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His biggest contribution to painting was through his professorship at the
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Although he received promise of a travel stipend in conjunction with the gold medal, the actual funds would not be made available until 1812. On 1 July 1810, he married E. Christine
Rebecca Hyssing against his wishes, in order to 'legitimize' a son, Erling Carl Vilhelm Eckersberg, who had been born
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as the cultural head. Eckersberg and
Thorvaldsen developed a close lasting relationship, and the master served the younger Eckersberg as both loyal friend and advisor. Eckersberg painted one of his best portraits, a portrait of Thorvaldsen, in Rome in 1814, which was donated to the Academy of Art.
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Eager to travel, not only on account of his desire to stretch his artistic skills and knowledge, but also in order to escape the reality of his marriage, he made other arrangements for the financial support needed that would allow him to travel. On 3 July, a few days after the wedding, Eckersberg
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from 1811 to 1812. He improved his skills in painting the human form, and followed his teacher's admonition to paint after Nature and the
Antique in order to find Truth. It was here that he developed a lifelong friendship with his Paris roommate and fellow artist
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in 1809. The
Academy had waited to fill the position until Eckersberg returned to Denmark from his student travels, while delaying the attempts by Abildgaard's disciple, Christian Fædder Høyer, and by Christian Gotlieb Kratzenstein-Stub and
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at the age of 56. The experience of sailing out on the open seas gave new dimension to his marine paintings, which until that point tended to be calm depictions. Now there was more attention given to movement and to waves.
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Life in Rome agreed with him, and he was greatly affected by the bright southern light he experienced there. He produced a large body of work during those years, including a number of exceptional landscape studies.
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students to develop their individual strengths, thus creating unique styles. He developed an increasing interest in perspective on account of his marine paintings. He wrote a dissertation on the subject called
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began his travels out of the country. Along with Tønnes
Christian Bruun de Neergaard, writer, enthusiastic art lover and financial supporter, he made his way through Germany to Paris. Here he studied under
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Still under apprenticeship, Eckersberg produced proficient drawings and paintings. Having amassed some money, including financial support from local well-wishers, he arrived at
Copenhagen's
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He was admitted as a member of the
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Shortly after his return to
Denmark Eckersberg arranged for his admission into the Academy, and received as the subject of his admissions painting the
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He was director of the Academy from 1827 to 1829. His eyesight failed him in later life and he had to give up painting. He died in Copenhagen of
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His divorce from Hyssing was finalized during his stay out of the country, and on 2 August 1816 he had returned to Denmark.
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to her. Erling eventually followed in his father's footsteps with an academy education, and a career as a copperplate
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There is a self-portrait from 1803, a bust of him by Thorvaldsen from 1816 and a portrait by Marstrand from 1836.
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to seek the same position. Finally the Academy awarded the position not only to Eckersberg, but also to Lund.
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157:(2 January 1783 – 22 July 1853) was a Danish painter. He was born in Blåkrog in the Duchy of
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on 23 May 1803. He was accepted into the Academy without payment in 1803, where he studied with
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On 2 January 1783, Christoffer Wilhelm Eckersberg was born in Blåkrog in the Duchy of
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The Russian Ship of the Line "Asow" and a Frigate at Anchor in the Roads of Elsinore
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A View through Three of the North-Western Arches of the Third Storey of the Coliseum
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The Russian Ship of the Line "Asow" and a Frigate at Anchor in the Roads of Elsinore
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A View through Three of the North-Western Arches of the Third Storey of the Coliseum
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he developed with great interest. He had a passion for ships, and sailed around the
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The Admiralty in 1819 had granted him free access to the Copenhagen Naval Station (
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in Denmark). He went on to lay the foundation for the period of art known as the
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234:(1797–1800). He continued his training at age 17 under Josiah Jacob Jessen in
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The Marble Steps Leading to the Church of Santa Maria in Aracoeli in Rome
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The Marble Steps Leading to the Church of Santa Maria in Aracoeli in Rome
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on 22 July 1853 during the great epidemic. He is buried in Copenhagen's
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Eckersberg was commissioned to do a number of historical paintings for
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Bella and Hanna. The Eldest Daughters of M. L. Nathanson
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Statens Museum for Kunst ("The Danish National Gallery")
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Bella and Hanna. The Eldest Daughters of M. L. Nathanson
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he began his training as a painter under church and
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1914:Directors of the Royal Danish Academy of Fine Arts
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971:KID Kunst Index Danmark ("Art Index Denmark")
527:Linearperspektiven, anvendt paa Malerkunsten
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359:View of the interior of the
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1857:Modern Breakthrough
1728:Just Mathias Thiele
1713:Niels Laurits Høyen
1581:Adam Oehlenschläger
1533:August Bournonville
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262:View north towards
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1753:Institutions
1708:Jonas Collin
1608:and theology
1571:Henrik Hertz
1389:Vilhelm Kyhn
1379:C. A. Jensen
1369:Georg Hilker
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108:, Copenhagen
88:(1853-07-22)
86:22 July 1853
52:
29:
1884:1853 deaths
1879:1783 births
1813:Sophienholm
1693:Frederik VI
1656:Rasmus Rask
1424:Jørgen Roed
1011:on kunstnet
757: 1816
679:Jørgen Roed
579:Anton Dorph
463:Frederik VI
451:altarpieces
439:Thorvaldsen
113:Nationality
1873:Categories
1808:Nysø Manor
1791:Bakkehuset
1606:Philosophy
1548:Literature
1500:Niels Gade
1009:Eckersberg
941:References
885:Alcibiades
515:swam naked
409:J. L. Lund
291:landscapes
248:Copenhagen
94:Copenhagen
67:1783-01-02
18:Eckersberg
1454:Sculpture
1329:Carl Dahl
1074:Paintings
856:(c. 1835)
569:Carl Dahl
486:North Sea
478:Skagerrak
361:Colosseum
350:Jens Juel
287:portraits
272:Tollbooth
266:, Denmark
236:Flensborg
216:carpenter
202:, in the
196:Schleswig
159:Schleswig
121:Education
96:, Denmark
77:, Denmark
1306:Painting
1133:Drawings
924:See also
791:, 1816,
482:Kattegat
369:Florence
320:, 1812,
303:engraver
232:Aabenraa
228:portrait
198:(now in
161:(now in
139:Movement
1685:patrons
1238:Centres
1175:Related
871:(1843)
735:(1813)
701:Gallery
419:cholera
363:in Rome
220:Alssund
212:Denmark
208:Jutland
167:Jutland
75:Blåkrog
1825:Sølyst
1746:Venues
1255:People
1152:People
1144:(1852)
1125:(1841)
1117:(1828)
1109:(1820)
1101:(1817)
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918:(1836)
903:(1852)
841:(1833)
826:(1829)
811:(1828)
776:(1816)
720:(1809)
549:(1820)
536:Pupils
511:Holmen
505:, 1841
484:, the
480:, the
397:Baldur
116:Danish
55:, 1832
1492:Music
1167:(son)
1161:(son)
474:genre
429:Works
393:Norse
246:) in
1683:and
289:and
177:Life
83:Died
61:Born
210:in
206:of
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