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Edward Bernds

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curled up on him. It just didn't work. As a fledgling director, my plans were based on doing everything in one nice, neat shot. But when I saw the scenes were not playing, I had to improvise and use other angles to make it play. It was the wallpaper scene that we shot first, and during the first two hours of filming, I became aware that we had a problem with Curly.
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ran into Bernds one day, and made Bernds a promise to talk with Cohn that evening. Cohn, although well aware of Bernds's prowess in the sound department, grudgingly granted Bernds's wish. His first directorial assignment was a public-service short cautioning audiences against spreading rumors during
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It was an awful tough deal for a novice rookie director to have a Curly who wasn't himself. I had seen Curly at his greatest and his work in this film was far from great. The wallpaper scene was agony to direct because of the physical movements required to roll up the wallpaper and to react when it
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Bernds's autobiography is "Mr. Bernds Goes to Hollywood," published in 1999. It details the earlier stages of his career before he was a director. Bernds's directorial career is chronicled in "The Columbia Comedy Shorts," first published in 1986; Bernds wrote the foreword and is quoted throughout.
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While in his junior year in Lake View High School, he and several friends formed a small radio clique and obtained amateur licenses. In the early 1920s, there was considerable prestige for amateur operators to have commercial radio licenses, and Bernds was in a good position to enter broadcasting
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prior to filming; as a result, his tired performances were marred by slurred speech and slower timing. Though Bernds was initially thrilled at being a director, he was horrified when he realized that Curly was in such bad shape (something Columbia short-subject head
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Realizing that Curly was no longer able to perform in the same capacity as before, Bernds devised ways to cover his illness. Curly could still be the star, but the action was shifted away from the ailing Stooge. In
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Bernds graduated to dramatic features in the late 1950s, although he was reunited with the Three Stooges in the 1960s for their feature films, and the live-action portions of their TV cartoons in
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Columbia's short-subject department operated two units, one headed by Jules White, the other by Hugh McCollum. Edward Bernds worked for the McCollum unit, usually collaborating on scripts with
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when he graduated in 1923, a year when radio stations began to be established all over Chicago. He found employment — at age 20 — as chief operator at Chicago's WENR.
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replaced his brother Curly as the third Stooge, it breathed new life into the Stooges' films, and allowed Bernds to add new flair and wit to the team's antics.
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When the Columbia shorts department downsized in 1952, Hugh McCollum was fired and Bernds voluntarily resigned, out of loyalty to McCollum.
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never really got along. As a result, Bernds feared that his directing days would be over as soon as they began if Columbia released
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In 1945, Edward Bernds became a screenwriter and director for McCollum's comedy short subjects. Bernds's first effort with
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nomination by mistake. In 1956 the Academy nominated him and co-writer Elwood Ullman for the screen story to
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with a weak Curly as his first entry. Producer Hugh McCollum reshuffled the release order, and the superior
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When talking pictures began in the late 1920s, Bernds and broadcast operators like him relocated to
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failed to tell Bernds). Years later, Bernds discussed his trying experience during the filming of
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Bernds wanted to be a director, but could not work up the nerve to approach Columbia president
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of the government's diplomatic corps, which impressed both Harry Cohn and staff producer
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The Three Stooges: An Illustrated History, From Amalgamated Morons to American Icons
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The Complete Three Stooges: The Official Filmography and Three Stooges Companion
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Outliving most of his peers, Edward Bernds died peacefully on May 20, 2000, in
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to work as sound technicians in "the talkies". After a brief period at
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Bernds often commented that he and Columbia short-subjects chief
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Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-No
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wartime. Both the film and Bernds received a commendation from
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and The Three Stooges. This led to an assignment at the
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Comedy III Productions, Inc. pp. 272–273. 520: 518: 516: 374:— but theirs was a low-budget feature with 1319: 797:List of supporting actors in Three Stooges films 513: 130: 1020: 657: 545:; Joan Howard Maurer; Greg Lenburg (1982). 537: 535: 446:(1948) (his first feature film as director) 348:Bernds has the distinction of receiving an 329:studio, directing action features starring 1027: 1013: 664: 650: 29: 572: 570: 532: 1348:American science fiction film directors 603: 576: 435: 1320: 567: 1008: 671: 645: 13: 16:American film director (1905–2000) 14: 1364: 1145:The Bowery Boys Meet the Monsters 626: 988: 987: 778:Moe Howard and the Three Stooges 119:, Bernds resigned and worked at 1343:English-language film directors 1297:The Three Stooges Meet Hercules 478:(1955) (director and co-writer) 470:(1953) (director and co-writer) 462:(1951) (director and co-writer) 454:(1951) (director and co-writer) 597: 310: 1: 737:The Three Stooges filmography 506: 1338:Film directors from Illinois 743:The Three Stooges Collection 486:(1957) (director and writer) 391:feature for Allied Artists, 165:(1946), featuring an ailing 7: 764:The Three Stooges Scrapbook 547:The Three Stooges Scrapbook 370:make a film in 1955 called 366:musical. Bernds and Ullman 131:Directing the Three Stooges 10: 1369: 1305:The Three Stooges in Orbit 577:Fleming, Michael (2002) . 1043: 1035:Select films directed by 982: 865: 787: 729: 679: 526:"Obituary: Edward Bernds" 102: 82: 63: 37: 28: 21: 1353:Columbia Pictures people 1065:Blondie Hits the Jackpot 315:In 1951 Bernds directed 139:about the reassignment. 1089:Corky of Gasoline Alley 459:Corky of Gasoline Alley 216:The Three Troubledoers 189: 824:Swingin' the Alphabet 604:Solomon, Jon (2002). 418:Valley of the Dragons 184: 1257:Queen of Outer Space 1209:Escape from Red Rock 436:Selected filmography 430:Van Nuys, California 412:Queen of Outer Space 228:Three Little Pirates 75:Van Nuys, California 1249:Quantrill's Raiders 1233:School for Violence 810:The Robonic Stooges 750:Jerks of All Trades 159:was the lackluster 1289:Prehistoric Valley 1217:Reform School Girl 1057:Blondie's Big Deal 930:Christine McIntyre 483:Reform School Girl 337:. 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Index


Chicago
Illinois
Van Nuys, California
Chicago, Illinois
Hollywood
United Artists
Columbia Pictures
Frank Capra
Harry Cohn
Frank Capra
Stanton Griffis
Hugh McCollum
The Three Stooges
A Bird in the Head
Curly Howard
strokes
Jules White
Jules White
Micro-Phonies
The Three Troubledoers
Monkey Businessmen
Three Little Pirates
Shemp Howard
Elwood Ullman
Shemp Howard
Hugh Herbert
Andy Clyde
Gus Schilling
Richard Lane

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