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after an introductory word by
Astucio to the orchestra, enter the Grand Duke and the young artists, who recognize their mysterious protector; Sofía begins to sing the same Spanish aria, but the mess in the orchestra increases instantly, and finally she has to stop; the audience is about to leave, but Enrique reveals Astucio's plan, takes the baton himself and leads the musicians accompanying a new fine song of Sofía (No. 5). After her triumph, Marietta rushes into the scene: she was hissed and bombarded with edibles by the crowd. Astucio can't refuse his guilt anymore and falls out of the Grand Duke's favour, who asks Sofía to become Enrique's spose and provide both with a post.
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rehearsal. Another female singer has come from Milan, and
Astucio is ordered by the Grand Duke to form a committee examining her talent. To make her failure sure, he arranges this committee of two absent officials, Marietta and himself, thus only they two are present at the rehearsal. However, Marietta is bored with him driving all her potential rivals away and wants a real contest, if the candidate is capable enough. Enters Sofía and performs a beautiful Spanish aria playing the role of a
193:, in a music hall of the Grand Duke's palace. The opening scene presents Astucio, the musical director of the court, conducting an orchestra consisting of nobles, who study music to gain the Grand Duke's favour; they perform bad and finish making a quarrel, but Astucio succeeds to calm them (No. 1). The whole company proceeds to another room. Astucio's wife and
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Marietta managed to put a good word for
Enrique, a fact that displeases Astucio much. He sends her to the theater to sing Juliet and prepares for the private concert. His plan is to disturb Sofía with orchestra's incorrect playing. The final musical scene begins with the courtiers assembling; soon,
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at the theatre this evening. After he disappears, Enrique comes back. The two lovers are happy with their reunion and promise not to part anymore (No. 4). Enrique has just spoken to
Astucio, who paid to the crowd so that they hiss Sofía off even before she opens her mouth. Luckily, the Grand Duke
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Astucio comes back, and
Marietta insists that Enrique demonstratively and passionately kiss her hand; the musical director is full of anger and refuses to introduce him to the Grand Duke; instead, Marietta promises she will do this on her own (No. 2). Enrique leaves the room to prepare for the
203:, before she fled away without saying a word. She is tired of Astucio's jealousy and control, and wants Enrique to revive the old feelings. But he is in love with another one, a Spanish singer met in Milan (Sofía), with whom he had to separate in order to find a post somewhere else in Italy.
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Left alone, the pained girl intends to go away and return to her homeland. The Gran Duke enters through a secret door, and consoles her without being recognized. In a letter to
Astucio he commands to let Sofía sing as
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Marietta comes to try a new piece of music she is going to sing this evening. But while she prepares to do this, a young man enters, Enrique. They recognize each other: they fell in love in
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returns. He sends another order to
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311:. Cambridge Scholars Publishing. p. 792.
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305:Robert Ignatius Letellier (19 October 2015).
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378:site (with a downloadable digital booklet)
364:International Music Score Library Project
68:. It is an adaptation of an 1824 French
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515:Operas based on works by Eugène Scribe
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331:As Francisco Calvet was a bass singer.
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308:Operetta: A Sourcebook, Volume II
83:, music for which was written by
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178:Chorus: ladies and gentlemen
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370:El estreno de una artista
359:El estreno de una artista
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28:El estreno de una artista
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485:Spanish-language operas
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237:¡Piano... pianísimo...!
189:The zarzuela is set in
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258:Esperanzas halagüeñas
89:Teatro de la Zarzuela
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269:Se acerca ya la hora
73:Le concert à la cour
510:Operas set in Italy
413:Joaquín Gaztambide
44:Ventura de la Vega
40:Joaquín Gaztambide
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479:Categories
276:References
81:Mélesville
495:Zarzuelas
461:Una vieja
441:Un pleito
421:Zarzuelas
210:gitanilla
167:Marietta
134:Gonzalez
20:Composer
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191:Florence
185:Synopsis
170:soprano
156:baritone
152:Astucio
126:Enrique
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36:zarzuela
342:Astucho
263:No. 5.
143:soprano
464:(1860)
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219:Juliet
139:Sofía
66:Madrid
201:Milan
173:Rizo
130:tenor
102:Role
95:Roles
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