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Elizabeth Jane Gardner

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153: 421: 433: 467: 447: 33: 1196: 1182: 364:. She was an astute businesswoman and an excellent linguist, switching easily from her native English to French, Italian or German in order to make her guests and potential clients feel at ease. She excelled in the social graces and knew how to manage publicity and nurture relationships that would help further her career. Her ability to work her way into the social networks in Paris earned her sales and portrait commissions. 276:. This school was known as the most prestigious art academy in Paris. Her application was rejected. Like most if not all art establishments at that time the school was male only. The ban on women's applications was not lifted until 1897, thirty-five years after Gardner had applied. However, Gardner did not give up. She continued to enroll in private classes and to build an outstanding portfolio of art work. 1224: 1210: 383:. This painting depicts an intimate, whispered secret between two young peasant girls. The painting was given to the Lucy Cobb Institute, an all-girls school in Athens, Georgia. Hung in the drawing room parlor of the school, the work was beloved in the school's collection and was viewed as having a "moralizing purpose" for the young girls enrolled in the finishing school. In 1991, painter, filmmaker and 288:, and Gardner's studio became a place where Americans requested commissioned copies of their favorite European paintings. In a letter to her brother, Gardner noted, "Americans are buying many pictures. I have always had the satisfaction of pleasing those for whom I have painted. One gentleman was so satisfied with a copy I did for him that he paid me more than I asked." She briefly studied with 299:. Also during that time period, her paintings were accepted in 25 Paris Salons. Awarded a gold medal at the 1872 Salon, she became the first woman ever to receive such an honor. Gardner Bouguereau's works were accepted to the Salon more than any other woman painter in history and more than all but a few of the men. 347:
later recalled that she had "interesting memories...of Bouguereau's studio, where we used to go often, and where was also Miss Jennie Gardner of Exeter, New Hampshire, whom he either married or didn't marry – I have forgotten the details. There was a certain glamour of that young woman of Puritan
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was widely known and discussed within the Parisian artistic community. They made no secret of their relationship over the course of an engagement that was to last seventeen years. The couple courted for seventeen years because they had a great fear of crossing Bougereau's mother. When she died in
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The biggest challenge to her training was the restriction on women studying anatomy from nude models. She circumvented this restriction by donning male attire to gain admittance to the all-male drawing school at Manufacture Nationale des Gobelins et de la Savonnerie. In 1873, Gardner was finally
263:, Massachusetts, where she studied art and languages, learning English, French, Italian and German. She graduated in 1856 and spent the next few years teaching French at a newly opened school in Worcester, Massachusetts. In 1864, after teaching art at Lasell Seminary, she and 204:, channeling his style so successfully that some of her work might be mistaken for his. In fact, she was quoted as saying, "I know I am censured for not more boldly asserting my individuality, but I would rather be known as the best imitator of Bouguereau than be nobody!" 200:(1825–1905). After Bouguereau's wife died, Gardner became his paramour and after the death of his mother, who bitterly opposed the union, she married him in 1896. She adopted his subjects, compositions, and even his smooth 267:
left for France. To pay her rent, she spent her time copying paintings by contemporary artists and older masters in prestigious galleries. Later, in the autumn of that year, Gardner decided to apply to the
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Pearo, Charles. "Elizabeth Jane Gardner (1837–1922): Tracing the Construction of Artistic Identity" (Dissertation, University of Pittsburgh, 2002).
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birth, a contemporary of my Puritan aunts, living there in the Latin Quarter and doing something that all Paris talked about."
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1896 at the age of 91, the couple did not waste any time in getting married. Mary French, wife of the American sculptor
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Soon after Gardner arrived in Paris with her former teacher, Imogene Robinson, she began copying pictures at the
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Fidell-Beaufort, "Elizabeth Jane Gardner Bouguereau: A Parisian Artist from New Hampshire," Archives of
184:. She was an American expatriate who died in Paris where she had lived most of her life. She studied in 803: 753: 412: 339: 289: 197: 162: 128: 1002: 882: 260: 103: 1098: 466: 930: 388: 264: 540:"New Hampshire's Most Celebrated Artist: Exeter's Elizabeth Jane (Gardner) Bouguereau (1837-1922)" 176:(October 4, 1837 – January 28, 1922) was an American academic and salon painter, who was born in 271: 211:(1895), which shows the young shepherd with the lamb he has rescued. Among her other works were 285: 1262: 1042: 986: 962: 842: 818: 658: 392: 384: 380: 344: 308: 193: 177: 94: 62: 906: 609: 1257: 1252: 1130: 970: 361: 255:
Gardner first attended the Young Ladies' Female Academy in Exeter and then moved on to the
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Pearo, Charles. "Elizabeth Jane Gardner: 'the Best Imitator of Bouguereau'." In
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before leaving in 1865 to join an independent cooperative women's studio.
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In the Studios of Paris: William Bouguereau and His American Students
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Gardner's work bears a strong resemblance to that of her husband,
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In 1868, Gardner was the first American woman to exhibit at the
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This article incorporates text from a publication now in the
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appropriated Gardner's painting and several others from the
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Gardner was very independent and feisty. Like the artist
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Athens, GA: Georgia Museum of Art. 505:National Museum of Women in the Arts 303:admitted to the previously all-male 607: 501:"Elizabeth Jane Gardner Bouguereau" 486: 13: 538:Brown, Janice (November 2, 2015). 14: 1314: 1268:People from Exeter, New Hampshire 712: 207:Gardner's best known work may be 174:Elizabeth Jane Gardner Bouguereau 1222: 1208: 1195: 1194: 1180: 465: 445: 431: 419: 719:Works by Elizabeth Jane Gardner 681: 196:(1836–1911), and finally under 140: 1288:20th-century American painters 1283:19th-century American painters 1278:American expatriates in France 745:New International Encyclopedia 651: 640: 595:One Hundred American Paintings 531: 518: 93:Young Ladies' Female Academy, 1: 706:Americans in Paris: 1860–1900 479: 399:'s song "Low" from the album 209:The Shepherd David Triumphant 188:under the figurative painter 38: 1011:Cupid and Psyche as Children 338:Gardner's relationship with 334:Relationship with Bouguereau 328:World's Columbian Exposition 251:Early life and art education 7: 1273:Painters from New Hampshire 633:Dictionary of Women Artists 10: 1319: 1215:William-Adolphe Bouguereau 804:William-Adolphe Bouguereau 704:Adler, Hirscher, Weinberg, 455:– Similar to Bouguereau's 413:William-Adolphe Bouguereau 406: 340:William-Adolphe Bouguereau 290:Jean-Baptiste-Ange Tissier 198:William-Adolphe Bouguereau 163:William-Adolphe Bouguereau 129:William-Adolphe Bouguereau 1174: 1113: 1085: 883:Breton Brother and Sister 810: 728:Biography, fineoldart.com 593:Manoguerra, Paul (2011). 368:Cultural significance of 307:, where she studied with 279: 270: 122: 112: 86: 70: 48: 30: 23: 1051:The Virgin of the Lilies 389:James Herbert (director) 362:Gobelins tapestry works 217:Cornelia and Her Jewels 1099:François-Edouard Picot 1093:Elizabeth Jane Gardner 939:The Song of the Angels 647:R.E.M. video for "Low" 566:Letter to John Gardner 330:in Chicago, Illinois. 257:Lasell Female Seminary 247:, and some portraits. 170: 100:Lasell Female Seminary 25:Elizabeth Jane Gardner 1303:Lasell College alumni 963:The Young Shepherdess 819:Equality Before Death 663:civilwarwomenblog.com 393:Georgia Museum of Art 385:University of Georgia 381:Georgia Museum of Art 345:Daniel Chester French 309:Jules-Joseph Lefebvre 241:The Farmer's Daughter 194:Jules Joseph Lefebvre 155: 63:Exeter, New Hampshire 1131:Elizabeth Bouguereau 971:The Return of Spring 699:American Art Journal 630:Gaze, Delia (1997). 426:La Confidence (1880) 324:The Woman's Building 272:École des Beaux-Arts 1151:Henry Ossawa Tanner 1126:Eanger Irving Couse 1059:Queen of the Angels 987:Whisperings of Love 875:Maternal Admiration 524:Wissman, Fronia E. 352:Personal attributes 320:Palace of Fine Arts 1105:Art Renewal Center 979:The First Mourning 923:The Birth of Venus 851:Alone in the World 723:Art Renewal Center 473:The Imprudent Girl 439:David the Shepherd 245:The Breton Wedding 171: 1240: 1239: 1067:A Dream of Spring 955:The Nut Gatherers 867:The Knitting Girl 761:Missing or empty 754:cite encyclopedia 286:Luxembourg Museum 233:Daphnis and Chloe 150: 149: 1310: 1227: 1226: 1225: 1213: 1212: 1211: 1199: 1198: 1197: 1185: 1184: 1183: 1043:Work Interrupted 1027:A Little Coaxing 899:Flora and Zephyr 891:Nymphs and Satyr 859:The Elder Sister 827:Dante and Virgil 797: 790: 783: 774: 773: 770: 764: 759: 757: 749: 675: 674: 672: 670: 665:. 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Index


Exeter, New Hampshire
Exeter, NH
Lasell Female Seminary
Auburndale, MA
Painting
William-Adolphe Bouguereau

Portrait de Mademoiselle Elizabeth Gardner
William-Adolphe Bouguereau
Chimei Museum
Exeter
New Hampshire
Paris
Hugues Merle
Jules Joseph Lefebvre
William-Adolphe Bouguereau
facture
Lasell Female Seminary
Auburndale
Imogene Robinson
École des Beaux-Arts
Luxembourg Museum
Jean-Baptiste-Ange Tissier
Paris Salon
Académie Julian
Jules-Joseph Lefebvre
exhibited
Palace of Fine Arts
The Woman's Building

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