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710:. While they do their work, they ask where can Elektra be, and she emerges from the shadows with a wild look on her face. The servants continue commenting how she came to be in that state and talk about how they taunt her only to receive insults from her. Only one servant shows sympathy for her, but she is taken away by the overseer to be flogged.
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dreams of Orest murdering her. Chrysothemis begs
Elektra not to stir trouble with Klytaemnestra today. She tells her that when their mother is scared, she is the most vicious. Elektra shuns her sister's pleas, telling her that she will speak to her mother as never before. Chrysothemis flees the courtyard.
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Chrysothemis and the maids run into the courtyard with torches. They realize what is going on, and are horrified. They notice
Elektra at the threshold of the door and call out to her. A maid notices the approaching Aegisth outside the palace. Fearing his wrath, she tells the others to run inside. All
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Then
Elektra reveals who is to be the actual victim: it is Klytaemnestra herself. She goes on to describe how the gods must be appeased once and for all. She must be awakened and chased around the house just like an animal that is being hunted. Only when she wishes that all was over and after envying
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As loud sounds are heard inside, Elektra mocks her sister that it is her wedding party. In reality, it is
Klytaemnestra, who has just been awakened by her own nightmares. She goes with a large processional on her way to appease the gods through sacrifice. Chrysothemis tells Elektra that Klytaemnestra
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Elektra teases her mother with little pieces of information about the right victim that must be slain, but she changes the conversation to her brother and why he is not allowed back. To
Elektra's horror, Klytaemnestra says that he has become mad and keeps company with animals. She responds that this
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Despite the protests of the
Trainbearer and Confidante, Klytaemnestra climbs down to talk to Elektra. She passionately remembers her years of motherhood with her daughter. She accuses her retinue of being contradictory in their justifications of her nightmares, so she relies on her daughter for a
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Chrysothemis enters the courtyard. Unlike
Elektra, she is meek and accommodating, and has remained on decent terms with Klytaemnestra and Aegisth. However, she cares for the welfare of her sister. She tells Elektra that their mother plans to lock Elektra in a tower, where no daylight will enter.
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is not true and that all the gold that her mother has sent was not being used to support her son but to have him killed. Angered by this, Klytaemnestra goes off on an insane tirade, telling
Elektra that she would give the proper information for a rite and sacrificial victim if she were starved.
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In addition to the massive orchestral forces and the large principal cast of singers, a full chorus is briefly used at the end of the opera from "Stimmen hinter der Scene" ("voices behind the scene") calling out the arrival of
Orestes from within the Palace following the murder of Aegisth.
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Elektra laughs at this plan. Elektra asks where
Chrysothemis heard it. When she tells her that she heard it at the Queen's door, Elektra screams that there is nothing to find in this house but death. She might as well sit and wish death on her mother and stepfather, as Elektra does.
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Elektra realizes that she forgot to give the axe to Orest. Horrified, she has no other choice but to wait. Nevertheless, the piercing shriek of Klytaemnestra is heard from within the palace, then a grim moan. Elektra smiles brightly, knowing that Orest has killed their mother.
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Aegisth arrives. He is oblivious to what has just occurred; he is ecstatic to have heard that Orest is dead and wishes to speak with the messengers. Elektra, eerily dancing with a torch, happily ushers him inside the palace, reassuring him of her new change of heart.
183:, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are
211:, which was the motivation for Klytaemnestra's subsequent murder of Agamemnon. These changes tightened the focus on Elektra's furious lust for revenge. The result is a very modern, expressionistic retelling of the ancient Greek myth. Compared to
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Various aspects from the myth are minimized as background to Elektra's character and her obsession. Other facets of the ancient story are completely excluded, in particular the earlier sacrifice by Agamemnon of his and Klytaemnestra's daughter
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prisoners in their cells, she will come to realize that her prison is her own body. At that time, the axe, with which she killed her husband and which will be handed to Orest by Elektra, will fall upon her. Only then the dreams will stop.
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was killed while bathing by Klytaemnestra and Aegisth and dragged out into the courtyard. Elektra now starts imagining the day when her father will be avenged and then of the ensuing celebration in which she will lead the triumphal dance.
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Elektra goes on to praise her sister and her beauty, promising that she shall become Chrysothemis's slave at her bridal chamber in exchange for the assistance in her task. Chrysothemis fights off her sister and flees. Elektra curses her.
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Klytaemnestra, in contrast to Agamemnon's clearly diatonic minor triad motif, is characterized by a bitonal six note collection most often represented as a pair of two minor chords a tritone apart, typically on B and F, rather than
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Chrysothemis comes bolting into the courtyard. She says that two messengers have arrived with the news that Orest is dead, trampled by his own horses. Elektra screams that it is not true. Both sisters sink to the ground in misery.
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Klytaemnestra stops at the sight of Elektra and wishes that she were not there to disturb her. She asks the gods for the reason for her burdens, but Elektra appeases her by telling her mother that she is a goddess herself.
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Klytaemnestra confides to her daughter that she has been suffering nightmares every night and that she still has not found the way to appease the gods. But, she claims, once that happens, she will be able to sleep again.
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This DVD chapter title is taken from libretto stage directions that Klytaemnestra makes signs calling for lights. The words are not sung. In some productions, they are spoken by Klytaemnestra or The Trainbearer or the
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Then, taken aback, she recognizes him: it is Orest who has come back in disguise. Elektra is initially ecstatic, but also ashamed of what she has become and how she has sacrificed her own royal state for the cause.
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Chrysothemis comes out of the palace stating that Orest is inside and that he has killed Klytaemnestra and Aegisth. A massacre has begun with Orest's followers killing those who supported Aegisth and the Queen.
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She hears that he is expecting to be called from within the palace because he has a message for the lady of the house. He claims to be a friend of Orest, and says that he was with him at the time of his death.
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693:. Elektra has managed to send her brother away while remaining behind to keep her father's memory alive, but all the while, suffering the scorn of her mother and the entire court.
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Orest's Tutor comes and interrupts the siblings; their task is dangerous and anything can jeopardize it. The Trainbearer and Confidante come out of the palace and lead Orest in.
219:, the opera presents raw, brutal, violent, and bloodthirsty horror. Some scholars detect hints of incest in Elektra's dysfunctional family relationships. Norwegian musicologist
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At last Elektra begins to dance. As she reaches the climax of her dance, she falls to the ground: Elektra is dead. Horrified, Chrysothemis calls for Orest, but to no avail.
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The Trainbearer and Confidante enter and whisper to her. Klytaemnestra laughs hysterically and, mocking Elektra, leaves. Elektra wonders what has made her mother laugh.
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conducting at the first- ever performance of a Strauss opera in the UK. The first United States performance of the opera in the original German was given by the
243:), characterized by cacophonous sections and atonal leitmotifs. These works contrast highly with his earliest operas and his later period. The reception of
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Elektra grieves. The man first guesses that she must be a blood relative of Orest and Agamemnon, then, upon asking her name, discovers she is Elektra.
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Determined to do it alone, she digs for the axe that killed her father, but is interrupted by a mysterious man who comes into the courtyard.
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is one of the most frequently performed operas based on classical Greek mythology, with a performance lasting—like the composer's earlier
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The libretto is in the form of one continuous narrative with no section breaks. The sections here follow the DVD chapter breaks of the
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Elektra does not relent and a terrified Chrysothemis listens as her sister demands that she help her to avenge their father.
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Chrysothemis does not wish to go on living a half-death in her own house: she wants to leave, marry and raise children.
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1609:"Elektra {1} Matinee Broadcast ed. Metropolitan Opera House: 12 March 1932., Broadcast (Metropolitan Opera Premiere)"
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145:. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the
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consisting of E major and C# major stacked on top of each other, building a chain of thirds accompanied by
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on the ruse that she is to be married, and subsequently goes off to war against Troy. Iphigenia's mother
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As a young servant comes out of the house to fetch the master, he trips over Elektra and Chrysothemis.
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divided into three groups (the first of which, unusually, doubles as the fourth violin section), 12
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1982:
795:"Wenn das rechte Blutopfer unterm Beile fällt." ("When the right blood under the hatchet flows.")
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736:"Ich kann nicht sitzen und ins Dunkel starren." ("I can not sit and stare into the darkness.")
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on 29 October 1931, with Anne Roselle in the title role, Charlotte Boerner as Chrysothemis,
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830:"Platz da! Wer lungert so vor einer TĂĽr?" ("Give way! Who spies thus upon the threshold?")
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Elektra comes back for her daily ritual in memory of her father, who upon his return from
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in German-speaking countries was mostly divided along traditionalist and modernist lines.
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in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin.
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1452:"Reinventing the barbarian: Electra, sibling incest, and twentieth-century Hellenism"
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To support the overwhelming emotional content of the opera, Strauss uses an immense
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Elektra chord implies an E major and C♯ major chord together (C♯ E♯ G♯ = Dâ™ Fâ™® Aâ™)
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As Aegisth screams and calls for help, Elektra replies: "Agamemnon can hear you."
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in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on
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Reisberg, Horace (1975). "The Vertical Dimension in Twentieth-Century Music",
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Elektra is ecstatic and wants to lead the crowd to dance but at first cannot.
889:"Du wirst es tun? Allein? Du armes Kind?" ("You'll do it? Alone? Poor child?")
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1689:, p. 333. Wittlich, Gary (ed.). Englewood Cliffs, New Jersey: Prentice-Hall.
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of about 110—one of the largest in opera—with the following instrumentation:
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897:"Ich habe ihm das Beil nicht geben können!" ("I could not give him the axe!")
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804:"Was bluten muĂź? Dein eigenes Genick." ("Who must bleed? Your own throat.")
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has thus come to hate her husband. After his return, with the help of her
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is the second of Strauss's two highly modernist operas (the other being
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753:"Was willst du? Seht doch, dort!" ("What do you want? Behold, there!")
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Divertimento for chamber orchestra after keyboard pieces by Couperin
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Agamemnon's leitmotif is an arpeggiated D minor chord in the second
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1794:(libretto) (in French). Translated by H. Gauthier-Villars. Berlin:
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906:"Es muss etwas geschehen sein!" ("Something must have happened!")
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863:"Was willst du, fremder Mensch?" ("What do you want, stranger?")
838:"Nun muĂź es hier von uns geschehn." ("It is for us to act now.")
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1486:"Elektra's Oceanic Time: Voice and Identity in Richard Strauss"
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1331:(libretto). Translated by Charles T. Mason. London; New York:
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While based on ancient Greek mythology and Sophocles' tragedy
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Opera from the Greek: studies in the poetics of appropriation
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in a way which recalls but moves beyond the same composer's
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762:"Ich will nichts hören!" ("I don't want to hear anything.")
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by removing unnecessary details and making it more concise.
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1011:, from which he later retreated. The bitonal or extended
771:"Ich habe keine guten Nächte." ("I have no good nights.")
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Five servants try to wash the courtyard of the palace in
714:"Allein! Weh, ganz allein." ("Alone! Alas, all alone.")
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Chrysothemis and Elektra praise their brother's feat.
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Dance suite from keyboard pieces by François Couperin
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has analysed the use of time and temporality in the
187:, her mother and one of the murderers of her father
1526:by Tim Ashley 1999, 20th-century composers Series
821:"Orest! Orest ist tot!" ("Orest! Orest is dead!")
3161:
1788:Richard Strauss; Hugo von Hoffmannsthal (1909).
1422:. Princeton University Press. pp. 372–405.
1325:Richard Strauss; Hugo von Hoffmannsthal (1909).
1086:(horns 5–8 doubling 2 B-flat tenor and 2 F bass
1015:is a well known dissonance from the opera while
813:"Lichter! Mehr Lichter" ("Lights! More lights!")
744:"Es geht ein Lärm los." ("What tumult is this?")
298:conducting. The opera made its premiere at the
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957:"Schweig, und tanze." ("Be silent and dance.")
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1352:(in German). Walter de Gruyter. p. 288.
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1709:"Strauss, a Composer at the Top of His Game"
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941:"Ob ich nicht höre?" ("How can I not hear?")
846:"Wie stark du bist." ("How strong you are.")
1766:Lawrence Kramer, "Fin-de-siècle Fantasies:
689:, Chrysothemis, and their banished brother
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1007:represents Strauss's furthest advances in
949:"Hörst du denn nicht?" ("Don't you hear?")
932:"Elektra! Schwester!" ("Elektra! Sister!")
702:"Wo bleibt Elektra?" ("Where is Elektra?")
402:their mother, Agamemnon's widow and killer
38:
1861:International Music Score Library Project
1019:is also a prominent modernist technique.
654:Learn how and when to remove this message
2581:Duet concertino for clarinet and bassoon
1774:, Vol. 5, No. 2, July 1993, pp. 141–165.
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1595:The Operas of Richard Strauss 1910–1963
1386:at the Met Inhabited by a Vital Spirit"
1249:are characterized in the music through
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1566:. Ashgate Publishing. pp. 81–82.
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1544:, B. Gilliam. 1996. Clarendon Press.
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1349:Hugo von Hofmannsthal – Bibliographie
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1172:(doubled if possible at the end), 24
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302:in New York on 3 December 1932, with
3210:Music dedicated to family or friends
1770:, Degeneration and Sexual Science",
872:"Wer bist denn du?" ("Who are you?")
855:"Nun denn, allein!" ("Well, alone!")
611:
3200:Operas based on classical mythology
2222:
1645:. L'Almanacco di Gherardo Casaglia
1418:. In Bryan Randolph Gilliam (ed.).
13:
3205:Operas based on works by Sophocles
1781:
1707:Loomis, George (29 October 2013).
1687:Aspects of Twentieth-Century Music
1202:
924:"Helft! Mörder!" ("Help! Murder!")
44:Cover of the libretto, drawing by
14:
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3215:Libretti by Hugo von Hofmannsthal
2061:(1909, Strauss/von Hofmannsthal)
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915:"He! Lichter!" ("Torches there!")
328:Roles, voice types, premiere cast
138:, which he adapted from his 1903
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2633:Till Eulenspiegel's Merry Pranks
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1615:. Metropolitan Opera Association
1607:Metropolitan Opera Association.
1328:Elektra: Tragic Opera in One Act
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1236:Problems playing this file? See
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629:too long or excessively detailed
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280:Philadelphia Grand Opera Company
266:received its UK premiere at the
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1600:
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1450:Olive, Peter (1 October 2019).
1380:Michael Cooper (7 April 2016).
322:Annie Krull as Elektra, c. 1909
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1176:divided into three groups, 18
600:Men and women of the household
270:, Covent Garden, in 1910 with
1:
2531:Wiener Philharmoniker Fanfare
1597:, Putnam, London, 1963, p. 9.
1420:Richard Strauss and his world
1311:
1300:
1265:on top. The final form is an
199:; and Klytaemnestra's lover,
16:1909 opera by Richard Strauss
1825:, New York: Penguin Putnam.
1742:IMSLP Petrucci Music Library
1456:Classical Receptions Journal
625:This article's plot summary
7:
3083:Treatise on Instrumentation
1895:
1823:The New Penguin Opera Guide
1613:Metropolitan Opera Archives
1184:divided into two groups, 8
911:do so, except for Elektra.
607:
439:Elisabeth Boehm von Endert
306:singing the title role and
10:
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1633:Casaglia, Gherardo (2005).
1539:Richard Strauss's 'Elektra
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3170:Operas by Richard Strauss
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2842:Traum durch die Dämmerung
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2625:Death and Transfiguration
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1950:
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1733:Strauss, Richard (1916).
1504:10.1525/ncm.2007.31.2.164
1416:: A Study by Paul Bekker"
965:Style and instrumentation
666:Before the opera begins,
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546:Franziska Bender-Schäfer
342:Premiere, 25 January 1909
92:25 January 1909
87:
71:
63:
53:
37:
26:
21:
2517:Le bourgeois gentilhomme
2156:Mourning Becomes Electra
2081:Mourning Becomes Electra
1959:Mourning Becomes Electra
1253:or chords including the
786:as Klytaemnestra in the
511:Klytaemnestra's paramour
416:Ernestine Schumann-Heink
313:
2976:Utan svafvel och fosfor
2701:Cello Sonata in F major
2642:Also sprach Zarathustra
2548:Japanese Festival Music
1983:The Forgotten Pistolero
1772:Cambridge Opera Journal
1554:Ewans, Michael (2007).
696:
130:, to a German-language
3175:German-language operas
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2893:Des Dichters Abendgang
2820:Heimliche Aufforderung
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2336:Die Frau ohne Schatten
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2127:(c. 405 BC, Sophocles)
2119:(c. 408 BC, Euripides)
2111:(c. 413 BC, Euripides)
1999:The Travelling Players
1735:"Elektra (Full Score)"
1290:
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274:in the title role and
171:, the opera is highly
162:
3046:Hugo von Hofmannsthal
2359:Die ägyptische Helena
1410:Bekker, Paul (1992).
1346:Weber, Horst (2020).
1279:
1206:
972:
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767:true interpretation.
321:
262:—around 100 minutes.
160:
147:Königliches Opernhaus
136:Hugo von Hofmannsthal
103:Königliches Opernhaus
58:Hugo von Hofmannsthal
2382:Die schweigsame Frau
2240:List of compositions
1851:at Wikimedia Commons
1017:harmonic parallelism
993:and extremely fluid
973:Curtain call at the
288:Margarete Matzenauer
161:The composer in 1911
2669:Symphonia Domestica
2561:Horn Concerto No. 2
2493:Horn Concerto No. 1
2410:Die Liebe der Danae
2181:Orestes and Electra
2103:(458 BC, Aeschylus)
2084:(1967, Levy/Butler)
1307:Elektra discography
1104:contrabass trombone
1061:in B-flat and A, 2
975:Royal Swedish Opera
784:Anna von Mildenburg
330:
251:Performance history
2968:Wandrers Sturmlied
2904:Freundliche Vision
2798:Ruhe, meine Seele!
2677:An Alpine Symphony
1713:The New York Times
1491:19th-Century Music
1468:10.1093/crj/clz012
1390:The New York Times
1291:
1245:The characters in
1208:
1196:Motives and chords
1055:clarinet in E-flat
1003:of 1905, and thus
979:
792:
790:'s 1909 production
788:Vienna Court Opera
326:
324:
300:Metropolitan Opera
290:as Klytaemnestra,
163:
3135:
3134:
3011:Der Rosenkavalier
2935:Der Krämerspiegel
2463:Verklungene Feste
2321:Ariadne auf Naxos
2306:Der Rosenkavalier
2190:
2189:
2151:(1971, Wijesinha)
2135:(1937, Giraudoux)
1991:Electra, My Love
1847:Media related to
1664:Salzburg Festival
1593:Allen Jefferson,
1573:978-0-7546-6099-6
1484:(November 2007).
1482:WikshĂĄland, StĂĄle
1429:978-0-691-02762-3
1359:978-3-11-083988-3
1287:
1223:
1045:(oboe 3 doubling
1037:(doubling fourth
664:
663:
656:
605:
604:
268:Royal Opera House
122:58, is a one-act
111:
110:
3227:
3152:
3151:
3143:
3125:
3115:
3114:
3070:Related articles
3022:Family and peers
3003:Film adaptations
2952:
2938:
2937:
2928:
2918:
2917:
2907:
2906:
2896:
2895:
2878:
2877:
2867:
2866:
2856:
2855:
2845:
2844:
2834:
2833:
2823:
2822:
2812:
2811:
2801:
2800:
2790:
2789:
2779:
2778:
2768:
2767:
2757:
2756:
2746:
2745:
2663:
2645:
2542:
2539:Olympische Hymne
2520:
2510:
2457:
2447:
2427:
2413:
2395:
2385:
2376:
2362:
2345:
2339:
2330:
2324:
2315:
2309:
2300:
2294:
2285:
2271:
2261:
2217:
2210:
2203:
2194:
2193:
1890:
1883:
1876:
1867:
1866:
1859:: Scores at the
1846:
1815:Kennedy, Michael
1799:
1775:
1764:
1758:
1757:
1755:
1753:
1739:
1730:
1724:
1723:
1721:
1719:
1704:
1698:
1683:
1677:
1673:
1667:
1656:
1650:
1648:
1643:25 January 1909"
1642:
1631:
1625:
1624:
1622:
1620:
1604:
1598:
1591:
1585:
1584:
1582:
1580:
1551:
1545:
1542:
1536:
1527:
1521:
1515:
1514:
1512:
1510:
1478:
1472:
1471:
1447:
1441:
1440:
1438:
1436:
1407:
1401:
1400:
1398:
1396:
1377:
1371:
1370:
1368:
1366:
1343:
1337:
1336:
1322:
1289:
1288:
1280:Agamemnon motif
1225:
1224:
1205:
659:
652:
648:
645:
639:
620:
619:
612:
557:Magdalene Seebe
532:Riza EibenschĂĽtz
519:Johannes Sembach
500:Julius Puttlitz
478:son of Agamemnon
467:Franz Nebuschka
444:A young servant
433:Her trainbearer
390:Margarethe Siems
346:Ernst von Schuch
331:
329:
325:
284:Academy of Music
221:StĂĄle WikshĂĄland
99:
97:
42:
19:
18:
3235:
3234:
3230:
3229:
3228:
3226:
3225:
3224:
3160:
3159:
3158:
3146:
3138:
3136:
3131:
3103:
3099:Neo-romanticism
3065:
3035:Pauline de Ahna
3017:
2998:
2992:Die Tageszeiten
2955:
2944:Four Last Songs
2925:Brentano Lieder
2864:Der Arbeitsmann
2726:
2683:
2660:Ein Heldenleben
2586:
2487:Violin Concerto
2469:
2430:
2244:
2226:
2224:Richard Strauss
2221:
2191:
2186:
2168:
2159:(1931, O'Neill)
2087:
2073:Leben des Orest
2053:(1895, Taneyev)
2021:
1946:
1899:
1894:
1849:Elektra (opera)
1839:
1805:edition of the
1796:Adolph FĂĽrstner
1787:
1784:
1782:Further reading
1779:
1778:
1765:
1761:
1751:
1749:
1746:Adolph FĂĽrstner
1737:
1731:
1727:
1717:
1715:
1705:
1701:
1684:
1680:
1674:
1670:
1660:2010 production
1657:
1653:
1646:
1640:
1632:
1628:
1618:
1616:
1605:
1601:
1592:
1588:
1578:
1576:
1574:
1552:
1548:
1540:
1537:
1530:
1524:Richard Strauss
1522:
1518:
1508:
1506:
1479:
1475:
1448:
1444:
1434:
1432:
1430:
1408:
1404:
1394:
1392:
1378:
1374:
1364:
1362:
1360:
1344:
1340:
1335:; Galaxy Music.
1333:Adolph FĂĽrstner
1323:
1319:
1314:
1309:
1303:
1282:
1273:simultaneously.
1243:
1242:
1234:
1232:
1231:
1230:
1229:
1226:
1219:
1216:
1209:
1203:
1198:
1127:(with switch),
967:
959:
951:
943:
934:
926:
917:
908:
899:
891:
882:
874:
865:
857:
848:
840:
832:
823:
815:
806:
797:
773:
764:
755:
746:
738:
729:
716:
704:
699:
670:has sacrificed
660:
649:
643:
640:
636:help improve it
633:
621:
617:
610:
459:An old servant
428:Gertrud Sachse
422:Her confidante
396:Klytaemnestra (
343:
327:
316:
304:Gertrude Kappel
253:
195:; her brother,
155:
128:Richard Strauss
107:
106:
100:
95:
93:
49:
32:Richard Strauss
17:
12:
11:
5:
3233:
3223:
3222:
3217:
3212:
3207:
3202:
3197:
3192:
3190:One-act operas
3187:
3182:
3177:
3172:
3157:
3156:
3133:
3132:
3130:
3129:
3119:
3108:
3105:
3104:
3102:
3101:
3096:
3091:
3086:
3079:
3073:
3071:
3067:
3066:
3064:
3063:
3058:
3053:
3048:
3043:
3041:Hans von BĂĽlow
3038:
3032:
3025:
3023:
3019:
3018:
3016:
3015:
3006:
3004:
3000:
2999:
2997:
2996:
2988:
2980:
2972:
2963:
2961:
2957:
2956:
2954:
2953:
2940:
2930:
2920:
2915:FrĂĽhlingsfeier
2909:
2898:
2887:
2880:
2869:
2858:
2847:
2836:
2825:
2814:
2803:
2792:
2781:
2770:
2759:
2748:
2736:
2734:
2728:
2727:
2725:
2724:
2716:
2710:
2704:
2698:
2691:
2689:
2685:
2684:
2682:
2681:
2673:
2665:
2655:
2647:
2637:
2629:
2621:
2613:
2605:
2596:
2594:
2588:
2587:
2585:
2584:
2578:
2572:
2564:
2558:
2552:
2544:
2534:
2528:
2522:
2512:
2502:
2499:Symphony No. 2
2496:
2490:
2484:
2481:Symphony No. 1
2477:
2475:
2471:
2470:
2468:
2467:
2459:
2449:
2444:Josephslegende
2438:
2436:
2432:
2431:
2429:
2428:
2415:
2405:
2397:
2387:
2377:
2364:
2354:
2346:
2331:
2316:
2301:
2286:
2273:
2263:
2252:
2250:
2246:
2245:
2243:
2242:
2237:
2235:List of operas
2231:
2228:
2227:
2220:
2219:
2212:
2205:
2197:
2188:
2187:
2185:
2184:
2176:
2174:
2170:
2169:
2167:
2166:
2165:(1981, Marvel)
2160:
2152:
2144:
2143:(1943, Sartre)
2136:
2128:
2120:
2112:
2104:
2095:
2093:
2089:
2088:
2086:
2085:
2077:
2076:(1930, Krenek)
2069:
2068:
2067:
2054:
2046:
2045:(1780, Mozart)
2038:
2037:(1712, Campra)
2029:
2027:
2023:
2022:
2020:
2019:
2011:
2003:
1995:
1987:
1979:
1971:
1963:
1954:
1952:
1948:
1947:
1945:
1944:
1938:
1932:
1926:
1920:
1914:
1907:
1905:
1901:
1900:
1893:
1892:
1885:
1878:
1870:
1864:
1863:
1852:
1838:
1837:External links
1835:
1834:
1833:
1821:(ed.) (2001),
1819:Holden, Amanda
1812:
1800:
1783:
1780:
1777:
1776:
1759:
1725:
1699:
1678:
1668:
1651:
1626:
1599:
1586:
1572:
1546:
1528:
1516:
1498:(2): 164–174.
1473:
1462:(4): 407–426.
1442:
1428:
1402:
1372:
1358:
1338:
1316:
1315:
1313:
1310:
1305:Main article:
1302:
1299:
1267:eleventh chord
1233:
1227:
1217:
1212:
1211:
1210:
1201:
1200:
1199:
1197:
1194:
1189:
1188:
1163:
1151:
1110:
1077:
966:
963:
958:
955:
950:
947:
942:
939:
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922:
916:
913:
907:
904:
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890:
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873:
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864:
861:
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695:
662:
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624:
622:
615:
609:
606:
603:
602:
596:
595:
590:
587:
583:
582:
579:
576:
572:
571:
566:
565:mezzo-soprano
563:
559:
558:
555:
552:
548:
547:
544:
539:
535:
534:
529:
526:
522:
521:
516:
513:
502:
501:
498:
495:
494:Orest's tutor
491:
490:
485:
480:
469:
468:
465:
460:
456:
455:
450:
445:
441:
440:
437:
434:
430:
429:
426:
423:
419:
418:
413:
404:
393:
392:
387:
384:
374:
373:
368:
363:
349:
348:
340:
335:
315:
312:
308:Artur Bodanzky
294:as Orest, and
276:Thomas Beecham
252:
249:
191:; her sister,
154:
151:
109:
108:
101:
91:
89:
85:
84:
73:
69:
68:
65:
61:
60:
55:
51:
50:
43:
35:
34:
24:
23:
15:
9:
6:
4:
3:
2:
3232:
3221:
3218:
3216:
3213:
3211:
3208:
3206:
3203:
3201:
3198:
3196:
3193:
3191:
3188:
3186:
3183:
3181:
3178:
3176:
3173:
3171:
3168:
3167:
3165:
3155:
3150:
3145:
3144:
3141:
3128:
3124:
3120:
3118:
3110:
3109:
3106:
3100:
3097:
3095:
3094:Neoclassicism
3092:
3090:
3087:
3085:
3084:
3080:
3078:
3077:Elektra chord
3075:
3074:
3072:
3068:
3062:
3061:Joseph Gregor
3059:
3057:
3054:
3052:
3051:Max Reinhardt
3049:
3047:
3044:
3042:
3039:
3036:
3033:
3030:
3029:Franz Strauss
3027:
3026:
3024:
3020:
3014:
3012:
3008:
3007:
3005:
3001:
2994:
2993:
2989:
2986:
2985:
2981:
2978:
2977:
2973:
2970:
2969:
2965:
2964:
2962:
2958:
2951:
2946:
2945:
2941:
2936:
2931:
2927:
2926:
2921:
2916:
2910:
2905:
2899:
2894:
2888:
2885:
2881:
2876:
2870:
2865:
2859:
2854:
2848:
2843:
2837:
2832:
2826:
2821:
2815:
2810:
2804:
2799:
2793:
2788:
2782:
2777:
2771:
2766:
2760:
2755:
2749:
2744:
2738:
2737:
2735:
2733:
2729:
2722:
2721:
2717:
2714:
2713:Violin Sonata
2711:
2708:
2707:Piano Quartet
2705:
2702:
2699:
2696:
2693:
2692:
2690:
2688:Chamber music
2686:
2679:
2678:
2674:
2671:
2670:
2666:
2662:
2661:
2656:
2653:
2652:
2648:
2644:
2643:
2638:
2635:
2634:
2630:
2627:
2626:
2622:
2619:
2618:
2614:
2611:
2610:
2606:
2603:
2602:
2598:
2597:
2595:
2593:
2589:
2582:
2579:
2576:
2575:Oboe Concerto
2573:
2570:
2569:
2568:Metamorphosen
2565:
2562:
2559:
2556:
2553:
2550:
2549:
2545:
2541:
2540:
2535:
2532:
2529:
2526:
2523:
2519:
2518:
2513:
2509:
2508:
2503:
2500:
2497:
2494:
2491:
2488:
2485:
2482:
2479:
2478:
2476:
2472:
2465:
2464:
2460:
2456:
2455:
2450:
2446:
2445:
2440:
2439:
2437:
2433:
2426:
2421:
2420:
2416:
2412:
2411:
2406:
2403:
2402:
2398:
2394:
2393:
2388:
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2378:
2375:
2370:
2369:
2365:
2361:
2360:
2355:
2352:
2351:
2347:
2344:
2338:
2337:
2332:
2329:
2323:
2322:
2317:
2314:
2308:
2307:
2302:
2299:
2293:
2292:
2287:
2284:
2279:
2278:
2274:
2270:
2269:
2264:
2260:
2259:
2254:
2253:
2251:
2247:
2241:
2238:
2236:
2233:
2232:
2229:
2225:
2218:
2213:
2211:
2206:
2204:
2199:
2198:
2195:
2183:
2182:
2178:
2177:
2175:
2171:
2164:
2161:
2158:
2157:
2153:
2150:
2149:
2145:
2142:
2141:
2137:
2134:
2133:
2129:
2126:
2125:
2121:
2118:
2117:
2113:
2110:
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2105:
2102:
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2097:
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2024:
2017:
2016:
2012:
2009:
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2000:
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1841:
1840:
1832:
1831:0-14-029312-4
1828:
1824:
1820:
1816:
1813:
1811:
1809:
1804:
1801:
1797:
1793:
1792:
1786:
1785:
1773:
1769:
1763:
1748:. p. 328
1747:
1744:(in German).
1743:
1736:
1729:
1714:
1710:
1703:
1696:
1695:0-13-049346-5
1692:
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1321:
1317:
1308:
1298:
1296:
1278:
1274:
1270:
1268:
1264:
1260:
1256:
1255:Elektra chord
1252:
1248:
1241:
1239:
1215:
1214:Elektra chord
1193:
1187:
1186:double basses
1183:
1179:
1175:
1171:
1167:
1164:
1162:
1159:
1155:
1152:
1150:
1146:
1142:
1138:
1134:
1130:
1126:
1122:
1119:(2 players),
1118:
1114:
1111:
1109:
1105:
1101:
1097:
1093:
1089:
1085:
1081:
1078:
1076:
1075:contrabassoon
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3220:Clytemnestra
3180:Music dramas
3081:
3056:Stefan Zweig
3010:
2990:
2982:
2974:
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2719:
2695:Piano Sonata
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2013:
2005:
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1989:
1981:
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1941:Chrysothemis
1925:(stepfather)
1917:Clytemnestra
1855:
1822:
1807:
1790:
1771:
1767:
1762:
1750:. Retrieved
1741:
1728:
1716:. Retrieved
1712:
1702:
1686:
1681:
1671:
1654:
1647:(in Italian)
1636:
1629:
1617:. Retrieved
1612:
1602:
1594:
1589:
1577:. Retrieved
1563:
1557:
1556:"Chapter 5:
1549:
1538:
1523:
1519:
1507:. Retrieved
1495:
1489:
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1455:
1445:
1433:. Retrieved
1419:
1413:
1405:
1393:. Retrieved
1389:
1383:
1375:
1363:. Retrieved
1348:
1341:
1327:
1320:
1292:
1271:
1263:added thirds
1246:
1244:
1235:
1190:
1161:(ad libitum)
1160:
1149:glockenspiel
1096:bass trumpet
1088:Wagner tubas
1063:basset horns
1047:English horn
1021:
1004:
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991:chromaticism
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575:Fourth maid
569:Irma Tervani
551:Second maid
525:An overseer
510:
477:
401:
398:Clytemnestra
381:
378:Chrysothemis
357:
296:Fritz Reiner
272:Edyth Walker
263:
259:
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216:
205:
193:Chrysothemis
166:
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142:
114:
113:
112:
79:
3185:1909 operas
3013:(1926 film)
2776:Winternacht
2765:Allerseelen
2720:Enoch Arden
2709:(1884–1885)
2651:Don Quixote
2601:Aus Italien
2454:Schlagobers
2392:Friedenstag
2065:discography
1676:Confidante.
1051:heckelphone
981:Musically,
593:Minnie Nast
586:Fifth maid
581:Anna Zoder
562:Third maid
538:First maid
488:Karl Perron
371:Annie Krull
361:'s daughter
344:Conductor:
292:Nelson Eddy
3164:Categories
2592:Tone poems
2474:Orchestral
2350:Intermezzo
2325:(1912/16)
2092:Literature
1752:28 January
1718:6 February
1619:28 January
1579:20 October
1435:20 October
1365:26 January
1312:References
1301:Recordings
1251:leitmotifs
1238:media help
1141:tambourine
1121:snare drum
1113:Percussion
987:dissonance
727:"Elektra!"
644:April 2024
453:Fritz Soot
382:her sister
338:Voice type
225:dramaturgy
96:1909-01-25
54:Librettist
3089:Modernism
2984:Taillefer
2853:Sehnsucht
2787:Ständchen
2754:Die Nacht
2743:Zueignung
2680:(1911–15)
2521:(1911–17)
2511:(1885–86)
2501:(1883–84)
2495:(1882–83)
2489:(1881–82)
2419:Capriccio
2268:Feuersnot
2140:The Flies
1935:Iphigenia
1931:(brother)
1923:Aegisthus
1911:Agamemnon
1295:inversion
1259:polychord
1154:Keyboards
1145:castanets
1125:bass drum
1100:trombones
1059:clarinets
1024:orchestra
1009:modernism
672:Iphigenia
668:Agamemnon
542:contralto
507:Aegisthus
505:Aegisth (
407:contralto
359:Agamemnon
352:Elektra (
213:Sophocles
209:Iphigenia
201:Aegisthus
189:Agamemnon
173:modernist
105:, Dresden
76:Sophocles
3117:Category
3031:(father)
2919:" (1906)
2908:" (1900)
2897:" (1900)
2886:" (1899)
2884:Notturno
2879:" (1898)
2868:" (1898)
2857:" (1896)
2846:" (1895)
2835:" (1894)
2824:" (1894)
2813:" (1894)
2802:" (1894)
2791:" (1886)
2780:" (1886)
2769:" (1885)
2758:" (1885)
2747:" (1885)
2617:Don Juan
2507:Burleske
2371:(1933)
2368:Arabella
2340:(1919)
2310:(1911)
2295:(1909)
2280:(1905)
2100:Oresteia
2050:Oresteia
2042:Idomeneo
2034:Idoménée
1943:(sister)
1937:(sister)
1919:(mother)
1913:(father)
1810:libretto
1803:La Scala
1137:triangle
1092:trumpets
1071:bassoons
1031:Woodwind
995:tonality
985:deploys
977:in 2009
880:"Orest!"
680:paramour
608:Synopsis
589:soprano
578:soprano
554:soprano
528:soprano
483:baritone
436:soprano
425:soprano
386:soprano
132:libretto
88:Premiere
72:Based on
64:Language
2947:(1948)
2875:Befreit
2831:Morgen!
2809:Cäcilie
2609:Macbeth
2435:Ballets
2422:(1942)
2291:Elektra
2258:Guntram
2163:Elektra
2148:Elektra
2132:Electra
2124:Electra
2116:Orestes
2108:Electra
2058:Elektra
2015:Electra
1967:Electra
1929:Orestes
1897:Electra
1856:Elektra
1808:Elektra
1791:Elektra
1768:Elektra
1662:at the
1637:Elektra
1558:Elektra
1414:Elektra
1384:Elektra
1247:Elektra
1174:violins
1166:Strings
1158:celesta
1133:tam-tam
1129:cymbals
1117:timpani
1035:piccolo
1005:Elektra
983:Elektra
708:Mycenae
687:Elektra
683:Aegisth
634:Please
627:may be
474:Orestes
472:Orest (
366:soprano
354:Electra
282:at the
264:Elektra
256:Elektra
245:Elektra
235:Elektra
229:Elektra
217:Electra
197:Orestes
181:Elektra
168:Electra
153:History
143:Elektra
115:Elektra
94: (
81:Electra
22:Elektra
3195:Operas
3140:Portal
3037:(wife)
2995:(1928)
2987:(1903)
2979:(1889)
2971:(1884)
2960:Choral
2939:(1918)
2929:(1918)
2732:Lieder
2723:(1897)
2715:(1888)
2703:(1883)
2697:(1881)
2672:(1903)
2664:(1898)
2654:(1897)
2646:(1896)
2636:(1895)
2628:(1889)
2620:(1888)
2612:(1888)
2604:(1886)
2583:(1947)
2577:(1945)
2571:(1945)
2563:(1942)
2557:(1941)
2551:(1940)
2543:(1936)
2533:(1924)
2527:(1923)
2483:(1880)
2466:(1940)
2458:(1924)
2448:(1914)
2414:(1940)
2404:(1938)
2401:Daphne
2396:(1938)
2386:(1935)
2363:(1928)
2353:(1924)
2277:Salome
2272:(1901)
2262:(1894)
2249:Operas
2026:Operas
2018:(2010)
2010:(1984)
2002:(1975)
1994:(1974)
1986:(1969)
1978:(1965)
1975:Sandra
1970:(1962)
1962:(1947)
1904:Family
1829:
1693:
1641:
1570:
1426:
1356:
1182:cellos
1178:violas
1115:: 6–8
1000:Salome
515:tenor
334:Roles
260:Salome
240:Salome
67:German
48:, 1909
3154:Opera
3127:Audio
2007:Ellie
1951:Films
1817:, in
1738:(PDF)
1541:'
1509:7 May
1395:7 May
1170:harps
1090:), 6
1084:horns
1080:Brass
1043:oboes
1039:flute
691:Orest
497:bass
448:tenor
314:Roles
140:drama
124:opera
28:Opera
1827:ISBN
1754:2019
1720:2019
1691:ISBN
1621:2019
1581:2011
1568:ISBN
1511:2016
1437:2011
1424:ISBN
1397:2016
1382:"An
1367:2020
1354:ISBN
1257:, a
1168:: 2
1108:tuba
1098:, 3
1082:: 8
1069:, 3
1057:, 4
720:Troy
697:Plot
463:bass
175:and
2173:Art
1500:doi
1464:doi
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1049:),
509:),
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409:or
400:),
356:),
227:of
215:'s
134:by
126:by
120:Op.
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