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speech. Glenna compares the feeling to the one she gets when she is acting. Edmond claims she is not a real actress because she only takes acting classes and does not actually perform for a paying audience. Edmond encourages her to be honest with herself, and to say that she is not an actress but a
176:
In prison, a large
African-American cellmate is assigned to him. In a long philosophical speech, Edmond expresses conciliatory feelings to his cellmate and blacks in general, saying that people subconsciously desire what they fear and so whites should not try to avoid blacks. His uninterested
188:
scene, Edmond appears to forgive his cellmate, and in the final scene, set a number of years later, the two ruminate on the uncertainty of life and the role of destiny in human affairs as Edmond smokes a cigarette. Edmond utters a line that is nearly an exact quote of one from
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Later, he hears a preacher at a mission preach that all souls can be redeemed through faith. Edmond wants to go testify to the preacher, but he is identified by the woman from the subway and arrested. He has a short reunion with his wife, who serves him with divorce papers.
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beat Edmond to the ground. Increasingly convinced of the ugliness and difficulty of human existence, Edmond buys a knife from a pawnshop. He threatens a woman on a subway platform, then beats an
African-American pimp who is trying to rob him, while calling him racial slurs.
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Edmond meets with a priest and admits to being sodomized. Although he has reported the incident to the correctional officers, they were uninterested and simply said, "It happens." This is followed with an angry Edmond ranting about God.
193:: "There is a destiny that shapes our ends...rough-hew them how we may." The play ends as the two say "good night" and Edmond kisses his cellmate on the mouth good night, lying beside him in bed.
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Despite its critical praise, the racial content of the play, particularly the numerous slurs against
African-Americans, has caused controversy at colleges and universities attempting to stage it.
164:
Invigorated by the act of violence, he goes to a coffeehouse and propositions his waitress, Glenna. At her apartment, he tells her how alive beating the pimp has made him feel in a highly
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in New York City. After a visit to a fortune teller, he decides to leave his wife and embarks on an odyssey through New York's seedy underbelly, which takes him to two bars, a
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cellmate first offers him a cigarette, and then punches him hard in the face twice. Then he threatens to kill him unless Edmond performs oral sex on him, which he does.
113:. The play consists of twenty-three short scenes. In the original production, each of the actors took on multiple roles, save the two playing Edmond and his wife.
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waitress. Glenna begins to find his odd behavior disturbing and asks him to leave. An argument escalates, and Edmond kills her with the knife he has bought.
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132:, has been shown at some film festivals in the U.S. and Europe, and underwent limited U.S. release on July 14, 2006.
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starred as Edmond in a production of the play in London in 2003.
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True and False: Heresy and Common Sense for the Actor
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dealer of running a crooked game, the dealer and his
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186:penultimate
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31:Written by
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329:Reunion
230:Plays 2
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46: (
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217:Notes
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234:ISBN
128:and
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978::
120:A
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20:.
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