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197:. Writing in just 12 days' time, his score more closely paralleled the movie, shot-by-shot and scene-by-scene, in a way that was novel for the time. Meisel's only guidance from Eisenstein was with the final reel, where Meisel was asked to rely on rhythm as the dominant element. Eisenstein was apparently pleased with Meisel's score, hiring him later for
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led to him writing music for films soon after. Meisel quickly came to be considered a talented composer, capable of working in a different styles, encompassing expressionism and jazz, as well as traditional orchestral modes. Writing during the turbulent years of the
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Abraham and Jeni née Herzbrunn. His family was Jewish. He began composing incidental music for the stage in the 1920s. Early credits included the scoring of plays by
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