363:"Creators of nationalist myths, both Serbs and Croats, came from the same mountainous region that was probably the source of this Hollywood story. Before the armed conflict, these people were whipping up nationalist fever and indoctrination until conflict became inevitable and both nations were trapped in a bloody embrace...How long will it take for an ethnically "clean" state for every single person who miraculously stays alive? A state for each family, a state for the father in case he is a Croat, a state for the mother in case she is a Muslim, a state for the daughter in case she is a Yugoslav, a state for the son in case he is a Serb, a specific flag for the dog, a currency for the cat."
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249:) was banned in Yugoslavia due to its sexual and political content. He described authoritarian figures in the film as people who are not in control of themselves striving to control others. The political scandal surrounding Makavejev's film was symptomatic of an increasingly oppressive political climate in Yugoslavia that effectively ended the director's domestic career and resulted in his leaving Yugoslavia to live and work abroad in Europe and North America. Makavejev's next film,
309:), which gives profound insight into the history and the nature of Yugoslav film censorship through its investigation of the country's distinctive political-cultural mechanisms for unofficially banning politically controversial films. The film contains original interviews with key filmmakers from the communist era.
255:(1974), was the first feature work that the director produced entirely outside of Yugoslavia (the film was made in Canada). The film's explicit depiction of sex together with its bold treatment of the more taboo dimensions of sexuality reduced the size of its audience (i.e. it was largely confined to the
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as one of the rare films in the history of the cinema that mention Serbs, "a people from an obscure region who were haunted by evil; when hurt they turn into ferocious cats, like panthers, and killed those whom they thought to be the source of hurt of rejection". He comments on the division of Bosnia
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164:; 13 October 1932 – 25 January 2019) was a Serbian film director and screenwriter. He is known for his groundbreaking films of Yugoslav cinema in the late 1960s and early 1970s—many of which belong to the
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Gleaming Faces, Dark
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Betrayed
Promises: Politics and Sexual Revolution in the Films of Márta Mészáros, Miloš Forman, and Dušan Makavejev by Constantin Parvulescu
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Gleaming Faces, Dark
Realities: Dušan Makavejev's Man Is Not a Bird and the Representation of the Working Class after Socialist Realism
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Oumano, Ellen (Spring 1995). "Film Forum: Thirty-five Top
Filmmakers Discuss Their Craft: Dusan Makavejev". In O'Grady, Gerald (ed.).
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After a seven-year hiatus in feature film production, Makavejev released the comparatively more conventional black comedy entitled
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context) and also resulted in the film's being censored in several countries. Makavejev said: "After
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it was as if I had burned all my bridges. I just lost the chance to talk to producers."
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Makavejev appears as one of the narrators in the 2007 Serbian documentary film
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212:(1968), all won him international acclaim. The last-mentioned won the
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Umro Dušan
Makavejev: Odlazak jednog od najvećih srpskih reditelja.
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In 1993 Makavejev wrote and appeared in a half hour televised
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Goran
Markovic Горан Марковиќ "Dušan Makavejev or a Free Man"
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Love Affair, or the Case of the
Missing Switchboard Operator
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Love Affair, or the Case of the
Missing Switchboard Operator
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Love Affair, or the Case of the
Missing Switchboard Operator
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Faculty of
Dramatic Arts, University of Arts in Belgrade
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873:Makavejev Fictionary: The Films of Dusan Makavejev
16:Serbian film director and screenwriter (1932–2019)
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801:"17th Moscow International Film Festival (1991)"
834:. Lanham, Maryland: Rowman & Littlefield.
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1075:Senses of Cinema interview of Dusan Makavejev
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312:He published two books of selected articles:
224:. In 1991 he was a member of the jury at the
220:. In 1970 he was a member of the jury at the
960:Terror and Joy: The Films of Dusan Makavejev
286:(1985), which was based on short stories by
524:Audience Award and Mostra Special Award at
298:, is arguably his most accessible picture.
214:Silver Bear Extraordinary Prize of the Jury
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280:(1981). The director's next feature film,
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727:. Arhiva.kurir-info.rs. Archived from
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526:São Paulo International Film Festival
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927:. Banja Luka: Besjeda. p. 374.
482:Chicago International Film Festival
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725:"Vesti dana - Kurir dnevne novine"
458:Berlin International Film Festival
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1056:A photograph of Dušan Makavejev:
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334:lecture in Britain, produced by
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1156:W.R.: Mysteries of the Organism
958:on 9 August 1993 and quoted in
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751:"Berlinale 1968: Prize Winners"
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342:and subsequently published in
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1069:Literature on Dusan Makavejev
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665:Spomenicima ne treba verovati
659:Antonijevo razbijeno ogledalo
290:and featured performances by
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352:'s Hollywood horror classic
314:Poljubac za drugaricu parolu
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307:Banned without being banned
107:Film director, screenwriter
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1036:English-language interview
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456:and FIPRESCI Prize at the
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1020:Dušan Makavejev biography
912:– via www.imdb.com.
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903:"Zabranjeni bez zabrane"
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270:Makavejev (left) in 1974
161:[dǔʃanmakaʋějeʋ]
1240:Yugoslav film directors
830:Jacobsen, Kurt (2004).
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585:Gorilla Bathes at Noon
303:Zabranjeni bez zabrane
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88:University of Belgrade
1146:Innocence Unprotected
925:Poetika srpskog filma
923:Đerić, Zoran (2009).
689:Nova domaća životinja
442:Innocence Unprotected
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209:Innocence Unprotected
881:Harvard Film Archive
318:24 sličice u sekundi
1111:Films directed by
454:Silver Berlin Bear
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192:" period in film,
1245:Serbian satirists
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1186:The Coca-Cola Kid
1126:Man Is Not a Bird
977:Man Is Not a Bird
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937:Dusan Makavejev,
859:. Belgrade: Clio.
731:on 5 October 2011
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112:Years active
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135: 1964)
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94:Alma mater
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883:. p. 38
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780:berlinale.de
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755:berlinale.de
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729:the original
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73:(2019-01-25)
18:
1225:2019 deaths
1220:1932 births
1166:Sweet Movie
975:Article on
712:www.blic.rs
647:Jatgan mala
641:Short films
631:Co-author,
493:Sweet Movie
368:Filmography
316:(1960) and
261:Sweet Movie
252:Sweet Movie
1214:Categories
1176:Montenegro
1032:interview.
946:Open Media
696:References
671:Osmjeh '61
554:Palme d'Or
530:Palme d'Or
513:Montenegro
355:Cat People
336:Open Media
277:Montenegro
237:(starring
190:Black Wave
166:Black Wave
157:pronounced
61:Yugoslavia
49:1932-10-13
1196:Manifesto
1030:Hungarian
1026:Interview
955:The Times
950:Channel 4
566:Manifesto
386:Director
345:The Times
340:Channel 4
257:art house
115:1965–1996
84:Education
940:Opinions
908:22 March
735:22 March
556:nominee
532:nominee
331:Opinions
320:(1965).
57:Belgrade
1038:(2000).
970:Sources
815:2 March
785:8 March
760:5 March
389:Writer
216:at the
204:Eva Ras
137:
129:
1199:(1988)
1189:(1985)
1179:(1981)
1169:(1974)
1159:(1971)
1149:(1968)
1139:(1967)
1129:(1965)
887:9 July
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691:(1964)
685:(1962)
683:Parada
679:(1961)
673:(1961)
667:(1958)
661:(1957)
655:(1955)
649:(1953)
245:, and
206:) and
178:Career
120:Spouse
877:(PDF)
653:Pečat
617:1996
599:1993
581:1992
561:1988
537:1985
508:1981
488:1974
464:1971
437:1968
417:1967
397:1965
383:Film
380:Year
324:Views
131:(
127:
1028:- a
1014:IMDb
910:2020
889:2023
836:ISBN
817:2013
805:MIFF
787:2010
762:2010
737:2020
628:Yes
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550:No
521:No
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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