Knowledge

Dust Devil (film)

Source đź“ť

348:, South Africa. In the morning, the man burns down Saarke's house and leaves in her car. In Johannesburg, Wendy's husband Mark accuses her of cheating on him, leading her to leave him and drive to Namibia. Investigating the scene, Sgt Ben Mukurob and Captain Beyman find strange pictographs on the wall. Joe tells him that they are magic symbols, but Mukurob is skeptical. The Dust Devil is picked up by Wendy, a woman who had left her husband after he accused her of infidelity. When he sees another of his kind hitch-hiking, Dust Devil tells Wendy to drive past him, then disappears from the car. Meanwhile, two police officers find human remains in a camper near where Wendy picked up Dust Devil. 622:. In December 1991, Stanley delivered his first fine cut, a 120-minute assembly version that was cut to fulfill British television contracts. This version was given to Miramax for their consideration who returned it as an 85-minute version. In February 1992, Palace who was on the verge of financial collapse, asked Stanley to accept a cut that was a compromise between the original version and the Miramax edit. Stanley mentioned that "Palace explained it would be financially expedient to arrive at a compromise but I'd have nothing to do with it. I'd lost footage already and I wasn't willing to go back in the editing room." 452: 691: 599:
minutes. The 95-minute version was given a test screening in Wimbledon. Stanley stated that the audience was "clearly confused", as many of the cuts had taken out parts of the film's first act. Following this screening, Stanley, who was adamant that the previous cut of the film was superior, pushed for an "extended European cut" of the film, which would run between 110 and 120 minutes. However, further cuts were made, which gave
735:", and that "for all its lean boogey man strengths, this is mainly a hallucinatory picture: Stanley delivers the requisite shocks with a buff's care and enthusiasm, but is obviously more interested in eerie desert images like a valley said to be created by the slithering of a giant snake at the dawn of time and other unsettling touches." Newman concluded that, on viewing any of the several different edits of the film, 25: 492:. The authorities never caught the serial killer, which led to locals believing the killings were caused by a supernatural force. The police eventually returned to the town with the body of a man they believed was the killer; however, the body was without a head, which made identification with locals impossible. The man was later buried in a town with a grave marked "Nhadiep". 356:, as Wendy's husband Mark arrives in Namibia and begins his search for her. Joe tells Mukurob that the murders are the work of the "naghtloper", a shape-shifting demon who gains power over the material world through ritual murder. The naghtloper must keep moving to work the ritual, but if he is tricked to step over a 351:
With Dust Devil secretly watching, Wendy stops at a small motel for the night and tries to commit suicide but stops herself. Wendy goes to her car the next morning and finds Dust Devil inside, who tells her that she fell asleep the day before. Meanwhile, Beyman gives Mukurob documents about similar
598:
began in 1991 in London. Stanley initially had a 120-minute cut of the film, which was tightened to 110 minutes. Stanley hoped the British financiers would find this edit appropriate for release in Europe and the United Kingdom. However, this was not the case; the financiers cut the film to 95
363:
When Wendy discovers human fingers among Dust Devil's belongings, he tries to kill her but she escapes. Mukurob and Mark pursue them, but Dust Devil causes them to crash the car in a dust storm. Mukurob leaves Mark at the car and heads into the storm, telling him that he has a chance since the
78: 678:, which runs 108 minutes. A 115 minute work print is also included, along with a CD of Simon Boswell’s soundtrack music, a liner notes booklet containing Stanley’s production diaries, a Dust Devil comic book, and a liner notes booklet written by Stanley about the three documentaries. 591:. The script was then sent to the Ministry of Information and Broadcasting in Namibia for approval. Sellar was also able to use South African personnel and equipment for the production, making the film's crew a combination of British, American, South African and Namibian people. 303:. The script was then sent to the Ministry of Information and Broadcasting in Namibia for approval. Sellar was also able to use South African personnel and equipment for the production, making the film's crew a combination of British, American, South African and Namibian people. 646:
An 80-minute cut of the film that was not colour-graded was shown in some European territories prior to 1994 which Richard Stanley described as "an effort to liberate blocked funds and has subsequently been withdrawn with the consent of all parties." Stanley wrote to
634:
and was also shown at the Avoriaz Film Festival. Abridged versions were shown in Italy and France under different titles. After Palace lost its money, Stanley persuaded Polygram to have a new version ready which he personally financed with ÂŁ15,000. On 7 April 1993,
368:
but is stabbed by Dust Devil. Mukurob blocks Dust Devil's path with the kierie, and Wendy uses Mukurob's shotgun to kill Dust Devil as he proclaims his love for her. Wendy walks into the desert past Mark and the car, lies on the road and pulls over a fleet of army
565:
characters weave in and out of similar historical events because I updated the murders to run parallel to Namibia's bloody fight for independence from South Africa in 1989." Stanley also mentioned an influence of
310:
experienced a difficult post-production, with several different cuts being released in the United Kingdom, the United States and select areas in Europe where the film was released in a much shorter version titled
289:, who drives with him along a highway as she is pursued by her estranged husband. As police begin investigating the murders, they seem to trace back to Hitch and Wendy discovers the man has supernatural powers. 1374: 674:. In 2006 these documentaries plus the commentaries were included as extra features on Subversive Cinema’s deluxe limited edition DVD set of Richard Stanley’s approved “Final Cut” of 360:, he will be bound to one spot and his power can be taken. Joe gives Mukurob a kierie and a sacred root to burn to prevent the naghtloper from possessing him after it is killed. 662:
Stanley recently recorded commentaries and interviews not only for this film, but also for three rarely-seen documentary films he had directed over the last decade and a half,
1457: 603:
a running time of 87 minutes. In April 1992, Palace Pictures began experiencing financial problems, causing them to pull out of distributing the film in the United Kingdom.
480:, and re-interprets the story of a South African serial killer known as Nhadiep. The story of Nhadiep had previously been the inspiration for the British film 46: 1452: 295:
was shot in Namibia after March 1990, when Stanley presented his script to producer JoAnne Sellar, whom he had previously worked with on his first film
488:
was made from a previous work of Stanley's, an unfinished 16mm student short film shot in 1984 about bizarre murders taking place around the town of
626:
was initially set to be released in the United Kingdom in December 1992. A 94-minute cut was test-screened in August 1992 to what Mark Kermode of
614:
was financed by an amalgamation of British Investors under the Palace Productions umbrella. The film also received some financial backing from
281:
and is wanted by the police in connection with the death of a woman whose blood was used in a supernatural ceremony. It is believed by a local
1427: 340:
One Dust Devil kills a woman who had picked him up for sex, then burns her house and leaves her corpse in the car. Meanwhile, in the town of
472:
was made to prove to producers that he could make a commercial film after finding that he was rejected by producers from his first scripts.
630:
magazine described as "a poor reaction." A shortened version that was accepted by Miramax was shown in Spain and Portugal under the title
1412: 749:
called it "a brilliant mess", "overflowing with ideas, visual invention and genre references but saddled with a weak, unfocused script."
1422: 33: 1290: 1407: 1447: 1151: 1125: 529: 1366: 572: 1477: 1213: 561:
declaring that In Leone's film "cynical privateers looked for buried gold against an American Civil War backdrop, My
1230: 1467: 655:
in January 1994 with a home video release of the film later in the year. The American cut of the film released by
285:
that Hitch is a "Dust Devil", a supernatural creature that can change its form. Hitch encounters Wendy played by
1432: 1417: 557: 1442: 1437: 1283: 949: 211: 583:
in March 1990. Stanley presented his script to producer JoAnne Sellar, who he had previously worked with on
1462: 580: 539: 317:. The film was released in United Kingdom following the demise of Palace Pictures under an end credit of 702: 321:. It was released in the United States by Miramax with a shorter running time than the British version. 1402: 1300: 1099: 777: 459: 364:
naghtloper only takes those who have nothing to live for. He finds Wendy reaches the abandoned town of
270: 94: 1347: 1276: 643:
and was shown for one week and grossed ÂŁ2,836, a few weeks prior to being released to home video.
1472: 640: 344:, Sgt. Ben Mukurob receives a phone call with strange voices speaking, as does Wendy Robinson in 38: 1018:
Kermode, Mark; Francke, Lizzie (1 September 1992). "Blow Up a Storm: The Making of Dust Devil".
917:
Kermode, Mark; Francke, Lizzie (1 September 1992). "Blow Up a Storm: The Making of Dust Devil".
889:
Kermode, Mark; Francke, Lizzie (1 September 1992). "Blow Up a Storm: The Making of Dust Devil".
1023: 922: 894: 822: 439: 576:, by using "his idea of shimmering Virgin Mary blues to similarly represent forces of God." 1081: 504: 455:
Richard Stanley (pictured) had trouble releasing a proper edit of his film to distributors.
8: 1397: 1339: 524: 519: 468:
was made for ÂŁ1 million, and grossed over $ 5.7 million world-wide. Stanley stated that
451: 954: 745: 548: 1331: 1241: 1209: 1107: 1061: 985: 826: 489: 388: 353: 341: 274: 125: 1268: 1161: 1129: 817: 723: 406: 83: 499:, but admitted the film had traits of the genre. As well as acknowledging Italian 1315: 1252: 1231:
http://wearecult.rocks/richard-stanleys-dust-devil-and-the-changing-face-of-film4
1205: 464: 382: 140: 337:—anthropomorphized desert winds that roam the highways to hunt and kill humans. 1246: 514: 1391: 1111: 1065: 989: 830: 567: 397: 286: 178: 130: 112: 760:
was "handsomely photographed" but also "pretentious" with a "tired" ending.
651:
magazine published in January 1994 that Miramax were planning to distribute
844: 552: 534: 345: 945: 740: 496: 412: 266: 135: 1257: 1235: 980:
Jones, Alan (June 1992). Jones, Alan (ed.). "The Devil and Mr Stanley".
690: 1375:
Lost Soul: The Doomed Journey of Richard Stanley's Island of Dr. Moreau
812: 728: 365: 357: 334: 77: 1263: 1156: 656: 615: 509: 477: 370: 330: 282: 278: 847:. Adventures in Cult Cinema: Richard Stanley's Dust Devil (1992) 543:. Stanley also described the film as a marriage between Italian 24: 503:
films as an influence, he also felt the film was influenced by
500: 352:
murders dating back to 1908. Wendy and Dust Devil reach the
373:. Joe believes she has been possessed by the Dust Devil. 277:
as Hitch, a mysterious man who wanders the deserts in
1298: 1176: 1458:
Films with screenplays by Richard Stanley (director)
731:described the film as a "more personal effort than 587:. Sellar was able to secure 2.8 million pounds for 299:. Sellar was able to secure 2.8 million pounds for 778:"An Interview with Graham Humphreys Film on Paper" 1389: 845:"British Universities Film & Video Council" 807: 1094: 1092: 1051: 1049: 1047: 1045: 1043: 1041: 1039: 1037: 1035: 1033: 1017: 916: 888: 884: 882: 805: 803: 801: 799: 797: 795: 793: 791: 789: 787: 618:, the distributors of Stanley's previous film 1284: 1013: 1011: 1009: 1007: 1005: 1003: 1001: 999: 912: 910: 908: 906: 904: 880: 878: 876: 874: 872: 870: 868: 866: 864: 862: 579:Filming in Namibia became possible following 1453:Films directed by Richard Stanley (director) 1089: 1056:Kermode, Mark (June 1993). "Dust to Dust". 1030: 784: 1291: 1277: 996: 901: 859: 739:was a "considerable and remarkable film." 495:Stanley felt his film was not initially a 76: 975: 973: 940: 938: 936: 934: 932: 450: 333:named Joe Niemand recites a story about 49:of all important aspects of the article. 1098: 1055: 1390: 1199: 1182: 970: 811: 45:Please consider expanding the lead to 1272: 1102:(January 1994). "Starliner Letters". 979: 944: 929: 659:removed about 20 minutes of footage. 530:The Gospel According to Saint Matthew 1428:British Western (genre) horror films 950:"Reviews: Dust Devil: The Final Cut" 685: 18: 1202:Horror and Science Fiction Films IV 16:1992 horror film by Richard Stanley 13: 1413:1990s Western (genre) horror films 754:Horror and Science Fiction Film IV 14: 1489: 1423:British supernatural horror films 1343:(segment "Mother of Toads", 2011) 1224: 639:premiered at the Scala cinema in 476:was shot entirely on location in 436:Stephen Earnhart as Camper Driver 418:Russell Copley as Corporal Dutoit 689: 421:Andre Odendaal as Corporal Botes 23: 1408:1990s supernatural horror films 1144: 1118: 1072: 756:, Donald C. Willis stated that 394:Terri Norton as Saarke Haarhoff 37:may be too short to adequately 1128:. Fangoria.com. Archived from 837: 770: 558:The Good, the Bad and the Ugly 47:provide an accessible overview 1: 1448:Films scored by Simon Boswell 1192: 815:(1 June 1993). "Dust Devil". 446: 430:Robert Stevenson as Rifle Boy 385:as Joe Niemand / The Narrator 82:Theatrical release poster by 1085:. 23 April 1993. p. 21. 763: 681: 540:Once Upon a Time in the West 403:Rufus Swart as Mark Robinson 7: 1106:. No. 10. p. 11. 1022:. Vol. 2, no. 5. 921:. Vol. 2, no. 5. 893:. Vol. 2, no. 5. 821:. Vol. 3, no. 6. 409:as Captain Cornelius Beyman 10: 1494: 1200:Willis, Donald C. (1997). 1060:. No. 7. p. 22. 984:. No. 1. p. 26. 606: 581:the country's independence 433:Peter Hallr as Marist Monk 1478:Films about shapeshifting 1358: 1307: 637:Dust Devil: The Final Cut 424:Luke Cornell as Soldier 1 319:Dust Devil: The Final Cut 306:After finishing filming, 250: 240: 217: 207: 184: 174: 157: 149: 118: 108: 100: 90: 75: 70: 1367:The Island of Dr. Moreau 427:Philip Henn as Soldier 2 269:written and directed by 1468:Films about hitchhiking 484:(1989) by David Wicht. 415:as Sergeant Ben Mukurob 376: 324: 199:Film Four International 1024:British Film Institute 923:British Film Institute 895:British Film Institute 823:British Film Institute 555:, specifically noting 456: 1433:Films shot in Namibia 1418:Palace Pictures films 454: 1443:Films set in Namibia 1438:Films set in deserts 1082:Screen International 641:King's Cross, London 573:The Devil's Daughter 505:Alejandro Jodorowsky 1463:1990s British films 1340:The Theatre Bizarre 594:Post-production of 525:Pier Paolo Pasolini 520:Simon of the Desert 440:Marianne Sägebrecht 1348:Color Out of Space 1299:Films directed by 1164:on 7 November 2007 1132:on 7 November 2007 701:. You can help by 672:The White Darkness 549:spaghetti westerns 457: 265:is a 1992 British 1403:1992 horror films 1385: 1384: 1020:Sight & Sound 948:(19 April 1993). 919:Sight & Sound 891:Sight & Sound 818:Sight & Sound 724:Sight & Sound 719: 718: 664:Voice of the Moon 462:'s previous film 442:as Dr. Leidzinger 400:as Wendy Robinson 389:Robert John Burke 354:Fish River Canyon 273:. The film stars 258: 257: 64: 63: 1485: 1293: 1286: 1279: 1270: 1269: 1219: 1186: 1180: 1174: 1173: 1171: 1169: 1160:. Archived from 1148: 1142: 1141: 1139: 1137: 1122: 1116: 1115: 1100:Stanley, Richard 1096: 1087: 1086: 1079:"Devil's brew". 1076: 1070: 1069: 1053: 1028: 1027: 1015: 994: 993: 977: 968: 967: 965: 963: 942: 927: 926: 914: 899: 898: 886: 857: 856: 854: 852: 841: 835: 834: 809: 782: 781: 774: 714: 711: 693: 686: 668:The Secret Glory 407:William Hootkins 233: 231: 84:Graham Humphreys 80: 68: 67: 59: 56: 50: 27: 19: 1493: 1492: 1488: 1487: 1486: 1484: 1483: 1482: 1388: 1387: 1386: 1381: 1354: 1303: 1301:Richard Stanley 1297: 1253:Rotten Tomatoes 1227: 1222: 1216: 1206:Scarecrow Press 1195: 1190: 1189: 1181: 1177: 1167: 1165: 1150: 1149: 1145: 1135: 1133: 1124: 1123: 1119: 1097: 1090: 1078: 1077: 1073: 1054: 1031: 1016: 997: 978: 971: 961: 959: 943: 930: 915: 902: 887: 860: 850: 848: 843: 842: 838: 810: 785: 776: 775: 771: 766: 715: 709: 706: 699:needs expansion 684: 609: 460:Richard Stanley 449: 383:John Matshikiza 379: 327: 271:Richard Stanley 243: 236: 229: 227: 220: 203: 202: 196:Palace Pictures 189: 187: 170: 145: 141:John Matshikiza 104:Richard Stanley 95:Richard Stanley 86: 60: 54: 51: 44: 32:This article's 28: 17: 12: 11: 5: 1491: 1481: 1480: 1475: 1473:Demons in film 1470: 1465: 1460: 1455: 1450: 1445: 1440: 1435: 1430: 1425: 1420: 1415: 1410: 1405: 1400: 1383: 1382: 1380: 1379: 1371: 1362: 1360: 1356: 1355: 1353: 1352: 1344: 1336: 1328: 1320: 1311: 1309: 1305: 1304: 1296: 1295: 1288: 1281: 1273: 1267: 1266: 1255: 1244: 1233: 1226: 1225:External links 1223: 1221: 1220: 1214: 1196: 1194: 1191: 1188: 1187: 1185:, p. 149. 1175: 1143: 1126:"Fangoria.com" 1117: 1088: 1071: 1029: 995: 969: 928: 900: 858: 836: 825:. p. 51. 783: 768: 767: 765: 762: 717: 716: 696: 694: 683: 680: 608: 605: 547:films and the 448: 445: 444: 443: 437: 434: 431: 428: 425: 422: 419: 416: 410: 404: 401: 395: 392: 386: 378: 375: 329:In Namibia, a 326: 323: 256: 255: 254:United Kingdom 252: 248: 247: 244: 241: 238: 237: 235: 234: 223: 221: 218: 215: 214: 212:PolyGram Video 209: 208:Distributed by 205: 204: 201: 200: 197: 193: 192: 190: 185: 182: 181: 176: 172: 171: 169: 168: 165: 161: 159: 155: 154: 153:Steven Chivers 151: 150:Cinematography 147: 146: 144: 143: 138: 133: 128: 122: 120: 116: 115: 110: 106: 105: 102: 98: 97: 92: 88: 87: 81: 73: 72: 62: 61: 41:the key points 31: 29: 22: 15: 9: 6: 4: 3: 2: 1490: 1479: 1476: 1474: 1471: 1469: 1466: 1464: 1461: 1459: 1456: 1454: 1451: 1449: 1446: 1444: 1441: 1439: 1436: 1434: 1431: 1429: 1426: 1424: 1421: 1419: 1416: 1414: 1411: 1409: 1406: 1404: 1401: 1399: 1396: 1395: 1393: 1377: 1376: 1372: 1369: 1368: 1364: 1363: 1361: 1357: 1350: 1349: 1345: 1342: 1341: 1337: 1334: 1333: 1329: 1326: 1325: 1321: 1318: 1317: 1313: 1312: 1310: 1308:Feature films 1306: 1302: 1294: 1289: 1287: 1282: 1280: 1275: 1274: 1271: 1265: 1261: 1260: 1256: 1254: 1250: 1249: 1245: 1243: 1239: 1238: 1234: 1232: 1229: 1228: 1217: 1215:0-8108-3055-8 1211: 1207: 1203: 1198: 1197: 1184: 1179: 1163: 1159: 1158: 1153: 1147: 1131: 1127: 1121: 1113: 1109: 1105: 1101: 1095: 1093: 1084: 1083: 1075: 1067: 1063: 1059: 1052: 1050: 1048: 1046: 1044: 1042: 1040: 1038: 1036: 1034: 1026:. p. 17. 1025: 1021: 1014: 1012: 1010: 1008: 1006: 1004: 1002: 1000: 991: 987: 983: 976: 974: 957: 956: 951: 947: 941: 939: 937: 935: 933: 925:. p. 14. 924: 920: 913: 911: 909: 907: 905: 897:. p. 16. 896: 892: 885: 883: 881: 879: 877: 875: 873: 871: 869: 867: 865: 863: 846: 840: 832: 828: 824: 820: 819: 814: 808: 806: 804: 802: 800: 798: 796: 794: 792: 790: 788: 779: 773: 769: 761: 759: 755: 750: 748: 747: 742: 738: 734: 730: 726: 725: 713: 704: 700: 697:This section 695: 692: 688: 687: 679: 677: 673: 669: 665: 660: 658: 654: 650: 644: 642: 638: 633: 629: 625: 621: 617: 613: 604: 602: 597: 592: 590: 586: 582: 577: 575: 574: 569: 568:Michele Soavi 564: 560: 559: 554: 550: 546: 542: 541: 536: 532: 531: 526: 522: 521: 516: 512: 511: 506: 502: 498: 493: 491: 487: 483: 479: 475: 471: 467: 466: 461: 453: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 399: 398:Chelsea Field 396: 393: 391:as Dust Devil 390: 387: 384: 381: 380: 374: 372: 367: 361: 359: 355: 349: 347: 343: 338: 336: 332: 322: 320: 316: 315: 309: 304: 302: 298: 294: 290: 288: 287:Chelsea Field 284: 280: 276: 272: 268: 264: 263: 253: 249: 245: 239: 225: 224: 222: 216: 213: 210: 206: 198: 195: 194: 191: 183: 180: 179:Simon Boswell 177: 173: 166: 163: 162: 160: 156: 152: 148: 142: 139: 137: 134: 132: 131:Chelsea Field 129: 127: 124: 123: 121: 117: 114: 113:JoAnne Sellar 111: 107: 103: 99: 96: 93: 89: 85: 79: 74: 69: 66: 58: 55:February 2021 48: 42: 40: 35: 30: 26: 21: 20: 1373: 1365: 1346: 1338: 1330: 1323: 1322: 1314: 1258: 1247: 1236: 1201: 1178: 1166:. Retrieved 1162:the original 1155: 1146: 1134:. Retrieved 1130:the original 1120: 1103: 1080: 1074: 1057: 1019: 981: 960:. Retrieved 958:. p. 45 953: 946:Elley, Derek 918: 890: 849:. Retrieved 839: 816: 772: 757: 753: 752:In his book 751: 744: 736: 732: 722: 720: 710:October 2016 707: 703:adding to it 698: 675: 671: 667: 663: 661: 652: 648: 645: 636: 631: 627: 623: 619: 611: 610: 600: 595: 593: 588: 584: 578: 571: 562: 556: 553:Sergio Leone 544: 538: 535:Sergio Leone 528: 518: 508: 494: 485: 481: 473: 469: 463: 458: 362: 358:kierie stick 350: 346:Johannesburg 339: 328: 318: 313: 312: 307: 305: 300: 296: 292: 291: 275:Robert Burke 261: 260: 259: 242:Running time 219:Release date 126:Robert Burke 65: 52: 36: 34:lead section 1378:(2014 film) 1370:(1996 film) 1183:Willis 1997 813:Newman, Kim 741:Derek Elley 515:Luis Buñuel 497:horror film 413:Zakes Mokae 335:Dust Devils 267:horror film 246:108 minutes 167:Paul Carlin 164:Derek Trigg 136:Zakes Mokae 109:Produced by 91:Directed by 1398:1992 films 1392:Categories 1324:Dust Devil 1259:Dust Devil 1248:Dust Devil 1237:Dust Devil 1193:References 851:30 January 758:Dust Devil 737:Dust Devil 729:Kim Newman 676:Dust Devil 653:Dust Devil 624:Dust Devil 612:Dust Devil 601:Dust Devil 596:Dust Devil 589:Dust Devil 563:Dust Devil 486:Dust Devil 482:Windprints 474:Dust Devil 447:Production 366:Kolmanskop 308:Dust Devil 301:Dust Devil 293:Dust Devil 262:Dust Devil 186:Production 101:Written by 71:Dust Devil 1112:0965-8238 1066:0965-8238 990:0965-8238 962:3 October 831:0037-4806 764:Footnotes 682:Reception 188:companies 158:Edited by 39:summarize 1316:Hardware 1264:AllMovie 1168:28 March 1157:Fangoria 1136:28 March 733:Hardware 632:Demonica 620:Hardware 585:Hardware 570:'s film 490:Bethanie 470:Hardware 465:Hardware 371:Casspirs 342:Bethanie 314:Demonica 297:Hardware 175:Music by 119:Starring 1359:Related 1104:Shivers 1058:Shivers 982:Shivers 955:Variety 746:Variety 657:Miramax 649:Shivers 628:Shivers 616:Miramax 607:Release 510:El Topo 478:Namibia 331:Sangoma 283:sangoma 279:Namibia 251:Country 228: ( 1351:(2019) 1335:(1994) 1327:(1992) 1319:(1990) 1212:  1152:"News" 1110:  1064:  988:  829:  545:gialli 533:, and 501:gialli 1332:Brave 1242:IMDb 1210:ISBN 1170:2011 1138:2011 1108:ISSN 1062:ISSN 986:ISSN 964:2022 853:2020 827:ISSN 670:and 377:Cast 325:Plot 230:1992 226:1992 1262:at 1251:at 1240:at 743:of 721:In 705:. 551:of 537:'s 527:'s 517:'s 507:'s 1394:: 1208:. 1204:. 1154:. 1091:^ 1032:^ 998:^ 972:^ 952:. 931:^ 903:^ 861:^ 786:^ 727:, 666:, 523:, 513:, 1292:e 1285:t 1278:v 1218:. 1172:. 1140:. 1114:. 1068:. 992:. 966:. 855:. 833:. 780:. 712:) 708:( 232:) 57:) 53:( 43:.

Index


lead section
summarize
provide an accessible overview

Graham Humphreys
Richard Stanley
JoAnne Sellar
Robert Burke
Chelsea Field
Zakes Mokae
John Matshikiza
Simon Boswell
PolyGram Video
horror film
Richard Stanley
Robert Burke
Namibia
sangoma
Chelsea Field
Sangoma
Dust Devils
Bethanie
Johannesburg
Fish River Canyon
kierie stick
Kolmanskop
Casspirs
John Matshikiza
Robert John Burke

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.

↑