Eiji Tsuburaya - Knowledge

1632: 1001:: having invented it without the benefit of using blueprints or manuals, the wooden crane allowed Tsuburaya to improve camera movement and was able to be used in and outside the studio. The creation proved to be a success, although it did not guarantee total safety: one day, while Tsuburaya and an assistant were preparing the crane in order to film a scene, the structure collapsed, sending him plummeting to the ground of the studio. A witness of the incident, named Masano Araki, was one of the first people to run to his aid: she visited Tsuburaya daily while he was hospitalized, and the pair formed a relationship shortly thereafter. On February 27, 1930, Tsuburaya married the decade-younger Araki. Their first child, 1951: 4218: 2805:. The script's early drafts were sent back with notes from Toho asking for the monster antics to be as "funny as possible"; Tsuburaya embraced this approach, seeking to emotionally appeal to children and expand the genre's audience. Many of the sequences for the battle between the two monsters were purposefully filled with humorous details, but the approach was not favored by most of the effects crew, who "couldn't believe" some of the things Tsuburaya asked them to do, such as Kong and Godzilla volleying a giant boulder back and forth. For their portrayals, Tsuburaya gave Haruo Nakajima (playing Godzilla) and 841: 1144: 1927: 3190: 3405:. Tsuburaya spent two months filming the scene where the fleet circles Kiska Island in thick fog on an indoor stage set since the fog could not be controlled by the wind during open shooting. The sequence where the fleet slips through the rocks was realized by laying a rail at the bottom of the special effects pool and running the warship's miniature on it. The miniatures could not be very large for on-set shooting, and the water flow was pumped to adjust the proportions of the waves and wakes. A large outdoor pool is used in the scene of port entry and departure without fog. For his work on 2366: 874: 2887: 3413: 13846: 13828: 76: 2613: 716: 4095: 3660: 426: 2358:, his first war film in six years. In order to film submarine scenes for the film, a model seabed terrain was built in the first Toho miniature pool (dubbed the "Small Pool" after a bigger stage was completed). He also filmed his effects for a technicolor version of the film, but they were converted to black-and-white for the final version. In August 1959, Tsuburaya, together with his sons Hajime and Noboru, shot footage of two dragon puppets in Tsuburaya's laboratory at their house in 2518: 14801: 3885:, the series declined rapidly after the release of its first episode on April 6, 1968, as a consequence of its poor quality: many teleplays were filmed without revision, effects work frequently lacked time, and reshoots were often unattainable. Fuji TV considered the series as a commercial failure, due to its 8.3% audience rating, and they canceled it after Tsuburaya Productions had finished producing just 13 of the scheduled 26 episodes. A sequel to the series, titled 2061: 3059: 760:, where his family ran a malted rice business. He was the first son of Isamu Shiraishi and Sei Tsumuraya, with a large extended family. When Tsuburaya was three years old, his mother Sei died of illness at the age of nineteen, shortly after giving birth to her second son. Bereaved by Sei's death, Shiraishi divorced her posthumously and left the family, leaving Tsuburaya in the care of his grandmother Natsu. Through Natsu, Tsuburaya was related to the 1071: 1244:

the academy. In November 1939, while Tsuburaya was still at the flight school and undertaking assignments at Toho, he was appointed head of Toho's Special Arts Department. A month after that, he was commissioned to shoot a science film for Toho's then-recently assembled educational section. Under governance demands, Toho was mandated to maintain the creation of propaganda films. Accordingly, in May 1940, Tsuburaya began directing the documentary

3515: 14837: 1296: 4397: 910:. Edamasa asked Tsuburaya if he was interested in movies or photography; after he explained to Edamasa that he was interested in motion pictures, Tsuburaya accepted the director's offer to become an employee at his company, the Natural Color Motion Pictures Company (dubbed "Tenkatsu"). Therefore, Tsuburaya began working in the film industry at the age of eighteen, as Edamasa's camera assistant, contributing to films such as 14789: 14813: 3558:, the movie focuses on two astronauts who land on a planet occupied by an alien race, known as the "Xiliens", as they ask humanity for assistance with Godzilla and Rodan in defeating the "intruder" King Ghidorah. After bringing the astronauts, scientist Sakurai, Godzilla, and Rodan to their planet, the aliens attempt to exploit Ghidorah, Godzilla, and Rodan to conquer the Earth by mind-controlling them. The last 2898:(later called simply Tsuburaya Productions), on April 12, 1963. It was initially handled entirely by his family: Tsuburaya was reported as its director general and president; his wife Masano was on the director's board; his second son Noboru was appointed as accountant. Hajime, Tsuburaya's eldest son, would soon join the company as well, leaving his award-winning directorial employment at the 1571:. Because of this, the company produced only eighteen films in 1946, with Tsuburaya working on eight of them. During the same year, Tsuburaya became head of the special effects production department at Toho and established its cinematography, compositing, art, and development units. Since he and his effects unit at the company had a minor slate of films to work on, they also began testing 14825: 2994:, Tsuburaya's division developed several new models for the film, including large-scale miniatures, full-scale replications of early twentieth-century flying vehicles, and an enormous outdoor model set of Fort Bismarck. According to Ragone, Tsuburaya enjoyed working on this film, despite aiming to make his own tribute feature to Japanese aviation pioneers. 3122:. As a result, in order to achieve the company's goal, he separated his special effects team into two units, assuring that it would allow him to complete the assignment as soon as possible. Although it was quickly converted and developed, the film is regarded as "one of the cornerstones of Japanese cinema" and is still often referenced in media. 2311:. Although neither he nor his company were credited in the show itself when it aired between March 7, 1959, and May 28, 1960, he supervised the miniature photography done by his staff at Tsuburaya Special Technology Laboratory. Around the same time, Tsuburaya also directed the special effects for a storm sequence featured in Honda's 4091:(1969), and director Honda handled special effects instead of him for the first time. Nonetheless, the director stated that Tsuburaya was "personally involved with the editing," adding: "The film may have been generally put together , but he definitely looked it over and instructed the staff to shorten certain scenes, and so on." 3177:

location to shoot a segment featuring the United States Navy discharging missiles at Godzilla: this scene was included in the movie's version for the U.S. market, whereas it was discluded from the original Japanese version. This was one of the rare occasions when a sequence featuring Godzilla was shot outside Toho Studios.

1222:, establishing the special effects department on November 27, 1937, and treating him as the section's manager. Shortly after, Tsuburaya received a research budget and began studying optical printers to create Japan's first version of the device, which he designed. Among Tsuburaya's first film assignments at Toho were 4521:

When he brainstormed ideas for a new film, Tsuburaya was known for his quiet but intense style. Nakano stated: "I heard about this episode when Mr. Tsuburaya was returning home from work one day and he ran into this woman who kind of looked familiar to him. So he said, 'Hello, it's been a long time.'

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On the contrary, Tsuburaya was rarely infuriated by actors. In an interview regarding August Ragone's biography on Tsuburaya, Nakajima said he was a "very reserved man on the set. Most of the direction he gave me for the performances was, 'I trust you to do it. Do what you feel is best, I'll leave it

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In 1939, he was ordered to join the Kumagaya Aviation Academy of the Imperial Army Corps, where he was entrusted to shoot flight-training films. After impressing his superiors with his aerial photography, Tsuburaya was given more assignments and a master's certificate during his almost three years at

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into a film for Tsuburaya Productions' 10th anniversary. In the preface of Hiroyasu Yamaura's script for the film, Tsuburaya said he had taken "great pains to incorporate the strengths of various folk tales and fairy tales into a work that children around the world would honestly enjoy". Despite his

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According to Arikawa, Tsuburaya also edited his own film work. Tsuburaya's assistant director, Masakatsu Asai, stated that he memorized the situation and storage location of the cuts he shot. Scripter Keiko Suzuki said Tsuburaya envisioned his own editing plan, and he often filmed scenes unscripted.

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On January 27, a mourning tradition took place at the Tsuburaya family's house. His funeral was held at the Seijō Catholic Church on January 29, with his eldest son Hajime serving as the chief mourner. The following day, he was posthumously awarded the Honorary Chairman Award by the Japanese Society

2027:. He and his crew worked relentlessly, regularly starting at 9:00 a.m., preparing at 5:00 p.m., and finishing the shoot at 4 or 5 a.m. in the following morning. Upon its nationwide release on November 3, Tsuburaya's effects received critical acclaim and the film became a box office hit. As a result, 4280:

heavily influenced him to work in special effects. He decided to create special effects sequences in films by using miniature effects and synthesis technology involving layered film strips. Tsuburaya constantly converted new special effects techniques and tested them on a daily basis and became the

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story treatment daily, he expressed his desire to work on more projects in the future and return to Tokyo on January 26, 1970. However, on January 25, 1970, at 10:15 P.M., Masano awoke and discovered that Tsuburaya had died while sleeping with her at the villa in Itō, Shizuoka: he was 68 years old.

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asked for Toho to film a new ending for the U.S. version: Tsuburaya and Honda, accordingly, re-assembled the cast and crew to shoot the new ending, although it was eventually left unused in both American and Japanese iterations of the motion picture. Still, the alternative ending was later screened

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that occurred at the studio during the late 1940s. According to Akira Tsuburaya, his father had to sneak around the Japanese police and U.S. tanks deployed during these strikes and disputes in order to get to work. To repel the police, the labor strikers erected a barricade, using a large fan, made

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After leaving the army in 1923, Tsuburaya moved back to his family's house in Sukagawa. However, he suddenly departed just a few months later, in order to pursue a more established career within the filmmaking industry. In the morning of his departure from home, he left a note: "I won't return home

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In 1908, he started attending the Dai'ichi Jinjo Koto Elementary School in Sukagawa, and it was soon realized that he had a talent for drawing. During his boyhood, Tsuburaya became interested in flying because of the recent success of Japanese aviators; he soon started building model airplanes as a

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actor Haruo Nakajima could not destroy the castle's model entirely, as originally planned, Tsuburaya first attempted to salvage the shot by making Godzilla seem enraged by the castle's strong fortification, before eventually choosing to re-shoot the scene with a more fragile model. He also went on

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Honda said that Tsuburaya's approach to film special effects was "like a physics experiment, no different than trying to make new discoveries." Tsuburaya's lighting engineer Kaoru Saitō remarked that his camera work in special effects only moved sideways or moves up and down with a crane once the

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remarked that although Tsuburaya was usually smiling and had a refreshing disposition onset, he was often angry with the staff. Special effects cinematographer Tomioka Mototaka claimed he was in a position to be scolded by Tsuburaya against cinematographer Sadamasa Arikawa; photography assistants

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work. As written by Ryfle, it is implied that this is due to him still being a "child at heart" and having a "soft spot in his heart for children" during his late life. In 1962, Tsuburaya explained: "My heart and mind are as they were when I was a child. Then I loved to play with toys and to read

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After a few meetings between the two companies and sponsors, it was decided that a pilot episode, originally planned as the "Ultraman Eve Festival", would introduce the show's title character. The pilot episode was aired on July 10—one of the dates that have been cited as Tsuburaya's birthday— of

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began in March 1966, and the crew was divided into three separate groups for its live-action and special effects. Tsuburaya Productions and TBS initially planned to start broadcasting the series on July 17, 1966, but the latter company chose to release it the week before. Tsuburaya supervised the

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that because he was extremely fascinated by the projector, he purchased a "toy movie viewer" and created his own film strips by "carefully cutting rolled paper, then making sprocket holes, and drawing stick figures , frame by frame." Because of his craftwork at a young age, he became a provincial

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and Western painting to Japan, from whom Tsuburaya considered to have inherited his manual dexterity. His uncle Ichirō, who was Sei's younger brother, was five years older than him and acted like an elder brother to him. Thus, Tsuburaya began to use the nickname Eiji ("ji" indicating second-born)

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prior to World War II. According to camera operator Mitsuo Miura, Tsuburaya also filmed "pseudo nightscapes" using beer bottle fragments as a filter, and his disciple Sadamasa Arikawa became the first photographer in Japan to shoot with color filters. During his late life, Tsuburaya explained to

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required a large number of model sets in a variety of sizes, including 1/10, 1/20, 1/25, and 1/30, to be developed and assembled by Tsuburaya's division. The film premiered in Japanese theaters in December 1956 and, upon its release in the United States the following year, earned more at the box

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in a monster suit. In spite of featuring model sets among the biggest and most detailed models for a Honda-Tsuburaya collaboration, some critics have questioned several of Tsuburaya's ideas, including a puppet used to portray a horse, instead of an actual equine, for a sequence in which Baragon

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and Teizō Toshimitsu for the first time in his career. His work on the film was supposedly one of the main reasons behind its major success and gained him the Technical Research Award from the Japan Motion Picture Cinematographers Association. The film depicted the attack so realistically that

1090:. In contrast to his previous prototype, the crane was installed on a truck that operated on tracks, which made it able to change the camera's position in a matter of seconds. In December of that year, Osawa renamed the studio J.O. Studios and designated Tsuburaya as its chief cinematographer. 2451:, Tsuburaya became disappointed after seeing a picture of the heads of the Yamata no Orochi prop held up by piano wires in a newspaper article concerning its special effects. Accordingly, he declined an interview with the newspaper because he believed the photograph "broke children's dreams". 1302: 3983:), but Tsuburaya's department had difficulty making realistic creatures for the picture after its American producer pulled out of the project. In comparison, retrospective writers have praised Tsuburaya's model work, especially his submarines, which Ryfle and Godziszewski noted resembled 3737:

became a larger hit than its predecessor, obtaining a 40% viewership. With monsters now available to watch at home weekly, children fewer asked their parents to take them to the theater: consequently, Tsuburaya Productions' triumph in television was diverting box-office money from Toho's

2092:: Tsuburaya was officially given the title of special effects director for the first time, having always been credited under "special technique" beforehand. Shot in less than three months, the film was released in April 1955. Just a month later, Tsuburaya began directing the effects of 823:). While at the school, he started working as an inventor at the toy company Utsumi, and devised inventions including the first battery-powered phone capable of making calls, an automatic speed photo box, an "automatic skate" and the toy phone. The latter two earned him a patent fee of 1744:. While slowly rebuilding the company's Special Arts Department, he filmed all of the title cards, trailers, and the logo for Toho's films from 1950 to 1954. The first production featuring major contributions by Tsuburaya upon his return to Toho was reportedly a 1950 film directed by 3580:(1962–1969), a popular culture sensation at the time of the film's production. The dance was included in the film after a Toho employee suggested it to Tsuburaya, who was already supportive of anthropomorphizing monster characters with comical characteristics. For his work on 2446:

budget, ranking as Toho's highest-grossing film of the year and their second-highest-grossing film altogether. He won the Japan Technical Award for Special Skill and was presented with the Special Achievement Award at Movie Day. While he was pleased with the success of

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began on September 27, 1964, with the shooting of the episode "Mammoth Flower". Airing on the Tokyo Broadcasting System from January 2 to July 3, 1966, the series follows the adventures of a trio who investigates strange phenomena, ranging from supernatural threats to

1136:, puppets, a composite of Kaguya emerging from a cut bamboo plant, and a sequence in which a ship encounters a storm. While the original print of the film is considered to be lost, a shortened version, screened in England in 1936, was discovered by a researcher at the 600:

In 1950, Tsuburaya returned to Toho alongside his effects crew from Tsuburaya Special Technology Laboratory. At age fifty-three, he gained international recognition and won his first Japan Technical Award for Special Skill for directing the effects in Ishirō Honda's

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film about a giant whale attacking Tokyo, which Tsuburaya devised the previous year. Tsuburaya, therefore, resubmitted the conception of this production to producer Iwao Mori. Although this project never materialized, elements of it were included in early drafts of

1514:, which was Tanaka's debut as a film producer. Tanaka stated that he did not develop a serious connection with Tsuburaya during the film's production. The following year, the special effects director collaborated with Tanaka for the second time on Kiyoshi Saeki's 1299: 2931:(1963), which required twenty-five effects sequences. Throughout the rest of the year, Tsuburaya worked both for his new company and Toho, where he was still at the helm of the effects department, despite having terminated his exclusive deal with the company. 3237:

during World War II, who are forced to collaborate with an opposition Japanese unit that has also been stranded on the same island. During Honda's visit, Tsuburaya told him he was working on his first television series for Tsuburaya Productions, then-titled

4430:(1954), however, Tsuburaya formed a bond with Honda, who had a completely different personality, being deemed as calm and courteous, rarely expressing his emotions towards others. Ryfle and Godziszewski stated that the two infrequently interacted outside 4835:, a tribute to his life and work in film and television. During the museum's opening ceremony, Mayor Katsuya Hashimoto stated that the museum is "an archival center that will disseminate Japanese special effects to the world." Later that year, filmmaker 1039:

that he attempted to convince Nikkatsu to "import this technical know-how, but they had little interest in it because, at the time, I was seen as merely a cameraman who worked on Kazuo Hasegawa's historical dramas". He managed to acquire a 35mm print of

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In May 1932, Tsuburaya, Akira Mimura, Hiroshi Sakai, Kohei Sugiyama, Masao Tamai, and Tadayuki Yokota established the Japan Cameraman Association, which later coalesced with other companies to become the Nippon Cinematographers Club (now known as the

2057:(1949). Tsuburaya instructed his crew to portray the title character's invisibility in various ways throughout the film, including optical synthesis, and suggested that the character would disguise his invisibility powers by dressing up as a clown. 4454:

also worked with Mr. Tsuburaya, but they were all the 'me-first' type and they really didn't work well together. Directors tend to think they are number one, and the effects team should just follow behind. Mr. Tsuburaya didn't appreciate that.

918:(1920); reportedly, he also served as a screenwriter during this period. Despite Tenkatsu becoming part of the Kokatsu Company and Edamasa leaving his job in March 1920, Tsuburaya kept working at the studio until he was ordered to serve the 4994:

Because he worked on roughly 250 films over his five-decade career, the following is only a selection of significant productions, and a more comprehensive list, including most of the media that featured his contributions, is covered in a

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films. However, while the studio agreed with his decision to project these films cast into a location use using location plates, not all of his technological developments were met with approval. While he was filming the final scenes for

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became the first Japanese film to be widely distributed throughout the United States and was later released worldwide, leading Tsuburaya to gain international recognition. However, for its American release, the movie was re-entitled as

4140:, where he was instructed to cancel any assignments. Concerned about Tsuburaya's future, his son Hajime quit his job at TBS and officially took over his father's position as the president of Tsuburaya Productions on November 30, 1969. 1061:

in February 1934, Tsuburaya fell out with Nikkatsu's CEO, who had no acquaintance with what Tsuburaya was creating and assumed that he was wasting the company's money. After the argument, Tsuburaya resigned from his job at Nikkatsu.

4379:, Tsuburaya told Toho executives: "These movies are for kids. It's nonsense. Why do you enjoy showing them blood?" Rather than have violent themes in his films, Tsuburaya continually employed lighthearted comedy and humanism in his 4257:

epics. During his stint as a cinematographer in the early 20th century, Tsuburaya closely researched international cinema in order to incorporate some of the techniques and improve his innovative style; some of these films include:

11328: 3233:(released in 1965), the renowned singer and actor's sole directorial picture. As the first major Japanese-American co-production, the epic anti-war film revolved around a troop of American soldiers, stranded in the middle of the 11848: 4655:

said that Tsuburaya was "possibly the most influential figure in the Japanese film industry" and stated that his legacy "lives on to this day through his creations and has had a large enough impact for him to be compared to

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because of his involvement in propaganda films during World War II. The U.S. occupation officials reportedly expelled him assuming he had access to classified documents when creating the comprehensive miniatures featured in

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fee, Tsuburaya wanted to purchase the new printer for Tsuburaya Productions because it was one of the most adaptable post-production tools: moreover, he had used Oxberry's previous iteration of the device on films such as

3313:, in the 20th century. Upon broadcast, around 30% of Japanese households with televisions watched the show, making Tsuburaya a household name and gaining him even more attention from the media, who dubbed him the "God of 2655:

allowed the effects department to create the largest-scale miniature set ever constructed for a Toho production, Tsuburaya was displeased with some of the sequences shot for the film, including some composite cuts of the

3139:(1964). During this period of time, lack of sleep and workload-related stress were taking a toll on Tsuburaya's health, so much that he was often found sleeping in his chair during scene set-ups for his effects shoots. 570:

upon its release. His elaborate effects were believed to be behind the film's major success, and he won an award for his work from the Japan Motion Picture Cinematographers Association. In 1948, however, Tsuburaya was

4781:(1970), but he died shortly after filming began. While the film was completed in Tsuburaya's honor and was his last project to be involved in, Toho executives refused to grant him a dedication in its opening credits. 4629:

Contemporary writers have frequently stated that Tsuburaya is one of the most influential figures in the history of cinema, with biographer August Ragone claiming that Tsuburaya's cinematic importance is on par with

3752:, produced in collaboration with Henry G. Saperstein, which centered on scientists investigating the appearance of two giant hairy humanoids who eventually fight each other in Tokyo. Initially drafted as a sequel to 2736:

is considered to feature some of Tsuburaya's best work as a special effects director, it was a box office failure when it was released in March 1962. On May 15, the director appeared on NK Educational TV's program

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production was directed by Motoyoshi Oda and featured special effects and photography by Tsuburaya. For the movie, he inherited and expanded the technology used in his first film to feature an invisible character,

1613:, which led them to inaccurately conclude that he was a spy. Consequently, Toho disbanded their special effects division and Tsuburaya, together with his son Hajime, founded the independent special effects company 3118:, in an attempt to take over the surface world. Since Toho aimed to distribute the film in Japanese theaters on December 22 of that year, Tsuburaya was given roughly two months to shoot the effects sequences for 1466:

was inferior in scope, but the art and gunpowder technology had enhanced. Additionally, Tsuburaya expressed dissatisfaction with the size of the shooting stage, the art materials, the method of performance, etc.

2282:, the production was plagued by numerous difficulties: AB-PT collapsed during production, leading Toho to alter the film's status to a theatrical feature. Tsuburaya's final film released in 1958 was Kurosawa's 3448:

in Japan. Tsuburaya was reportedly enthusiastic about working on the film because the titular monsters were going to be smaller than normal, allowing his team to build larger model sets than the ones used in

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and started to study the film's special effects frame-by-frame, without the advantage of documents explaining how they were produced: he would later write an analysis of the film's effects for the magazine

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stories of magic. I still do. My wish is only to make life happier and more beautiful for those who will go and see my films of fantasy." His compassion for children helped shape his legacy; notably, the

3828:. The series received a 33.7% rating upon beginning airing on October 7, 1967. Also in 1967, he was appointed "special effects supervisor" and handed over the position of special effects director for the 4518:

main position is decided, and the camera itself does not approach forward. Saitō also testified that he demanded the subject approach the camera and never shot the set from the other side of the camera.

3055:, included an acclaimed choreographed chase sequence between a wizard and a witch, created via animation and matte photography, which gained Tsuburaya another Japan Technical Award for Special Skill. 3026:" in order to facilitate the production of special effects, while noting that optical synthesis technology became popular following the film's release. A box office failure upon its Japanese release, 1807:, was released to Japanese theaters. Tsuburaya directed the film's effects for the typhoon and landslide scenes, which was his first experience acting as the effects director on a film by the future 1269:, was released to Japanese cinemas. Tsuburaya was in charge of effects for the film and received his first accolade from the Japan Motion Picture Cinematographers Association. His next undertaking, 1614: 1297: 11644: 11290: 11621: 5724: 3469:

After post-production on the film was finalized for its Japanese release, held two days after the twentieth anniversary of the Hiroshima atomic bombing (August 8, 1965), American co-producer

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In December 1969, Tsuburaya completed filming the Expo '70 project and moved to his Ukiyama Villa with his wife Masano, where he persisted in writing his autobiography and the film outlines

2161:, Tsuburaya made the renowned Toho logo, and his unit created the opening credits for most of the company's films. Between working on large-scale Toho films, he also created the effects for 11874: 2890:

The Tsuburaya family and employee Tetsuo Kinjō celebrating the foundation of Tsuburaya Productions. Left to right: Hajime, Kinjō, Eiji, Masano, Noboru, Tomoko (Noboru's spouse), and Akira.

480:", he pioneered Japan's special effects industry, introducing several technological developments in film productions. In a career spanning five decades, Tsuburaya worked on approximately 4029:. Thus, 60 members of his department's artists created an estimated 107 ship miniatures for the film and constructed a 13-meter model replica of the Imperial Japanese Navy's battleship 11318: 15042: 2000:. As a result, he wrote an outline for the project and pitched it to Iwao Mori. Following Tsuburaya's agreement to create its effects, Mori approved the production, eventually titled 11838: 5946:

His birth name has also been commonly cited as Eiichi Tsuburaya. To avoid investigation into his wartime efforts, Tsuburaya changed his screen name into his legal name after the war.

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was the "most masterful of all the dinosaur movies, because it made you believe that it was really happening." His work has also been cited as the inspiration for the music video of

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Despite often making unrelenting directions on his crew, Tsuburaya was admired by colleagues, many of whom were younger than him and called him an "uncle", mentor, or the "Old Man".

11905: 2668:. The film was released on July 30, 1961, becoming a massive box office hit and, as stated by biographer August Ragone, an "instant classic" alongside Honda and Tsuburaya's earlier 4931:(1954) was initially cast as Tsuburaya. However, the famed actor declined the offer, believing he lacked resemblance in appearance to Tsuburaya and therefore was replaced by actor 4418:

biographers Steve Ryfle and Ed Godziszewski, it was challenging to cooperate with Tsuburaya, especially for directors. Tsuburaya refused to surrender control of his sector to the

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s list of height-grossing films for the year, and has been considered as one of Honda and Tsuburaya's most obscure movies ever since, being deemed as a "virtually unknown film".

819:. After the school was closed on account of the accidental death of its founder, Seitaro Tamai, in 1917, Tsuburaya switched to the Tokyo Kanda Electrical Engineering School (now 11752: 4946: 1546:

is a comedy film concerning five men who struggle to make a living after returning to Tokyo and remaining unemployed due to the Tokyo air raids on March 10, 1945, at the end of

2651:, which would go on to become one of the icons of Japanese fantasy cinema, alongside Godzilla and Rodan, and appear in numerous films thereafter. Though the overall budget for 2194:

budget was spent on Tsuburaya's effects, which included optical animation, matte paintings, and extremely elaborate miniature sets created to be destroyed or flown over by its

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In 1950, Tsuburaya relocated some equipment and employees at Tsuburaya Special Technology Laboratory to Toho's headquarters; his independent company was merely the size of six

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films during the late 1960s, due to the rise in popularity of juvenile-targeted television shows that featured an increase in violent content, with even Tsuburaya's own shows

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but, as stated by special effects crew member Fumio Nakadai, had to employ the "costume method" because he "finally decided it wouldn't work". This technique is now known as "

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suit, causing me to fall several meters onto the miniature set, he chided, 'It's good that you didn't die; because I need you to finish the film.'" In an interview regarding

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remarked that Tsuburaya was "usually a normal kind person" and always encouraged his actors to "act as if they were in the kind of film that would give dreams to children".

2771:, so I couldn't help working on this production, instead of my new fantasy films. This script is very special to me; it struck a deep emotional chord, because it was seeing 3636:

about civilians and scientists haggling monsters: they came up with the idea of a group, tentatively named the "Scientific Investigation Agency" (SIA), formed to deal with

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performed most of the movie's action sequences without any stunts. Tsuburaya also directed miniature effects sequences for the film. Released in Japan on October 31, 1965,

2972: 1842: 1371:. Tsuburaya directed its effects, which he created with the assistance of navy-provided photographs of the Pearl Harbor attack: in the process, he also worked with future 1188:

was the first German-Japanese co-production, and is considered to be Tsuburaya's first major success as a special effects director, since it featured the first full-scale

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that was also about the Pacific War. Throughout the rest of 1960, Tsuburaya worked on other notable productions, such as the third film in the Transforming Human Series,

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Takao Tsurumi and Mitsuru Chokai testified that Tsuburaya did not get angry directly when young individuals in his unit failed, but scolded Arikawa and others, instead.

3401: 1516: 5960:

Sources have listed Tsuburaya's date of birth as July 5, 7 or 10. Although his family initially recorded his birthday as July 10, Tsuburaya himself, his relatives, and

2537:, which was Toho's second installment in the Transforming Human Series, marked Tsuburaya's first assignment of 1960. He then took on a project of a much larger extent, 3975:, released by Toho in July 1969, was a Japanese-American collaboration produced by Toho and Don Sharp Productions. The production was reported to have had a budget of 2743: 2689: 1503: 4295:, could be "silly or deadly, beautiful or terrifying, but no matter how fanciful or fantastic, his visual effects seem to live and breathe with a life of their own." 2422:. The effects director and his crew shot several key sequences included in the film, such as a battle between Mifune's character Susanoo and the eight-headed dragon 1777: 1248:

for Toho Education Films' branch, the Toho National Policy Film Association. He was given his first ever credits for special effects for his work on Sotoji Kimura's

793: 2551:

was also Toho's first film to require the use of the "Big Pool", which had been completed in February 1960. The pool would later be used in the production of every

11454: 4359:

films, believing it was inappropriate for the younger members of the audience. However, Toho executives (such as Iwao Mori) urged Tsuburaya to feature gore in his

4820:

In 2001, two toy companies distributed figures of Tsuburaya in honor of the 100th anniversary of his birth. In celebration of the 114th anniversary of his birth,

3906:(1968), featured effects directed by Sadamasa Arikawa, which Tsuburaya allegedly supervised. His next release of that year was another Seiji Maruyama's war epic, 2543:, the first-ever war film in color. His department created notably large miniatures for the film, with a 13-meter long miniature being filmed by Tsuburaya on the 15047: 3632:

and wanted a full-color program that would "take the monster line to the next level". Tsuburaya and writer Tetsuo Kinjō decided to take the barebones concept of

2714:, which emerged as a major hit upon its October 1961 release, with Tsuburaya's effects receiving critical acclaim. The effects director himself would later list 12875:

Nakamura, Tetsu; Shiraishi, Masahiko; Aita, Tetsuo; Tomoi, Taketo; Shimazaki, Jun; Maruyama, Takeshi; Shimizu, Toshifumi; Hayakawa, Masaru (November 29, 2014).

6510: 4663:

Numerous people in the entertainment industry have spoken of their appreciation for Tsuburaya's work or cited it as an inspiration on their own work, including

2458:

erupted between the U.S. and the Soviet Union in the late 1950s, Tsuburaya counseled Toho to produce a film about a lunar expedition. Therefore, his next film,

4954: 1764: 3462:

overruns a farmstead. According to Koichi Takano, Tsuburaya said that he used the puppet because it was "more fun". Tsuburaya also made a scene depicting the

15057: 9922: 5729: 4959: 4349:, monster invasions, and intergalactic conflicts. Despite his movies featuring these apocalyptic and mass destructive themes, he opposed including themes of 1015: 4828:

of his work in special effects on July 7, 2015. The doodle allowed users to create a scene from one of Tsuburaya's key monster movies and television shows.

1895:, released to Japanese theaters in February 1954, to moderate box office success. His effects for this assignment were more advanced than the ones used for 5870: 5667: 4941: 4514:

cinematographer Tomioka that he had always recognized how many frames could be taken with a hand-cranked camera, and he was able to turn it instinctively.

3956: 1128:. He did not only serve as the film's cinematographer, but was also in charge of special effects for the first time. For the film, he worked with animator 12723: 1881:, Tsuburaya used only a small crew to shoot its new effects. Upon its release, the film reportedly became Toho's first post-war production to gross over 1049:

in October 1933. In the same year, Masano gave birth to a second child, a daughter named Miyako. However, the child would die of unknown causes in 1935.

1707:

of Wells' novel, Daiei had intended this film to be Tsuburaya's full-scale post-war recovery, featuring special effects superior in quality to those in

1336:: consequently, the Imperial Japanese Government tasked Toho to produce a propaganda film that would influence the nation to believe they would win the 1086:

and screen projection. In October 1934, Tsuburaya and his colleagues completed the first iron shooting crane model and used it to shoot Atsuo Tomioka's

11658: 11553: 4860:

held a celebratory event in Sukagawa in cooperation with Tsuburaya Productions from August to November 2021. In September 2021, the first screening of

4114: 3780: 11609: 11280: 2233:, was Tsuburaya's second film release of 1957. Kurosawa cut several scenes by Tsuburaya due to his displeasure with the amount of footage he made for 11359: 9723: 9101:[Origin of "Godzilla vs. Kong": The filming secrets of "King Kong vs. Godzilla"... The enemy's big octopus was the staff's dinner that day]. 7495: 7410: 2434:, Tsuburaya used for the first time the "Toho Versatile Process", an adaptation of Toho's optical printing process that he developed on a budget of 697:". While he spent his late years working on several Toho films and operating his company, Tsuburaya's health began to decline, and he died in 1970. 2984: 1769: 1619: 11431: 3869:. Concerning a team of secret agents established by a prosperous industrialist to oppose the acts of a military organization, referred to as "Q", 1996:. He believed that it would have considerable potential, due to the financial success of previous monster films and the impact of news generating 1567:

Even though Toho was unaffected by the Tokyo bombings, as the company was located in Seijo, the amount of film productions was reduced due to the

1287:

which was supposed to fly through the air", adding: "I managed the job with some success and this assignment set the pattern for my future work."

11882: 4970: 4866:

since its original 1935 release was held at the event (However, it was in shortened form since the original print is still believed to be lost).

3689:

to keep drafting additional designs as teleplays were being written concurrently. Narita chose to root Ultraman's design in the Greek concept of

2907: 6602: 6188:, who began working at Toho in the 1960s, suggested that this was the first time that a full-fledged "wire action" was ever performed in a film. 3794:

special effects director for this film, with Tsuburaya's credit being merely ceremonial. The following year, Tsuburaya directed the effects for

3463: 3012: 1508: 1020:). Shortly after that, the association would start to hold award ceremonies. In November of that same year, Tsuburaya quit Shochiku and joined 4291:". Biographer August Ragone writes that his footage, which was always filmed live on a soundstage, in comparison to modern techniques such as 2894:

After visiting Hollywood in order to study the special effects work of major American studios, Tsuburaya founded his own independent company,

2031:

established Toho as the most successful effects company in the world, and Tsuburaya obtained his first Japan Technical Award for his efforts.

14987: 1782: 1082:

Shortly after leaving Nikkatsu, he accepted an offer from Kyoto entrepreneur Yoshio Osawa to work at his company, J.O. Talkies, and research

6553: 3892:

With budgets rising, less returning crew, and theatergoers being dragged away by television, producer Tomoyuki Tanaka chose to conclude the

1718:. Tsuburaya, however, was disappointed with his lack of competence on the project and gave up his ambition to become a Daiei employee after 14982: 4555:

Eiji is a true inspiration, and a one of a kind innovator of special effects, the likes of which we'll probably never see again in cinema.

4052:

was the last production he officially took part in as the special effects director. On the same month, Tsuburaya Productions' next series,

2873:

still featured several miniature Japanese and American aircraft, crafted by Tsuburaya's crew, with some of the models being controlled via

2102:

film collaboration with director Ishirō Honda. Among his efforts on this film, the effects director notably created stop-motion animation,

1368: 3296:, Tsuburaya Productions' first television series, which was a combination of two of his previously discarded projects, tentatively titled 15027: 15007: 11913: 5821: 2977: 2491: 1847: 1204: 3800:, a Japanese-American co-production created to celebrate Toho's thirty-fifth anniversary. In homage to the dinosaur fighting scene from 3607:, on June 2, 1966. Throughout the episode, Tsuburaya was filmed at work and elsewhere, being even interviewed by individuals dressed in 1534:. During the two-hour-long attacks, he told his children fairy tales to keep them quiet. Later that year, Tsuburaya made the effects in 1140:

in May 2015: this version was released in Japan on September 4 and 5, 2021, as part of an event celebrating Tsuburaya's 120th birthday.

15062: 15052: 14902: 7234:[Special effects puppet movie during the Pacific War, photos of the production site can be found. Puppets made by Mōfu Asano]. 1450:, Tsuburaya and his team created miniature navy battle sequences and animation synthesis in urban landscapes. During the production of 14366: 11742: 5964:

have credited his birthdate as July 7. The latter date is considered appropriate because it coincides with the Japanese star festival

5394: 4522:

Do you know who that woman was? It was his wife! Mr. Tsuburaya was so deep into his own thoughts, he kind of lost himself sometimes."

4320:). Film historian Steve Ryfle writes that, although suitmation was not as elaborate as the stop motion techniques by effects pioneers 2834: 985:

In 1928, while working on eleven films at Shochiku, Tsuburaya began creating and utilizing new camera operating techniques, including

14892: 11938: 4743:(1977) since Tsuburaya had established the company as a powerhouse for producing special effects. Spielberg stated that Tsuburaya's 4426:

in case they assessed elements like the set or camera position and opposed when his footage was re-edited. During the production of

15067: 14967: 14932: 13965: 11576: 3037:

Tsuburaya soon moved on to film miniatures and produce optical animation (via his newly purchased Optical Printer 1900 Series) for

2279: 1801:

In February 1952, Tsuburaya's exile from public office was officially lifted. That same month, Ishirō Honda's second feature film,

1199:

merged the film studios P.C.L. Studios and P.C.L. Film Company with J.O. Studios to create the film and theatre production company

926:

until I succeed in the motion picture business, even if I die trying." The next year, he worked as the cinematographer on the film

8733: 6073:, suggested that it was converted later because it is improbable that a store in Sukagawa sold any kind of projector at that time. 2251:

is often called the "definitive science fiction movie". Tsuburaya won another Japan Technical Award for his widescreen effects in

2004:, in mid-April 1954; filmmaker Ishirō Honda soon took over the directing duties. During preproduction, Tsuburaya considered using 1853:(1953). It features cinematography by Tsuburaya, who shot the short film by using an interlocking camera. After the completion of 14952: 11257: 4338:), it gave the special effects director a more effective approach to depict the destruction sequences that made Godzilla famous. 2947:. The effects director was tasked to stage the scene where an earthquake split the tomb of the character Liang Shanbo (played by 2818: 1828:

and completed a 3D film process known as "Tovision". While the project had been abandoned, it was later revived when the 3D film

1605: 1357: 576: 567: 474:

franchises, he is considered one of the most important and influential figures in the history of cinema. Known as the "Father of

12714:, etc. Mr. Tsuburaya shoots a dragon with his eldest son Hajime and second son Noboru in the laboratory of his residence.]. 9686: 1486:

by her younger sister. Masano persisted in introducing her children to the Catholic faith and ultimately converted her husband.

15002: 14897: 14882: 14206: 13875: 6830: 6804: 5234: 2813:, which depicted the giant octopus's attack on the Faro Island village. During its original theatrical release in August 1962, 2694: 2129: 13863: 4618:

and never gave up his legacy, even when Tsuburaya Productions only had just three employees before the home video revived the

14912: 14877: 13695: 13464: 13442: 13420: 13151: 13128: 13105: 13033: 13014: 12964: 12918: 12892: 12823: 12671: 12649: 12627: 12605: 12583: 12557: 12445: 12422: 12218: 4375:

depicting heroes decapitating, slashing, chopping, or otherwise injuring their monster adversaries. According to his protégé

4105:

Ignoring his doctor's recent advice to reduce his workload due to declining health, Tsuburaya started displaying symptoms of

3652:

films, so TBS aimed to monetize these miniatures and was looking for a task that could repurpose the sets and suits from the

1990: 1731:

mats inside Toho Studios. In the same year, he continued to direct special effects for films from other companies, including

2157:, Tsuburaya and his unit spent a month training with color process technology before shooting the effects. After working on 1052:

In December 1933, Nikkatsu granted Tsuburaya permission to use and study new screen projection technology for the company's

15037: 15022: 14997: 14030: 12274: 5760: 5058: 2809:(playing King Kong) freedom to choreograph their own moves. Tsuburaya directed sequences at a miniature outdoor set on the 1352: 1308: 562: 14070: 7239: 7029: 5098: 4831:

On January 11, 2019, after construction over a period of five years, the Eiji Tsuburaya Museum opened in his hometown of

3756:, the film went through several tentative titles during scripting, and the final film was referred to by film chronicler 2086:, Toho quickly gathered the majority of the crew behind the film to create a smaller-budget sequel to the film, entitled 1593: 12010: 11520: 9110: 6350: 1256:

was believed to be lost for over sixty years, until an unfinished copy of the film was discovered and screened in 2006.

15012: 14972: 14962: 14947: 14446: 13802: 13775: 13752: 13725: 13672: 13599: 13549: 13526: 13381: 13255: 13205: 12865: 12842: 12519: 12493: 12353: 12326: 12299: 12192: 12082: 11704: 5474: 3709:. Ultraman's silver skin symbolized steel from an interstellar rocket, while the red lining represented the surface of 3336: 3102:, the film concerns a group of former colleagues, friends, and family that must convince the captain of the battleship 1321: 1214:

was appointed as production manager at Toho: having become aware of the importance of special effects during a tour in

543:(1935), one of Japan's first major films to incorporate special effects. His first majorly successful film in effects, 13331:]. Toho SF Special Effects Movie Series (in Japanese). Vol. 3. Toho Publishing Business Office. May 1, 1985. 2337:, Tsuburaya created scenes with storm clouds, as well as smoke and ash erupting from three volcanoes. His effects for 14887: 14270: 13649: 13626: 13618: 13499: 13358: 13336: 13296: 13178: 13060: 12991: 12941: 12800: 12775: 12752: 12697: 12467: 12376: 12253: 12173: 12112: 6496: 5298: 2354: 1693:. This last movie was the first successful Japanese science fiction film, as well as the country's first adaption of 1530:

On March 10, 1945, Tsuburaya and his family sought refuge for two hours in their residence's bomb shelter during the

13046: 6556:["God of special effects": director Eiji Tsuburaya filmed "Princess Kaguya" film discovered] (in Japanese). 4908:

Many actors have played Tsuburaya in television dramas and programs. For his portrayal in the 1989 television drama

4792:. Motivated by his father's desire to work on another adaptation of the tale, Hajime Tsubruaya attempted to produce 1913:

films with Honda. Tsuburaya's next film would become Japan's first global hit and gain him international attention.

15017: 13232: 2565:

obtained critical acclaim upon its release, with numerous of Tsuburaya's effects sequences being later featured in

1531: 9914: 7269: 4184:

providing the services. Five hundred friends and colleagues attended the service, including actor Kazuo Hasegawa,

2482:

in 1962. Since films featuring his contributions were attaining global popularity and praise for Japanese cinema,

1877:(1953), was his first significant partnership with Ishirō Honda. As the film featured many effects sequences from 1240:(both 1938). The latter film was directed and shot by Tsuburaya, and he completed it on September 6 of that year. 14992: 14957: 14937: 14907: 14510: 14102: 12040: 5538: 5130: 4836: 4505:

Tsuburaya had several methods to shoot his films. During his stint as a cinematographer, he was the first to use

3920: 3865: 3466:, which Honda biographers Steve Ryfle and Ed Godziszewski called an "impressionistic display of smoke and fire". 2863:

The first movie released in 1963 to feature Tsuburaya's contributions was another war film by Shūe Matsubayashi,

2116: 1740: 1712: 1646: 28: 11101: 6993: 4803:

was scheduled to begin production that evening. Thus, production on the project was canceled. In 1987, producer

3812:

that battles Kong on Mondo Island in the film. The ensuing 1967 release featuring Tsuburaya's contributions was

3611:

monster costumes: in this instance, he mentioned for the first time that he was working on a new show to follow

3168:

for the picture and create Godzilla's atomic breath; he also went on location to shoot some composite plates of

2795:. However, he postponed those as soon as he was given the opportunity to direct the special effects for Honda's 1093:

From February to August 1935, he traveled to Hawaii, the Philippines, Australia, and New Zealand on the cruiser

14922: 14917: 14558: 13576: 13353:]. Toho SF Special Effects Movie Series (in Japanese). Toho Publishing Business Office. December 11, 1993. 13083: 12707: 12399: 6505: 5586: 4857: 4586:

films and television shows generated a global fandom. A year after his death, Tsuburaya's intent to revitalize

4025:). Tsuburaya was provided with his largest budget ever for the Seiji Maruyama-directed war epic film about the 4011: 13821: 3372:

the monsters for the film, despite Honda feeling "uncomfortable" with the decision and being reluctant to use

693:

making him a household name in Japan and gaining him more attention from the media who dubbed him the "God of

410: 14872: 4794: 4334: 3640:

and supernatural phenomena as the focus of the new show. The pair also agreed to add unused conceptions from

3551: 2644:

film created in collaboration with Ishirō Honda. Allegedly inspired by his own dreams, Tsuburaya created the

1985: 1704: 1378: 1124: 11543: 6389: 4132:

on schedule: instead, he accepted an offer to recover and receive medical treatment at Ukiyama Villa on the

3769:

began airing on television in November 1966, he received his last credit as "special effects director" on a

2464:, was a science fiction epic about a group of astronauts who battle extraterrestrials on the surface of the 1631: 13958: 12104: 11515: 8736:[Director Tsuburaya of Godzilla is in charge of special effects, "premiere" of the fantasy movie]. 5907: 5672: 4169: 4061:

Tsuburaya and several of Toho's effects crew members spent the majority of 1969 working together to create

3961: 3713:. As stated by biographer August Ragone, Ultraman became Tsuburaya's "most popular and enduring creation". 3111: 3063: 1834:(1952) became a box office hit in the United States. Hence, the company produced its first 3D film, future 808: 11351: 9709: 4388:

films produced after his death, featuring effects by Nakano, displayed large amounts of graphic violence.

3954:

was distributed to Japanese theaters by Toho, the director's following project for Tsuburaya Productions,

3279:'s 1200 optical printer, a model that at the time was owned by only one other studio in the entire world: 2869:, distributed in January of that year. Despite not being an epic film, unlike Toho's previous war movies, 15032: 14977: 14927: 14593: 14158: 14006: 13998: 7483: 7398: 5186: 5034: 5018: 4862: 4544: 2264:, which was the first entry in the "Transforming Human Series". He next directed the effects for Honda's 1899:, since they featured many more of his technological approaches and syntheses. Because of the success of 1180: 1118: 784:; in the process, he was more fascinated by the projector than the movie itself. In 1958, Tsuburaya told 545: 539: 14942: 14841: 14779: 14494: 14294: 13982: 11421: 5522: 5322: 4996: 4989: 4292: 4260: 4031: 3775: 3392:, the series' previous record holder. King Ghidorah would go on to become a frequent antagonist of the 2879: 2533: 1329: 1166:, was released: it was an adventure film concerning a condemned romance and featuring political tones. 481: 203: 21: 4879:(1966-1967), on which the film was based. The screening was attended by an estimated 950 people, with 527:

in October 1934, and an adaptation of the crane is still in use across the globe today. After filming

14664: 14486: 14478: 14318: 14086: 13052: 12983: 11930:["At director Tsuburaya's original landscape": Ultraman culture connected by Takumi Saitoh]. 6610: 5892: 5627: 5514: 5506: 5346: 5114: 4573: 4365: 4217: 3748: 3616: 3538: 3528: 3437: 3417: 2899: 2874: 2591: 2278:. Initially planned as a made-for-television film, co-produced between Toho and the American company 2138: 2103: 1689: 1637: 753: 665: 593: 587:

and worked without credit at major Japanese studios outside Toho, creating effects for films such as

12264: 4602:" series throughout the rest of the decade. Despite having difficulty after their father's passing, 3628:

series in the autumn of the previous year: TBS executives wanted to produce a series as thriving as

2315:, for which he also constructed the miniature for the title character's rowboat. Next, he worked on 14704: 14462: 14406: 14126: 14014: 12689: 12269: 5853: 5682: 5490: 5434: 5154: 5042: 4642: 4054: 3824: 3432: 3422: 3039: 2927: 2821:

and was watched by 11.2 million people, leading it to be regarded as the most-attended film in the

2170: 1813: 1275: 1224: 1174:, while also featuring actor Kenji Susukida. Soon after its completion, Tsuburaya began working on 459: 375: 158: 2883:, an enormous motorized model constructed at 1/15 scale and measuring 17.5 meters (or 57.5 feet). 1950: 583:

during World War II. Thus, he founded Tsuburaya Special Technology Laboratory with his eldest son

14857: 14648: 14534: 14054: 13951: 13855: 13491: 12432:

Kaneda, Masumi; Oishi, Shinji; Konuta, Kenji; Eguchi, Mizuki; Maruyama, Takeshi (July 28, 2014).

12233: 8738: 6561: 5826: 5611: 5562: 5082: 4975: 4875:(2022) was held at the City Cultural Center in Sukagawa as a tribute to Tsuburaya and his series 4439: 4119: 3908: 3785: 3280: 3211:

In the spring of 1964, Tsuburaya received a visit from frequent collaborator Ishirō Honda on the

3017: 2989: 2965: 2912: 2748: 2496: 2474: 2384: 2293: 1968: 1521: 1441: 798: 13161:

Takaki, Junzo; Matsunomoto, Kazuhiro; Nakamura, Satoshi; Motoyama, Sho; Tsuchiya, Rieko (1999).

3846:

In 1967, Tsuburaya Productions' writing crew took elements from Shinichi Sekizawa's screenplay,

3368:, who opposed Godzilla, Rodan, and Mothra in the film. Tsuburaya and Toho executives decided to 2850:

was the company's fourth highest-grossing film of the year, and their tenth-highest altogether.

1143: 47: 14358: 14302: 14246: 12414: 9682: 5386: 5330: 5274: 4809: 4622:

series. In 1989, Noboru declared that Ultraman is his father's "most important legacy" even if

4406: 4266: 4017: 3917: 3189: 2801: 2718:

as one of his "masterpieces". Producer Tomoyuki Tanaka, assured from the box office success of

2539: 2266: 1736: 1601: 1325: 1313: 1215: 1137: 1095: 919: 880: 820: 649: 572: 533: 310: 145: 12810:

Motoyama, Sho; Matsunomoto, Kazuhiro; Asai, Kazuyasu; Suzuki, Nobutaka; Kato, Masashi (2012).

3409:, Tsuburaya won a Japan Technical Award for Special Skill at the 19th Japan Technical Awards. 1033:, which inspired him to work on movies featuring special effects. In 1962, Tsuburaya told the 978:. Because of the financial success of these films, Tsuburaya started being regarded as one of 523:, which greatly influenced him to work in special effects. Tsuburaya completed the first iron 14722: 14609: 14422: 14390: 14286: 14174: 14118: 14110: 13925: 13891: 13400: 13306: 13224: 6385: 5961: 5450: 5418: 5314: 5202: 5146: 5138: 4615: 4419: 4272: 4113:

during the shooting sessions for the Expo '70 film presentation. He was subsequently sent to

3984: 3265: 3165: 3156:

film to feature his works, it was produced in celebration of the tenth-anniversary of Toho's

3135: 2895: 2773: 2483: 2460: 2365: 2040: 1803: 1794: 1029: 654: 519: 214: 14696: 14078: 5659: 5106: 4305: 4232: 1192:. The German staff were allegedly impressed by his elaborate miniature work on the project. 14867: 14862: 14740: 14625: 14550: 14526: 14182: 14166: 14142: 13311: 12884: 12681: 12092: 11653: 9432: 5780: 5578: 5554: 5210: 5194: 5170: 4927: 4841: 4752: 4568: 4562: 4540: 4490: 4321: 4300: 4254: 4223: 4058:(aired in 1973), entered the production process: Tsuburaya was credited as its supervisor. 3971: 3902: 3682: 3668: 2557: 2088: 2074: 1938: 1873: 1836: 1454:(released in 1944), Tsuburaya had his first meeting with future collaborator and filmmaker 1373: 757: 609: 464: 447: 14094: 11927: 5122: 4451: 3376:(who previously played Mothra's fairies in the namesake film) as the interpreters for the 2349: 2325:, a previous entry in the effects director's curriculum. Taking inspiration from watching 1758: 499:

Following a brief stint as an inventor, Tsuburaya was employed by Japanese cinema pioneer

8: 14566: 14430: 14350: 14334: 14278: 14254: 13867: 12241: 11843: 5812: 5594: 5458: 5378: 5362: 5306: 5282: 4832: 4087: 3757: 3470: 3148: 2886: 2796: 2710: 2596: 2389: 2375: 2284: 2220: 1817:

later that year: this marked the first time the trio, who are considered the creators of

1568: 1535: 749: 643: 631: 103: 13845: 13827: 11586: 4475:

up to you.' And that's the way he was for most of the films we worked on together after

3584:, the director obtained the Japan Technical Award for Special Skill the following year. 3412: 1659:

productions featuring effects directed by Tsuburaya were released to Japanese theaters:

1196: 848: 780:

In 1913, Tsuburaya saw his first film, which featured footage of a volcanic eruption on

14601: 14454: 14198: 13374:

Carving Pictures: The World of Kazuo Miyagawa, Director of Photography, Revised Edition

13072: 12158: 11839:"Eiji Tsuburaya: Google Doodle artists spotlight a film legacy as towering as Godzilla" 11285: 8743: 8413: 5482: 5226: 5026: 4896: 4763: 4708: 4594: 4085:. His commitment to the project prevented him from being involved in the production of 4026: 3705:. Tsuburaya provided input on Narita's designs, with some being inspired by the art of 3229: 3203: 3160:

films and depicts the battle between Godzilla and the title character of the 1961 film

3080:

Tsuburaya almost immediately started to work on another Honda-directed science fiction

2956: 2839: 2567: 2438:

for widescreen color films and revealed in May of the same year. The movie earned over

1980: 1753: 1708: 1642: 1209: 1101: 935: 528: 508: 11247: 6185: 3648:. Tsuburaya had spent significant amounts of studio money to build his models for the 3091: 2970:. Thereafter, the special effects director moved on to the World War I adventure film 2393:, was created as Toho's celebratory thousandth film. Based on legends featured in the 1341: 903: 852: 613:(1954). He served as the effects director for Toho's string of financially successful 500: 14805: 14761: 14585: 14502: 13840: 13798: 13771: 13748: 13721: 13691: 13668: 13645: 13622: 13595: 13572: 13545: 13522: 13495: 13460: 13438: 13416: 13377: 13354: 13332: 13316: 13292: 13251: 13228: 13201: 13174: 13147: 13124: 13101: 13079: 13056: 13029: 13010: 12987: 12960: 12937: 12914: 12888: 12861: 12838: 12819: 12796: 12771: 12748: 12693: 12667: 12645: 12623: 12601: 12579: 12575: 12553: 12515: 12489: 12463: 12441: 12418: 12395: 12372: 12369:

TV Magazine Special Edition: 40th Anniversary of the Birth of Godzilla Complete Works

12349: 12322: 12295: 12249: 12214: 12188: 12169: 12108: 12097: 12078: 11548: 9674: 7024: 5530: 5010: 4704: 4680: 4342: 4308:", because the film's small budget and tight schedule restrained him from portraying 4236: 4181: 4110: 3934:

was the twelfth-highest grossing domestic film of 1968, registering an approximately

3796: 3052: 2419: 1699: 1628:. Henceforth, he worked at major film studios outside Toho without on-screen credit. 1273:, was released on November 6, 1940. During an interview for the August 1960 issue of 940: 560:

and established the company's effects department. Tsuburaya directed the effects for

513: 439: 275: 14062: 9106: 6988:" returns from England. Why did the film cross over and how was it excavated?]. 6826: 6792: 5090: 2383:

Tsuburaya's following significant production, director Hiroshi Inagaki's big-budget

2321:, co-written and directed by Kajirō Yamamoto as an all-star remake of his 1940 film 1408: 507:. Thereafter, he worked as an assistant cinematographer on several films, including 14829: 14766: 14751: 14746: 14374: 13935: 13705: 13100:] (mook). Large Anatomy Series Sanei Mook (in Japanese). SAN-EI. July 1, 2022. 12902: 12719: 12165: 11252: 6069:

Over the years, there have been disputes over this account. Tsuburaya's third son,

5402: 4891: 4814: 4800: 4739: 4692: 4664: 4607: 4603: 4376: 4350: 4173: 4082: 4070: 3923: 3706: 3369: 3361: 3212: 2918: 2865: 2612: 2423: 2370: 2038:

in October, Tsuburaya began working on another Toho-produced science fiction film,

1625: 1233: 1133: 1110: 1035: 1002: 934:

in 1925 and would have his breakthrough as the cameraman and assistant director on

765: 584: 269: 252: 248: 12291: 4925:

actor who had been starring in many of the company's box office hits since before

4137: 4128:

to continue his recovery, but refused to remain there, as he expected to complete

3760:

as a "quasi–sequel" to its predecessor. The film premiered in Japan in July 1966.

2271: 1749: 1129: 503:

in 1919 and began his career working as an assistant cinematographer on Edamasa's

122: 14756: 14617: 14542: 14518: 14470: 14382: 14310: 14222: 14150: 14134: 13568: 13280: 13267: 13006: 12786: 12477: 12137: 11966: 11961: 11323: 11281:"Eiji Tsuburaya Google Logo Celebrates Godzilla Co-Creator On His 114th Birthday" 6070: 5570: 5546: 5498: 5410: 5338: 5250: 5178: 5162: 4804: 4725: 4684: 4672: 4636: 4611: 4443: 4329: 4304:(1954), Tsuburaya decided to create a new suit acting technique, later known as " 4106: 3834: 3483: 3458: 3023: 2943: 2810: 2665: 2577: 2215: 1997: 1891: 1789: 1745: 1660: 1494: 1483: 1475: 1415: 1189: 1106: 1083: 986: 907: 580: 550: 489: 298: 256: 14022: 13435:

Special Effects: The Tsuburaya group, Godzilla and Youth in Toho Special Effects

10102: 10100: 8845: 6136:

Tsuburaya was reportedly particularly pleased with his depiction of the Moon in

5740: 5050: 4932: 4580:

In spite of his death, Tsuburaya's name and work remained prominent because his

4415: 4401: 4201: 4099: 3264:

was later released in Japan by Toho on January 15, 1965, and was distributed by

1933: 1478:, was born on February 12, 1944. Akira was the first of the couple's sons to be 1455: 1382:

footage from it was later featured in documentaries on the Pearl Harbor attack.

1265: 840: 485: 135: 14230: 14046: 13518: 13265:

Talmadge, Eric (July 22, 1989). "Japan's Favorite Superhero Takes On America".

12074: 10041: 5797: 5258: 5074: 4730: 4720: 4712: 4688: 4631: 4467: 4094: 3991: 3913: 3896:

series but offered one last film for the original staff. Honda's consequential

3571: 3519: 3276: 3254:

films) to play the team leader for the intended show, which would later become

3129:, Tsuburaya was also concluding model effects for the Hiroshi Inagaki-directed 3002: 2921:. Takano was directly involved in Tsuburaya Productions' first-ever full-scale 2903: 2806: 2791:, Tsuburaya began planning to work on other projects, such as a new version of 2406: 2239: 2230: 2203: 2069: 1584: 1572: 1403: 1160: 1024:. Around the same time, he began using the professional name "Eiji Tsuburaya". 994: 963: 945: 873: 816: 625: 493: 13459:]. Movie Treasure Collection (in Japanese). Yosensha. September 21, 2016. 7231: 7019: 4799:

tireless efforts, he died on the morning of February 9, 1973, before director

4526:

Thus, for instance, scenes were altered from "Battle 1" to "Aerial Battle 2".

3659: 3474:

at a fan convention in 1982, before featuring as a bonus scene on home video.

2777:

back in 1933 that sparked my interest in the world of special visual effects.

2153:). In preparation for the film, which was produced on a then-record budget of 2120:, heavily re-edited, and integrated with new footage featuring Canadian actor 1926: 1583:

by the special effects department of the company, which was equipped with the

1462:, Honda became interested in special effects and believed Tsuburaya's work in 14851: 14326: 13887: 12951:Ōishi, Shinji; Eguchi, Mizuki; Shimazaki, Jun; Mamiya, Naohiko (March 2013). 12530: 12185:

Monsters and Monstrosity from the Fin de Siecle to the Millennium: New Essays

12153: 12128: 12002: 11932: 11834: 11767: 11743:"Eiji Tsuburaya, kaiju king and co-creator of Godzilla, celebrated by Google" 11506: 10699: 10697: 10695: 10436: 10409: 10136: 10097: 9738: 9439:(in Japanese). Motion Picture And Television Engineering Society Of Japan Inc 9098: 6346: 5354: 4936: 4884: 4871: 4825: 4789: 4757: 4459:

and Mr. Tsuburaya got along so well because they were both very mature men."

4133: 3454: 3365: 3272: 3234: 3224: 3194: 3169: 3115: 3067: 2935: 2636: 2626: 2600: 2504: 2410: 2326: 2134: 1680: 812: 637: 39: 13851: 13098:

Ultraman Series: Great Anatomy Ultra Q, Ultraman, and Ultraseven Compilation

10843: 10532: 9858: 9502: 8946: 8600: 8440: 8285: 8032: 7942: 3685:'s design to be "too alien and sinister", and requested production designer 3399:

Tsuburaya began 1965 by directing the effects for Seiji Maruyama's war film

2044:, which was released to Japanese theaters in December 1954, under the title 1811:

director. Tsuburaya collaborated with Honda and producer Tomoyuki Tanaka on

1587:

that Tsuburaya had used during the war. These events led to the creation of

993:

camerawork. The next year, Tsuburaya constructed his own smaller version of

14817: 14672: 14214: 12511: 12145: 11692: 5635: 5242: 4777: 4748: 4696: 4668: 4431: 4197: 3765: 3576: 3566:

notably features Godzilla's renowned victory dance, which derived from the

3500: 3457:—would be involved to play Frankenstein, rather than leaving the role to a 3243: 2952: 2939: 2726:, gave Honda and Tsuburaya their greatest budget yet and 300 days to shoot 2605: 2582: 2517: 2302: 2178: 2150: 2121: 1732: 1579: 1547: 1498: 1425: 1362: 1333: 1175: 786: 619: 425: 10692: 9241: 9125: 4807:

turned Eiji Tsuburaya's lifelong ambition into a live-action movie titled

4069:

exhibit simulating earthquakes and volcanoes, which was set to be part of

3547: 3180: 1975:, producer Tomoyuki Tanaka began to consider creating a giant monster (or 14793: 14688: 13794: 11581: 11426: 11096: 10112: 9718: 8222: 5651: 4716: 4657: 4485: 4313: 4074: 4066: 3852: 3686: 3373: 3330:(released in August 1964), Tsuburaya renewed their collaboration for the 3114:, who are using their advanced technology and their guardian sea dragon, 2948: 2700:(1961), Tsuburaya moved on to direct the effects for Shūe Matsubayashi's 2617: 2572: 2544: 2479: 2401: 2244: 2146: 2005: 1830: 1694: 1390: 1337: 1284: 990: 715: 677: 12537:

Toho SFX Movies Authentic Visual Book Vol. 51: Giant Octopus (1962-1966)

10075: 10073: 2258:

A new sub-genre for Toho was born with Tsuburaya's first movie of 1958,

2060: 1065: 75: 20:"Tsuburaya" and "Master of Monsters" redirect here. For other uses, see 14800: 14680: 14262: 14190: 14038: 13905: 13836: 13717: 12318: 7261: 5643: 5290: 5218: 5066: 4700: 4506: 4494: 4447: 4423: 4371: 3859: 3814: 3805: 3664: 3488: 3107: 3058: 2684: 2478:(1950) in the film's Moon landing sequence; he would later meet Pal in 2469: 2455: 2427: 2317: 2094: 2013: 1656: 1420: 1389:

was in production, Toho's effects department was filming Japan's first

1260: 1075: 998: 781: 761: 671: 588: 524: 12183:

Camara, Anthony (2015). Hutchinson, Sharla; Brown, Rebecca A. (eds.).

12032: 10014: 9478: 8126: 3994:'s show of the same name. Like Honda and Tsuburaya's previous effort, 3562:

film to feature the contributions of Tsuburaya's entire effects unit,

2858: 2759:

My movie company came up with a very interesting script that combined

1070: 14238: 13170: 12835:

King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson

12210: 11091: 10070: 9277: 9137: 7981: 7447: 7445: 6981: 6201:

describes an unusually close personal understanding between friends."

6141: 5266: 4676: 4582: 4510: 4346: 4283: 4245: 3967:, began airing on the TBS, where he served as the show's supervisor. 2959:

traveled to Japan in order to film Tsuburaya's effects at Shintoho's

2761: 2581:; he also oversaw the creation of an extremely detailed miniature of 2341:

were described by biographer August Ragone as "comical and surreal".

2334: 2307: 2275: 2260: 2162: 1909: 1348: 950: 769: 476: 11391: 11389: 11248:"Eiji Tsuburaya's 114th birthday marked with Godzilla Google Doodle" 10999: 10997: 10716: 10714: 10712: 10603: 10601: 10177: 10175: 10031: 10029: 9848: 9846: 9645: 9643: 9641: 9639: 9637: 9635: 3514: 3348:). Conceived as one of the features celebrating ten years of Toho's 2555:

film, before being demolished at the end of the filming process for

1889:). The ensuing year, he and Honda collaborated on another war film, 597:(1949), widely regarded as the first Japanese science fiction film. 14733: 13744: 12345: 11057: 11020: 11018: 11016: 11014: 11012: 6800: 5966: 4623: 4588: 4548: 4463: 4309: 4250: 4228: 3523: 3492: 3220: 3198: 2767: 2359: 2243:, a science fiction epic directed by Ishirō Honda. The first color 2065: 2009: 1957: 1664: 1588: 1398: 1345: 1171: 1148: 1078:

in 1934. An adaptation of this crane is still used worldwide today.

1021: 931: 726:. Sei died of illness shortly after giving birth to her second son. 470: 13688:

Standard Text Collection of Eiji Tsuburaya's Essays and Criticisms

13565:

Dreams Run Through the Sky: The Story of My Teacher Eiji Tsuburaya

13074:

Japan's Favorite Mon-Star: The Unauthorized Biography of the Big G

12928:

Nishimoto, Tadashi; Yamada, Kōichi; Yamane, Sadao (October 2004).

12745:

Complete Collection of Japanese Special Effects and Fantasy Movies

12005:[In Memoriam: Director Seijun Suzuki and Shochiku Films]. 7529: 7527: 7525: 7442: 7432: 7430: 7428: 7191: 7189: 7187: 4396: 4176:. A Catholic service was held at Toho Studios on February 2, with 4015:, regarded as the third film in the "Toho 8.15 series" (following 3164:. Tsuburaya utilized his 1900 optical printer to remove damage in 2934:

The second film released in 1963 to feature his contributions was

2687:

dream scenes with actor Toshiro Mifune for Hiroshi Inagaki's film

1752:. During this period, Tsuburaya also worked on Toho films such as 1591:; Tsuburaya would create the effects for the studio's first film, 14656: 14414: 14398: 13943: 13665:

Eiji Tsuburaya: The Film Director Who Created Monsters and Heroes

13272: 13160: 11875:"Tribute to Legendary Director Eiji Tsuburaya Opens in Fukushima" 11779: 11386: 11030: 10994: 10831: 10819: 10709: 10680: 10598: 10571: 10226: 10187: 10172: 10026: 10002: 9990: 9894: 9870: 9843: 9632: 9373: 9006: 8970: 8851: 8615: 8576: 8348: 8063: 6377: 6314: 6312: 6310: 6308: 6306: 5619: 5442: 5426: 4036:

in contrast to the other 3-meter ships. Released in August 1969,

3882: 3841: 3507:

was another box office hit for Tsuburaya, earning even more than

3496: 3445: 3256: 3152:(1964), was Tsuburaya's next project. Often regarded as the best 3086: 3072: 3043:. This film, directed by Senkichi Taniguchi from a screenplay by 3007: 2754:, a South Korean-produced film that was never released in Japan. 2490:, and he later received the Special Award of Merit at the fourth 2225: 1825: 1775:, staged miniature ships to depict a battle in Hiroshi Inagaki's 1479: 659: 14836: 13896: 11074: 11072: 11009: 10947: 10855: 10214: 8982: 8690: 8198: 7959: 7957: 7891: 7889: 7887: 7020:"Long-lost film by special effects wizard behind Godzilla found" 4965:, a 2022 television documentary on the two screenwriters behind 3481:, Tsuburaya quickly moved on to his next film, Kengo Furusawa's 3344:

movies were ever released in the same year (the first one being

3242:

but was struggling to find a lead actor for it. Honda convinced

14438: 14342: 10768: 7836: 7809: 7797: 7522: 7425: 7184: 6677: 6675: 6673: 6671: 6669: 6667: 6665: 6663: 5466: 5370: 4821: 4243:

Tsuburaya's career in film production evolved from small-scale

4161: 4157: 4125: 3691: 3326: 2728: 2645: 2621: 2616:

Tsuburaya and the special effects crew preparing the miniature

2395: 1727: 902:

party held at a tea house in the spring of 1919, Tsuburaya met

898: 777:

hobby, an interest he would pursue throughout his entire life.

11511:

is the culmination of a career indebted to a pop culture icon"

10913: 10911: 10909: 10780: 10588: 10586: 9965: 9963: 9961: 9959: 9468: 9466: 9207: 9205: 7596: 7594: 7592: 7590: 6303: 4737:

when looking for a company to produce the special effects for

2853: 1159:

In March of the next year, Tsuburaya's directorial debut, the

1151:

playing the female lead in Tsuburaya's first histrionic film,

13682:

Tsuburaya, Eiji (December 1, 2010). Takeuchi, Hiroshi (ed.).

12809: 12462:] (in Japanese). Vol. 1. Keibunsha. March 24, 1990. 11982: 11773: 11463: 11319:"Godzilla creator Eiji Tsuburaya celebrated in Google Doodle" 11069: 10758: 10756: 10442: 10426: 10424: 10415: 10142: 10106: 10047: 9946: 9944: 9942: 9940: 9508: 9490: 8952: 8917: 8881: 8823: 8821: 8651: 8446: 8389: 8291: 8038: 7954: 7948: 7884: 7698: 7546: 7544: 7542: 7323: 7087: 7085: 7083: 7081: 7079: 6932: 6930: 6928: 4849:

film loosely based on his unmade film prior to production of

4480: 4355: 4078: 3946:. On September 15, 1968, the week after the final episode of 3745:

Also in 1966, Tsuburaya worked once again with Honda for the

3701: 3695:(order and harmony), in contrast to his previous designs for 3216: 3110:), to use his battleship to save the world from the invading 2330: 2195: 1859: 1553: 1474:

in cinemas, Masano and Tsuburaya's third son and last child,

1219: 979: 603: 338: 13542:

The Prominence of Eiji Tsuburaya: The Sociology of Tokusatsu

13457:

With Godzilla: Toho Special Effects VIP Interview Collection

13309:(February 21, 1961). "Shock Films New Product of Japanese". 12411:

A Critical History and Filmography of Toho's Godzilla Series

11200: 11116: 10448: 10361: 9915:"Ghidorah Explained: Godzilla 2 Villain Origin & Powers" 9753: 8564: 8552: 8481: 8479: 8116: 8114: 6959: 6721: 6719: 6660: 6581: 6579: 6479: 6477: 3721:

production of every episode of the series and served as the

2660:. Nonetheless, he decided to keep these scenes upon editing 2023:

in 71 days from August to late October 1954, on a budget of

1414:

Tsuburaya's next four major productions were all war films:

1252:, which featured a bombing scene with a miniature airplane. 14727: 13879: 13197: 13194:

Stories from Inside Toho Studios: The Era of Toshiro Mifune

11906:"MONSTER SEAFOOD WARS — First Look at Upcoming Kaiju Movie" 11747: 11455:"Cyberpunk icon Shinya Tsukamoto on his black sheep horror 10906: 10726: 10656: 10632: 10583: 10397: 10337: 10124: 9956: 9882: 9608: 9463: 9435:[List of Japanese Film Technology Awards Winners]. 9361: 9313: 9253: 9202: 8528: 7676: 7674: 7672: 7670: 7587: 7381: 7379: 7377: 7066: 7064: 7062: 6475: 6473: 6471: 6469: 6467: 6465: 6463: 6461: 6459: 6457: 6228: 4922: 4894:

paid homage to Tsuburaya's work in his acclaimed 2023 film

4734: 4434:

and were not personal comrades, but nevertheless shared a "

3822:

series, which had been influenced by the British TV series

3710: 3681:

During designing, Tsuburaya found the original versions of

3172:

for the scene where Godzilla destroyed the building. Since

2877:. The sole new miniature battleship built for the film was 2465: 2415: 2344:

After operating on the Tokyo Takarazuka Theater production

2291:

Tsuburaya began 1959 by working on the special effects for

1200: 1122:, an adaptation of the 10th-century Japanese literary tale 557: 352: 12950: 12874: 12666:] (mook) (in Japanese). Kodansha. September 26, 2020. 12620:

TV Magazine Special Edition: Ultra Tokusatsu Magazine 2020

12246:

The Toho Studios Story: A History and Complete Filmography

11544:"Three 'Ultraman' Movies Are Coming Stateside, in English" 11422:"John Carpenter Interview: Masters of Monsters & More" 11188: 10849: 10809: 10807: 10753: 10703: 10538: 10508: 10421: 10282: 10118: 10060: 10058: 10056: 9937: 9864: 9349: 9247: 9131: 9018: 8994: 8905: 8893: 8818: 8782: 8639: 8588: 8516: 8428: 8377: 8338: 8336: 8174: 8087: 8008: 7763: 7761: 7539: 7313: 7311: 7284: 7076: 6925: 6763: 6761: 6293: 6291: 6289: 6287: 6285: 4422:

director: he refused to allow directors to stare into the

3487:, produced in celebration of the tenth anniversary of the 2842:

stages and various optical effects. Produced by Toho—like

2828:

Tsuburaya's final film release of 1962 was Inagaki's epic

1218:, in 1937 Mori hired Tsuburaya at the company's studio in 689:

were extremely successful upon their 1966 broadcast, with

15043:

Recipients of the Order of the Sacred Treasure, 4th class

13248:

Photo Collection: Special Effects Director Eiji Tsuburaya

13215:

Takeuchi, Hiroshi; Yamamoto, Shingo, eds. (May 7, 2001).

12710:[Mr. Eiji Tsuburaya, the special effects director of 12036: 11803: 11724: 11722: 11047: 11045: 10935: 10894: 10884: 10882: 10880: 10878: 10876: 10874: 10872: 10870: 10743: 10741: 10622: 10620: 10618: 10616: 10561: 10559: 10544: 10472: 10303: 10301: 10299: 10297: 10272: 10270: 10268: 10243: 10241: 10085: 9780: 9714:: Frank Sinatra's Directorial Debut Was An Anti-War Epic" 9325: 9289: 9149: 8806: 8714: 8476: 8464: 8162: 8111: 7296: 7148: 7121: 7097: 6716: 6650: 6648: 6576: 6557: 4813:, which featured effects directed by Tsuburaya's protégé 4647: 4221:

Tsuburaya directs his special effects crew on the set of

4040:

was the second highest Japanese grosser of 1969, earning

2585:

and directed its destruction scene for Hiroshi Inagaki's

1109:

documentary film. During the expedition, his second son,

657:; his company would go onto produce the television shows 13592:

A Dream in the Sky: Eiji Tsuburaya, the God of Tokusatsu

11695:["I'm still complicating puberty" Hajime Isayama of 11488: 11486: 11176: 11140: 11128: 10984: 10982: 10980: 10978: 10976: 10974: 10204: 10202: 9980: 9978: 9770: 9768: 9620: 9586: 9584: 9535: 9533: 9531: 9529: 9514: 9406: 9404: 9402: 9400: 9337: 9229: 9099:"『ゴジラvsコング』の原点『キングコング対ゴジラ』撮影秘話……敵の大ダコはその日のスタッフの夕食になっていた" 8958: 8936: 8934: 8932: 8680: 8678: 8663: 8627: 8506: 8504: 8502: 8500: 8498: 8496: 8494: 8452: 8367: 8365: 8363: 8309: 8263: 8261: 8234: 8138: 8053: 8051: 8049: 8047: 7998: 7996: 7930: 7826: 7824: 7667: 7645: 7643: 7630: 7628: 7615: 7613: 7611: 7609: 7374: 7172: 7059: 6646: 6644: 6642: 6640: 6638: 6636: 6634: 6632: 6630: 6628: 6454: 6247: 6245: 6243: 4824:

artist Jennifer Hom and her colleagues made an animated

4641:

s Doug Bolton wrote that even "people not familiar with

3873:

was aimed at a more mature audience, in contrary to the

2902:. Around August of the same year, photography assistant 1916: 1283:, saying: "I was called upon to create and photograph a 1116:

Upon returning from the voyage, Tsuburaya began work on

830: 811:, and begged his family to let him enroll in the Nippon 748:

on July 7, 1901, at a merchant house called Ōtsukaya in

13048:

Ishiro Honda: A Life in Film, from Godzilla to Kurosawa

12708:"「ゴジラ」などの特撮監督、円谷英二さん――邸内の研究室で、長男の一さん、次男の昇さんと竜を撮影する円谷さん" 12431: 11673: 11224: 11152: 10923: 10804: 10668: 10520: 10496: 10325: 10253: 10053: 9819: 9569: 9557: 9545: 9484: 9217: 9192: 9190: 9188: 9186: 9184: 9182: 9180: 9178: 9176: 9054: 8794: 8333: 8297: 8246: 8228: 8132: 7920: 7918: 7916: 7901: 7773: 7758: 7746: 7565: 7563: 7561: 7559: 7510: 7466: 7464: 7462: 7460: 7352: 7350: 7335: 7308: 7210: 7208: 7206: 7204: 7138: 7136: 7109: 7049: 7047: 6949: 6947: 6945: 6901: 6891: 6889: 6874: 6864: 6862: 6860: 6758: 6706: 6704: 6702: 6533: 6531: 6444: 6442: 6440: 6438: 6436: 6434: 6432: 6419: 6417: 6415: 6413: 6411: 6409: 6407: 6282: 4281:

founder and head of Japanese special effects (known as

3926:(who was previously the topic of Honda and Tsuburaya's 3731:

The Birth of Ultraman: An Ultraman Premiere Celebration

3550:, as well as the second collaboration between Toho and 1170:

was the second film to ever star popular geisha singer

13291:] (in Japanese). Toho Publishing Business Office. 12544:"手塚治虫と特撮テレビ" [Osamu Tezuka and Tokusatsu TV]. 12315:

Eiji Tsuburaya: The Film Director Who Created Ultraman

12071:

Large Special Effects: Japanese Tokusatsu Film History

11815: 11719: 11401: 11374: 11212: 11042: 10867: 10792: 10738: 10644: 10613: 10556: 10484: 10460: 10385: 10373: 10349: 10313: 10294: 10265: 10238: 9451: 9078: 9066: 8857: 8702: 8540: 8401: 8321: 8273: 8210: 8099: 8020: 7860: 7734: 7575: 6748: 6746: 6272: 6270: 6268: 6266: 6264: 6262: 6260: 6210:

Produced in 1969, the year prior to Tsuburaya's death.

4156:

Japanese sources have cited the cause of his death as

3495:

of the time, Tsuburaya's department extensively used "

1907:, Tomoyuki Tanaka believed Tsuburaya should make more 462:, filmmaker, and cinematographer. A co-creator of the 380: 14777: 13329:

Godzilla/Godzilla's Counterattack/Giant Monster Varan

12927: 12600:] (mook) (in Japanese). Kodansha. June 28, 2022. 12508:

Kinema Junpo Best Ten 85 Times Full History 1924→2011

11483: 11164: 10971: 10959: 10199: 10148: 9975: 9831: 9809: 9807: 9792: 9765: 9596: 9581: 9526: 9397: 9385: 9301: 9283: 9161: 9042: 8929: 8869: 8833: 8770: 8675: 8491: 8360: 8258: 8186: 8150: 8075: 8044: 7993: 7872: 7821: 7785: 7710: 7686: 7640: 7625: 7606: 7362: 7160: 6845: 6773: 6625: 6499:["Father of Tokusatsu" – From Dawn to Bloom] 6380:[Sukagawa City M78 Town of Light Supporter]. 6240: 4887:

discussing the legacy of Tsuburaya's work afterward.

2237:. He next served as the special effects director for 2133:, a Hong Kong-Japanese film adaptation of a novel by 1312:(1942), which featured an acclaimed depiction of the 1066:

J.O. Studios, directorial works, and Toho (1934–1940)

13397:

Princess Kaguya -From the Tale of the Bamboo Cutter-

13250:] (in Japanese) (2nd ed.). Asahi Sonorama. 13121:

Hajime Tsuburaya: Ultra Q and the era of "TV movies"

12706: 10160: 9655: 9173: 9030: 8758: 8419: 7969: 7913: 7848: 7722: 7556: 7457: 7347: 7201: 7133: 7044: 6984:[The Eiji Tsuburaya-photographed phantom movie " 6942: 6913: 6886: 6857: 6699: 6687: 6528: 6429: 6404: 4200:. He was later entombed at the Catholic Cemetery in 3380:

in the summit scene. Released on December 20, 1964,

3022:

said that Tsuburaya "focused" Toho to purchase the "

2521:

Tsuburaya holding a miniature pilot's ejector seat,

846:

Tsuburaya (far right) with colleagues including his

705: 517:(1926). At the age of thirty-two, Tsuburaya watched 13289:

The Complete History of Toho Special Effects Movies

12934:

Road to Hong Kong: From Nobuo Nakagawa to Bruce Lee

12664:

Ultra Special Effects PERFECT MOOK vol. 06: Ultra Q

12486:

The Soul of Tokusatsu: Toho Tokusatsu Battle Record

11241: 11239: 9265: 7655: 6743: 6731: 6257: 4856:In commemoration of 120 years since his birth, the 4788:was written by Tsuburaya shortly before he died in 4404:(right) and crew members on the Faro Island set of 2859:

Birth of a company and career expansion (1963–1964)

1542:, for which he was credited as "Eiichi Tsuburaya". 13144:Toshihiro Iijima From "Ultraman" to "Friday Wives" 13071: 12157: 12096: 11872: 11312: 11310: 11308: 9804: 4391: 3850:, and inserted concepts from it into a TV series, 3587: 3098:and incorporated with Shigeru Komatsuzaki's novel 773:instead of Eiichi ("ichi" indicating first-born). 710: 484:—including globally renowned features directed by 13044: 12598:ULTRAMAN HISTORICA: From Ultra Q to Shin Ultraman 11785: 11395: 11036: 11024: 11003: 10837: 10825: 10720: 10686: 10607: 10577: 10193: 10181: 10079: 10035: 10020: 10008: 9996: 9900: 9876: 9852: 9649: 9379: 9012: 8976: 8621: 8582: 8354: 8069: 7987: 7842: 7815: 7803: 7533: 7451: 7195: 4598:(1971-1972), which launched a new string of the " 3725:special effects director for episodes 18 and 19. 2741:; in July, he finished directing the effects for 1562: 549:(1937), remarkably featured the first full-scale 14849: 13741:Ultraman Crying - Tsuburaya Productions' Failure 13714:Eiji Tsuburaya: A Legacy Left in Japanese Cinema 13437:] (in Japanese). Yosensha. October 9, 2010. 13214: 12795:] (in Japanese) (2nd ed.). Shogakukan. 12622:] (in Japanese). Kodansha. August 31, 2020. 12440:] (in Japanese) (1st ed.). Shogakukan. 11236: 10953: 10861: 9912: 8988: 8696: 8204: 7436: 6318: 4626:is Tsuburaya's most popular character overseas. 4212: 4048:budget. Deemed one of Tsuburaya's masterpieces, 4009:Tsuburaya quickly moved on to his next project, 2819:second-highest-grossing Japanese film in history 2595:, and then directed the tsunami sequence in the 1824:During World War II, Toho had begun researching 1641:(1949) were intended to be superior to those in 1578:Toho was on the verge of disbandment due to the 966:and Tsuyako Okajima, as well as Toko Yamazaki's 944:(released the following year). In 1927, he shot 12552:] (in Japanese). Kodansha. April 22, 2009. 12502: 11305: 10774: 8742:(in Japanese). October 24, 2005. Archived from 6028: 5994: 2531:A smaller-scale science fiction film, entitled 2468:. Tsuburaya reportedly paid homage to producer 2270:, a film about a giant monster awakened in the 2211:office than any previous science fiction film. 739: 451: 15048:Recipients of the Order of the Sacred Treasure 12644:] (in Japanese). Kodansha. July 28, 2020. 12578:) (in Japanese). Kodansha. December 21, 2022. 12065: 11645:"Mystery Switches and Other Hidden Secrets of 10786: 6982:"円谷英二撮影の幻の映画「かぐや姫」イギリスから帰還フィルムが渡った理由、発掘の経緯は？" 6022: 5988: 4341:Tsuburaya's endeavors in films often depicted 4098:Tsuburaya's grave at the Catholic Cemetery in 3842:Final works, last years, and death (1968–1970) 3193:Tsuburaya (far left, with glasses) talks with 2106:miniature, and miniature avalanche sequences. 2019:Tsuburaya's special effects department filmed 733: 357: 343: 13959: 12980:Exploring the Roots of the Asian Film Network 12550:Beloved Favorite Tokusatsu Hero BEST Magazine 12438:Toho Special Effects All Monster Encyclopedia 11610:"Guillermo Del Toro On Classic Kaiju And Why 11343: 1762:(1950), directed the effects for Taniguchi's 1168:Folk Song Collection: Oichi of Torioi Village 1164:Folk Song Collection: Oichi of Torioi Village 1153:Folk Song Collection: Oichi of Torioi Village 807:In 1915, at the age of 14, he graduated from 16:Japanese special effects director (1901–1970) 15058:Military personnel from Fukushima Prefecture 12901: 12335: 12240: 12227: 11903: 10367: 10232: 10220: 9759: 9614: 9143: 8558: 5942: 5940: 5913: 3699:, which had been inspired by the concept of 2732:, their next science fiction epic. Although 2634:In 1961, Tsuburaya directed the effects for 2362:, Tokyo for a Hong Kong-based film company. 1748:and based on the life of Japanese swordsman 1279:, he broke down the creative process behind 976:Record of the Tragic Swords of the Tenpo Era 13615:The Man Who Was Called the God of Tokusatsu 12539:] (in Japanese). Dai Nippon Publishing. 12336:Iwabatake, Toshiaki; Ono, Kōichirō (1992). 7268:(in Japanese). Kawauchi Literature Office. 6034: 6000: 5956: 5954: 5952: 4853:about a giant octopus that attacked Tokyo. 4479:." He added: "After the wires broke on the 3942:was the second-highest grosser, at roughly 3292:. He went on to operate this technology on 2854:Birth of a company to last years: 1963–1970 2846:—in celebration of their 30th anniversary, 2486:filmed Tsuburaya directing the effects for 13966: 13952: 13844: 13826: 12911:Special Effects Director: Teruyoshi Nakano 12881:Godzilla Toho Champion Festival Perfection 12762:Matsuda, Takehisa, ed. (August 10, 2001). 12392:Godzilla Days: 40 Years of Godzilla Movies 12262: 6725: 6585: 6372: 6370: 6368: 6204: 5979:His second child died in her juvenescence. 4775:Tsuburaya had intended to work on Honda's 4438:relationship". Honda's assistant director 4353:—especially bleeding and slaughter—in his 3950:was broadcast and just over a month after 3603:", an episode of their documentary series 3420:actor Kōji Furuhata (right) on the set of 3062:Tsuburaya with a prop used to portray the 2186:film ever produced in color. About 60% of 2082:Due to the enormous box-office success of 1360:upon its release in December 1942 and won 74: 13734: 13704: 13681: 13137: 13114: 12816:Toho Special Effects Movie Complete Works 12793:Godzilla: Final Wars Super Complete Works 12658: 12636: 12614: 12592: 12572:Godzilla and Toho Tokusatsu Official Mook 12566: 12528: 12454: 12363:Iwabatake, Toshiaki (September 1, 1994). 12362: 12309:Ichikawa, Shinichi (September 13, 1996). 12201: 12136: 12121: 11988: 11809: 11642: 11541: 11278: 10941: 10917: 10900: 10662: 10550: 10288: 10091: 9786: 9744: 9575: 9496: 9367: 9331: 9319: 9235: 9223: 9211: 9060: 8964: 8923: 8887: 8657: 8633: 8606: 8534: 8470: 8395: 8315: 8240: 7963: 7895: 7550: 7091: 6936: 6880: 6829:[Melee] (in Japanese). Shochiku. 6681: 6341: 6339: 6337: 6335: 6333: 6331: 6329: 6327: 6234: 5937: 4939:played Tsuburaya in the television drama 4500: 3889:, later began broadcasting in July 1968. 3499:" in outdoor locations, while lead actor 2983:. In his first partnership with director 2176:Toho's next assignment for Tsuburaya was 1358:highest-grossing Japanese film in history 1099:in order to shoot his directorial debut, 1027:In 1933, Tsuburaya saw the American film 653:(1962). In April 1963, Tsuburaya founded 568:highest-grossing Japanese film in history 146:Tokyo Kanda Electrical Engineering School 13644:] (in Japanese). Rekishi Shunjūsha. 13451: 13429: 13407: 13367: 13264: 13242:Takeuchi, Hiroshi, ed. (June 30, 2001). 13241: 12851: 12543: 12476: 12308: 11962:"ゴジラ映画とは「終われない神事」である山崎貴監督が語る"神様兼怪物"の本質" 11959: 11873:Holland, Edward L. (February 19, 2019). 11740: 11679: 11419: 11230: 11206: 11158: 11122: 11063: 10259: 9563: 9355: 9000: 8669: 8570: 8342: 7600: 7581: 7254: 7225: 7223: 5949: 4733:. During the early 1970s, Lucas visited 4395: 4216: 4093: 3658: 3513: 3411: 3283:. Despite having to spend a then-record 3188: 3057: 2955:) ascended into heaven. Cinematographer 2951:) in two and the protagonist (played by 2885: 2611: 2516: 2364: 2059: 1630: 1411:in 1941, under Tsuburaya's supervision. 1294: 1290: 1236:, and the unreleased propaganda musical 1142: 1069: 730:Eiji Tsuburaya was born Eiichi Tsumuraya 714: 496:—and earned six Japan Technical Awards. 13658: 13390: 13368:Watanabe, Hiroshi (December 10, 1997). 13045:Ryfle, Steve; Godziszewski, Ed (2017). 13028:(paperback ed.). Chronicle Books. 12837:. Applause Theatre & Cinema Books. 12761: 12738: 12342:Kodansha Hit Books: Godzilla vs. Mothra 12281: 12263:Harrington, Clifford V. (August 1960). 12000: 11960:Yonehara, Norihiko (October 29, 2023). 11868: 11866: 11797: 11504: 11492: 11452: 11245: 10929: 10813: 10798: 10732: 10674: 10638: 10592: 10526: 10502: 10478: 10454: 10403: 10331: 10130: 10064: 9969: 9888: 9825: 9551: 9472: 9295: 9259: 9155: 9072: 8863: 8812: 8800: 8726: 8546: 8485: 8407: 8252: 8168: 8120: 8105: 8026: 7866: 7830: 7791: 7740: 7704: 7692: 7680: 7649: 7619: 7385: 7368: 7329: 7178: 7070: 6976: 6974: 6596: 6594: 6483: 6365: 6297: 6251: 4983: 4651:] the legacy of Tsuburaya's work". 3624:Tsuburaya had begun working on the new 3599:s popularity, TBS aired "The Father of 3384:was a massive box office hit, grossing 3320:After directing the effects on Honda's 2838:, for which he and his department made 2835:Chūshingura: Hana no Maki, Yuki no Maki 2169:and several theatrical productions for 1871:Tsuburaya's next project, the war epic 1615:Tsuburaya Special Technology Laboratory 1606:Supreme Commander for the Allied Powers 1102:Three Thousand Miles Across the Equator 577:Supreme Commander for the Allied Powers 14850: 13784: 13690:] (in Japanese). Wise Publishing. 13659:Taguchi, Shigemitsu (April 25, 2018). 13635: 13608: 13585: 13558: 13535: 13305: 13279: 13187: 13092: 13023: 13000: 12957:Tsuburaya Pro All Monster Encyclopedia 12832: 12785:Matsui, Satoshi, ed. (March 1, 2005). 12784: 12385: 12182: 12091: 11821: 11728: 11707:from the original on December 16, 2021 11643:Whittaker, Richard (January 7, 2023). 11624:from the original on December 12, 2020 11607: 11574: 11556:from the original on December 12, 2020 11434:from the original on November 12, 2022 11407: 11380: 11331:from the original on December 30, 2022 11218: 11194: 11170: 11134: 11078: 11051: 10988: 10965: 10888: 10762: 10747: 10650: 10626: 10565: 10514: 10490: 10466: 10430: 10391: 10379: 10355: 10343: 10319: 10307: 10276: 10247: 10208: 9984: 9950: 9925:from the original on February 11, 2020 9837: 9798: 9774: 9707: 9626: 9602: 9539: 9520: 9457: 9427: 9425: 9423: 9421: 9419: 9410: 9391: 9343: 9307: 9167: 9084: 9048: 9024: 8940: 8911: 8899: 8875: 8839: 8827: 8788: 8776: 8720: 8708: 8684: 8645: 8594: 8522: 8510: 8458: 8434: 8383: 8371: 8327: 8279: 8267: 8216: 8192: 8180: 8156: 8144: 8093: 8081: 8057: 8014: 8002: 7878: 7854: 7779: 7752: 7728: 7716: 7634: 7569: 7516: 7470: 7356: 7341: 7317: 7302: 7290: 7214: 7166: 7154: 7142: 7127: 7115: 7103: 7053: 6965: 6953: 6919: 6907: 6895: 6868: 6851: 6779: 6767: 6737: 6710: 6693: 6654: 6548: 6546: 6537: 6448: 6423: 6392:from the original on December 30, 2022 6353:from the original on February 28, 2023 6324: 6276: 6197:According to Ryfle and Godziszewski: " 4109:, and he collapsed while visiting the 3832:film series to Arikawa, starting with 3219:. The effects director was shooting a 2145:production to be completely filmed in 1967:After failing to renegotiate with the 1821:, ever collaborated with one another. 13947: 13586:Suzuki, Kazuyuki (January 17, 2019). 13515:Verification of the Birth of Godzilla 13509:Inoue, Hideyuki (September 1, 1994). 13508: 13488:The Wonderful World of Eiji Tsuburaya 13415:] (in Japanese). Yosensha. 2011. 13188:Takase, Masahiro (January 15, 2003). 13138:Shiraishi, Masahiko (March 9, 2011). 13115:Shiraishi, Masahiko (July 20, 2006). 13094:ウルトラマンシリーズ大解剖ウルトラQ・ウルトラマン・ウルトラセブン編 13069: 12860:] (in Japanese). Asahi Sonorama. 12594:ULTRAMAN HISTORICA ウルトラQからシン・ウルトラマンまで 12408: 12043:from the original on February 1, 2023 12013:from the original on February 1, 2023 12001:Tatsuya, Masuto (February 23, 2017). 11897: 11833: 11755:from the original on February 8, 2023 11471:from the original on January 24, 2022 11094:[Interview with Bin Furuya]. 10166: 10154: 9661: 9590: 9196: 9036: 8303: 7975: 7936: 7924: 7907: 7498:from the original on February 9, 2023 7413:from the original on February 8, 2023 7242:from the original on February 7, 2023 7232:"太平洋戦争中の特撮人形劇映画、制作現場の写真見つかる人形は浅野孟府作" 7229: 7220: 7032:from the original on February 3, 2023 7017: 7013: 7011: 6833:from the original on February 6, 2023 6807:from the original on February 6, 2023 6752: 5921:Japanese Society of Cinematographers 2896:Tsuburaya Special Effects Productions 1917:International recognition (1954–1959) 1482:, since Masano had been converted to 1397:. The film's screenplay—based on the 831:Early career and marriage (1919–1934) 791:celebrity and was interviewed by the 655:Tsuburaya Special Effects Productions 14988:20th-century Japanese businesspeople 14031:The War at Sea from Hawaii to Malaya 13785:Yamada, Masami (September 1, 1996). 13761: 13735:Tsuburaya, Hideaki (June 18, 2013). 13716:] (in Japanese) (2nd ed.). 13594:] (in Japanese). Ōtsuki Shoten. 13345: 13323: 13223:] (in Japanese) (2nd ed.). 13169:] (in Japanese) (3rd ed.). 12936:] (in Japanese). Chikuma Shobō. 12532:東宝特撮公式ヴィジュアル・ブックvol.51 大ダコ1962-1966 12275:American Society of Cinematographers 12152: 11863: 11420:Hermanns, Grant (November 1, 2020). 11349: 11316: 11182: 11146: 9113:from the original on January 3, 2022 8764: 7767: 7661: 7272:from the original on October 2, 2022 6971: 6600: 6591: 6489: 5725:Japanese Society of Cinematographers 5714: 5691: 5059:The War at Sea from Hawaii to Malaya 4890:Filmmaker and visual effects artist 4287:), earning him the title "Father of 4186:The War at Sea from Hawaii to Malaya 3181:Japanese-American coproductions and 2127:Tsuburaya's next major undertaking, 1879:The War at Sea from Hawaii to Malaya 1611:The War at Sea from Hawaii to Malaya 1460:The War at Sea from Hawaii to Malaya 1438:The War at Sea from Hawaii to Malaya 1387:The War at Sea from Hawaii to Malaya 1353:The War at Sea from Hawaii to Malaya 1309:The War at Sea from Hawaii to Malaya 1011:Japanese Society of Cinematographers 563:The War at Sea from Hawaii to Malaya 14983:Japanese documentary film directors 14071:A Thousand and One Nights with Toho 13001:Ragone, August (November 1, 2007). 12973: 12858:Immortal Hero: Ultraman White Paper 12818:] (in Japanese). villagebooks. 12768:Eiji Tsuburaya's World of Tokusatsu 12726:from the original on March 14, 2023 12680: 11953: 11941:from the original on August 1, 2022 11904:Aiken, Keith (September 16, 2019). 11851:from the original on March 20, 2023 11453:Balmont, James (January 24, 2022). 11362:from the original on March 19, 2023 11352:"A Brief History of Eiji Tsuburaya" 11104:from the original on March 16, 2023 9813: 9708:Cotter, Padraig (October 6, 2019). 9416: 9284:Nishimoto, Yamada & Yamane 2004 9271: 7488:A Thousand and One Nights with Toho 6543: 5099:A Thousand and One Nights with Toho 4442:said that "Other directors such as 4194:A Thousand and One Nights with Toho 4006:), making it a box office failure. 3197:(center) during the filming of the 3112:ancient undersea civilization of Mu 1594:A Thousand and One Nights with Toho 1436:and Kajirō Yamamoto's follow-up to 556:In 1937, Tsuburaya was employed by 537:in the Pacific Ocean, he worked on 13: 15028:People expelled from public office 15008:20th-century Japanese male writers 14447:Ghidorah, the Three-Headed Monster 13973: 13667:] (in Japanese). Akane Shobo. 13559:Sagisu, Tomio (December 1, 2001). 13544:] (in Japanese). Nakanishiya. 13475: 13399:] (screenplay) (in Japanese). 13026:Eiji Tsuburaya: Master of Monsters 13003:Eiji Tsuburaya: Master of Monsters 12852:Murayama, Minoru (December 1982). 12207:Super Common Knowledge of Godzilla 11741:Trenholm, Richard (July 7, 2015). 11293:from the original on April 5, 2023 11260:from the original on April 5, 2023 9726:from the original on March 5, 2023 9689:from the original on March 5, 2023 7008: 6516:from the original on April 3, 2023 6171:Attributed to multiple references: 6162:Attributed to multiple references: 6153:Attributed to multiple references: 6127:Attributed to multiple references: 6118:Attributed to multiple references: 6109:Attributed to multiple references: 6100:Attributed to multiple references: 6091:Attributed to multiple references: 6082:Attributed to multiple references: 6060:Attributed to multiple references: 5475:Ghidorah, the Three-Headed Monster 4534: 3556:Ghidorah, the Three-Headed Monster 3536:Then, Tsuburaya worked on Honda's 3509:Ghidorah, the Three-Headed Monster 3491:comedy group. Inspired by popular 3464:atomic bomb falling upon Hiroshima 3453:movies: plus, an actor in make-up— 3337:Ghidorah, the Three-Headed Monster 1600:In late March 1948, Tsuburaya was 1322:Imperial Japanese Navy Air Service 879:Tsuburaya (far right) with fellow 456:, July 7, 1901 – January 25, 1970) 14: 15079: 15063:Writers from Fukushima Prefecture 15053:Artists from Fukushima Prefecture 14903:Japanese television personalities 14271:Submarine I-57 Will Not Surrender 13813: 13762:Yagi, Takeshi (August 12, 2022). 12959:] (in Japanese). Shogakukan. 11928:"「円谷監督の原風景ここに」斎藤工さんがつなぐウルトラマン文化" 11703:(in Japanese). January 28, 2011. 11542:Francisco, Eric (July 20, 2017). 11523:from the original on May 13, 2022 9913:Nicholas Raymond (May 29, 2019). 9096: 7230:Asano, Eiko (February 18, 2020). 6996:from the original on July 9, 2021 6051:and "Japan's Master of Monsters". 5299:Submarine I-57 Will Not Surrender 4883:director Shinji Higuchi and star 4869:On July 10, 2022, a screening of 4400:Tsuburaya (center) with director 3268:in the U.S. the following month. 2355:Submarine I-57 Will Not Surrender 1932:Tsuburaya (center) with director 1147:Publicity still of geisha singer 706:Childhood to war years: 1901–1945 14893:Japanese science fiction writers 14835: 14823: 14811: 14799: 14787: 13770:] (in Japanese). Rittorsha. 13146:] (in Japanese). Futabasha. 13123:] (in Japanese). Futabasha. 12974:Qiū, Shū Tíng (September 2007). 12770:] (in Japanese). Keibunsha. 12747:] (in Japanese). Keibunsha. 12660:ウルトラ特撮 PERFECT MOOK vol.06 ウルトラQ 12288:Akira Kurosawa's Film Techniques 12282:Higuchi, Naofumi (August 1999). 12035:[The Pair of Ultraman]. 12025: 11994: 11920: 11827: 11791: 11734: 11685: 11636: 11601: 11568: 11535: 11505:Haddick, Alicia (May 13, 2023). 11498: 11446: 11413: 11272: 11084: 9906: 9701: 9667: 9090: 7018:Ohara, Atsushi (July 26, 2021). 6554:""特撮の神様" 円谷英二監督が撮影「かぐや姫」フィルム発見" 6509:(in Japanese). August 17, 2021. 6382:M78 Town of Light, Sukagawa City 6191: 6184:series special effects director 6174: 6165: 6156: 6147: 6130: 6121: 6112: 5902: 5835: 4784:A script for a project entitled 4645:will easily recognise [ 4276:(1933). Tsuburaya remarked that 4249:films to financially successful 4235:" (behind Tsuburaya) symbolizes 4151:. While continuing to write the 3857:which was similar in concept to 3804:(1933), the director introduced 3729:that same year, under the title 3340:, making 1964 the only time two 1949: 1925: 1470:Shortly before Toho distributed 928:The Hunchback of Enmei'in Temple 922:between 1921 and December 1922. 872: 839: 617:films that followed, including, 424: 15068:People from the Empire of Japan 14968:Imperial Japanese Army soldiers 14933:20th-century Japanese inventors 14511:Ultraman: Monster Movie Feature 14207:The Legend of the White Serpent 14103:Listen to the Voices of the Sea 13536:Manabe, Koki (March 15, 2023). 13198:Toho Publishing Business Office 12739:Matsuda, Takehisa, ed. (1997). 12734:– via Mainichi Photobank. 12488:] (in Japanese). Yosensha. 12394:] (in Japanese). Shueisha. 12371:] (in Japanese). Kodansha. 11937:(in Japanese). August 1, 2022. 11693:"「僕はまだ、思春期をこじらせている」『進撃の巨人』諫山創" 11279:Gesenhues, Amy (July 7, 2015). 7476: 7391: 6819: 6785: 6103: 6094: 6085: 6076: 6063: 6054: 5982: 5973: 5539:Ultraman: Monster Movie Feature 5235:The Legend of the White Serpent 5131:Listen to the Voices of the Sea 4392:Relationship with cast and crew 3866:Voyage to the Bottom of the Sea 3615:, which later turned out to be 2501:ceremony prior to its release. 2247:film ever directed by the duo, 2159:The Legend of the White Serpent 2130:The Legend of the White Serpent 2117:Godzilla, King of the Monsters! 1788:, and directed the effects for 1741:Listen to the Voices of the Sea 719:Tsuburaya with his mother Sei, 711:Childhood and youth (1901–1919) 233: 14953:Science fiction film directors 14055:General Kato's Falcon Fighters 13791:The Pictorial Book of Ultraman 13609:Suzuki, Kazuyuki (June 2001). 13376:] (in Japanese). Pandora. 13024:Ragone, August (May 6, 2014). 11608:Faraci, Devin (July 1, 2013). 11575:Kelley, Shamus (May 1, 2017). 11246:Kennedy, John (July 7, 2015). 6560:. July 7, 2021. Archived from 6506:National Film Archive of Japan 6347:"The Founder – Eiji Tsuburaya" 5083:General Kato's Falcon Fighters 4858:National Film Archive of Japan 4192:director Hiroshi Inagaki, and 3542:(1965), the sixth film in the 3142:The fourth installment in the 2917:, a former news cameraman for 2348:, he directed the effects for 1960:, in the self-titled 1954 film 1857:, Murata discussed creating a 1705:eponymous 1933 film adaptation 1563:Early postwar work (1946–1954) 1489:In 1944, Tsuburaya met future 1472:General Kato's Falcon Fighters 1464:General Kato's Falcon Fighters 1452:General Kato's Falcon Fighters 1443:General Kato's Falcon Fighters 1399:Sanskrit epic of the same name 1005:, was born on April 23, 1931. 579:because of his involvement in 381: 1: 15003:20th-century Japanese writers 14898:Japanese television producers 14883:Converts to Roman Catholicism 13221:Eiji Tsuburaya's Visual World 12230:Monster Zero Audio Commentary 12228:Galbraith IV, Stuart (2007). 12105:Carroll & Graf Publishers 11786:Ryfle & Godziszewski 2017 11396:Ryfle & Godziszewski 2017 11317:Doug, Bolton (July 7, 2015). 11037:Ryfle & Godziszewski 2017 11025:Ryfle & Godziszewski 2017 11004:Ryfle & Godziszewski 2017 10838:Ryfle & Godziszewski 2017 10826:Ryfle & Godziszewski 2017 10721:Ryfle & Godziszewski 2017 10687:Ryfle & Godziszewski 2017 10608:Ryfle & Godziszewski 2017 10578:Ryfle & Godziszewski 2017 10194:Ryfle & Godziszewski 2017 10182:Ryfle & Godziszewski 2017 10080:Ryfle & Godziszewski 2017 10036:Ryfle & Godziszewski 2017 10021:Ryfle & Godziszewski 2017 10009:Ryfle & Godziszewski 2017 9997:Ryfle & Godziszewski 2017 9901:Ryfle & Godziszewski 2017 9877:Ryfle & Godziszewski 2017 9853:Ryfle & Godziszewski 2017 9650:Ryfle & Godziszewski 2017 9380:Ryfle & Godziszewski 2017 9013:Ryfle & Godziszewski 2017 8977:Ryfle & Godziszewski 2017 8622:Ryfle & Godziszewski 2017 8583:Ryfle & Godziszewski 2017 8355:Ryfle & Godziszewski 2017 8070:Ryfle & Godziszewski 2017 7988:Ryfle & Godziszewski 2017 7843:Ryfle & Godziszewski 2017 7816:Ryfle & Godziszewski 2017 7804:Ryfle & Godziszewski 2017 7534:Ryfle & Godziszewski 2017 7452:Ryfle & Godziszewski 2017 7196:Ryfle & Godziszewski 2017 6992:(in Japanese). July 9, 2021. 6217: 6015:. Also nicknamed the "God of 5603: 4903: 4335:The Beast from 20,000 Fathoms 4213:Style, themes, and techniques 4207: 4130:Birth of the Japanese Islands 4063:Birth of the Japanese Islands 3672: 3223:and plane crash sequence for 3106:, Hachiro Jinguji (played by 3066:empire's guardian sea dragon 2522: 1986:The Beast from 20,000 Fathoms 1497:during the production of the 1125:The Tale of the Bamboo Cutter 982:'s leading cinematographers. 884: 860: 720: 14913:Special effects coordinators 14878:20th-century apocalypticists 12265:"Japan's Master of Monsters" 12126:Set For February Premiere". 12099:Stanley Kubrick: A Biography 10954:Takeuchi & Yamamoto 2001 10862:Takeuchi & Yamamoto 2001 8989:Takeuchi & Yamamoto 2001 8697:Takeuchi & Yamamoto 2001 8205:Takeuchi & Yamamoto 2001 7437:Takeuchi & Yamamoto 2001 6603:"Japan's Master of Monsters" 6319:Takeuchi & Yamamoto 2001 6222: 5888:20th Japan Technical Awards 5866:19th Japan Technical Awards 5846:17th Japan Technical Awards 5808:13th Japan Technical Awards 5793:11th Japan Technical Awards 4170:Order of the Sacred Treasure 4168:of Cinematographers and the 3440:fighting a new subterranean 3250:and several Honda-Tsuburaya 1446:(all produced in 1943). For 1434:Decisive Battle in the Skies 1401:—had been written by future 1113:, was born on May 10, 1935. 700: 50:when mentioning individuals. 7: 15038:Deaths from angina pectoris 15023:Japanese storyboard artists 14998:Japanese male screenwriters 14159:Samurai I: Musashi Miyamoto 14007:The Daughter of the Samurai 13768:The Golden Age of Tokusatsu 13642:The Story of Eiji Tsuburaya 13227:(published July 11, 2001). 12616:テレビマガジン特別編集ウルトラ特撮マガジン 2020 12365:テレビマガジン特別編集誕生40周年記念ゴジラ大全集 6029: 5995: 5773:8th Japan Technical Awards 5187:Samurai I: Musashi Miyamoto 5035:The Daughter of the Samurai 4921:, an unidentified renowned 4770: 4545:Godzilla in popular culture 4332:(creator of the effects in 4324:(creator of the effects in 3304:. Principal photography on 3024:Optical Printer 1900 Series 2646:eponymous giant, moth-like 2301:television series based on 2274:mountains that surfaces in 2167:Ninja Arts of Sanada Castle 2034:Instantly after completing 1306:English subtitled print of 1186:The Daughter of the Samurai 1181:The Daughter of the Samurai 740: 546:The Daughter of the Samurai 452: 10: 15084: 14495:Ebirah, Horror of the Deep 14295:The Secret of the Telegian 13391:Yamaura, Hiroyasu (1972). 13351:Godzilla vs. Mechagodzilla 12905:; Someya, Katsuki (2014). 12568:ゴジラ&東宝特撮 OFFICIAL MOOK 12504:キネマ旬報ベスト・テン85回全史 1924→2011 12058: 11577:"When Ultraman Met *NSYNC" 11350:Xeno, Rex (July 9, 2021). 11066:, pp. 35–43, 173–175. 8734:"ゴジラの円谷監督が特撮担当、幻の映画を"初上映"" 7264:[The chronology]. 5761:The War at Sea from Hawaii 5745: 5523:Ebirah, Horror of the Deep 5323:The Secret of the Telegian 4990:Eiji Tsuburaya filmography 4987: 4538: 4293:computer-generated imagery 4188:director Kajirō Yamamoto, 3776:Ebirah, Horror of the Deep 3271:In January 1964, while in 2999:The Siege of Fort Bismarck 2973:The Siege of Fort Bismarck 2534:The Secret of the Telegian 2507:The Secret of the Telegian 2313:Inao: Story of an Iron Arm 1855:The Sunday That Jumped Out 1843:The Sunday That Jumped Out 1703:. Created by studying the 1580:three major labor disputes 1074:Tsuburaya riding his iron 1059:Asataro Descends Mt. Akagi 566:in 1942, which became the 37: 22:Tsuburaya (disambiguation) 18: 15013:20th-century male writers 14973:Japanese company founders 14963:Propaganda film directors 14948:Japanese cinematographers 14715: 14673:Booska the Friendly Beast 14640: 14577: 14487:The War of the Gargantuas 14479:Invasion of Astro-Monster 14319:The Story of Osaka Castle 14087:The Invisible Man Appears 13990: 13981: 13932: 13922: 13916: 13636:Suzuki, Kazuyuki (2001). 13413:Mothra Movie Encyclopedia 13140:飯島敏宏「ウルトラマン」から「金曜日の妻たちへ」 13053:Wesleyan University Press 12984:University of Tokyo Press 12913:]. Wides Publishing. 12546:ぼくらが大好きだった特撮ヒーローBESTマガジン 12529:Kishikawa, Osamu (2020). 12386:Kabuki, Shinichi (1993). 11289:. Third Door Media, Inc. 7490:– Work Information]. 7405:– Work Information]. 6349:. Tsuburaya Productions. 6023: 6010:Father of special effects 5989: 5916: 5899: 5893:Invasion of Astro-Monster 5858: 5848: 5804: 5785: 5775: 5756:Technical Research Award 5748: 5736:Special Technology Award 5723: 5636:Booska the Friendly Beast 5515:The War of the Gargantuas 5507:Invasion of Astro-Monster 5347:The Story of Osaka Castle 5115:The Invisible Man Appears 4911:The Men Who Made Ultraman 4529: 3879:Booska the Friendly Beast 3818:, the third entry in the 3766:Booska the Friendly Beast 3763:After Tsuburaya's series 3749:The War of the Gargantuas 3716:The filming sessions for 3582:Invasion of Astro-Monster 3564:Invasion of Astro-Monster 3539:Invasion of Astro-Monster 3529:Invasion of Astro-Monster 3360:designed as an homage to 2997:Shortly after completing 2900:Tokyo Broadcasting System 2592:The Story of Osaka Castle 2139:legend of the White Snake 2055:The Invisible Man Appears 1840:co-writer Takeo Murata's 1720:The Invisible Man Appears 1690:The Invisible Man Appears 1673:Flowers of Raccoon Palace 1638:The Invisible Man Appears 1517:Three People of the North 1320:On December 7, 1941, the 1246:The Imperial Way of Japan 734: 594:The Invisible Man Appears 443: 423: 418: 404: 400: 396: 392: 374: 369: 365: 358: 351: 344: 337: 332: 328: 324: 316: 304: 294: 289: 285: 262: 243: 220: 209: 199: 191: 151: 141: 134:Catholic Fuchū Cemetery, 130: 111: 85: 73: 64: 57: 14888:Japanese Roman Catholics 14705:Horror Theater Unbalance 14463:Frankenstein vs. Baragon 14407:The Lost World of Sinbad 14127:The Man Who Came to Port 13991:Special effects director 12690:Harvard University Press 12270:American Cinematographer 11970:(in Japanese). p. 1 11100:(in Japanese). 3Y Film. 10221:Nakano & Someya 2014 9615:Iwabatake & Ono 1992 9146:, pp. 194, 196–197. 5930: 5924:Honorary Chairman Award 5854:The Lost World of Sinbad 5683:Horror Theater Unbalance 5491:Frankenstein vs. Baragon 5435:The Lost World of Sinbad 5155:The Man Who Came to Port 5002: 4767:, among other projects. 4643:Japanese science fiction 4055:Horror Theater Unbalance 3779:. However, his disciple 3754:Frankenstein vs. Baragon 3479:Frankenstein vs. Baragon 3433:Frankenstein vs. Baragon 3423:Frankenstein vs. Baragon 3040:The Lost World of Sinbad 3001:in April 1963, he began 2928:Alone Across the Pacific 2744:The Story of Shim Cheong 2690:The Youth and His Amulet 2229:from renowned filmmaker 2171:Tokyo Takarazuka Theater 1956:The debut appearance of 1814:The Man Who Came to Port 1504:Until the Day of Victory 1430:Watchtower Suicide Squad 1385:Around the same time as 1276:American Cinematographer 1022:Nikkatsu Futosou Studios 972:Mad Blade Under the Moon 460:special effects director 159:Special effects director 65: 46:. This article uses 38:The native form of this 27:For the video game, see 15018:Japanese film producers 14559:Battle of the Japan Sea 13856:Japanese Movie Database 13167:The Godzilla Chronicles 12720:The Mainichi Newspapers 12415:McFarland & Company 11614:Doesn't Feature Robots" 5906:4th Class Medal of the 5833:Special Award of Merit 5587:Battle of the Japan Sea 4050:Battle of the Japan Sea 4038:Battle of the Japan Sea 4012:Battle of the Japan Sea 3881:. Due to pressure from 3574:'s comedy manga series 3388:, relatively more than 1635:Tsuburaya's effects in 1238:The Song of Major Nango 1088:The Chorus of a Million 855:(far left) onboard the 794:Fukushima Minyu Shimbun 14993:Japanese screenwriters 14958:Fantasy film directors 14938:Aviation photographers 14908:Special effects people 14359:King Kong vs. Godzilla 14303:Storm Over the Pacific 14247:Varan the Unbelievable 14063:An Enemy of the People 13453:ゴジラとともに東宝特撮VIPインタビュー集 13005:(hardcover ed.). 12877:ゴジラ東宝チャンピオンまつりパーフェクション 12722:. September 20, 1959. 9683:Film at Lincoln Center 7707:, pp. 26–27, 155. 7332:, pp. 21–22, 155. 6968:, pp. 26–27, 193. 6044:God of special effects 5387:King Kong vs. Godzilla 5331:Storm Over the Pacific 5275:Varan the Unbelievable 5091:An Enemy of the People 4969:, he was portrayed by 4810:Princess from the Moon 4557: 4501:Production and editing 4411: 4407:King Kong vs. Godzilla 4240: 4102: 3918:Imperial Japanese Navy 3678: 3591:and beyond (1966–1967) 3533: 3438:Frankenstein's monster 3427: 3416:Tsuburaya (left) with 3390:King Kong vs. Godzilla 3208: 3077: 3049:King Kong vs. Godzilla 2891: 2844:King Kong vs. Godzilla 2815:King Kong vs. Godzilla 2802:King Kong vs. Godzilla 2782:—Eiji Tsuburaya (1962) 2779: 2631: 2563:Storm Over the Pacific 2549:Storm Over the Pacific 2540:Storm Over the Pacific 2528: 2380: 2267:Varan the Unbelievable 2079: 1973:In the Shadow of Glory 1971:for the production of 1675:, Kiyohiko Ushihara's 1669:The White Haired Fiend 1652: 1575:and optical printing. 1340:. The resulting film, 1317: 1156: 1138:British Film Institute 1079: 920:Imperial Japanese Army 881:Imperial Japanese Army 821:Tokyo Denki University 727: 650:King Kong vs. Godzilla 311:Imperial Japanese Army 14923:Japanese film editors 14918:Tsuburaya Productions 14723:Tsuburaya Productions 14391:Legacy of the 500,000 14287:Battle in Outer Space 14175:The Invisible Avenger 14119:The Skin of the South 14111:The Lady of Musashino 13926:Tsuburaya Productions 13906:Eiji Tsuburaya Museum 13899:at Tsuburaya Station 13892:Tsuburaya Productions 13793:] (in Japanese). 13743:] (in Japanese). 13617:] (in Japanese). 13567:] (in Japanese). 13517:] (in Japanese). 13490:] (in Japanese). 13431:特撮円谷組ゴジラと東宝特撮にかけた青春 13401:Tsuburaya Productions 13225:Jitsugyo no Nihon Sha 13196:] (in Japanese). 13070:Ryfle, Steve (1998). 12982:] (in Japanese). 12883:] (in Japanese). 12510:] (in Japanese). 12409:Kalat, David (2010). 12344:] (in Japanese). 12338:ゴジラvsモスラ (講談社ヒットブックス) 12317:] (in Japanese). 12290:] (in Japanese). 12209:] (in Japanese). 12073:] (in Japanese). 11356:The Tokusatsu Network 11081:, p. back cover. 6799:] (in Japanese). 6386:Tsuburaya Productions 6138:Battle in Outer Space 6030:Tokusatsu no Kamisama 5419:Legacy of the 500,000 5315:Battle in Outer Space 5203:The Invisible Avenger 5147:The Skin of the South 5139:The Lady of Musashino 4935:. In 1993, filmmaker 4653:The Tokusatsu Network 4616:Tsuburaya Productions 4553: 4399: 4220: 4097: 3979:(equivalent to about 3848:The Flying Battleship 3790:actually served as a 3663:Tsuburaya with actor 3662: 3554:. A direct sequel to 3517: 3430:His next production, 3415: 3192: 3166:composite photographs 3061: 2889: 2757: 2615: 2520: 2488:Battle in Outer Space 2461:Battle in Outer Space 2442:, against an initial 2368: 2137:based on the Chinese 2063: 2041:The Invisible Avenger 1969:Indonesian government 1936:(left) on the set of 1804:The Skin of the South 1795:The Lady of Musashino 1687:, and Nobuo Adachi's 1634: 1305: 1291:War years (1941–1945) 1146: 1073: 718: 529:his directorial debut 317:Years of service 215:Tsuburaya Productions 14873:People from Sukagawa 14626:Monster Seafood Wars 14527:Destroy All Monsters 14199:The Maiden Courtesan 14183:Godzilla Raids Again 14143:Eagle of the Pacific 13737:ウルトラマンが泣いているー円谷プロの失敗 13661:円谷英二怪獣やヒーローを生んだ映画監督 13370:映像を彫る改訂版撮影監督宮川一夫の世界 13312:The Gettysburg Times 13117:円谷一ウルトラQと"テレビ映画"の時代 12930:香港への道中川信夫からブルース・リーへ 12833:Morton, Ray (2005). 12716:The Mainichi Graphic 12311:円谷英二ウルトラマンをつくった映画監督 12242:Galbraith IV, Stuart 12160:A Bridge for Passing 11800:, p. 1, preface 11774:Motoyama et al. 2012 11654:The Austin Chronicle 10850:Nakamura et al. 2014 10775:Kinema Junposha 2012 10704:Nakamura et al. 2014 10457:, pp. 135, 142. 10443:Motoyama et al. 2012 10416:Motoyama et al. 2012 10346:, pp. 124, 127. 10143:Motoyama et al. 2012 10119:Nakamura et al. 2014 10107:Motoyama et al. 2012 10048:Motoyama et al. 2012 10023:, pp. 224, 226. 9865:Nakamura et al. 2014 9509:Motoyama et al. 2012 9248:Nakamura et al. 2014 9132:Nakamura et al. 2014 8953:Motoyama et al. 2012 8447:Motoyama et al. 2012 8421:The Mainichi Graphic 8292:Motoyama et al. 2012 8039:Motoyama et al. 2012 7949:Motoyama et al. 2012 7293:, pp. 193, 194. 6797:Children's Swordplay 5555:Destroy All Monsters 5227:The Maiden Courtesan 5211:Godzilla Raids Again 5171:Eagle of the Pacific 4984:Selected filmography 4955:The Pair of Ultraman 4842:Monster Seafood Wars 4592:was eventuated into 4541:Godzilla (franchise) 3932:Destroy All Monsters 3928:Eagle of the Pacific 3903:Destroy All Monsters 3526:suit) on the set of 3275:, Tsuburaya ordered 3096:The Undersea Warship 3030:was not included in 2906:was hired alongside 2558:Godzilla: Final Wars 2198:(played by original 2089:Godzilla Raids Again 2075:Godzilla Raids Again 2064:Tsuburaya instructs 1979:) film, inspired by 1901:Eagle of the Pacific 1897:Eagle of the Pacific 1874:Eagle of the Pacific 1868:the following year. 1765:Beyond Love and Hate 1655:In 1949, five major 1554:Occupation years to 1316:created by Tsuburaya 1254:Navy Bomber Squadron 1250:Navy Bomber Squadron 1184:(released in 1937). 956:Children's Swordplay 758:Fukushima Prefecture 14842:Speculative fiction 14567:All Monsters Attack 14471:The Crazy Adventure 14431:Mothra vs. Godzilla 14279:The Three Treasures 14255:The Hidden Fortress 13561:夢は大空を駆けめぐる恩師・円谷英二伝 12480:(January 8, 2010). 12248:. Scarecrow Press. 12144:. 1960 – via 12132:. January 25, 1965. 11991:, pp. 262–263. 11885:on October 26, 2020 11844:The Washington Post 11209:, pp. 216–226. 11185:, pp. 137–143. 11149:, pp. 155–165. 11125:, pp. 218–237. 10787:Asahi Sonorama 1985 10765:, pp. 342–343. 10735:, pp. 128–129. 10641:, pp. 146–147. 10595:, pp. 126–127. 10517:, pp. 168–169. 10433:, pp. 318–319. 10406:, pp. 118–119. 10223:, pp. 126–127. 10133:, pp. 114–115. 10082:, pp. 217–218. 9972:, pp. 106–107. 9953:, pp. 290–291. 9891:, pp. 108–109. 9499:, pp. 242–244. 9475:, pp. 100–101. 9262:, pp. 134–135. 9027:, pp. 115–123. 8926:, pp. 290–291. 8902:, pp. 210–211. 8890:, pp. 220–221. 8830:, pp. 206–207. 8791:, pp. 204–205. 8746:on October 28, 2005 8660:, pp. 195–196. 8648:, pp. 184–185. 8597:, pp. 170–171. 8573:, pp. 222–235. 8525:, pp. 162–163. 8437:, pp. 160–161. 8398:, pp. 146–147. 8386:, pp. 156–157. 8183:, pp. 124–125. 8096:, pp. 116–117. 8017:, pp. 106–107. 7990:, pp. 103–104. 7966:, pp. 142–143. 7898:, pp. 152–153. 7770:, pp. 220–221. 7603:, pp. 300–303. 7403:Five Men from Tokyo 6684:, pp. 310–312. 6613:on December 5, 2008 6237:, pp. 138–139. 5996:Tokusatsu no Chichi 5910:the Sacred Treasure 5813:The Three Treasures 5595:All Monsters Attack 5499:The Crazy Adventure 5459:Mothra vs. Godzilla 5307:The Three Treasures 5283:The Hidden Fortress 4227:(1954). The film's 4190:The Three Treasures 4160:associated with an 4088:All Monsters Attack 4073:'s pavilion at the 4018:Japan's Longest Day 3938:-worth gain, while 3758:Stuart Galbraith IV 3505:The Crazy Adventure 3484:The Crazy Adventure 3471:Henry G. Saperstein 3346:Mothra vs. Godzilla 3149:Mothra vs. Godzilla 2624:'s attack scene in 2449:The Three Treasures 2432:The Three Treasures 2426:and an eruption of 2390:The Three Treasures 2376:The Three Treasures 2373:prop on the set of 2369:Tsuburaya with the 2285:The Hidden Fortress 2221:William Shakespeare 2219:, an adaptation of 2141:, was Toho's first 1585:Zero fighter engine 1569:Occupation of Japan 1544:Five Men from Tokyo 1540:Five Men from Tokyo 1501:-directed war film 1432:, Kunio Watanabe's 1356:(1942), became the 1314:Pearl Harbor attack 1285:monkey-like monster 1259:In September 1940, 1195:In September 1936, 1105:, a feature-length 930:. Tsuburaya joined 916:Tombs of the Island 632:The Three Treasures 175:television producer 104:Sukagawa, Fukushima 15033:Deaths from asthma 14978:Japanese animators 14928:Japanese inventors 14697:Fight! Mighty Jack 14602:Across the Equator 14455:None but the Brave 14047:Fire on that Flag! 13163:ゴジラ画報東宝幻想映画半世紀の歩み 12976:アジア映画ネットワークのルーツを探る 12124:None but the Brave 11661:on January 7, 2023 11618:Birth.Movies.Death 11589:on August 27, 2020 11286:Search Engine Land 11197:, p. 345–347. 9712:None But The Brave 9677:None But the Brave 9485:Kaneda et al. 2014 8914:, p. 216–217. 8852:Takaki et al. 1999 8723:, pp. 57, 59. 8229:Kaneda et al. 2014 8133:Kaneda et al. 2014 7939:, pp. 30, 33. 7305:, p. 86, 544. 7157:, p. 82, 543. 7130:, p. 28, 193. 7106:, p. 27, 193. 6601:Morrison, Donald. 6497:"《特撮の父》―その黎明から開花へ" 6378:"すかがわ市Ｍ７８光の町サポーター" 5871:Retreat from Kiska 5668:Operation: Mystery 5660:Fight! Mighty Jack 5483:None but the Brave 5075:Fire on that Flag! 5027:Across the Equator 4942:I Loved Ultraseven 4897:Godzilla Minus One 4709:Guillermo del Toro 4595:Return of Ultraman 4412: 4343:nuclear holocausts 4241: 4153:Japan Airplane Guy 4145:Japan Airplane Guy 4103: 4027:Russo-Japanese War 3957:Operation: Mystery 3887:Fight! Mighty Jack 3679: 3570:dance featured in 3534: 3518:Tsuburaya directs 3428: 3402:Retreat from Kiska 3356:featured a dragon 3262:None but the Brave 3248:None but the Brave 3230:None but the Brave 3209: 3204:None but the Brave 3078: 2892: 2840:forced perspective 2739:Japanese Standards 2632: 2571:(1976), a film by 2529: 2381: 2080: 1992:Daigo Fukuryū Maru 1754:Senkichi Taniguchi 1709:Universal Pictures 1653: 1318: 1157: 1080: 936:Teinosuke Kinugasa 864: early 1920s 809:junior high school 728: 509:Teinosuke Kinugasa 48:Western name order 30:Master of Monsters 14943:Japanese aviators 14775: 14774: 14762:Hiroshi Tsuburaya 14636: 14635: 14586:A Page of Madness 14503:King Kong Escapes 13942: 13941: 13933:Succeeded by 13706:Tsuburaya, Hajime 13697:978-4-89830-249-1 13588:大空への夢特撮の神様円谷英二伝 13492:Chukei Publishing 13466:978-4-8003-1050-7 13444:978-4-86248-622-6 13422:978-4-86248-761-2 13325:ゴジラ/ゴジラの逆襲/大怪獣バラン 13317:Sample News Group 13190:東宝砧撮影所物語: 三船敏郎の時代 13153:978-4-5753-0298-1 13130:978-4-5752-9907-6 13107:978-4-7796-4604-1 13035:978-1-4521-3539-7 13016:978-0-8118-6078-9 12966:978-4-09-682074-2 12920:978-4-89830-280-4 12903:Nakano, Teruyoshi 12894:978-4-04-866999-3 12885:ASCII MEDIA WORKS 12825:978-4-864-91013-2 12686:Multiethnic Japan 12673:978-4-06-521105-2 12651:978-4-06-519603-8 12629:978-4-06-520743-7 12607:978-4-06-528129-1 12585:978-4-06-530223-1 12559:978-4-06-375707-1 12447:978-4-09-682090-2 12424:978-0-786-44749-7 12388:ゴジラ映画 40年史ゴジラ・デイズ 12220:978-4-575-31156-3 11916:on March 3, 2021. 11516:Little White Lies 11457:Hiruko the Goblin 11137:, pp. 72–73. 10920:, pp. 68–69. 10852:, pp. 96–97. 10665:, pp. 66–67. 10541:, pp. 36–37. 10539:Ōishi et al. 2013 10481:, pp. 72–73. 10368:Galbraith IV 2008 10233:Galbraith IV 2007 10050:, pp. 98–99. 9867:, pp. 36–37. 9760:Galbraith IV 2008 9629:, pp. 80–81. 9523:, pp. 77–78. 9370:, pp. 64–65. 9358:, pp. 82–83. 9346:, pp. 76–77. 9322:, pp. 60–61. 9298:, pp. 96–97. 9214:, pp. 30–31. 9158:, pp. 94–95. 9144:Galbraith IV 2008 9003:, pp. 48–53. 8815:, pp. 82–83. 8559:Galbraith IV 2008 8537:, pp. 56–57. 8488:, pp. 60–61. 8461:, pp. 55–56. 8306:, pp. 46–47. 8231:, pp. 16–17. 8171:, pp. 34–35. 8147:, pp. 69–70. 8123:, pp. 46–47. 7910:, pp. 21–22. 7782:, pp. 87–89. 7755:, pp. 30–31. 7683:, pp. 26–27. 7553:, pp. 52–53. 7519:, pp. 29–30. 7454:, pp. 43–44. 7388:, pp. 22–23. 7344:, pp. 28–29. 7181:, pp. 20–21. 7118:, pp. 27–28. 7094:, pp. 30–31. 7073:, pp. 16–17. 7025:The Asahi Shimbun 6939:, pp. 50–51. 6910:, pp. 23–25. 6770:, pp. 21–22. 6564:on April 22, 2022 6486:, pp. 10–12. 6300:, pp. 14–15. 5928: 5927: 5692:Awards and honors 5531:King Kong Escapes 5011:A Page of Madness 4705:Chris Kirkpatrick 4681:Quentin Tarantino 4452:Shūe Matsubayashi 4322:Willis H. O'Brien 4237:nuclear holocaust 4182:Sanezumi Fujimoto 4111:Naruto whirlpools 3797:King Kong Escapes 3595:At the height of 3436:(1965), depicted 3125:While working on 3090:(1963). Based on 3053:Shinichi Sekizawa 2957:Tadashi Nishimoto 2350:Shūe Matsubayashi 2346:The Story of Bali 1756:'s anti-war film 1714:The Invisible Man 1700:The Invisible Man 1671:, Keigo Kimura's 1648:The Invisible Man 1604:from Toho by the 1458:. After watching 1303: 1232:film directed by 997:'s 140-foot tall 941:A Page of Madness 675:(1967–1968), and 647:(both 1961), and 575:from Toho by the 514:A Page of Madness 432: 431: 388: 387: 276:Hiroshi Tsuburaya 192:Years active 136:Fuchū, Tokyo 80:Tsuburaya in 1960 15075: 14840: 14839: 14828: 14827: 14826: 14816: 14815: 14814: 14804: 14803: 14792: 14791: 14790: 14783: 14752:Noboru Tsuburaya 14747:Hajime Tsuburaya 14535:Admiral Yamamoto 14375:Attack Squadron! 13988: 13987: 13968: 13961: 13954: 13945: 13944: 13936:Hajime Tsuburaya 13917:Preceded by 13914: 13913: 13910: 13902: 13884: 13872: 13860: 13848: 13833: 13830: 13825: 13824: 13822:Official website 13808: 13781: 13764:特撮黄金時代円谷英二を継ぐもの 13758: 13731: 13710:円谷英二日本映画界に残した遺産 13708:(June 1, 2001). 13701: 13678: 13655: 13632: 13605: 13582: 13555: 13532: 13505: 13494:. July 9, 2001. 13470: 13448: 13426: 13404: 13387: 13364: 13342: 13320: 13302: 13281:Tanaka, Tomoyuki 13276: 13261: 13238: 13211: 13184: 13157: 13134: 13111: 13089: 13077: 13066: 13039: 13020: 12997: 12970: 12947: 12924: 12898: 12871: 12854:不滅のヒーローウルトラマン白書 12848: 12829: 12806: 12781: 12758: 12735: 12733: 12731: 12703: 12677: 12655: 12633: 12611: 12589: 12563: 12540: 12525: 12499: 12478:Kawakita, Koichi 12473: 12460:All Kaiju Kaijin 12451: 12428: 12413:(2nd ed.). 12405: 12382: 12359: 12332: 12305: 12278: 12259: 12237: 12224: 12198: 12179: 12166:John Day Company 12163: 12149: 12133: 12118: 12102: 12088: 12053: 12052: 12050: 12048: 12029: 12023: 12022: 12020: 12018: 12003:"追悼：鈴木清順監督と松竹映画" 11998: 11992: 11986: 11980: 11979: 11977: 11975: 11957: 11951: 11950: 11948: 11946: 11924: 11918: 11917: 11912:. Archived from 11901: 11895: 11894: 11892: 11890: 11881:. Archived from 11870: 11861: 11860: 11858: 11856: 11837:(July 7, 2015). 11831: 11825: 11819: 11813: 11807: 11801: 11795: 11789: 11783: 11777: 11771: 11765: 11764: 11762: 11760: 11738: 11732: 11726: 11717: 11716: 11714: 11712: 11689: 11683: 11677: 11671: 11670: 11668: 11666: 11657:. Archived from 11640: 11634: 11633: 11631: 11629: 11605: 11599: 11598: 11596: 11594: 11585:. Archived from 11572: 11566: 11565: 11563: 11561: 11539: 11533: 11532: 11530: 11528: 11502: 11496: 11490: 11481: 11480: 11478: 11476: 11450: 11444: 11443: 11441: 11439: 11417: 11411: 11405: 11399: 11393: 11384: 11378: 11372: 11371: 11369: 11367: 11347: 11341: 11340: 11338: 11336: 11314: 11303: 11302: 11300: 11298: 11276: 11270: 11269: 11267: 11265: 11253:Silicon Republic 11243: 11234: 11228: 11222: 11216: 11210: 11204: 11198: 11192: 11186: 11180: 11174: 11168: 11162: 11156: 11150: 11144: 11138: 11132: 11126: 11120: 11114: 11113: 11111: 11109: 11088: 11082: 11076: 11067: 11061: 11055: 11049: 11040: 11034: 11028: 11022: 11007: 11001: 10992: 10986: 10969: 10963: 10957: 10951: 10945: 10939: 10933: 10927: 10921: 10915: 10904: 10898: 10892: 10886: 10865: 10859: 10853: 10847: 10841: 10835: 10829: 10823: 10817: 10811: 10802: 10796: 10790: 10784: 10778: 10772: 10766: 10760: 10751: 10745: 10736: 10730: 10724: 10718: 10707: 10701: 10690: 10684: 10678: 10672: 10666: 10660: 10654: 10648: 10642: 10636: 10630: 10624: 10611: 10605: 10596: 10590: 10581: 10575: 10569: 10563: 10554: 10548: 10542: 10536: 10530: 10524: 10518: 10512: 10506: 10500: 10494: 10488: 10482: 10476: 10470: 10464: 10458: 10452: 10446: 10440: 10434: 10428: 10419: 10413: 10407: 10401: 10395: 10389: 10383: 10377: 10371: 10365: 10359: 10353: 10347: 10341: 10335: 10329: 10323: 10317: 10311: 10305: 10292: 10291:, pp. 8–13. 10286: 10280: 10274: 10263: 10257: 10251: 10245: 10236: 10230: 10224: 10218: 10212: 10206: 10197: 10191: 10185: 10179: 10170: 10164: 10158: 10152: 10146: 10140: 10134: 10128: 10122: 10116: 10110: 10104: 10095: 10089: 10083: 10077: 10068: 10062: 10051: 10045: 10039: 10033: 10024: 10018: 10012: 10006: 10000: 9994: 9988: 9982: 9973: 9967: 9954: 9948: 9935: 9934: 9932: 9930: 9910: 9904: 9898: 9892: 9886: 9880: 9874: 9868: 9862: 9856: 9850: 9841: 9835: 9829: 9823: 9817: 9811: 9802: 9796: 9790: 9784: 9778: 9772: 9763: 9757: 9751: 9742: 9736: 9735: 9733: 9731: 9705: 9699: 9698: 9696: 9694: 9671: 9665: 9659: 9653: 9647: 9630: 9624: 9618: 9612: 9606: 9600: 9594: 9588: 9579: 9573: 9567: 9561: 9555: 9549: 9543: 9537: 9524: 9518: 9512: 9506: 9500: 9494: 9488: 9482: 9476: 9470: 9461: 9455: 9449: 9448: 9446: 9444: 9429: 9414: 9408: 9395: 9389: 9383: 9377: 9371: 9365: 9359: 9353: 9347: 9341: 9335: 9329: 9323: 9317: 9311: 9305: 9299: 9293: 9287: 9281: 9275: 9269: 9263: 9257: 9251: 9245: 9239: 9233: 9227: 9221: 9215: 9209: 9200: 9194: 9171: 9165: 9159: 9153: 9147: 9141: 9135: 9129: 9123: 9122: 9120: 9118: 9094: 9088: 9082: 9076: 9070: 9064: 9058: 9052: 9046: 9040: 9034: 9028: 9022: 9016: 9010: 9004: 8998: 8992: 8986: 8980: 8974: 8968: 8962: 8956: 8950: 8944: 8938: 8927: 8921: 8915: 8909: 8903: 8897: 8891: 8885: 8879: 8873: 8867: 8861: 8855: 8849: 8843: 8837: 8831: 8825: 8816: 8810: 8804: 8798: 8792: 8786: 8780: 8774: 8768: 8762: 8756: 8755: 8753: 8751: 8730: 8724: 8718: 8712: 8706: 8700: 8694: 8688: 8682: 8673: 8667: 8661: 8655: 8649: 8643: 8637: 8631: 8625: 8619: 8613: 8604: 8598: 8592: 8586: 8580: 8574: 8568: 8562: 8556: 8550: 8544: 8538: 8532: 8526: 8520: 8514: 8508: 8489: 8483: 8474: 8468: 8462: 8456: 8450: 8444: 8438: 8432: 8426: 8417: 8411: 8405: 8399: 8393: 8387: 8381: 8375: 8369: 8358: 8352: 8346: 8340: 8331: 8325: 8319: 8313: 8307: 8301: 8295: 8289: 8283: 8277: 8271: 8265: 8256: 8250: 8244: 8238: 8232: 8226: 8220: 8214: 8208: 8202: 8196: 8190: 8184: 8178: 8172: 8166: 8160: 8154: 8148: 8142: 8136: 8130: 8124: 8118: 8109: 8103: 8097: 8091: 8085: 8079: 8073: 8067: 8061: 8055: 8042: 8036: 8030: 8024: 8018: 8012: 8006: 8000: 7991: 7985: 7979: 7973: 7967: 7961: 7952: 7946: 7940: 7934: 7928: 7922: 7911: 7905: 7899: 7893: 7882: 7876: 7870: 7864: 7858: 7852: 7846: 7840: 7834: 7828: 7819: 7813: 7807: 7801: 7795: 7789: 7783: 7777: 7771: 7765: 7756: 7750: 7744: 7738: 7732: 7726: 7720: 7714: 7708: 7702: 7696: 7690: 7684: 7678: 7665: 7659: 7653: 7647: 7638: 7632: 7623: 7617: 7604: 7598: 7585: 7579: 7573: 7567: 7554: 7548: 7537: 7531: 7520: 7514: 7508: 7507: 7505: 7503: 7480: 7474: 7468: 7455: 7449: 7440: 7434: 7423: 7422: 7420: 7418: 7395: 7389: 7383: 7372: 7366: 7360: 7354: 7345: 7339: 7333: 7327: 7321: 7320:, p. 60–61. 7315: 7306: 7300: 7294: 7288: 7282: 7281: 7279: 7277: 7258: 7252: 7251: 7249: 7247: 7227: 7218: 7212: 7199: 7193: 7182: 7176: 7170: 7164: 7158: 7152: 7146: 7140: 7131: 7125: 7119: 7113: 7107: 7101: 7095: 7089: 7074: 7068: 7057: 7051: 7042: 7041: 7039: 7037: 7015: 7006: 7005: 7003: 7001: 6978: 6969: 6963: 6957: 6951: 6940: 6934: 6923: 6917: 6911: 6905: 6899: 6893: 6884: 6878: 6872: 6866: 6855: 6849: 6843: 6842: 6840: 6838: 6823: 6817: 6816: 6814: 6812: 6789: 6783: 6777: 6771: 6765: 6756: 6750: 6741: 6735: 6729: 6723: 6714: 6708: 6697: 6691: 6685: 6679: 6658: 6652: 6623: 6622: 6620: 6618: 6609:. Archived from 6598: 6589: 6583: 6574: 6573: 6571: 6569: 6550: 6541: 6535: 6526: 6525: 6523: 6521: 6515: 6502: 6493: 6487: 6481: 6452: 6446: 6427: 6421: 6402: 6401: 6399: 6397: 6374: 6363: 6362: 6360: 6358: 6343: 6322: 6316: 6301: 6295: 6280: 6274: 6255: 6249: 6238: 6232: 6211: 6208: 6202: 6195: 6189: 6178: 6172: 6169: 6163: 6160: 6154: 6151: 6145: 6134: 6128: 6125: 6119: 6116: 6110: 6107: 6101: 6098: 6092: 6089: 6083: 6080: 6074: 6067: 6061: 6058: 6052: 6050: 6048: 6045: 6042: 6039: 6036: 6032: 6026: 6025: 6014: 6011: 6008: 6005: 6002: 5998: 5992: 5991: 5986: 5980: 5977: 5971: 5958: 5947: 5944: 5879: 5830: 5733: 5716: 5696: 5695: 5676: 5563:Admiral Yamamoto 5403:Attack Squadron! 4997:separate article 4979: 4963: 4950: 4919: 4892:Takashi Yamazaki 4815:Teruyoshi Nakano 4801:Yoshiyuki Kuroda 4693:Shinya Tsukamoto 4665:Steven Spielberg 4576: 4572:(2014) director 4377:Teruyoshi Nakano 4351:graphic violence 4229:namesake monster 4174:Emperor Hirohito 4123: 4115:Mishuku Hospital 4083:Osaka Prefecture 4047: 4043: 4023:Admiral Yamamoto 4005: 4001: 3982: 3978: 3965: 3952:Admiral Yamamoto 3945: 3940:Admiral Yamamoto 3937: 3924:Isoroku Yamamoto 3912:, which starred 3909:Admiral Yamamoto 3808:, a dinosaurian 3789: 3781:Sadamasa Arikawa 3707:Miyamoto Musashi 3677: 3674: 3387: 3370:anthropomorphize 3362:Yamata no Orochi 3286: 3246:(who starred in 3021: 2993: 2981: 2969: 2919:Kyodo Television 2916: 2871:Attack Squadron! 2866:Attack Squadron! 2783: 2752: 2703: 2698: 2683:After directing 2527: 2524: 2500: 2475:Destination Moon 2445: 2441: 2437: 2424:Yamata no Orochi 2371:Yamata no Orochi 2305:'s manga series 2196:namesake monster 2193: 2156: 2026: 1953: 1929: 1888: 1884: 1851: 1786: 1773: 1626:juridical entity 1624:, an unofficial 1623: 1525: 1512: 1304: 1234:Hisatora Kumagai 1213: 1203:. Film producer 1197:Ichizō Kobayashi 1084:optical printing 1036:Mainichi Shimbun 1019: 968:The Bat Copybook 962:, both starring 889: 886: 876: 865: 862: 843: 826: 802: 747: 746: 743: 741:Tsumuraya Eiichi 737: 736: 725: 722: 581:propaganda films 457: 455: 445: 428: 414: 413: 411:Official website 384: 383: 367: 366: 361: 360: 347: 346: 306: 237: 235: 118: 115:January 25, 1970 99: 97: 90:Eiichi Tsumuraya 78: 68: 55: 54: 35: 25: 15083: 15082: 15078: 15077: 15076: 15074: 15073: 15072: 14848: 14847: 14846: 14834: 14824: 14822: 14812: 14810: 14798: 14788: 14786: 14778: 14776: 14771: 14757:Akira Tsuburaya 14711: 14632: 14618:Samurai Banners 14594:Princess Kaguya 14573: 14543:Samurai Banners 14519:Son of Godzilla 14383:The Love Eterne 14311:The Human Vapor 14223:Throne of Blood 14151:Farewell Rabaul 14023:The Burning Sky 13999:Princess Kaguya 13977: 13972: 13938: 13929: 13920: 13908: 13900: 13882: 13870: 13858: 13831: 13820: 13819: 13816: 13811: 13805: 13778: 13755: 13728: 13698: 13675: 13652: 13629: 13602: 13579: 13569:Kadokawa Shoten 13552: 13538:円谷英二の卓越化特撮の社会学 13529: 13502: 13482: 13478: 13476:Further reading 13473: 13467: 13445: 13423: 13384: 13361: 13339: 13299: 13258: 13235: 13208: 13181: 13154: 13131: 13108: 13086: 13063: 13036: 13017: 13007:Chronicle Books 12994: 12967: 12944: 12921: 12895: 12868: 12845: 12826: 12803: 12788:ゴジラファイナルウォーズ超全集 12778: 12755: 12729: 12727: 12718:(in Japanese). 12700: 12674: 12652: 12630: 12608: 12586: 12560: 12522: 12512:Kinema Junposha 12496: 12470: 12448: 12425: 12402: 12379: 12356: 12329: 12302: 12256: 12221: 12195: 12176: 12115: 12085: 12061: 12056: 12046: 12044: 12031: 12030: 12026: 12016: 12014: 12009:(in Japanese). 11999: 11995: 11987: 11983: 11973: 11971: 11958: 11954: 11944: 11942: 11926: 11925: 11921: 11902: 11898: 11888: 11886: 11871: 11864: 11854: 11852: 11832: 11828: 11820: 11816: 11808: 11804: 11796: 11792: 11784: 11780: 11772: 11768: 11758: 11756: 11739: 11735: 11727: 11720: 11710: 11708: 11701:Modern Business 11697:Attack on Titan 11691: 11690: 11686: 11678: 11674: 11664: 11662: 11641: 11637: 11627: 11625: 11606: 11602: 11592: 11590: 11573: 11569: 11559: 11557: 11540: 11536: 11526: 11524: 11503: 11499: 11491: 11484: 11474: 11472: 11451: 11447: 11437: 11435: 11418: 11414: 11406: 11402: 11394: 11387: 11379: 11375: 11365: 11363: 11348: 11344: 11334: 11332: 11324:The Independent 11315: 11306: 11296: 11294: 11277: 11273: 11263: 11261: 11244: 11237: 11229: 11225: 11217: 11213: 11205: 11201: 11193: 11189: 11181: 11177: 11169: 11165: 11157: 11153: 11145: 11141: 11133: 11129: 11121: 11117: 11107: 11105: 11090: 11089: 11085: 11077: 11070: 11062: 11058: 11050: 11043: 11035: 11031: 11023: 11010: 11002: 10995: 10987: 10972: 10964: 10960: 10952: 10948: 10940: 10936: 10928: 10924: 10916: 10907: 10899: 10895: 10887: 10868: 10860: 10856: 10848: 10844: 10836: 10832: 10824: 10820: 10812: 10805: 10797: 10793: 10785: 10781: 10773: 10769: 10761: 10754: 10746: 10739: 10731: 10727: 10719: 10710: 10702: 10693: 10685: 10681: 10673: 10669: 10661: 10657: 10649: 10645: 10637: 10633: 10625: 10614: 10606: 10599: 10591: 10584: 10576: 10572: 10564: 10557: 10549: 10545: 10537: 10533: 10525: 10521: 10513: 10509: 10501: 10497: 10489: 10485: 10477: 10473: 10465: 10461: 10453: 10449: 10441: 10437: 10429: 10422: 10414: 10410: 10402: 10398: 10390: 10386: 10378: 10374: 10366: 10362: 10354: 10350: 10342: 10338: 10330: 10326: 10318: 10314: 10306: 10295: 10287: 10283: 10275: 10266: 10258: 10254: 10246: 10239: 10231: 10227: 10219: 10215: 10207: 10200: 10192: 10188: 10180: 10173: 10165: 10161: 10153: 10149: 10141: 10137: 10129: 10125: 10117: 10113: 10105: 10098: 10090: 10086: 10078: 10071: 10063: 10054: 10046: 10042: 10034: 10027: 10019: 10015: 10007: 10003: 9995: 9991: 9983: 9976: 9968: 9957: 9949: 9938: 9928: 9926: 9911: 9907: 9899: 9895: 9887: 9883: 9875: 9871: 9863: 9859: 9851: 9844: 9836: 9832: 9824: 9820: 9812: 9805: 9797: 9793: 9789:, pp. 3–5. 9785: 9781: 9773: 9766: 9758: 9754: 9743: 9739: 9729: 9727: 9706: 9702: 9692: 9690: 9673: 9672: 9668: 9660: 9656: 9648: 9633: 9625: 9621: 9613: 9609: 9601: 9597: 9589: 9582: 9574: 9570: 9562: 9558: 9550: 9546: 9538: 9527: 9519: 9515: 9507: 9503: 9495: 9491: 9483: 9479: 9471: 9464: 9456: 9452: 9442: 9440: 9431: 9430: 9417: 9409: 9398: 9390: 9386: 9378: 9374: 9366: 9362: 9354: 9350: 9342: 9338: 9330: 9326: 9318: 9314: 9306: 9302: 9294: 9290: 9282: 9278: 9270: 9266: 9258: 9254: 9246: 9242: 9234: 9230: 9222: 9218: 9210: 9203: 9195: 9174: 9166: 9162: 9154: 9150: 9142: 9138: 9130: 9126: 9116: 9114: 9105:(in Japanese). 9097:Iwasa, Yoichi. 9095: 9091: 9083: 9079: 9071: 9067: 9059: 9055: 9047: 9043: 9035: 9031: 9023: 9019: 9011: 9007: 8999: 8995: 8987: 8983: 8975: 8971: 8963: 8959: 8951: 8947: 8939: 8930: 8922: 8918: 8910: 8906: 8898: 8894: 8886: 8882: 8874: 8870: 8862: 8858: 8850: 8846: 8838: 8834: 8826: 8819: 8811: 8807: 8799: 8795: 8787: 8783: 8775: 8771: 8763: 8759: 8749: 8747: 8732: 8731: 8727: 8719: 8715: 8707: 8703: 8695: 8691: 8683: 8676: 8668: 8664: 8656: 8652: 8644: 8640: 8632: 8628: 8620: 8616: 8605: 8601: 8593: 8589: 8581: 8577: 8569: 8565: 8557: 8553: 8545: 8541: 8533: 8529: 8521: 8517: 8509: 8492: 8484: 8477: 8469: 8465: 8457: 8453: 8445: 8441: 8433: 8429: 8418: 8414: 8406: 8402: 8394: 8390: 8382: 8378: 8370: 8361: 8353: 8349: 8341: 8334: 8326: 8322: 8314: 8310: 8302: 8298: 8290: 8286: 8278: 8274: 8266: 8259: 8251: 8247: 8239: 8235: 8227: 8223: 8215: 8211: 8203: 8199: 8191: 8187: 8179: 8175: 8167: 8163: 8155: 8151: 8143: 8139: 8131: 8127: 8119: 8112: 8104: 8100: 8092: 8088: 8080: 8076: 8068: 8064: 8056: 8045: 8037: 8033: 8025: 8021: 8013: 8009: 8001: 7994: 7986: 7982: 7974: 7970: 7962: 7955: 7947: 7943: 7935: 7931: 7923: 7914: 7906: 7902: 7894: 7885: 7877: 7873: 7865: 7861: 7853: 7849: 7841: 7837: 7829: 7822: 7814: 7810: 7802: 7798: 7790: 7786: 7778: 7774: 7766: 7759: 7751: 7747: 7739: 7735: 7727: 7723: 7715: 7711: 7703: 7699: 7691: 7687: 7679: 7668: 7660: 7656: 7648: 7641: 7633: 7626: 7618: 7607: 7599: 7588: 7580: 7576: 7568: 7557: 7549: 7540: 7532: 7523: 7515: 7511: 7501: 7499: 7494:(in Japanese). 7482: 7481: 7477: 7469: 7458: 7450: 7443: 7435: 7426: 7416: 7414: 7409:(in Japanese). 7397: 7396: 7392: 7384: 7375: 7367: 7363: 7355: 7348: 7340: 7336: 7328: 7324: 7316: 7309: 7301: 7297: 7289: 7285: 7275: 7273: 7260: 7259: 7255: 7245: 7243: 7238:(in Japanese). 7228: 7221: 7213: 7202: 7194: 7185: 7177: 7173: 7165: 7161: 7153: 7149: 7141: 7134: 7126: 7122: 7114: 7110: 7102: 7098: 7090: 7077: 7069: 7060: 7052: 7045: 7035: 7033: 7016: 7009: 6999: 6997: 6986:Princess Kaguya 6980: 6979: 6972: 6964: 6960: 6952: 6943: 6935: 6926: 6918: 6914: 6906: 6902: 6894: 6887: 6879: 6875: 6867: 6858: 6850: 6846: 6836: 6834: 6825: 6824: 6820: 6810: 6808: 6791: 6790: 6786: 6778: 6774: 6766: 6759: 6751: 6744: 6736: 6732: 6726:Harrington 1960 6724: 6717: 6709: 6700: 6692: 6688: 6680: 6661: 6653: 6626: 6616: 6614: 6599: 6592: 6586:Harrington 1960 6584: 6577: 6567: 6565: 6552: 6551: 6544: 6536: 6529: 6519: 6517: 6513: 6500: 6495: 6494: 6490: 6482: 6455: 6447: 6430: 6422: 6405: 6395: 6393: 6384:(in Japanese). 6376: 6375: 6366: 6356: 6354: 6345: 6344: 6325: 6317: 6304: 6296: 6283: 6275: 6258: 6250: 6241: 6233: 6229: 6225: 6220: 6215: 6214: 6209: 6205: 6196: 6192: 6186:Kōichi Kawakita 6179: 6175: 6170: 6166: 6161: 6157: 6152: 6148: 6140:after watching 6135: 6131: 6126: 6122: 6117: 6113: 6108: 6104: 6099: 6095: 6090: 6086: 6081: 6077: 6068: 6064: 6059: 6055: 6046: 6043: 6040: 6037: 6020: 6012: 6009: 6006: 6003: 5987: 5983: 5978: 5974: 5959: 5950: 5945: 5938: 5933: 5909: 5873: 5824: 5762: 5741:The Burning Sky 5727: 5708:Nominated work 5694: 5689: 5670: 5606: 5601: 5571:Samurai Banners 5547:Son of Godzilla 5411:The Love Eterne 5339:The Human Vapor 5251:Throne of Blood 5179:Farewell Rabaul 5051:The Burning Sky 5019:Princess Kaguya 5005: 4992: 4986: 4973: 4957: 4944: 4913: 4906: 4863:Princess Kaguya 4837:Minoru Kawasaki 4805:Tomoyuki Tanaka 4795:Princess Kaguya 4786:Princess Kaguya 4773: 4726:Attack on Titan 4685:Stanley Kubrick 4673:Martin Scorsese 4637:The Independent 4578: 4559: 4551: 4537: 4535:Cultural impact 4532: 4503: 4444:Hiroshi Inagaki 4394: 4330:Ray Harryhausen 4255:science fiction 4231:portrayed via " 4215: 4210: 4149:Princess Kaguya 4117: 4107:unstable angina 4045: 4041: 4003: 3999: 3980: 3976: 3959: 3943: 3935: 3921:Marshal Admiral 3844: 3835:Son of Godzilla 3783: 3683:title character 3675: 3593: 3385: 3284: 3213:Hawaiian Island 3187: 3100:Undersea Empire 3092:Shunrō Oshikawa 3015: 2987: 2975: 2963: 2944:The Love Eterne 2910: 2861: 2856: 2793:Princess Kaguya 2785: 2781: 2746: 2701: 2692: 2666:post-production 2597:film adaptation 2578:The Human Vapor 2525: 2515: 2494: 2443: 2439: 2435: 2235:Throne of Blood 2216:Throne of Blood 2191: 2154: 2109:In April 1956, 2024: 2010:titular monster 1989:(1953) and the 1965: 1964: 1963: 1962: 1961: 1954: 1945: 1944: 1943: 1930: 1919: 1905:Farewell Rabaul 1892:Farewell Rabaul 1886: 1882: 1845: 1790:Kenji Mizoguchi 1780: 1767: 1746:Hiroshi Inagaki 1685:The Ghost Train 1677:The Rainbow Man 1661:Japanese horror 1617: 1565: 1560: 1532:Tokyo air raids 1519: 1506: 1495:Tomoyuki Tanaka 1416:Masahiro Makino 1369:Best Film Award 1342:Kajirō Yamamoto 1330:U.S. naval base 1295: 1293: 1266:The Burning Sky 1207: 1190:rear projection 1161:theatrical play 1119:Princess Kaguya 1068: 1013: 987:double-exposure 908:Japanese cinema 906:, a pioneer of 904:Yoshirō Edamasa 894: 893: 892: 891: 890: 887: 877: 868: 867: 866: 863: 853:Yoshirō Edamasa 844: 833: 824: 796: 770:copper printing 744: 731: 723: 713: 708: 703: 551:rear projection 540:Princess Kaguya 531:on the cruiser 501:Yoshirō Edamasa 490:Hiroshi Inagaki 458:was a Japanese 437: 409: 408: 299:Empire of Japan 290:Military career 281: 239: 236: 1930) 231: 227: 187: 166:cinematographer 142:Alma mater 126: 120: 116: 107: 101: 95: 93: 92: 91: 81: 69: 66: 60: 51: 36: 26: 19: 17: 12: 11: 5: 15081: 15071: 15070: 15065: 15060: 15055: 15050: 15045: 15040: 15035: 15030: 15025: 15020: 15015: 15010: 15005: 15000: 14995: 14990: 14985: 14980: 14975: 14970: 14965: 14960: 14955: 14950: 14945: 14940: 14935: 14930: 14925: 14920: 14915: 14910: 14905: 14900: 14895: 14890: 14885: 14880: 14875: 14870: 14865: 14860: 14858:Eiji Tsuburaya 14845: 14844: 14832: 14820: 14808: 14796: 14773: 14772: 14770: 14769: 14764: 14759: 14754: 14749: 14744: 14737: 14730: 14725: 14719: 14717: 14713: 14712: 14710: 14709: 14701: 14693: 14685: 14677: 14669: 14661: 14653: 14644: 14642: 14638: 14637: 14634: 14633: 14631: 14630: 14622: 14614: 14606: 14598: 14590: 14581: 14579: 14575: 14574: 14572: 14571: 14563: 14555: 14547: 14539: 14531: 14523: 14515: 14507: 14499: 14491: 14483: 14475: 14467: 14459: 14451: 14443: 14435: 14427: 14419: 14411: 14403: 14395: 14387: 14379: 14371: 14363: 14355: 14347: 14339: 14331: 14323: 14315: 14307: 14299: 14291: 14283: 14275: 14267: 14259: 14251: 14243: 14235: 14231:The Mysterians 14227: 14219: 14211: 14203: 14195: 14187: 14179: 14171: 14163: 14155: 14147: 14139: 14131: 14123: 14115: 14107: 14099: 14095:Escape at Dawn 14091: 14083: 14075: 14067: 14059: 14051: 14043: 14035: 14027: 14019: 14011: 14003: 13994: 13992: 13985: 13979: 13978: 13975:Eiji Tsuburaya 13971: 13970: 13963: 13956: 13948: 13940: 13939: 13934: 13931: 13921: 13918: 13912: 13911: 13903: 13897:Eiji Tsuburaya 13894: 13888:Eiji Tsuburaya 13885: 13876:Eiji Tsuburaya 13873: 13864:Eiji Tsuburaya 13861: 13852:Eiji Tsuburaya 13849: 13837:Eiji Tsuburaya 13834: 13815: 13814:External links 13812: 13810: 13809: 13804:978-4894251090 13803: 13782: 13777:978-4845637317 13776: 13759: 13754:978-4062882156 13753: 13732: 13727:978-4096814215 13726: 13702: 13696: 13679: 13674:978-4251046147 13673: 13656: 13650: 13633: 13627: 13606: 13601:978-4272612376 13600: 13583: 13577: 13556: 13551:978-4779517204 13550: 13533: 13528:978-4257033943 13527: 13519:Asahi Sonorama 13506: 13500: 13479: 13477: 13474: 13472: 13471: 13465: 13449: 13443: 13427: 13421: 13405: 13388: 13383:978-4768477830 13382: 13365: 13359: 13343: 13337: 13321: 13303: 13297: 13277: 13262: 13257:978-4257036388 13256: 13239: 13233: 13212: 13207:978-4924609822 13206: 13185: 13179: 13158: 13152: 13135: 13129: 13112: 13106: 13090: 13084: 13067: 13061: 13042: 13041: 13040: 13034: 13015: 12998: 12992: 12971: 12965: 12948: 12942: 12925: 12919: 12899: 12893: 12872: 12867:978-4257033226 12866: 12849: 12844:978-1557836694 12843: 12830: 12824: 12807: 12801: 12782: 12776: 12759: 12753: 12736: 12704: 12698: 12684:(March 2004). 12678: 12672: 12656: 12650: 12634: 12628: 12612: 12606: 12590: 12584: 12564: 12558: 12541: 12526: 12521:978-4873767550 12520: 12500: 12495:978-4862485151 12494: 12474: 12468: 12452: 12446: 12429: 12423: 12406: 12400: 12383: 12377: 12360: 12355:978-4061777309 12354: 12333: 12328:978-4092701076 12327: 12306: 12301:978-4480872982 12300: 12279: 12260: 12254: 12238: 12225: 12219: 12199: 12194:978-1476622712 12193: 12180: 12174: 12154:Buck, Pearl S. 12150: 12134: 12119: 12113: 12089: 12084:978-4257031888 12083: 12075:Asahi Sonorama 12062: 12060: 12057: 12055: 12054: 12024: 11993: 11989:Shiraishi 2011 11981: 11952: 11919: 11896: 11862: 11835:Cavna, Michael 11826: 11824:, p. 185. 11814: 11812:, p. 299. 11810:Shiraishi 2006 11802: 11790: 11788:, p. 260. 11778: 11776:, p. 143. 11766: 11733: 11731:, p. 181. 11718: 11684: 11672: 11635: 11600: 11567: 11534: 11497: 11482: 11445: 11412: 11410:, p. 200. 11400: 11398:, p. 235. 11385: 11383:, p. 180. 11373: 11342: 11304: 11271: 11235: 11223: 11221:, p. 179. 11211: 11199: 11187: 11175: 11163: 11151: 11139: 11127: 11115: 11083: 11068: 11056: 11054:, p. 338. 11041: 11039:, p. 308. 11029: 11008: 11006:, p. 242. 10993: 10970: 10958: 10956:, p. 340. 10946: 10944:, p. 340. 10942:Shiraishi 2006 10934: 10932:, p. 157. 10922: 10918:Iwabatake 1994 10905: 10903:, p. 260. 10901:Shiraishi 2006 10893: 10891:, p. 175. 10866: 10864:, p. 107. 10854: 10842: 10840:, p. 258. 10830: 10828:, p. 255. 10818: 10816:, p. 149. 10803: 10791: 10789:, p. 267. 10779: 10777:, p. 260. 10767: 10752: 10750:, p. 174. 10737: 10725: 10723:, p. 252. 10708: 10706:, p. 124. 10691: 10689:, p. 248. 10679: 10677:, p. 121. 10667: 10663:Iwabatake 1994 10655: 10653:, p. 548. 10643: 10631: 10629:, p. 173. 10612: 10610:, p. 247. 10597: 10582: 10580:, p. 245. 10570: 10568:, p. 171. 10555: 10553:, p. 237. 10551:Shiraishi 2006 10543: 10531: 10529:, p. 135. 10519: 10507: 10505:, p. 144. 10495: 10493:, p. 168. 10483: 10471: 10469:, p. 157. 10459: 10447: 10445:, p. 117. 10435: 10420: 10418:, p. 111. 10408: 10396: 10394:, p. 142. 10384: 10382:, p. 140. 10372: 10370:, p. 231. 10360: 10358:, p. 135. 10348: 10336: 10334:, p. 139. 10324: 10322:, p. 120. 10312: 10310:, p. 117. 10293: 10289:Kodansha 2022a 10281: 10279:, p. 114. 10264: 10252: 10250:, p. 113. 10237: 10225: 10213: 10198: 10196:, p. 228. 10186: 10184:, p. 227. 10171: 10159: 10157:, p. 121. 10147: 10145:, p. 103. 10135: 10123: 10111: 10109:, p. 101. 10096: 10094:, p. 222. 10092:Futabasha 2016 10084: 10069: 10067:, p. 112. 10052: 10040: 10038:, p. 226. 10025: 10013: 10011:, p. 224. 10001: 9999:, p. 225. 9989: 9974: 9955: 9936: 9905: 9903:, p. 217. 9893: 9881: 9879:, p. 216. 9869: 9857: 9855:, p. 215. 9842: 9830: 9828:, p. 104. 9818: 9803: 9791: 9787:Kodansha 2020b 9779: 9764: 9762:, p. 217. 9752: 9750:, p. C-1. 9737: 9700: 9666: 9654: 9652:, p. 229. 9631: 9619: 9607: 9595: 9593:, p. 108. 9580: 9576:Kodansha 2022b 9568: 9556: 9554:, p. 152. 9544: 9525: 9513: 9501: 9497:Futabasha 2016 9489: 9477: 9462: 9460:, p. 256. 9450: 9433:"日本映画技術賞受賞一覧" 9415: 9396: 9384: 9382:, p. 200. 9372: 9368:Iwabatake 1994 9360: 9348: 9336: 9334:, p. 309. 9332:Futabasha 2016 9324: 9320:Iwabatake 1994 9312: 9300: 9288: 9286:, p. 136. 9276: 9274:, p. 188. 9264: 9252: 9250:, p. 123. 9240: 9236:Keibunsha 1990 9228: 9224:Kodansha 2022a 9216: 9212:Kodansha 2020a 9201: 9172: 9160: 9148: 9136: 9134:, p. 162. 9124: 9107:Shūkan Bunshun 9089: 9087:, p. 235. 9077: 9065: 9061:Kishikawa 2020 9053: 9041: 9029: 9017: 9015:, p. 188. 9005: 8993: 8991:, p. 336. 8981: 8979:, p. 175. 8969: 8965:Kodansha 2022b 8957: 8945: 8928: 8924:Futabasha 2016 8916: 8904: 8892: 8888:Futabasha 2016 8880: 8868: 8856: 8844: 8832: 8817: 8805: 8803:, p. 132. 8793: 8781: 8769: 8767:, p. 112. 8757: 8725: 8713: 8711:, p. 102. 8701: 8699:, p. 335. 8689: 8674: 8672:, p. 235. 8662: 8658:Futabasha 2016 8650: 8638: 8634:Kodansha 2022b 8626: 8624:, p. 163. 8614: 8599: 8587: 8585:, p. 159. 8575: 8563: 8561:, p. 161. 8551: 8539: 8535:Iwabatake 1994 8527: 8515: 8490: 8475: 8473:, p. 290. 8471:Futabasha 2016 8463: 8451: 8439: 8427: 8412: 8400: 8396:Iwabatake 1994 8388: 8376: 8359: 8357:, p. 156. 8347: 8332: 8330:, p. 196. 8320: 8316:Kodansha 2022b 8308: 8296: 8284: 8282:, p. 147. 8272: 8257: 8255:, p. 156. 8245: 8241:Kodansha 2022b 8233: 8221: 8219:, p. 303. 8209: 8207:, p. 409. 8197: 8185: 8173: 8161: 8149: 8137: 8125: 8110: 8098: 8086: 8074: 8072:, p. 117. 8062: 8043: 8031: 8019: 8007: 7992: 7980: 7968: 7964:Iwabatake 1994 7953: 7941: 7929: 7912: 7900: 7896:Futabasha 2016 7883: 7871: 7859: 7847: 7835: 7820: 7808: 7796: 7784: 7772: 7757: 7745: 7743:, p. 155. 7733: 7721: 7719:, p. 194. 7709: 7697: 7685: 7666: 7664:, p. 165. 7654: 7639: 7637:, p. 195. 7624: 7605: 7586: 7574: 7555: 7551:Iwabatake 1994 7538: 7521: 7509: 7484:"東宝千一夜 – 作品情報" 7475: 7456: 7441: 7439:, p. 331. 7424: 7399:"東京五人男 – 作品情報" 7390: 7373: 7361: 7346: 7334: 7322: 7307: 7295: 7283: 7266:Kōhan Kawauchi 7253: 7219: 7200: 7183: 7171: 7169:, p. 543. 7159: 7147: 7132: 7120: 7108: 7096: 7092:Kodansha 2020c 7075: 7058: 7043: 7007: 6970: 6958: 6941: 6937:Iwabatake 1994 6924: 6912: 6900: 6885: 6881:Shiraishi 2006 6873: 6856: 6854:, p. 193. 6844: 6818: 6784: 6782:, p. 192. 6772: 6757: 6742: 6730: 6728:, p. 502. 6715: 6698: 6686: 6682:Keibunsha 1990 6659: 6657:, p. 541. 6624: 6590: 6588:, p. 488. 6575: 6542: 6527: 6488: 6453: 6428: 6403: 6364: 6323: 6321:, p. 324. 6302: 6281: 6256: 6254:, p. 154. 6239: 6235:Iwabatake 1994 6226: 6224: 6221: 6219: 6216: 6213: 6212: 6203: 6190: 6173: 6164: 6155: 6146: 6129: 6120: 6111: 6102: 6093: 6084: 6075: 6062: 6053: 5981: 5972: 5948: 5935: 5934: 5932: 5929: 5926: 5925: 5922: 5918: 5917: 5915: 5912: 5904: 5901: 5897: 5896: 5889: 5886: 5882: 5881: 5867: 5864: 5860: 5859: 5857: 5850: 5849:Special Skill 5847: 5844: 5840: 5839: 5837: 5834: 5831: 5817: 5816: 5809: 5806: 5802: 5801: 5798:The Mysterians 5794: 5791: 5787: 5786: 5784: 5777: 5776:Special Skill 5774: 5771: 5767: 5766: 5757: 5754: 5750: 5749: 5747: 5744: 5737: 5734: 5722: 5718: 5717: 5712: 5709: 5706: 5703: 5700: 5693: 5690: 5688: 5687: 5679: 5664: 5656: 5648: 5640: 5632: 5624: 5616: 5607: 5605: 5602: 5600: 5599: 5591: 5583: 5575: 5567: 5559: 5551: 5543: 5535: 5527: 5519: 5511: 5503: 5495: 5487: 5479: 5471: 5463: 5455: 5447: 5439: 5431: 5423: 5415: 5407: 5399: 5391: 5383: 5375: 5367: 5359: 5351: 5343: 5335: 5327: 5319: 5311: 5303: 5295: 5287: 5279: 5271: 5263: 5259:The Mysterians 5255: 5247: 5239: 5231: 5223: 5215: 5207: 5199: 5191: 5183: 5175: 5167: 5159: 5151: 5143: 5135: 5127: 5123:Escape at Dawn 5119: 5111: 5103: 5095: 5087: 5079: 5071: 5063: 5055: 5047: 5039: 5031: 5023: 5015: 5006: 5004: 5001: 4988:Main article: 4985: 4982: 4905: 4902: 4839:began filming 4772: 4769: 4755:", the series 4731:Hajime Isayama 4721:Kazuo Miyagawa 4713:Shinji Higuchi 4689:John Carpenter 4632:Akira Kurosawa 4574:Gareth Edwards 4552: 4536: 4533: 4531: 4528: 4507:crane shooting 4502: 4499: 4468:Haruo Nakajima 4393: 4390: 4261:The Lost World 4214: 4211: 4209: 4206: 3992:Gerry Anderson 3914:Toshiro Mifune 3843: 3840: 3605:Modern Leaders 3592: 3586: 3572:Fujio Akatsuka 3546:franchise and 3520:Haruo Nakajima 3186: 3179: 3146:movie series, 3070:on the set of 3003:pre-production 2985:Kengo Furusawa 2904:Kiyoshi Suzuki 2860: 2857: 2855: 2852: 2807:Shoichi Hirose 2787:After filming 2756: 2603:'s 1948 novel 2514: 2503: 2407:Toshiro Mifune 2333:of his wife's 2280:AB-PT Pictures 2253:The Mysterians 2249:The Mysterians 2240:The Mysterians 2231:Akira Kurosawa 2204:Haruo Nakajima 2072:on the set of 2070:Haruo Nakajima 2008:to depict the 1955: 1948: 1947: 1946: 1931: 1924: 1923: 1922: 1921: 1920: 1918: 1915: 1759:Escape at Dawn 1722:was finished. 1573:matte painting 1564: 1561: 1559: 1552: 1536:Torajirō Saitō 1409:Kōhan Kawauchi 1404:Moonlight Mask 1379:Akira Watanabe 1292: 1289: 1076:shooting crane 1067: 1064: 999:shooting crane 995:D. W. Griffith 964:Kazuo Hasegawa 946:Minoru Inuzuka 912:A Tune of Pity 878: 871: 870: 869: 845: 838: 837: 836: 835: 834: 832: 829: 768:, who brought 712: 709: 707: 704: 702: 699: 626:The Mysterians 525:shooting crane 505:A Tune of Pity 494:Akira Kurosawa 453:Tsuburaya Eiji 435:Eiji Tsuburaya 430: 429: 421: 420: 416: 415: 406: 402: 401: 398: 397: 394: 393: 390: 389: 386: 385: 382:Tsuburaya Eiji 378: 372: 371: 370:Transcriptions 363: 362: 355: 349: 348: 341: 335: 334: 330: 329: 326: 325: 322: 321: 318: 314: 313: 308: 302: 301: 296: 292: 291: 287: 286: 283: 282: 280: 279: 273: 266: 264: 260: 259: 245: 241: 240: 229: 225: 224: 222: 218: 217: 211: 207: 206: 201: 197: 196: 193: 189: 188: 186: 185: 182: 179: 176: 173: 170: 167: 164: 161: 155: 153: 149: 148: 143: 139: 138: 132: 128: 127: 121: 119:(aged 68) 113: 109: 108: 102: 89: 87: 83: 82: 79: 71: 70: 62: 61: 59:Eiji Tsuburaya 58: 44:Tsuburaya Eiji 15: 9: 6: 4: 3: 2: 15080: 15069: 15066: 15064: 15061: 15059: 15056: 15054: 15051: 15049: 15046: 15044: 15041: 15039: 15036: 15034: 15031: 15029: 15026: 15024: 15021: 15019: 15016: 15014: 15011: 15009: 15006: 15004: 15001: 14999: 14996: 14994: 14991: 14989: 14986: 14984: 14981: 14979: 14976: 14974: 14971: 14969: 14966: 14964: 14961: 14959: 14956: 14954: 14951: 14949: 14946: 14944: 14941: 14939: 14936: 14934: 14931: 14929: 14926: 14924: 14921: 14919: 14916: 14914: 14911: 14909: 14906: 14904: 14901: 14899: 14896: 14894: 14891: 14889: 14886: 14884: 14881: 14879: 14876: 14874: 14871: 14869: 14866: 14864: 14861: 14859: 14856: 14855: 14853: 14843: 14838: 14833: 14831: 14821: 14819: 14809: 14807: 14802: 14797: 14795: 14785: 14784: 14781: 14768: 14765: 14763: 14760: 14758: 14755: 14753: 14750: 14748: 14745: 14743: 14742: 14738: 14736: 14735: 14731: 14729: 14726: 14724: 14721: 14720: 14718: 14716:Miscellaneous 14714: 14707: 14706: 14702: 14699: 14698: 14694: 14691: 14690: 14686: 14683: 14682: 14678: 14675: 14674: 14670: 14667: 14666: 14662: 14659: 14658: 14654: 14651: 14650: 14646: 14645: 14643: 14639: 14628: 14627: 14623: 14620: 14619: 14615: 14612: 14611: 14610:Invisible Man 14607: 14604: 14603: 14599: 14596: 14595: 14591: 14588: 14587: 14583: 14582: 14580: 14578:Miscellaneous 14576: 14569: 14568: 14564: 14561: 14560: 14556: 14553: 14552: 14551:Latitude Zero 14548: 14545: 14544: 14540: 14537: 14536: 14532: 14529: 14528: 14524: 14521: 14520: 14516: 14513: 14512: 14508: 14505: 14504: 14500: 14497: 14496: 14492: 14489: 14488: 14484: 14481: 14480: 14476: 14473: 14472: 14468: 14465: 14464: 14460: 14457: 14456: 14452: 14449: 14448: 14444: 14441: 14440: 14436: 14433: 14432: 14428: 14425: 14424: 14420: 14417: 14416: 14412: 14409: 14408: 14404: 14401: 14400: 14396: 14393: 14392: 14388: 14385: 14384: 14380: 14377: 14376: 14372: 14369: 14368: 14364: 14361: 14360: 14356: 14353: 14352: 14348: 14345: 14344: 14340: 14337: 14336: 14332: 14329: 14328: 14324: 14321: 14320: 14316: 14313: 14312: 14308: 14305: 14304: 14300: 14297: 14296: 14292: 14289: 14288: 14284: 14281: 14280: 14276: 14273: 14272: 14268: 14265: 14264: 14260: 14257: 14256: 14252: 14249: 14248: 14244: 14241: 14240: 14236: 14233: 14232: 14228: 14225: 14224: 14220: 14217: 14216: 14212: 14209: 14208: 14204: 14201: 14200: 14196: 14193: 14192: 14188: 14185: 14184: 14180: 14177: 14176: 14172: 14169: 14168: 14164: 14161: 14160: 14156: 14153: 14152: 14148: 14145: 14144: 14140: 14137: 14136: 14132: 14129: 14128: 14124: 14121: 14120: 14116: 14113: 14112: 14108: 14105: 14104: 14100: 14097: 14096: 14092: 14089: 14088: 14084: 14081: 14080: 14079:Gate of Flesh 14076: 14073: 14072: 14068: 14065: 14064: 14060: 14057: 14056: 14052: 14049: 14048: 14044: 14041: 14040: 14039:The Opium War 14036: 14033: 14032: 14028: 14025: 14024: 14020: 14017: 14016: 14012: 14009: 14008: 14004: 14001: 14000: 13996: 13995: 13993: 13989: 13986: 13984: 13980: 13976: 13969: 13964: 13962: 13957: 13955: 13950: 13949: 13946: 13937: 13928: 13927: 13924:President of 13915: 13909:(in Japanese) 13907: 13904: 13901:(in Japanese) 13898: 13895: 13893: 13889: 13886: 13883:(in Japanese) 13881: 13877: 13874: 13871:(in Japanese) 13869: 13868:Sukagawa City 13865: 13862: 13859:(in Japanese) 13857: 13853: 13850: 13847: 13842: 13838: 13835: 13832:(in Japanese) 13829: 13823: 13818: 13817: 13806: 13800: 13796: 13792: 13788: 13783: 13779: 13773: 13769: 13765: 13760: 13756: 13750: 13746: 13742: 13738: 13733: 13729: 13723: 13719: 13715: 13711: 13707: 13703: 13699: 13693: 13689: 13685: 13680: 13676: 13670: 13666: 13662: 13657: 13653: 13651:9784897574400 13647: 13643: 13639: 13634: 13630: 13628:4-901006-21-5 13624: 13620: 13616: 13612: 13607: 13603: 13597: 13593: 13589: 13584: 13580: 13574: 13570: 13566: 13562: 13557: 13553: 13547: 13543: 13539: 13534: 13530: 13524: 13520: 13516: 13512: 13507: 13503: 13501:4-8061-1499-5 13497: 13493: 13489: 13485: 13481: 13480: 13468: 13462: 13458: 13454: 13450: 13446: 13440: 13436: 13432: 13428: 13424: 13418: 13414: 13410: 13406: 13402: 13398: 13394: 13393:かぐや姫 ─竹取物語より─ 13389: 13385: 13379: 13375: 13371: 13366: 13362: 13360:4-924609-45-5 13356: 13352: 13348: 13344: 13340: 13338:4-924609-07-2 13334: 13330: 13326: 13322: 13318: 13314: 13313: 13308: 13304: 13300: 13298:4-924609-00-5 13294: 13290: 13286: 13282: 13278: 13274: 13270: 13269: 13263: 13259: 13253: 13249: 13245: 13240: 13236: 13230: 13226: 13222: 13218: 13213: 13209: 13203: 13199: 13195: 13191: 13186: 13182: 13180:4-8124-0581-5 13176: 13172: 13168: 13164: 13159: 13155: 13149: 13145: 13141: 13136: 13132: 13126: 13122: 13118: 13113: 13109: 13103: 13099: 13095: 13091: 13087: 13081: 13078:. ECW Press. 13076: 13075: 13068: 13064: 13062:9780819570871 13058: 13054: 13050: 13049: 13043: 13037: 13031: 13027: 13022: 13021: 13018: 13012: 13008: 13004: 12999: 12995: 12993:9784130860369 12989: 12985: 12981: 12977: 12972: 12968: 12962: 12958: 12954: 12949: 12945: 12943:9784480873163 12939: 12935: 12931: 12926: 12922: 12916: 12912: 12908: 12904: 12900: 12896: 12890: 12886: 12882: 12878: 12873: 12869: 12863: 12859: 12855: 12850: 12846: 12840: 12836: 12831: 12827: 12821: 12817: 12813: 12808: 12804: 12802:4-09-101498-4 12798: 12794: 12790: 12789: 12783: 12779: 12777:4-7669-3848-8 12773: 12769: 12765: 12760: 12756: 12754:9784766927061 12750: 12746: 12742: 12737: 12725: 12721: 12717: 12713: 12709: 12705: 12701: 12699:9780674265448 12695: 12691: 12687: 12683: 12679: 12675: 12669: 12665: 12661: 12657: 12653: 12647: 12643: 12639: 12635: 12631: 12625: 12621: 12617: 12613: 12609: 12603: 12599: 12595: 12591: 12587: 12581: 12577: 12573: 12569: 12565: 12561: 12555: 12551: 12547: 12542: 12538: 12534: 12533: 12527: 12523: 12517: 12513: 12509: 12505: 12501: 12497: 12491: 12487: 12483: 12479: 12475: 12471: 12469:4-7669-0962-3 12465: 12461: 12457: 12453: 12449: 12443: 12439: 12435: 12430: 12426: 12420: 12416: 12412: 12407: 12403: 12397: 12393: 12389: 12384: 12380: 12378:4-06-178417-X 12374: 12370: 12366: 12361: 12357: 12351: 12347: 12343: 12339: 12334: 12330: 12324: 12320: 12316: 12312: 12307: 12303: 12297: 12293: 12292:Chikuma Shobō 12289: 12285: 12280: 12276: 12272: 12271: 12266: 12261: 12257: 12255:9781461673743 12251: 12247: 12243: 12239: 12235: 12234:Classic Media 12231: 12226: 12222: 12216: 12212: 12208: 12204: 12200: 12196: 12190: 12187:. McFarland. 12186: 12181: 12177: 12175:9781480421240 12171: 12167: 12162: 12161: 12155: 12151: 12147: 12143: 12139: 12135: 12131: 12130: 12125: 12120: 12116: 12114:0-7867-0485-3 12110: 12106: 12101: 12100: 12094: 12090: 12086: 12080: 12076: 12072: 12068: 12064: 12063: 12042: 12038: 12034: 12028: 12012: 12008: 12004: 11997: 11990: 11985: 11969: 11968: 11963: 11956: 11940: 11936: 11934: 11933:Asahi Shimbun 11929: 11923: 11915: 11911: 11907: 11900: 11884: 11880: 11876: 11869: 11867: 11850: 11846: 11845: 11840: 11836: 11830: 11823: 11818: 11811: 11806: 11799: 11794: 11787: 11782: 11775: 11770: 11754: 11750: 11749: 11744: 11737: 11730: 11725: 11723: 11706: 11702: 11698: 11694: 11688: 11682:, p. 55. 11681: 11680:Watanabe 1997 11676: 11660: 11656: 11655: 11650: 11648: 11647:Shin Ultraman 11639: 11623: 11619: 11615: 11613: 11604: 11588: 11584: 11583: 11578: 11571: 11555: 11551: 11550: 11545: 11538: 11522: 11518: 11517: 11512: 11510: 11509:Shin Ultraman 11501: 11494: 11489: 11487: 11470: 11466: 11465: 11460: 11458: 11449: 11433: 11429: 11428: 11423: 11416: 11409: 11404: 11397: 11392: 11390: 11382: 11377: 11361: 11357: 11353: 11346: 11330: 11326: 11325: 11320: 11313: 11311: 11309: 11292: 11288: 11287: 11282: 11275: 11259: 11255: 11254: 11249: 11242: 11240: 11233:, p. 44. 11232: 11231:Talmadge 1989 11227: 11220: 11215: 11208: 11207:Yosensha 2016 11203: 11196: 11191: 11184: 11179: 11173:, p. 60. 11172: 11167: 11161:, p. 35. 11160: 11159:Yosensha 2010 11155: 11148: 11143: 11136: 11131: 11124: 11123:Yosensha 2010 11119: 11103: 11099: 11098: 11093: 11087: 11080: 11075: 11073: 11065: 11064:Yosensha 2010 11060: 11053: 11048: 11046: 11038: 11033: 11027:, p. 87. 11026: 11021: 11019: 11017: 11015: 11013: 11005: 11000: 10998: 10991:, p. 14. 10990: 10985: 10983: 10981: 10979: 10977: 10975: 10968:, p. 58. 10967: 10962: 10955: 10950: 10943: 10938: 10931: 10926: 10919: 10914: 10912: 10910: 10902: 10897: 10890: 10885: 10883: 10881: 10879: 10877: 10875: 10873: 10871: 10863: 10858: 10851: 10846: 10839: 10834: 10827: 10822: 10815: 10810: 10808: 10801:, p. 73. 10800: 10795: 10788: 10783: 10776: 10771: 10764: 10759: 10757: 10749: 10744: 10742: 10734: 10729: 10722: 10717: 10715: 10713: 10705: 10700: 10698: 10696: 10688: 10683: 10676: 10671: 10664: 10659: 10652: 10647: 10640: 10635: 10628: 10623: 10621: 10619: 10617: 10609: 10604: 10602: 10594: 10589: 10587: 10579: 10574: 10567: 10562: 10560: 10552: 10547: 10540: 10535: 10528: 10523: 10516: 10511: 10504: 10499: 10492: 10487: 10480: 10475: 10468: 10463: 10456: 10451: 10444: 10439: 10432: 10427: 10425: 10417: 10412: 10405: 10400: 10393: 10388: 10381: 10376: 10369: 10364: 10357: 10352: 10345: 10340: 10333: 10328: 10321: 10316: 10309: 10304: 10302: 10300: 10298: 10290: 10285: 10278: 10273: 10271: 10269: 10262:, p. 42. 10261: 10260:Murayama 1982 10256: 10249: 10244: 10242: 10234: 10229: 10222: 10217: 10211:, p. 99. 10210: 10205: 10203: 10195: 10190: 10183: 10178: 10176: 10169:, p. 84. 10168: 10163: 10156: 10151: 10144: 10139: 10132: 10127: 10121:, p. 58. 10120: 10115: 10108: 10103: 10101: 10093: 10088: 10081: 10076: 10074: 10066: 10061: 10059: 10057: 10049: 10044: 10037: 10032: 10030: 10022: 10017: 10010: 10005: 9998: 9993: 9987:, p. 94. 9986: 9981: 9979: 9971: 9966: 9964: 9962: 9960: 9952: 9947: 9945: 9943: 9941: 9924: 9920: 9916: 9909: 9902: 9897: 9890: 9885: 9878: 9873: 9866: 9861: 9854: 9849: 9847: 9840:, p. 90. 9839: 9834: 9827: 9822: 9816:, p. 68. 9815: 9810: 9808: 9801:, p. 89. 9800: 9795: 9788: 9783: 9777:, p. 83. 9776: 9771: 9769: 9761: 9756: 9749: 9747: 9741: 9725: 9721: 9720: 9715: 9713: 9704: 9688: 9684: 9680: 9678: 9670: 9664:, p. 46. 9663: 9658: 9651: 9646: 9644: 9642: 9640: 9638: 9636: 9628: 9623: 9617:, p. 74. 9616: 9611: 9605:, p. 81. 9604: 9599: 9592: 9587: 9585: 9577: 9572: 9566:, p. 59. 9565: 9564:Yosensha 2011 9560: 9553: 9548: 9542:, p. 78. 9541: 9536: 9534: 9532: 9530: 9522: 9517: 9511:, p. 77. 9510: 9505: 9498: 9493: 9487:, p. 32. 9486: 9481: 9474: 9469: 9467: 9459: 9454: 9438: 9434: 9428: 9426: 9424: 9422: 9420: 9413:, p. 77. 9412: 9407: 9405: 9403: 9401: 9394:, p. 69. 9393: 9388: 9381: 9376: 9369: 9364: 9357: 9356:Yosensha 2011 9352: 9345: 9340: 9333: 9328: 9321: 9316: 9310:, p. 79. 9309: 9304: 9297: 9292: 9285: 9280: 9273: 9268: 9261: 9256: 9249: 9244: 9238:, p. 71. 9237: 9232: 9225: 9220: 9213: 9208: 9206: 9199:, p. 47. 9198: 9193: 9191: 9189: 9187: 9185: 9183: 9181: 9179: 9177: 9170:, p. 71. 9169: 9164: 9157: 9152: 9145: 9140: 9133: 9128: 9112: 9109:. p. 2. 9108: 9104: 9100: 9093: 9086: 9081: 9075:, p. 93. 9074: 9069: 9062: 9057: 9051:, p. 70. 9050: 9045: 9039:, p. 82. 9038: 9033: 9026: 9021: 9014: 9009: 9002: 9001:Ichikawa 1996 8997: 8990: 8985: 8978: 8973: 8967:, p. 25. 8966: 8961: 8955:, p. 65. 8954: 8949: 8943:, p. 66. 8942: 8937: 8935: 8933: 8925: 8920: 8913: 8908: 8901: 8896: 8889: 8884: 8878:, p. 65. 8877: 8872: 8866:, p. 81. 8865: 8860: 8854:, p. 99. 8853: 8848: 8842:, p. 63. 8841: 8836: 8829: 8824: 8822: 8814: 8809: 8802: 8797: 8790: 8785: 8779:, p. 59. 8778: 8773: 8766: 8761: 8745: 8741: 8740: 8735: 8729: 8722: 8717: 8710: 8705: 8698: 8693: 8687:, p. 57. 8686: 8681: 8679: 8671: 8670:Takeuchi 2001 8666: 8659: 8654: 8647: 8642: 8636:, p. 23. 8635: 8630: 8623: 8618: 8612:, p. 19. 8611: 8609: 8603: 8596: 8591: 8584: 8579: 8572: 8571:Yosensha 2010 8567: 8560: 8555: 8549:, p. 35. 8548: 8543: 8536: 8531: 8524: 8519: 8513:, p. 56. 8512: 8507: 8505: 8503: 8501: 8499: 8497: 8495: 8487: 8482: 8480: 8472: 8467: 8460: 8455: 8449:, p. 39. 8448: 8443: 8436: 8431: 8425:, p. 26. 8424: 8422: 8416: 8410:, p. 59. 8409: 8404: 8397: 8392: 8385: 8380: 8374:, p. 55. 8373: 8368: 8366: 8364: 8356: 8351: 8345:, p. 30. 8344: 8343:Kodansha 2009 8339: 8337: 8329: 8324: 8318:, p. 21. 8317: 8312: 8305: 8300: 8294:, p. 29. 8293: 8288: 8281: 8276: 8270:, p. 53. 8269: 8264: 8262: 8254: 8249: 8243:, p. 20. 8242: 8237: 8230: 8225: 8218: 8213: 8206: 8201: 8195:, p. 51. 8194: 8189: 8182: 8177: 8170: 8165: 8159:, p. 52. 8158: 8153: 8146: 8141: 8135:, p. 18. 8134: 8129: 8122: 8117: 8115: 8108:, p. 65. 8107: 8102: 8095: 8090: 8084:, p. 46. 8083: 8078: 8071: 8066: 8060:, p. 50. 8059: 8054: 8052: 8050: 8048: 8041:, p. 13. 8040: 8035: 8029:, p. 42. 8028: 8023: 8016: 8011: 8005:, p. 44. 8004: 7999: 7997: 7989: 7984: 7978:, p. 35. 7977: 7972: 7965: 7960: 7958: 7951:, p. 36. 7950: 7945: 7938: 7933: 7927:, p. 27. 7926: 7921: 7919: 7917: 7909: 7904: 7897: 7892: 7890: 7888: 7881:, p. 53. 7880: 7875: 7869:, p. 50. 7868: 7863: 7857:, p. 89. 7856: 7851: 7845:, p. 79. 7844: 7839: 7833:, p. 37. 7832: 7827: 7825: 7818:, p. 72. 7817: 7812: 7806:, p. 74. 7805: 7800: 7794:, p. 36. 7793: 7788: 7781: 7776: 7769: 7764: 7762: 7754: 7749: 7742: 7737: 7731:, p. 87. 7730: 7725: 7718: 7713: 7706: 7701: 7695:, p. 26. 7694: 7689: 7682: 7677: 7675: 7673: 7671: 7663: 7658: 7652:, p. 42. 7651: 7646: 7644: 7636: 7631: 7629: 7622:, p. 25. 7621: 7616: 7614: 7612: 7610: 7602: 7601:Yosensha 2010 7597: 7595: 7593: 7591: 7584:, p. 63. 7583: 7582:Kawakita 2010 7578: 7572:, p. 70. 7571: 7566: 7564: 7562: 7560: 7552: 7547: 7545: 7543: 7536:, p. 63. 7535: 7530: 7528: 7526: 7518: 7513: 7497: 7493: 7489: 7485: 7479: 7473:, p. 30. 7472: 7467: 7465: 7463: 7461: 7453: 7448: 7446: 7438: 7433: 7431: 7429: 7412: 7408: 7404: 7400: 7394: 7387: 7382: 7380: 7378: 7371:, p. 22. 7370: 7365: 7359:, p. 52. 7358: 7353: 7351: 7343: 7338: 7331: 7326: 7319: 7314: 7312: 7304: 7299: 7292: 7287: 7271: 7267: 7263: 7257: 7241: 7237: 7236:Voice of Nara 7233: 7226: 7224: 7217:, p. 29. 7216: 7211: 7209: 7207: 7205: 7198:, p. 30. 7197: 7192: 7190: 7188: 7180: 7175: 7168: 7163: 7156: 7151: 7145:, p. 28. 7144: 7139: 7137: 7129: 7124: 7117: 7112: 7105: 7100: 7093: 7088: 7086: 7084: 7082: 7080: 7072: 7067: 7065: 7063: 7056:, p. 27. 7055: 7050: 7048: 7031: 7027: 7026: 7021: 7014: 7012: 6995: 6991: 6987: 6983: 6977: 6975: 6967: 6962: 6956:, p. 26. 6955: 6950: 6948: 6946: 6938: 6933: 6931: 6929: 6922:, p. 25. 6921: 6916: 6909: 6904: 6898:, p. 23. 6897: 6892: 6890: 6883:, p. 16. 6882: 6877: 6871:, p. 22. 6870: 6865: 6863: 6861: 6853: 6848: 6832: 6828: 6822: 6806: 6802: 6798: 6794: 6788: 6781: 6776: 6769: 6764: 6762: 6755:, p. 44. 6754: 6749: 6747: 6739: 6734: 6727: 6722: 6720: 6713:, p. 21. 6712: 6707: 6705: 6703: 6696:, p. 18. 6695: 6690: 6683: 6678: 6676: 6674: 6672: 6670: 6668: 6666: 6664: 6656: 6651: 6649: 6647: 6645: 6643: 6641: 6639: 6637: 6635: 6633: 6631: 6629: 6612: 6608: 6604: 6597: 6595: 6587: 6582: 6580: 6563: 6559: 6555: 6549: 6547: 6540:, p. 15. 6539: 6534: 6532: 6512: 6508: 6507: 6498: 6492: 6485: 6480: 6478: 6476: 6474: 6472: 6470: 6468: 6466: 6464: 6462: 6460: 6458: 6451:, p. 23. 6450: 6445: 6443: 6441: 6439: 6437: 6435: 6433: 6426:, p. 76. 6425: 6420: 6418: 6416: 6414: 6412: 6410: 6408: 6391: 6387: 6383: 6379: 6373: 6371: 6369: 6352: 6348: 6342: 6340: 6338: 6336: 6334: 6332: 6330: 6328: 6320: 6315: 6313: 6311: 6309: 6307: 6299: 6294: 6292: 6290: 6288: 6286: 6279:, p. 18. 6278: 6273: 6271: 6269: 6267: 6265: 6263: 6261: 6253: 6248: 6246: 6244: 6236: 6231: 6227: 6207: 6200: 6194: 6187: 6183: 6177: 6168: 6159: 6150: 6143: 6139: 6133: 6124: 6115: 6106: 6097: 6088: 6079: 6072: 6066: 6057: 6031: 6018: 5997: 5985: 5976: 5969: 5968: 5963: 5957: 5955: 5953: 5943: 5941: 5936: 5923: 5920: 5919: 5911: 5905: 5898: 5895: 5894: 5890: 5887: 5884: 5883: 5880: 5877: 5872: 5868: 5865: 5862: 5861: 5856: 5855: 5851: 5845: 5842: 5841: 5838: 5832: 5828: 5823: 5819: 5818: 5815: 5814: 5810: 5807: 5803: 5800: 5799: 5795: 5792: 5789: 5788: 5783: 5782: 5778: 5772: 5769: 5768: 5765: 5764: 5758: 5755: 5752: 5751: 5743: 5742: 5738: 5735: 5731: 5726: 5720: 5719: 5713: 5710: 5707: 5704: 5701: 5698: 5697: 5685: 5684: 5680: 5677: 5674: 5669: 5665: 5662: 5661: 5657: 5654: 5653: 5649: 5646: 5645: 5641: 5638: 5637: 5633: 5630: 5629: 5625: 5622: 5621: 5617: 5614: 5613: 5609: 5608: 5597: 5596: 5592: 5589: 5588: 5584: 5581: 5580: 5579:Latitude Zero 5576: 5573: 5572: 5568: 5565: 5564: 5560: 5557: 5556: 5552: 5549: 5548: 5544: 5541: 5540: 5536: 5533: 5532: 5528: 5525: 5524: 5520: 5517: 5516: 5512: 5509: 5508: 5504: 5501: 5500: 5496: 5493: 5492: 5488: 5485: 5484: 5480: 5477: 5476: 5472: 5469: 5468: 5464: 5461: 5460: 5456: 5453: 5452: 5448: 5445: 5444: 5440: 5437: 5436: 5432: 5429: 5428: 5424: 5421: 5420: 5416: 5413: 5412: 5408: 5405: 5404: 5400: 5397: 5396: 5392: 5389: 5388: 5384: 5381: 5380: 5376: 5373: 5372: 5368: 5365: 5364: 5360: 5357: 5356: 5352: 5349: 5348: 5344: 5341: 5340: 5336: 5333: 5332: 5328: 5325: 5324: 5320: 5317: 5316: 5312: 5309: 5308: 5304: 5301: 5300: 5296: 5293: 5292: 5288: 5285: 5284: 5280: 5277: 5276: 5272: 5269: 5268: 5264: 5261: 5260: 5256: 5253: 5252: 5248: 5245: 5244: 5240: 5237: 5236: 5232: 5229: 5228: 5224: 5221: 5220: 5216: 5213: 5212: 5208: 5205: 5204: 5200: 5197: 5196: 5192: 5189: 5188: 5184: 5181: 5180: 5176: 5173: 5172: 5168: 5165: 5164: 5160: 5157: 5156: 5152: 5149: 5148: 5144: 5141: 5140: 5136: 5133: 5132: 5128: 5125: 5124: 5120: 5117: 5116: 5112: 5109: 5108: 5107:Gate of Flesh 5104: 5101: 5100: 5096: 5093: 5092: 5088: 5085: 5084: 5080: 5077: 5076: 5072: 5069: 5068: 5067:The Opium War 5064: 5061: 5060: 5056: 5053: 5052: 5048: 5045: 5044: 5040: 5037: 5036: 5032: 5029: 5028: 5024: 5021: 5020: 5016: 5013: 5012: 5008: 5007: 5000: 4998: 4991: 4981: 4977: 4972: 4971:Toshiki Ayada 4968: 4964: 4961: 4956: 4951: 4948: 4943: 4938: 4937:Seijun Suzuki 4934: 4930: 4929: 4924: 4920: 4917: 4912: 4901: 4899: 4898: 4893: 4888: 4886: 4885:Takumi Saitoh 4882: 4881:Shin Ultraman 4878: 4874: 4873: 4872:Shin Ultraman 4867: 4865: 4864: 4859: 4854: 4852: 4848: 4844: 4843: 4838: 4834: 4829: 4827: 4823: 4818: 4816: 4812: 4811: 4806: 4802: 4797: 4796: 4791: 4787: 4782: 4780: 4779: 4768: 4766: 4765: 4761:and the film 4760: 4759: 4758:Power Rangers 4754: 4753:Intergalactic 4750: 4746: 4742: 4741: 4736: 4732: 4728: 4727: 4722: 4718: 4714: 4710: 4706: 4702: 4698: 4694: 4690: 4686: 4682: 4678: 4674: 4670: 4666: 4661: 4659: 4654: 4650: 4649: 4644: 4640: 4638: 4633: 4627: 4625: 4621: 4617: 4614:kept running 4613: 4609: 4605: 4601: 4597: 4596: 4591: 4590: 4585: 4584: 4577: 4575: 4571: 4570: 4565: 4564: 4556: 4550: 4546: 4542: 4527: 4523: 4519: 4515: 4512: 4508: 4498: 4496: 4492: 4488: 4487: 4482: 4478: 4472: 4469: 4465: 4460: 4458: 4453: 4449: 4445: 4441: 4437: 4433: 4429: 4425: 4421: 4417: 4414:According to 4409: 4408: 4403: 4398: 4389: 4387: 4382: 4378: 4374: 4373: 4368: 4367: 4362: 4358: 4357: 4352: 4348: 4344: 4339: 4337: 4336: 4331: 4327: 4323: 4319: 4315: 4311: 4307: 4303: 4302: 4296: 4294: 4290: 4286: 4285: 4279: 4275: 4274: 4269: 4268: 4263: 4262: 4256: 4252: 4248: 4247: 4238: 4234: 4230: 4226: 4225: 4219: 4205: 4203: 4199: 4195: 4191: 4187: 4183: 4179: 4175: 4171: 4165: 4163: 4162:asthma attack 4159: 4154: 4150: 4146: 4141: 4139: 4138:Itō, Shizuoka 4135: 4134:Izu Peninsula 4131: 4127: 4121: 4116: 4112: 4108: 4101: 4096: 4092: 4090: 4089: 4084: 4080: 4076: 4072: 4068: 4064: 4059: 4057: 4056: 4051: 4039: 4035: 4033: 4028: 4024: 4020: 4019: 4014: 4013: 4007: 3998:only grossed 3997: 3996:Latitude Zero 3993: 3989: 3987: 3974: 3973: 3972:Latitude Zero 3968: 3966: 3963: 3958: 3953: 3949: 3941: 3933: 3929: 3925: 3922: 3919: 3915: 3911: 3910: 3905: 3904: 3899: 3895: 3890: 3888: 3884: 3880: 3876: 3872: 3868: 3867: 3862: 3861: 3856: 3854: 3849: 3839: 3837: 3836: 3831: 3827: 3826: 3821: 3817: 3816: 3811: 3807: 3803: 3799: 3798: 3793: 3787: 3782: 3778: 3777: 3772: 3768: 3767: 3761: 3759: 3755: 3751: 3750: 3743: 3741: 3736: 3732: 3726: 3724: 3719: 3714: 3712: 3708: 3704: 3703: 3698: 3694: 3693: 3688: 3684: 3670: 3666: 3661: 3657: 3655: 3651: 3647: 3643: 3639: 3635: 3631: 3627: 3622: 3620: 3619: 3614: 3610: 3606: 3602: 3598: 3590: 3585: 3583: 3579: 3578: 3573: 3569: 3565: 3561: 3557: 3553: 3549: 3545: 3541: 3540: 3531: 3530: 3525: 3521: 3516: 3512: 3510: 3506: 3502: 3498: 3494: 3490: 3486: 3485: 3480: 3475: 3472: 3467: 3465: 3460: 3456: 3455:Kōji Furuhata 3452: 3447: 3443: 3439: 3435: 3434: 3425: 3424: 3419: 3414: 3410: 3408: 3404: 3403: 3397: 3395: 3391: 3383: 3379: 3375: 3371: 3367: 3366:King Ghidorah 3363: 3359: 3355: 3351: 3347: 3343: 3339: 3338: 3333: 3329: 3328: 3323: 3318: 3316: 3312: 3307: 3303: 3299: 3295: 3291: 3282: 3278: 3274: 3269: 3267: 3263: 3259: 3258: 3253: 3249: 3245: 3241: 3236: 3235:Pacific Ocean 3232: 3231: 3226: 3225:Frank Sinatra 3222: 3218: 3214: 3206: 3205: 3200: 3196: 3195:Frank Sinatra 3191: 3184: 3178: 3175: 3171: 3170:Nagoya Castle 3167: 3163: 3159: 3155: 3151: 3150: 3145: 3140: 3138: 3137: 3132: 3128: 3123: 3121: 3117: 3113: 3109: 3105: 3101: 3097: 3093: 3089: 3088: 3083: 3075: 3074: 3069: 3065: 3060: 3056: 3054: 3050: 3046: 3042: 3041: 3035: 3033: 3032:Kinema Junpo' 3029: 3025: 3019: 3014: 3010: 3009: 3004: 3000: 2995: 2991: 2986: 2982: 2979: 2974: 2967: 2962: 2961:second studio 2958: 2954: 2950: 2946: 2945: 2941: 2938:'s Hong Kong 2937: 2936:Li Han-hsiang 2932: 2930: 2929: 2924: 2920: 2914: 2909: 2908:Koichi Takano 2905: 2901: 2897: 2888: 2884: 2882: 2881: 2876: 2875:radio control 2872: 2868: 2867: 2851: 2849: 2845: 2841: 2837: 2836: 2831: 2826: 2824: 2820: 2816: 2812: 2808: 2804: 2803: 2798: 2794: 2790: 2784: 2778: 2776: 2775: 2770: 2769: 2764: 2763: 2755: 2753: 2750: 2745: 2740: 2735: 2731: 2730: 2725: 2721: 2717: 2713: 2712: 2707: 2699: 2696: 2691: 2686: 2681: 2679: 2675: 2671: 2667: 2663: 2659: 2654: 2650: 2649: 2643: 2639: 2638: 2629: 2628: 2623: 2619: 2614: 2610: 2608: 2607: 2602: 2601:Pearl S. Buck 2598: 2594: 2593: 2588: 2584: 2580: 2579: 2574: 2570: 2569: 2564: 2560: 2559: 2554: 2550: 2546: 2542: 2541: 2536: 2535: 2519: 2512: 2508: 2502: 2498: 2493: 2489: 2485: 2481: 2477: 2476: 2471: 2467: 2463: 2462: 2457: 2452: 2450: 2433: 2429: 2425: 2421: 2418: 2417: 2412: 2411:Yamato Takeru 2408: 2404: 2403: 2398: 2397: 2392: 2391: 2386: 2378: 2377: 2372: 2367: 2363: 2361: 2357: 2356: 2351: 2347: 2342: 2340: 2336: 2332: 2328: 2327:soybean paste 2324: 2320: 2319: 2314: 2310: 2309: 2304: 2300: 2296: 2295: 2289: 2287: 2286: 2281: 2277: 2273: 2269: 2268: 2263: 2262: 2256: 2254: 2250: 2246: 2242: 2241: 2236: 2232: 2228: 2227: 2222: 2218: 2217: 2212: 2209: 2205: 2201: 2197: 2189: 2185: 2181: 2180: 2174: 2172: 2168: 2164: 2160: 2152: 2148: 2144: 2140: 2136: 2135:Fusao Hayashi 2132: 2131: 2125: 2123: 2119: 2118: 2112: 2107: 2105: 2101: 2098:, his second 2097: 2096: 2091: 2090: 2085: 2077: 2076: 2071: 2067: 2062: 2058: 2056: 2051: 2047: 2046:Invisible Man 2043: 2042: 2037: 2032: 2030: 2022: 2017: 2015: 2011: 2007: 2003: 1999: 1998:nuclear fears 1995: 1993: 1988: 1987: 1982: 1981:Eugène Lourié 1978: 1974: 1970: 1959: 1952: 1941: 1940: 1935: 1928: 1914: 1912: 1911: 1906: 1902: 1898: 1894: 1893: 1880: 1876: 1875: 1869: 1867: 1862: 1861: 1856: 1852: 1849: 1844: 1839: 1838: 1833: 1832: 1827: 1822: 1820: 1816: 1815: 1810: 1806: 1805: 1799: 1797: 1796: 1791: 1787: 1784: 1779: 1774: 1771: 1766: 1761: 1760: 1755: 1751: 1750:Sasaki Kojirō 1747: 1743: 1742: 1738: 1737:anti-war film 1734: 1730: 1729: 1723: 1721: 1717: 1715: 1710: 1706: 1702: 1701: 1696: 1692: 1691: 1686: 1682: 1681:Akira Nobuchi 1678: 1674: 1670: 1666: 1662: 1658: 1651: 1649: 1644: 1640: 1639: 1633: 1629: 1627: 1621: 1616: 1612: 1607: 1603: 1598: 1596: 1595: 1590: 1586: 1581: 1576: 1574: 1570: 1557: 1551: 1549: 1545: 1541: 1537: 1533: 1528: 1526: 1523: 1518: 1513: 1510: 1505: 1500: 1496: 1492: 1487: 1485: 1481: 1477: 1473: 1468: 1465: 1461: 1457: 1453: 1449: 1448:The Opium War 1445: 1444: 1439: 1435: 1431: 1427: 1423: 1422: 1421:The Opium War 1417: 1412: 1410: 1406: 1405: 1400: 1396: 1392: 1388: 1383: 1380: 1377:collaborates 1376: 1375: 1370: 1366: 1364: 1359: 1355: 1354: 1350: 1347: 1343: 1339: 1335: 1331: 1327: 1323: 1315: 1311: 1310: 1288: 1286: 1282: 1278: 1277: 1272: 1268: 1267: 1262: 1257: 1255: 1251: 1247: 1241: 1239: 1235: 1231: 1227: 1226: 1221: 1217: 1211: 1206: 1202: 1198: 1193: 1191: 1187: 1183: 1182: 1177: 1173: 1169: 1165: 1162: 1154: 1150: 1145: 1141: 1139: 1135: 1131: 1130:Kenzō Masaoka 1127: 1126: 1121: 1120: 1114: 1112: 1108: 1104: 1103: 1098: 1097: 1091: 1089: 1085: 1077: 1072: 1063: 1060: 1055: 1050: 1048: 1043: 1038: 1037: 1032: 1031: 1025: 1023: 1017: 1012: 1006: 1004: 1000: 996: 992: 988: 983: 981: 977: 973: 969: 965: 961: 957: 953: 952: 947: 943: 942: 937: 933: 929: 923: 921: 917: 913: 909: 905: 901: 900: 882: 875: 858: 854: 851: 850: 842: 828: 822: 818: 814: 813:Flying School 810: 805: 803: 800: 795: 789: 788: 783: 778: 774: 771: 767: 763: 759: 755: 751: 742: 717: 698: 696: 692: 688: 684: 680: 679: 674: 673: 669:(both 1966), 668: 667: 662: 661: 656: 652: 651: 646: 645: 640: 639: 634: 633: 628: 627: 622: 621: 616: 612: 611: 606: 605: 598: 596: 595: 590: 586: 582: 578: 574: 569: 565: 564: 559: 554: 552: 548: 547: 542: 541: 536: 535: 530: 526: 522: 521: 516: 515: 510: 506: 502: 497: 495: 491: 487: 483: 479: 478: 473: 472: 467: 466: 461: 454: 449: 441: 436: 427: 422: 417: 412: 407: 403: 399: 395: 391: 379: 377: 373: 368: 364: 356: 354: 350: 342: 340: 336: 333:Japanese name 331: 327: 323: 319: 315: 312: 309: 303: 300: 297: 293: 288: 284: 277: 274: 271: 268: 267: 265: 261: 258: 254: 250: 247:4, including 246: 242: 223: 219: 216: 213:President of 212: 208: 205: 202: 198: 194: 190: 183: 180: 177: 174: 171: 168: 165: 163:film director 162: 160: 157: 156: 154: 150: 147: 144: 140: 137: 133: 131:Resting place 129: 124: 123:Itō, Shizuoka 114: 110: 105: 88: 84: 77: 72: 63: 56: 53: 49: 45: 41: 40:personal name 33: 31: 23: 14739: 14732: 14703: 14695: 14687: 14679: 14671: 14663: 14655: 14647: 14624: 14616: 14608: 14600: 14592: 14584: 14565: 14557: 14549: 14541: 14533: 14525: 14517: 14509: 14501: 14493: 14485: 14477: 14469: 14461: 14453: 14445: 14437: 14429: 14421: 14413: 14405: 14397: 14389: 14381: 14373: 14365: 14357: 14351:The Big Wave 14349: 14341: 14335:The Last War 14333: 14325: 14317: 14309: 14301: 14293: 14285: 14277: 14269: 14261: 14253: 14245: 14237: 14229: 14221: 14213: 14205: 14197: 14189: 14181: 14173: 14165: 14157: 14149: 14141: 14133: 14125: 14117: 14109: 14101: 14093: 14085: 14077: 14069: 14061: 14053: 14045: 14037: 14029: 14021: 14015:The Abe Clan 14013: 14005: 13997: 13974: 13923: 13790: 13786: 13767: 13763: 13740: 13736: 13713: 13709: 13687: 13684:定本円谷英二随筆評論集成 13683: 13664: 13660: 13641: 13637: 13614: 13610: 13591: 13587: 13564: 13560: 13541: 13537: 13514: 13510: 13487: 13484:素晴らしき円谷英二の世界 13483: 13456: 13452: 13434: 13430: 13412: 13408: 13396: 13392: 13373: 13369: 13350: 13346: 13328: 13324: 13310: 13288: 13284: 13266: 13247: 13244:写真集特技監督円谷英二 13243: 13234:4-40839474-2 13220: 13216: 13193: 13189: 13166: 13162: 13143: 13139: 13120: 13116: 13097: 13093: 13073: 13047: 13025: 13002: 12979: 12975: 12956: 12952: 12933: 12929: 12910: 12906: 12880: 12876: 12857: 12853: 12834: 12815: 12811: 12792: 12787: 12767: 12763: 12744: 12740: 12728:. Retrieved 12715: 12711: 12685: 12663: 12659: 12641: 12637: 12619: 12615: 12597: 12593: 12571: 12567: 12549: 12545: 12536: 12531: 12507: 12503: 12485: 12481: 12459: 12455: 12437: 12433: 12410: 12391: 12387: 12368: 12364: 12341: 12337: 12314: 12310: 12287: 12283: 12268: 12245: 12229: 12206: 12202: 12184: 12159: 12146:Google Books 12141: 12127: 12123: 12098: 12093:Baxter, John 12070: 12066: 12045:. Retrieved 12033:"ふたりのウルトラマン" 12027: 12015:. Retrieved 12006: 11996: 11984: 11972:. Retrieved 11965: 11955: 11943:. Retrieved 11931: 11922: 11914:the original 11909: 11899: 11889:September 2, 11887:. Retrieved 11883:the original 11878: 11853:. Retrieved 11842: 11829: 11817: 11805: 11798:Yamaura 1972 11793: 11781: 11769: 11757:. Retrieved 11746: 11736: 11709:. Retrieved 11700: 11696: 11687: 11675: 11663:. Retrieved 11659:the original 11652: 11646: 11638: 11626:. Retrieved 11617: 11611: 11603: 11591:. Retrieved 11587:the original 11580: 11570: 11558:. Retrieved 11547: 11537: 11525:. Retrieved 11514: 11508: 11500: 11495:, p. 4. 11493:Higuchi 1999 11473:. Retrieved 11462: 11456: 11448: 11436:. Retrieved 11425: 11415: 11403: 11376: 11364:. Retrieved 11355: 11345: 11333:. Retrieved 11322: 11295:. Retrieved 11284: 11274: 11262:. Retrieved 11251: 11226: 11214: 11202: 11190: 11178: 11166: 11154: 11142: 11130: 11118: 11106:. Retrieved 11095: 11086: 11059: 11032: 10961: 10949: 10937: 10930:Matsuda 2001 10925: 10896: 10857: 10845: 10833: 10821: 10814:Matsuda 2001 10799:Matsuda 2001 10794: 10782: 10770: 10733:Matsuda 2001 10728: 10682: 10675:Matsuda 2001 10670: 10658: 10646: 10639:Matsuda 2001 10634: 10593:Matsuda 2001 10573: 10546: 10534: 10527:Matsuda 2001 10522: 10510: 10503:Matsuda 2001 10498: 10486: 10479:Matsuda 2001 10474: 10462: 10455:Matsuda 2001 10450: 10438: 10411: 10404:Matsuda 2001 10399: 10387: 10375: 10363: 10351: 10339: 10332:Matsuda 2001 10327: 10315: 10284: 10255: 10228: 10216: 10189: 10162: 10150: 10138: 10131:Matsuda 2001 10126: 10114: 10087: 10065:Matsuda 2001 10043: 10016: 10004: 9992: 9970:Matsuda 2001 9927:. Retrieved 9918: 9908: 9896: 9889:Matsuda 2001 9884: 9872: 9860: 9833: 9826:Matsuda 2001 9821: 9794: 9782: 9755: 9745: 9740: 9728:. Retrieved 9717: 9711: 9703: 9691:. Retrieved 9676: 9669: 9657: 9622: 9610: 9598: 9578:, p. 6. 9571: 9559: 9552:Matsuda 1997 9547: 9516: 9504: 9492: 9480: 9473:Matsuda 2001 9453: 9441:. Retrieved 9436: 9387: 9375: 9363: 9351: 9339: 9327: 9315: 9303: 9296:Matsuda 2001 9291: 9279: 9267: 9260:Matsuda 2001 9255: 9243: 9231: 9226:, p. 3. 9219: 9163: 9156:Matsuda 2001 9151: 9139: 9127: 9115:. Retrieved 9102: 9092: 9080: 9073:Matsuda 2001 9068: 9063:, p. 2. 9056: 9044: 9032: 9020: 9008: 8996: 8984: 8972: 8960: 8948: 8919: 8907: 8895: 8883: 8871: 8864:Matsuda 2001 8859: 8847: 8835: 8813:Matsuda 2001 8808: 8801:Matsuda 1997 8796: 8784: 8772: 8760: 8748:. Retrieved 8744:the original 8737: 8728: 8716: 8704: 8692: 8665: 8653: 8641: 8629: 8617: 8607: 8602: 8590: 8578: 8566: 8554: 8547:Matsuda 2001 8542: 8530: 8518: 8486:Matsuda 2001 8466: 8454: 8442: 8430: 8420: 8415: 8408:Matsuda 2001 8403: 8391: 8379: 8350: 8323: 8311: 8299: 8287: 8275: 8253:Matsuda 2001 8248: 8236: 8224: 8212: 8200: 8188: 8176: 8169:Matsuda 2001 8164: 8152: 8140: 8128: 8121:Matsuda 2001 8106:Matsuda 1997 8101: 8089: 8077: 8065: 8034: 8027:Matsuda 2001 8022: 8010: 7983: 7971: 7944: 7932: 7903: 7874: 7867:Matsuda 1997 7862: 7850: 7838: 7831:Matsuda 2001 7811: 7799: 7792:Matsuda 2001 7787: 7775: 7748: 7741:Matsuda 2001 7736: 7724: 7712: 7705:Matsuda 2001 7700: 7693:Matsuda 2001 7688: 7681:Matsuda 2001 7657: 7650:Matsuda 1997 7620:Matsuda 2001 7577: 7512: 7500:. Retrieved 7491: 7487: 7478: 7415:. Retrieved 7406: 7402: 7393: 7386:Matsuda 2001 7369:Matsuda 2001 7364: 7337: 7330:Matsuda 2001 7325: 7298: 7286: 7274:. Retrieved 7265: 7256: 7244:. 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Retrieved 6298:Matsuda 2001 6252:Matsuda 2001 6230: 6206: 6198: 6193: 6181: 6176: 6167: 6158: 6149: 6137: 6132: 6123: 6114: 6105: 6096: 6087: 6078: 6065: 6056: 6016: 5984: 5975: 5965: 5891: 5869: 5852: 5811: 5796: 5779: 5759: 5739: 5681: 5666: 5658: 5650: 5642: 5634: 5626: 5618: 5610: 5593: 5585: 5577: 5569: 5561: 5553: 5545: 5537: 5529: 5521: 5513: 5505: 5497: 5489: 5481: 5473: 5465: 5457: 5449: 5441: 5433: 5425: 5417: 5409: 5401: 5393: 5385: 5379:The Big Wave 5377: 5369: 5363:The Last War 5361: 5353: 5345: 5337: 5329: 5321: 5313: 5305: 5297: 5289: 5281: 5273: 5265: 5257: 5249: 5241: 5233: 5225: 5217: 5209: 5201: 5193: 5185: 5177: 5169: 5161: 5153: 5145: 5137: 5129: 5121: 5113: 5105: 5097: 5089: 5081: 5073: 5065: 5057: 5049: 5043:The Abe Clan 5041: 5033: 5025: 5017: 5009: 4993: 4966: 4953: 4940: 4933:Kō Nishimura 4926: 4909: 4907: 4895: 4889: 4880: 4876: 4870: 4868: 4861: 4855: 4850: 4846: 4840: 4830: 4819: 4808: 4793: 4785: 4783: 4778:Space Amoeba 4776: 4774: 4762: 4756: 4749:Beastie Boys 4744: 4738: 4724: 4697:Hideaki Anno 4669:George Lucas 4662: 4652: 4646: 4635: 4628: 4619: 4599: 4593: 4587: 4581: 4579: 4567: 4561: 4558: 4554: 4524: 4520: 4516: 4504: 4484: 4476: 4473: 4461: 4456: 4435: 4432:Toho Studios 4427: 4416:Ishirō Honda 4413: 4405: 4402:Ishirō Honda 4385: 4380: 4370: 4364: 4360: 4354: 4340: 4333: 4325: 4317: 4299: 4297: 4288: 4282: 4277: 4271: 4270:(1927), and 4265: 4259: 4244: 4242: 4222: 4202:Fuchū, Tokyo 4198:Kon Ichikawa 4193: 4189: 4185: 4178:The Last War 4177: 4166: 4152: 4148: 4144: 4142: 4129: 4104: 4100:Fuchū, Tokyo 4086: 4062: 4060: 4053: 4049: 4046:¥350 million 4044:against its 4042:¥360 million 4037: 4030: 4022: 4016: 4010: 4008: 4000:¥170 million 3995: 3986:Thunderbirds 3985: 3977:¥360 million 3970: 3969: 3955: 3951: 3947: 3944:¥400 million 3939: 3936:¥170 million 3931: 3927: 3907: 3901: 3897: 3893: 3891: 3886: 3878: 3874: 3870: 3864: 3858: 3851: 3847: 3845: 3833: 3829: 3825:Thunderbirds 3823: 3819: 3813: 3809: 3801: 3795: 3791: 3774: 3770: 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2792: 2788: 2786: 2780: 2772: 2766: 2760: 2758: 2742: 2738: 2733: 2727: 2724:The Last War 2723: 2719: 2716:The Last War 2715: 2711:The Last War 2709: 2705: 2702:¥300 million 2688: 2682: 2677: 2673: 2669: 2661: 2657: 2652: 2647: 2641: 2635: 2633: 2625: 2606:The Big Wave 2604: 2590: 2586: 2583:Osaka Castle 2576: 2566: 2562: 2556: 2552: 2548: 2538: 2532: 2530: 2510: 2506: 2487: 2473: 2459: 2453: 2448: 2444:¥250 million 2440:¥340 million 2431: 2414: 2400: 2394: 2388: 2382: 2374: 2353: 2345: 2343: 2338: 2322: 2316: 2312: 2306: 2303:Osamu Tezuka 2298: 2292: 2290: 2283: 2265: 2259: 2257: 2252: 2248: 2238: 2234: 2224: 2214: 2213: 2207: 2199: 2192:¥200 million 2187: 2183: 2182:, the first 2177: 2175: 2166: 2158: 2155:¥210 million 2151:Eastmancolor 2142: 2128: 2126: 2122:Raymond Burr 2115: 2110: 2108: 2099: 2093: 2087: 2083: 2081: 2073: 2054: 2049: 2045: 2039: 2035: 2033: 2028: 2020: 2018: 2001: 1991: 1984: 1976: 1972: 1966: 1937: 1934:Ishirō Honda 1908: 1904: 1900: 1896: 1890: 1883:¥100 million 1878: 1872: 1870: 1865: 1858: 1854: 1841: 1835: 1829: 1823: 1818: 1812: 1808: 1802: 1800: 1793: 1776: 1763: 1757: 1739: 1726: 1724: 1719: 1713: 1698: 1688: 1684: 1676: 1672: 1668: 1654: 1647: 1636: 1610: 1599: 1592: 1577: 1566: 1555: 1548:World War II 1543: 1539: 1529: 1515: 1502: 1499:Mikio Naruse 1490: 1488: 1471: 1469: 1463: 1459: 1456:Ishirō Honda 1451: 1447: 1442: 1437: 1433: 1429: 1426:Tadashi Imai 1419: 1413: 1402: 1394: 1386: 1384: 1372: 1363:Kinema Junpo 1361: 1351: 1334:Pearl Harbor 1319: 1307: 1280: 1274: 1270: 1264: 1258: 1253: 1249: 1245: 1242: 1237: 1229: 1225:The Abe Clan 1223: 1194: 1185: 1179: 1176:Arnold Fanck 1167: 1163: 1158: 1152: 1123: 1117: 1115: 1100: 1094: 1092: 1087: 1081: 1058: 1053: 1051: 1046: 1041: 1034: 1028: 1026: 1007: 984: 975: 971: 967: 959: 955: 949: 939: 927: 924: 915: 911: 897: 895: 856: 847: 806: 792: 787:Kinema Junpo 785: 779: 775: 729: 694: 690: 686: 682: 676: 670: 664: 658: 648: 644:The Last War 642: 636: 630: 624: 618: 614: 608: 602: 599: 592: 561: 555: 544: 538: 532: 518: 512: 504: 498: 486:Ishirō Honda 475: 469: 463: 434: 433: 376:Romanization 226:Masano Araki 169:screenwriter 117:(1970-01-25) 100:July 7, 1901 52: 43: 32:(video game) 29: 14868:1970 deaths 14863:1901 births 14767:Aōdō Denzen 14689:Mighty Jack 14684:(1967–1968) 14676:(1966–1967) 14668:(1966–1967) 14652:(1959–1960) 14649:Mighty Atom 14367:Chūshingura 13795:Hobby Japan 13611:特撮の神様と呼ばれた男 13307:Thomas, Bob 13268:Star–Banner 12741:日本特撮・幻想映画全集 12482:特撮魂東宝特撮奮戦記 12138:"Volume 76" 12067:大特撮―日本特撮映画史 12047:February 1, 12017:February 1, 11974:December 4, 11910:SciFi Japan 11879:SciFi Japan 11822:Ragone 2014 11729:Ragone 2014 11612:Pacific Rim 11582:Den of Geek 11427:Screen Rant 11408:Baxter 1997 11381:Ragone 2014 11366:January 31, 11219:Ragone 2014 11195:Tanaka 1983 11171:Tanaka 1983 11135:Tanaka 1983 11097:Nezura 1964 11092:"古谷敏インタビュー" 11079:Ragone 2014 11052:Tanaka 1983 10989:Ragone 2014 10966:Ragone 2014 10889:Ragone 2014 10763:Tanaka 1983 10748:Ragone 2014 10651:Tanaka 1983 10627:Ragone 2014 10566:Ragone 2014 10515:Ragone 2014 10491:Ragone 2014 10467:Ragone 2014 10431:Tanaka 1983 10392:Ragone 2014 10380:Ragone 2014 10356:Ragone 2014 10344:Ragone 2014 10320:Ragone 2014 10308:Ragone 2007 10277:Ragone 2007 10248:Ragone 2014 10235:, 00:49:51. 10209:Ragone 2014 9985:Ragone 2014 9951:Tanaka 1983 9919:Screen Rant 9838:Ragone 2014 9799:Ragone 2014 9775:Ragone 2014 9719:Screen Rant 9627:Ragone 2014 9603:Ragone 2014 9540:Ragone 2014 9521:Ragone 2014 9458:Tanaka 1983 9443:January 22, 9411:Ragone 2014 9392:Camara 2015 9344:Ragone 2014 9308:Tanaka 1983 9168:Ragone 2014 9085:Tanaka 1983 9049:Ragone 2014 9025:Kabuki 1993 8941:Ragone 2014 8912:Tanaka 1983 8900:Tanaka 1983 8876:Ragone 2014 8840:Ragone 2014 8828:Tanaka 1983 8789:Tanaka 1983 8777:Ragone 2014 8721:Ragone 2014 8709:Matsui 2005 8685:Ragone 2014 8646:Tanaka 1983 8595:Tanaka 1983 8523:Tanaka 1983 8511:Ragone 2014 8459:Ragone 2014 8435:Tanaka 1983 8384:Tanaka 1983 8372:Ragone 2014 8328:Ragone 2014 8280:Tanaka 1983 8268:Ragone 2014 8217:Takase 2003 8193:Ragone 2014 8181:Tanaka 1983 8157:Ragone 2014 8145:Tanaka 1983 8094:Tanaka 1983 8082:Ragone 2014 8058:Ragone 2014 8015:Tanaka 1983 8003:Ragone 2014 7879:Tanaka 1983 7855:Tanaka 1983 7780:Tanaka 1983 7753:Ragone 2014 7729:Tanaka 1983 7717:Ragone 2014 7635:Ragone 2014 7570:SAN-EI 2022 7517:Ragone 2014 7502:February 9, 7471:Ragone 2014 7417:February 7, 7357:Tanaka 1983 7342:Ragone 2014 7318:Tanaka 1983 7303:Tanaka 1983 7291:Ragone 2014 7276:February 7, 7246:February 7, 7215:Ragone 2014 7167:Tanaka 1983 7155:Tanaka 1983 7143:Ragone 2014 7128:Ragone 2014 7116:Ragone 2014 7104:Ragone 2014 7054:Ragone 2014 7036:February 2, 7000:February 4, 6966:Ragone 2014 6954:Ragone 2014 6920:Ragone 2014 6908:Ragone 2007 6896:Ragone 2007 6869:Ragone 2014 6852:Ragone 2014 6837:February 6, 6811:February 6, 6780:Ragone 2014 6768:Ragone 2014 6738:Thomas 1961 6711:Ragone 2014 6694:Ragone 2007 6655:Tanaka 1983 6538:Ragone 2014 6449:Ragone 2014 6424:Ragone 2014 6277:Ragone 2014 5962:his company 5874: [ 5825: [ 5728: [ 5678:(1968–1969) 5671: [ 5652:Mighty Jack 5647:(1967–1968) 5639:(1966–1967) 5631:(1966–1967) 5615:(1959–1960) 5612:Mighty Atom 5395:Chūshingura 4974: [ 4958: [ 4945: [ 4914: [ 4764:Pacific Rim 4717:Shunji Iwai 4658:Walt Disney 4566:(2010) and 4493:suit actor 4486:Nezura 1964 4466:suit actor 4440:Kōji Kajita 4314:stop motion 4118: [ 4067:audiovisual 3981:$ 1 million 3960: [ 3877:series and 3871:Mighty Jack 3853:Mighty Jack 3784: [ 3747:kaiju film 3687:Tohl Narita 3676: 1966 3656:franchise. 3497:wire action 3396:franchise. 3374:The Peanuts 3285:¥40 million 3185:(1964–1965) 3016: [ 2988: [ 2976: [ 2964: [ 2949:Ivy Ling Po 2911: [ 2848:Chūshingura 2817:became the 2811:Miura Coast 2747: [ 2693: [ 2685:blue screen 2618:Tokyo Tower 2573:Jack Smight 2545:Miura Coast 2526: 1961 2513:(1960–1962) 2511:Chūshingura 2495: [ 2480:Los Angeles 2436:¥62 million 2405:, it stars 2402:Nihon Shoki 2294:Mighty Atom 2245:CinemaScope 2202:suit actor 2147:technicolor 2104:rear-screen 2068:suit actor 2025:¥27 million 2006:stop motion 1846: [ 1831:Bwana Devil 1781: [ 1778:Pirate Ship 1768: [ 1733:Toyoko Eiga 1716:film series 1695:H. G. Wells 1650:film series 1618: [ 1558:: 1946–1962 1556:Chūshingura 1520: [ 1507: [ 1484:Catholicism 1391:puppet film 1338:Pacific War 1208: [ 1047:Photo Times 1014: [ 991:slow-motion 914:(1919) and 888: 1922 797: [ 766:Aōdō Denzen 724: 1902 678:Mighty Jack 270:Aōdō Denzen 178:businessman 152:Occupations 14852:Categories 14806:Television 14681:Ultraseven 14641:Television 14263:Monkey Sun 14191:Half Human 13930:1963–1969 13718:Shogakukan 13638:ものがたり円谷英二 13578:4048836951 13347:ゴジラVSメカゴジラ 13085:1550223488 12401:4087810917 12319:Shogakukan 10167:Kalat 2010 10155:Ryfle 1998 9662:Ryfle 1998 9591:Ryfle 1998 9197:Ryfle 1998 9103:Bunshun.jp 9037:Ryfle 1998 8304:Kalat 2010 7976:Ryfle 1998 7937:Ryfle 1998 7925:Ryfle 1998 7908:Ryfle 1998 6753:Ryfle 1998 6218:References 5644:Ultraseven 5604:Television 5291:Monkey Sun 5219:Half Human 4904:Portrayals 4701:Will Smith 4539:See also: 4495:Bin Furuya 4448:Jun Fukuda 4424:viewfinder 4420:mainstream 4372:Ultraseven 4347:world wars 4306:suitmation 4267:Metropolis 4233:suitmation 4208:Filmmaking 4071:Mitsubishi 3948:Ultraseven 3860:James Bond 3815:Ultraseven 3806:Gorosaurus 3665:Bin Furuya 3489:Crazy Cats 3477:Following 3240:Unbalance, 3108:Jun Tazaki 2640:, another 2470:George Pal 2456:Space Race 2428:Mount Fuji 2339:Monkey Sun 2318:Monkey Sun 2165:'s series 2095:Half Human 2014:suitmation 1663:filmmaker 1657:Daiei Film 1261:Yutaka Abe 1134:miniatures 1132:to create 1107:propaganda 883:comrades, 857:Korea Maru 782:Sakurajima 762:Edo period 672:Ultraseven 295:Allegiance 278:(grandson) 272:(ancestor) 96:1901-07-07 14830:Biography 14423:Whirlwind 14239:The H-Man 13787:大ウルトラマン図鑑 13217:円谷英二の映像世界 13171:Takeshobo 12953:円谷プロ全怪獣図鑑 12907:特技監督中野昭慶 12812:東宝特撮映画大全集 12730:March 13, 12682:Lie, John 12434:東宝特撮全怪獣図鑑 12211:Futabasha 12142:Boxoffice 12129:Boxoffice 11967:AERA dot. 11945:March 20, 11855:March 19, 11665:March 17, 11527:April 25, 11438:March 19, 11183:Toho 1993 11147:Toho 1993 11108:March 16, 9746:Boxoffice 8765:Buck 1962 8750:March 25, 8608:Boxoffice 7768:Toho 1985 7662:Toho 1993 6223:Citations 6142:Apollo 11 6017:Tokusatsu 5822:Movie Day 5763:to Malaya 5705:Category 5451:Whirlwind 5267:The H-Man 4740:Star Wars 4677:Brad Pitt 4583:tokusatsu 4511:key light 4381:tokusatsu 4326:King Kong 4318:King Kong 4289:Tokusatsu 4284:Tokusatsu 4278:King Kong 4273:King Kong 4246:jidaigeki 4204:, Japan. 4196:director 4180:producer 4004:$ 472,000 3802:King Kong 3773:film for 3626:tokusatsu 3493:spy films 3315:Tokusatsu 3298:Unbalance 3201:scene in 3136:Whirlwind 3131:jidaigeki 3094:'s novel 3082:tokusatsu 2923:tokusatsu 2830:jidaigeki 2797:crossover 2774:King Kong 2762:King Kong 2706:tokusatsu 2587:jidaigeki 2492:Movie Day 2454:When the 2385:religious 2335:miso soup 2308:Astro Boy 2299:tokusatsu 2276:Tokyo Bay 2261:The H-Man 2163:Nippon TV 2143:tokusatsu 2050:tokusatsu 1910:tokusatsu 1887:$ 278,000 1643:Universal 1493:producer 1324:suddenly 1230:jidaigeki 1216:Hollywood 1205:Iwao Mori 1054:jidaigeki 1042:King Kong 1030:King Kong 951:jidaigeki 896:During a 701:Biography 695:Tokusatsu 615:tokusatsu 520:King Kong 482:250 films 477:Tokusatsu 419:Signature 320:1921–1923 263:Relatives 204:Full list 195:1919–1969 14741:Godzilla 14734:Ultraman 14665:Ultraman 14167:Godzilla 14135:Anatahan 13745:Kodansha 13511:検証・ゴジラ誕生 13285:東宝特撮映画全史 13283:(1983). 12764:円谷英二特撮世界 12724:Archived 12712:Godzilla 12642:Ultraman 12514:. 2012. 12346:Kodansha 12244:(2008). 12213:. 2016. 12156:(1962). 12095:(1997). 12077:. 1985. 12041:Archived 12011:Archived 12007:CINEMAS+ 11939:Archived 11849:Archived 11759:April 5, 11753:Archived 11711:March 7, 11705:Archived 11628:March 7, 11622:Archived 11593:March 7, 11560:March 7, 11554:Archived 11521:Archived 11469:Archived 11432:Archived 11360:Archived 11329:Archived 11297:April 5, 11291:Archived 11264:April 5, 11258:Archived 11102:Archived 9929:March 6, 9923:Archived 9814:Lie 2004 9730:March 4, 9724:Archived 9693:March 4, 9687:Archived 9272:Qiū 2007 9117:July 18, 9111:Archived 7496:Archived 7492:Kinenote 7411:Archived 7407:Kinenote 7270:Archived 7240:Archived 7030:Archived 6994:Archived 6990:Eiga.com 6831:Archived 6805:Archived 6801:Shochiku 6617:March 5, 6607:Time.com 6511:Archived 6390:Archived 6351:Archived 6182:Godzilla 5967:Tanabata 5908:Order of 5781:Godzilla 5628:Ultraman 5195:Godzilla 5163:Anatahan 4967:Ultraman 4928:Godzilla 4877:Ultraman 4851:Godzilla 4833:Sukagawa 4771:Tributes 4751:' song " 4745:Godzilla 4729:creator 4624:Godzilla 4620:Ultraman 4589:Ultraman 4569:Godzilla 4563:Monsters 4549:Ultraman 4491:Ultraman 4489:(2020), 4477:Godzilla 4464:Godzilla 4428:Godzilla 4386:Godzilla 4366:Ultraman 4310:Godzilla 4301:Godzilla 4264:(1925), 4224:Godzilla 4075:Expo '70 3988:machines 3894:Godzilla 3830:Godzilla 3792:de facto 3771:Godzilla 3735:Ultraman 3723:de facto 3718:Ultraman 3669:Ultraman 3654:Godzilla 3650:Godzilla 3618:Ultraman 3597:Ultra Q' 3589:Ultraman 3560:Godzilla 3544:Godzilla 3524:Godzilla 3459:stuntman 3451:Godzilla 3444:, named 3394:Godzilla 3382:Ghidorah 3354:Ghidorah 3342:Godzilla 3273:New York 3260:(1966). 3221:dogfight 3199:dogfight 3174:Godzilla 3144:Godzilla 3005:work on 2825:series. 2823:Godzilla 2768:Godzilla 2674:Godzilla 2658:Shobijin 2561:(2004). 2553:Godzilla 2413:and the 2360:Setagaya 2323:Son Gokū 2200:Godzilla 2111:Godzilla 2084:Godzilla 2066:Godzilla 2036:Godzilla 2029:Godzilla 2021:Godzilla 2002:Godzilla 1994:incident 1958:Godzilla 1939:Godzilla 1866:Godzilla 1837:Godzilla 1826:3D films 1819:Godzilla 1809:Godzilla 1697:' novel 1665:Bin Kato 1597:(1947). 1589:Shintoho 1491:Godzilla 1480:baptized 1407:creator 1395:Ramayana 1374:Godzilla 1326:attacked 1281:Son Gokū 1271:Son Gokū 1172:Ichimaru 1149:Ichimaru 932:Shochiku 764:painter 750:Sukagawa 687:Ultraman 681:(1968). 666:Ultraman 635:(1959), 629:(1957), 623:(1956), 610:Godzilla 471:Ultraman 465:Godzilla 440:Japanese 359:つぶらやえいじ 305:Service/ 244:Children 181:inventor 14780:Portals 14657:Ultra Q 14629:(2020) 14415:Atragon 14399:Matango 13854:at the 13409:モスラ映画大全 13273:Gannett 12574:] ( 12284:黒澤明の映画術 12232:(DVD). 12203:ゴジラの超常識 12059:Sources 11935:Digital 11699:]. 11549:Inverse 11475:May 12, 11335:July 8, 9437:mpte.jp 6793:"稚児の劔法" 6180:Future 6038: 6004: 5711:Result 5620:Ultra Q 5443:Atragon 5427:Matango 3883:Fuji TV 3742:films. 3697:Ultra Q 3671:suit), 3642:Ultra Q 3634:Ultra Q 3630:Ultra Q 3613:Ultra Q 3609:Ultra Q 3601:Ultra Q 3446:Baragon 3352:films, 3306:Ultra Q 3294:Ultra Q 3290:Matango 3277:Oxberry 3257:Ultra Q 3183:Ultra Q 3127:Atragon 3120:Atragon 3104:Gotengo 3087:Atragon 3084:movie, 3073:Atragon 3051:writer 3028:Matango 3008:Matango 2420:Susanoo 2329:in the 2226:Macbeth 2048:. This 691:Ultra Q 683:Ultra Q 660:Ultra Q 448:Hepburn 405:Website 238: 230: 184:aviator 125:, Japan 106:, Japan 14708:(1973) 14700:(1968) 14692:(1968) 14660:(1966) 14621:(1969) 14613:(1954) 14605:(1936) 14597:(1935) 14589:(1926) 14570:(1969) 14562:(1969) 14554:(1969) 14546:(1969) 14538:(1968) 14530:(1968) 14522:(1967) 14514:(1967) 14506:(1967) 14498:(1966) 14490:(1966) 14482:(1965) 14474:(1965) 14466:(1965) 14458:(1965) 14450:(1964) 14442:(1964) 14439:Dogora 14434:(1964) 14426:(1964) 14418:(1963) 14410:(1963) 14402:(1963) 14394:(1963) 14386:(1963) 14378:(1963) 14370:(1962) 14362:(1962) 14354:(1962) 14346:(1962) 14343:Gorath 14338:(1961) 14330:(1961) 14327:Mothra 14322:(1961) 14314:(1960) 14306:(1960) 14298:(1960) 14290:(1959) 14282:(1959) 14274:(1959) 14266:(1959) 14258:(1958) 14250:(1958) 14242:(1958) 14234:(1957) 14226:(1957) 14218:(1956) 14210:(1956) 14202:(1956) 14194:(1955) 14186:(1955) 14178:(1954) 14170:(1954) 14162:(1954) 14154:(1954) 14146:(1953) 14138:(1953) 14130:(1952) 14122:(1952) 14114:(1951) 14106:(1950) 14098:(1950) 14090:(1949) 14082:(1948) 14074:(1947) 14066:(1946) 14058:(1944) 14050:(1944) 14042:(1943) 14034:(1942) 14026:(1940) 14018:(1938) 14010:(1937) 14002:(1935) 13843: 13801: 13774: 13751: 13724: 13694: 13671: 13648: 13625: 13598: 13575: 13548: 13525: 13498: 13463: 13441: 13419: 13380: 13357: 13335: 13295: 13254: 13231: 13204: 13177: 13150: 13127: 13104: 13082: 13059: 13032: 13013: 12990: 12963: 12940: 12917: 12891: 12864: 12841: 12822: 12799: 12774: 12751: 12696: 12670: 12648: 12638:ウルトラマン 12626: 12604: 12582: 12556: 12518: 12492: 12466: 12444: 12421: 12398: 12375: 12352: 12325: 12298: 12252: 12217: 12191: 12172: 12111: 12081: 8739:ZAKZAK 7262:"その年譜" 6520:May 9, 6199:Tsu-ka 5715:Ref(s) 5702:Award 5686:(1973) 5663:(1968) 5655:(1968) 5623:(1966) 5598:(1969) 5590:(1969) 5582:(1969) 5574:(1969) 5566:(1968) 5558:(1968) 5550:(1967) 5542:(1967) 5534:(1967) 5526:(1966) 5518:(1966) 5510:(1965) 5502:(1965) 5494:(1965) 5486:(1965) 5478:(1964) 5470:(1964) 5467:Dogora 5462:(1964) 5454:(1964) 5446:(1963) 5438:(1963) 5430:(1963) 5422:(1963) 5414:(1963) 5406:(1963) 5398:(1962) 5390:(1962) 5382:(1962) 5374:(1962) 5371:Gorath 5366:(1961) 5358:(1961) 5355:Mothra 5350:(1961) 5342:(1960) 5334:(1960) 5326:(1960) 5318:(1959) 5310:(1959) 5302:(1959) 5294:(1959) 5286:(1958) 5278:(1958) 5270:(1958) 5262:(1957) 5254:(1957) 5246:(1956) 5238:(1956) 5230:(1956) 5222:(1955) 5214:(1955) 5206:(1954) 5198:(1954) 5190:(1954) 5182:(1954) 5174:(1953) 5166:(1953) 5158:(1952) 5150:(1952) 5142:(1951) 5134:(1950) 5126:(1950) 5118:(1949) 5110:(1948) 5102:(1947) 5094:(1946) 5086:(1944) 5078:(1944) 5070:(1943) 5062:(1942) 5054:(1940) 5046:(1938) 5038:(1937) 5030:(1936) 5022:(1935) 5014:(1926) 4952:. 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