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424:. He was the pianist for the recording. Having also composed the album’s title track, he wrote, “I wonder while listening to this recording, just what the people involved were thinking of while idling away (so to speak). The dreamlike mood that prevails gave me the idea of naming this tune
306:, Pearson arranged four tracks, including "Cristo Redentor", which became a hit. The composition, Pearson later commented, was inspired by a trip he took to Brazil while touring with Wilson. Also that year, after the death of
237:. Pearson himself confessed in a 1959 interview that he was "so spoiled by Kelly's good piano" that he decided to switch to piano again. Also, it seems that dental problems forced him to give up brass instruments.
233:
while also playing trumpet in groups in the
Atlanta area. While in the U.S. Army, during his 1953–54 draft, he continued to play trumpet and met, among others, the pianist
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221:. Before he was six, his mother started giving him piano lessons. He studied the instrument until he was twelve, when he took an interest in brass instruments:
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and producer for numerous Blue Note albums while also recording his own albums as bandleader. This was odd, since
Pearson also recorded with his co-led
357:
Pearson's compositions include the now standard, frequently covered "Jeannine", composed c. 1960. An early cover of "Jeannine" appears on the
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257:, before he moved to New York City in January 1959. He had, however, been able to get at least one song, "Tribute to Brownie" (dedicated to
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and ultimately trumpet. He was so fond of the trumpet that through high school and college he neglected the piano. He attended
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Pearson eventually retired from his position with Blue Note in 1971 after personnel changes were made; co-founder
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As a small side project at Blue Note, Pearson penned the liner notes for
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in the 1970s, from which he died in 1980 at
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Pearson performed with different ensembles in
Georgia and
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Years given are for the recording(s), not first release.
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1343:"Eddie Jefferson: "The Main Man" (Inner City 1033)"
197:describes him as having a "big part in shaping the
187:(August 17, 1932 – August 4, 1980) was an American
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289:Quintet. Pearson was also the accompanist for
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1296:Gardner, Mark (June 1971). "Wynton Kelly".
407:Trio recorded the song on their 2011 album
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1392:Fitzgerald, Michael (September 28, 2013).
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1217:The Guinness Encyclopedia of Popular Music
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350:band that played the same night club, The
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1250:"Duke Pearson | Biography & History"
443:died in 1971. Pearson opted to teach at
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605:Reissued by Black Lion in 1989 under
2036:20th-century American male musicians
1446:Duke Pearson Discography Project at
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1613:Introducing Duke Pearson's Big Band
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16:American jazz pianist and composer
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1281:(1959). Original liner notes to
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994:(Blue Note, 1963, and arranger)
377:, recorded in November 1960. A
2051:Burials at South-View Cemetery
2031:20th-century American pianists
2011:Progressive big band musicians
2006:People with multiple sclerosis
1931:(for Stanley Turrentine, 1968)
1923:(for Stanley Turrentine, 1967)
1920:The Return of the Prodigal Son
1915:(for Stanley Turrentine, 1967)
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265:Quintet on their 1957 album,
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1966:American male jazz composers
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1976:American male jazz pianists
50:Columbus Calvin Pearson Jr.
10:
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1981:American session musicians
1394:"Duke Pearson Discography"
1368:"Duke Pearson Discography"
1320:"Duke Pearson Discography"
1996:Blue Note Records artists
1871:(for Blue Mitchell, 1968)
1831:(for Donald Byrd]], 1964)
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300:On the 1963 Byrd album
2001:Musicians from Atlanta
1971:American jazz pianists
1828:I'm Tryin' to Get Home
1100:I'm Tryin' to Get Home
458:He was diagnosed with
395:The Manhattan Transfer
191:pianist and composer.
40:Background information
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1694:At the Half Note Cafe
933:At the Half Note Cafe
447:in 1971, toured with
374:At the Half Note Cafe
84:Atlanta, Georgia, U.S
2041:The Jazztet members
1347:Jazz History Online
1248:Ginell, Richard S.
1222:Guinness Publishing
409:Dialect Fluorescent
359:Cannonball Adderley
267:Sophisticated Swing
263:Cannonball Adderley
261:), recorded by the
2016:Soul-jazz pianists
1905:Stanley Turrentine
1876:A Slice of the Top
1341:Cunniffe, Thomas.
1322:. February 8, 1998
1220:(First ed.).
1158:Stanley Turrentine
1139:A Slice of the Top
460:multiple sclerosis
255:Little Willie John
1991:Post-bop pianists
1986:Hard bop pianists
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1937:
1799:Mean What You Say
1718:A New Perspective
1448:www.jazzdisco.org
1300:, vol. 10, p. 37.
1094:A New Perspective
1053:(Milestone, 1966)
1050:Mean What You Say
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1012:(Blue Note, 1963)
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1503:Duke Pearson
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1467:Find a Grave
1463:Duke Pearson
1454:Duke Pearson
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1401:. Retrieved
1397:
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1375:. Retrieved
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1259:. Retrieved
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400:Bop Doo-Wopp
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291:Nancy Wilson
287:Pepper Adams
279:Benny Golson
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235:Wynton Kelly
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142:Years active
80:(1980-08-04)
25:Duke Pearson
18:
1956:1980 deaths
1951:1932 births
1881:Hank Mobley
1780:Grant Green
1637:The Phantom
1589:Prairie Dog
1557:Dedication!
1279:Gitler, Ira
1169:The Spoiler
1134:Hank Mobley
1074:As Arranger
1001:Grant Green
909:Donald Byrd
775:The Phantom
688:Prairie Dog
609:'s name as
595:Dedication!
576:Bags Groove
545:Gene Taylor
543:Trio, with
514:Gene Taylor
512:Trio, with
466:Discography
433:Alfred Lion
416:Grant Green
369:Donald Byrd
328:Chick Corea
283:the Jazztet
271:Donald Byrd
185:Pearson Jr.
113:Occupations
1945:Categories
1893:Lee Morgan
1804:Thad Jones
1787:The Kicker
1726:Fancy Free
1549:Angel Eyes
1326:January 4,
1195:References
1146:Lee Morgan
1037:Thad Jones
1027:The Kicker
957:Fancy Free
902:As sideman
580:Black Lion
564:Angel Eyes
344:Thad Jones
308:Ike Quebec
275:Art Farmer
223:mellophone
209:Early life
146:1950s–1980
133:Instrument
61:1932-08-17
46:Birth name
1888:Standards
1868:Heads Up!
1856:Boss Horn
1848:Am I Blue
1836:Lush Life
1737:(1969–70)
1624:(1968–70)
1616:(1967–68)
1581:Honeybuns
1552:(1961–62)
1525:co-leader
1403:March 20,
1377:March 20,
1372:jazzdisco
1352:April 26,
1151:Standards
1127:Heads Up!
1121:Boss Horn
1109:Am I Blue
1085:Lush Life
968:(1969–70)
889:Blue Note
867:Blue Note
845:Blue Note
824:Blue Note
803:Blue Note
781:Blue Note
760:Blue Note
738:Blue Note
716:Blue Note
667:Honeybuns
651:Blue Note
631:Jazztime
539:Blue Note
508:Blue Note
471:As leader
348:Mel Lewis
251:Tab Smith
199:Blue Note
158:Blue Note
104:soul jazz
1818:Arranger
1458:AllMusic
1255:AllMusic
1184:(1967),
1178:(1967),
1172:(1966),
1166:(1966),
1124:(1966),
1097:(1963),
898:Source:
853:1968–70
694:Atlantic
673:Atlantic
601:Prestige
551:(drums)
547:(bass),
520:(drums)
516:(bass),
379:vocalese
320:big band
203:hard bop
201:label's
194:Allmusic
163:Atlantic
122:composer
119:Musician
99:hard bop
1907:, 1966)
1895:, 1967)
1883:, 1966)
1863:, 1966)
1843:, 1967)
1810:, 1966)
1794:, 1963)
1782:, 1963)
1770:, 1963)
1533:Profile
1284:Profile
1043:Quintet
570:Polydor
502:Profile
312:A&R
247:Florida
68:Atlanta
1755:others
1745:(1970)
1729:(1969)
1721:(1963)
1713:(1961)
1705:(1960)
1697:(1960)
1689:(1959)
1675:Donald
1664:(1970)
1656:(1969)
1648:(1969)
1640:(1968)
1632:(1968)
1608:(1967)
1600:(1966)
1592:(1966)
1584:(1965)
1576:(1964)
1573:Wahoo!
1568:(1962)
1560:(1961)
1544:(1959)
1536:(1959)
1521:leader
1228:
1190:(1968)
1154:(1967)
1142:(1966)
1130:(1967)
1112:(1963)
1103:(1964)
1088:(1967)
1069:(1972)
1067:Carmen
976:(1970)
960:(1970)
952:(1963)
944:(1961)
936:(1960)
928:(1960)
920:(1959)
645:Wahoo!
490:Notes
487:Label
484:Title
403:. The
361:album
338:, and
241:Career
151:Labels
89:Genres
1903:(for
1891:(for
1879:(for
1859:(for
1839:(for
1686:Fuego
1565:Hush!
1058:With
1035:With
1017:With
999:With
981:With
917:Fuego
907:With
878:1974
875:1970
856:1996
832:1969
811:1969
792:1969
789:1968
768:1968
749:1968
746:1967
727:1968
724:1967
705:1967
702:1966
681:1966
662:1966
659:1965
638:1964
626:Hush!
619:1962
590:1970
587:1961
559:1968
556:1961
528:1960
525:1959
495:1959
136:Piano
1820:only
1806:and
1753:With
1734:Kofi
1677:Byrd
1672:With
1405:2023
1379:2023
1354:2016
1328:2007
1298:Coda
1263:2019
1226:ISBN
965:Kofi
451:and
253:and
189:jazz
181:Duke
95:Jazz
75:Died
55:Born
1465:at
1456:at
578:on
428:.”
1947::
1523:or
1519:As
1396:.
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277:/
179:"
63:)
59:(
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