202: 1198: 1188: 1186: 1169: 1165: 1144:"Record Briefs" 1142: 1141: 1137: 1112: 1089: 1084: 1038: 962:Steve Berlin - 937:Tracy Bonham - 931: 926: 916: 894: 868: 842: 816: 790: 764: 738: 698: 621: 538: 533: 528: 523: 500: 495: 490: 485: 452: 428:'s debut album 357: 298: 293: 290: 289: 266: 233: 224: 215: 193: 188: 142: 138: 137: 129: 104:, New York City 58: 31: 28: 21: 12: 11: 5: 1932: 1922: 1921: 1916: 1911: 1894: 1893: 1891: 1890: 1882: 1880: 1876: 1875: 1873: 1872: 1864: 1862: 1858: 1857: 1855: 1854: 1846: 1844: 1843:Other releases 1840: 1839: 1837: 1836: 1833:Modern Burdens 1829: 1826:Wax & Gold 1822: 1815: 1808: 1801: 1793: 1791: 1787: 1786: 1779: 1778: 1771: 1764: 1756: 1750: 1749: 1735: 1734:External links 1732: 1729: 1728: 1709:Island Records 1692: 1662: 1644: 1611: 1593: 1560: 1532: 1517: 1482: 1461: 1435: 1405: 1366: 1337: 1305: 1284: 1248: 1227: 1196: 1163: 1135: 1086: 1085: 1083: 1080: 1079: 1078: 1071: 1068: 1065: 1062: 1059: 1052: 1051:, James Murray 1045: 1042: 1037: 1034: 1033: 1032: 1026: 1020: 1014: 1000: 993: 990: 987: 969:Mitchell Froom 966: 960: 957: 930: 927: 923: 922: 919: 913: 912: 909: 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New York: 1705:Tracy Bonham 1700: 1695: 1683:. Retrieved 1674: 1665: 1656: 1647: 1635:. Retrieved 1631:the original 1624: 1614: 1605: 1596: 1584:. Retrieved 1580:the original 1573: 1563: 1551:. Retrieved 1545: 1535: 1526: 1520: 1511:December 11, 1509:, retrieved 1495: 1474: 1464: 1453: 1426:. Retrieved 1417: 1408: 1396:. Retrieved 1379: 1369: 1350: 1340: 1330:February 18, 1328:. Retrieved 1317: 1308: 1297: 1287: 1275:. Retrieved 1266: 1240: 1230: 1218:. Retrieved 1214:the original 1209: 1199: 1187:. Retrieved 1176: 1166: 1147: 1138: 1122: 1018:upright bass 932: 827:"Thumbelina" 695:Tracy Bonham 623: 610: 603: 598: 593: 571: 559: 547: 509: 443: 436: 429: 395: 390: 364: 358: 348: 340: 339: 334: 315:Tracy Bonham 309: 308: 307: 279: 263: 228: 220: 219: 210: 199:Tracy Bonham 170:Tracy Bonham 96:Sunset Sound 56:Tracy Bonham 51:Studio album 1914:2000 albums 1746:MusicBrainz 1703:(booklet). 1542:"Down Here" 1056:Mark Endert 1029:Josh Freese 1023:Pete Thomas 999:, Wurlitzer 712:Don Gilmore 691:Tchad Blake 653:Mark Endert 638:Producer(s) 440:Los Angeles 426:Fiona Apple 422:Mark Endert 387:Pete Thomas 379:Tchad Blake 331:Mark Endert 327:Tchad Blake 189:Don Gilmore 184:Mark Endert 174:Tchad Blake 125:post-grunge 1903:Categories 1575:PopMatters 1347:"Just Out" 1082:References 1058:, Tom Lord 1036:Production 1004:percussion 853:"Meathook" 561:PopMatters 371:Magic Shop 280:Down Here 201:chronology 102:Magic Shop 1805:Down Here 1741:Down Here 1701:Down Here 1685:March 16, 1657:NZ Herald 1637:March 11, 1602:"Reviews" 1586:March 10, 1553:March 11, 1496:Down Here 1476:Billboard 1455:Billboard 1388:0190-8286 1361:1074-6978 1299:Billboard 1242:Billboard 1189:March 11, 1178:Billboard 1158:0890-0795 929:Personnel 709:"Fake It" 599:Down Here 450:Reception 444:Down Here 349:Down Here 341:Down Here 310:Down Here 221:Down Here 36:Down Here 1679:Archived 1505:archived 1501:AllMusic 1428:March 8, 1422:Archived 1398:March 8, 1392:Archived 1324:Archived 1271:Archived 1220:March 9, 1183:Archived 997:clavinet 985:Minimoog 474:AllMusic 402:PolyGram 345:nu metal 163:Producer 71:Recorded 63:Released 53: by 18:downhere 1861:Singles 1031:- drums 1025:- drums 1012:marimba 981:optigan 649:"Freed" 276:Singles 234:(2005) 225:(2000) 216:(1996) 1386:  1359:  1156:  1126:(Arts) 955:vocals 947:violin 943:guitar 908:Bonham 891:Bonham 865:Bonham 839:Bonham 813:Bonham 787:Bonham 761:Bonham 735:Bonham 668:Endert 641:Length 588:79/100 566:7.5/10 468:Rating 465:Source 414:Boston 156:Island 134:Length 79:Studio 1008:drums 977:piano 973:organ 921:42:03 888:Blake 885:Froom 862:Blake 859:Froom 836:Blake 833:Froom 810:Blake 807:Froom 784:Blake 781:Froom 758:Blake 755:Froom 732:Blake 729:Froom 635:Title 431:Tidal 278:from 151:Label 112:Genre 1723:link 1687:2021 1639:2023 1606:SPIN 1588:2023 1555:2023 1513:2010 1430:2023 1400:2023 1384:ISSN 1357:ISSN 1332:2024 1279:2023 1222:2023 1191:2023 1154:ISSN 939:bass 911:4:29 897:3:53 871:3:07 845:4:14 819:3:01 793:0:47 767:3:45 741:3:41 715:3:33 701:3:24 671:3:24 657:4:25 578:5/10 573:Spin 377:and 361:gold 1744:at 902:12. 876:11. 850:10. 631:No. 416:to 90:NRG 1905:: 1719:}} 1715:{{ 1673:. 1655:. 1623:. 1604:. 1572:. 1544:. 1503:, 1499:, 1485:^ 1473:. 1452:. 1438:^ 1416:. 1390:. 1382:. 1378:. 1349:. 1316:. 1296:. 1269:. 1265:. 1251:^ 1239:. 1208:. 1181:. 1175:. 1146:. 1121:. 1090:^ 1010:, 1006:, 983:, 975:, 971:- 953:, 949:, 945:, 941:, 824:9. 798:8. 772:7. 746:6. 720:5. 706:4. 676:3. 662:2. 646:1. 554:A− 329:, 325:, 143:03 139:42 1889:" 1885:" 1871:" 1867:" 1775:e 1768:t 1761:v 1725:) 1689:. 1659:. 1641:. 1590:. 1557:. 1432:. 1402:. 1363:. 1334:. 1224:. 1193:. 1160:. 1132:. 141:: 27:. 20:.

Index

downhere
Down Here (disambiguation)

Studio album
Tracy Bonham
House Of Blues
NRG
Sunset Sound
Magic Shop
Genre
Alternative rock
post-grunge
Label
Island
Producer
Tchad Blake
Mitchell Froom
Mark Endert
Tracy Bonham
The Burdens of Being Upright
Blink the Brightest

Singles
Tracy Bonham
Island Records
Mitchell Froom
Tchad Blake
Mark Endert
nu metal
gold

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