243:, ignored the law and taught his students evolution. Scopes decided that the students should learn evolution, even if it went against the teachings of the bible. Since the trial was popular and a nationwide topic, Mencken took a staff from The Sun, including Duffy, to cover the trial. “ graphic artwork played a significant role in the public’s perception of the trial proceedings reported in the pages of The Sun, then one of America’s most influential newspapers”. His cartoons brought more attention to the issue, as he derided Tennessee for crushing knowledge in one of his more notable cartoons from the trial called ‘A Closed Book in Tennessee.’ In this cartoon, Duffy shows a man, representing Tennessee, holding a sign that says “Fundamentalists Only Wanted as Teachers.” The man is standing on top of the book of knowledge, holding it shut. Duffy knew that this powerful cartoon would cause a great response, but that is exactly what Mencken wanted and expected from him. Many more of his cartoons from the trial held the same message, in which he was publicly shaming Tennessee for the law, the trial, and the verdict. Mencken once said that with a good cartoonist he would not need a whole editorial staff, and a great cartoonist he found in Duffy.
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nothing back He was one of the few people of his time that would boldly approach the topic of racism. He blatantly condemned lynching and the actions of the KKK. This was one of his main issues that he approached during his career. During the time period that Duffy worked it was not popular to advocate against racism, so Duffy was civil rights before it was a wide movement in the United States. S.L. Harrison, a late professor of
Communication at the University of Miami, wrote that Duffy “displayed uncommon vigor in attacking the Ku Klux Klan”.
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257:“California Points with Pride!” (1934) This cartoon is one of Duffy's many anti-lynching pieces. This one, however, deals with white on white lynching. In California, people took two kidnappers from prison and lynched them in a park, but the Governor praised the people that did the lynching. Duffy condemned the Governor in this cartoon.
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Duffy was known for his daring nature in relation to his work. H.L. Mencken saw promise in his work and “Duffy with his sometimes savage artwork, did the kind of thing that delighted
Mencken, who loved nothing more than to ‘stir up the animals’”. Duffy was not afraid to please Mencken, and held
260:“The 'Outstretched Hand'” (1940) In this cartoon, Duffy's topic is Adolf Hitler and his brutality. By the time the cartoon was drawn, Germany had already invaded Poland, and Duffy shows Hitler's broken promises and peace offerings. Hitler's hand drips with blood in the image.
254:“An Old Struggle Still Going On” (1931) This cartoon references the anti-communism era that began in the 1920s and 1930s. At the time, communism was seen as being anti-religion, which is what Duffy conveys in the cartoon.
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Fischer, Heinz
Dietrich, and Erika J. Fischer. Complete Biographical Encyclopedia of Pulitzer Prize Winners, 1917-2000: Journalists, Writers and Composers on Their Ways to the Coveted Awards. Walter de Gruyter,
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Over Edmund Duffy's career, he won three
Pulitzer Prizes, which is a lot compared to other recipients over the years. His three prize winning cartoons are the following:
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in 1931, 1934, and 1940. Duffy began working for the
Baltimore Sun in 1924, when he was only about 25 years old, and he received high praise from the famous journalist
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in the Sunday section. Duffy worked on a variety of assignments in order to save up money, then launching his
European career. He moved to London and worked for the
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114:. Duffy's career took him to London, Paris, New York, and finally to Baltimore, where he spent the majority of his professional career working for
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Fischer, Heinz-Dietrich. Political
Caricatures on Global Issues: Pulitzer Prize Winning Editorial Cartoons. LIT Verlag Münster, 2012.
170:. Duffy worked in Paris for a few years, and he finally returned to the United States in 1922. He worked for two years with both the
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Harrison, S.L. (1994). "The Scopes "Monkey Trial" Revisited: Mencken and the
Editorial Art of Edmund Duffy".
195:. Duffy drew numerous noteworthy cartoons, approaching major issues and incidents, such as lynching and the
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110:, eventually moving to metropolitan areas. Duffy did not attend high school, but instead went into the
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http://goodcomics.comicbookresources.com/2009/03/18/a-month-of-pulitzer-prize-winning-cartoons-day-18/
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106:(March 1, 1899 – September 12, 1962), was an American editorial cartoonist. He grew up in
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Duffy first came into the journalism field with his submission of a page of sketches for
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http://articles.baltimoresun.com/1999-12-05/topic/9912100812_1_duffy-unjust-utter-ruin
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n. Duffy worked there until 1948, in order to work a less tiring job, working for the
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The longest period of his career began in 1924 when he began working for
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a lithograph from ca. 1931, depicts the lynching of
Matthew Williams.
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368:“Edmund Duffy.” Baltimore Sun. Accessed September 7, 2014.
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713:Pulitzer Prize for Editorial Cartooning winners
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158:. The sketches were put into the
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275:"An Old Struggle Still Going On"
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287:"California Points With Pride!"
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112:Art Students League of New York
708:American editorial cartoonists
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207:Denouncing racism through art
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299:"The 'Outstretched Hand'"
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108:Jersey City, New Jersey
35:Jersey City, New Jersey
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192:Saturday Evening Post
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96:Anne Elizabeth Rector
74:Saturday Evening Post
589:Clifford K. Berryman
511:Charles R. Macauley
167:London Evening News
16:American cartoonist
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523:John T. McCutcheon
391:2015-04-17 at the
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143:A 1922 cartoon of
44:September 12, 1962
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233:The Baltimore Sun
135:Journalism career
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703:1962 deaths
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571:Jacob Burck
459:(1922–1950)
65:Employer(s)
692:Categories
620:Lute Pease
308:References
237:Butler Act
59:Cartoonist
55:Occupation
676:2001–2025
669:1976–2000
662:1951–1975
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203:of 1925.
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389:Archived
176:and the
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323:2002.
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