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Elmo's World

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473: 553: 2378: 269:. It always comes last and premiered on November 16, 1998, as part of a broader structural change to the show. It originally lasted fifteen minutes at the end of each episode. The segment ran until 2009, and then returned in 2017. The segment was designed to appeal to younger viewers and to increase ratings, which had fallen in the past decade. The segment is presented from the perspective of a three-year-old child as represented by its host, the Muppet 399:
three and five, their viewers had become more sophisticated since its debut and began to watch the show sooner, as early as ten months of age. The producers found that the show's original format, which consisted of a series of short clips similar to the structure of a magazine, was not necessarily the most effective way to hold young viewers' attention. They also found that their viewers, especially the younger ones, lost attention with
564: 575: 500:, with animation and digital effects added later. For more complicated shots that showed Elmo's entire body, a puppet called "Active Elmo" was operated with assistance from other puppeteers; the puppet was also filmed in front of a blue screen and edited later. Visual effects for the series were provided by 495:
and then by Ryan Dillon after its revamp in 2017, moving between and combining two worlds of live action and computer-generated animation, which looked like "a child's squiggly crayon drawing come to life" created by the host, and with "a stream-of-consciousness feel to it". The segment was filmed at
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and executive producer Arlene Sherman helped develop it. In contrast with the realism of the rest of the show, the segment presented Elmo moving between and combining a live action world and a computer-generated animated world, which looked like "a child's squiggly crayon drawing come to life", with
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followed the same structure each episode, and depended heavily on repetition. It focused on child-centered topics such as balls and dancing, from the perspective of a three-year-old child, and was "designed to foster exploration, imagination, and curiosity". Instead of an adult providing narration,
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s content and structure, and studied how children's viewing habits had changed. The analysis was conducted during a series of two-week-long workshops and was completed in time for the show's 30th anniversary in 1999. The CTW found that although the show was produced for children between the ages of
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ended, but was prevented by the apparent satisfaction of the viewers and by tight budgets. They were also reluctant to replace the segment; as writer Joey Mazzarino explained, it was "an emotionally charged process" because Freudberg had become ill and was not present for the discussions about it.
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were silent in order to allow Elmo to do all the talking, and to give children the opportunity to respond to what they saw on the screen. Dorothy's silence allowed children to fill in the blanks, and her curiosity, which was created and enhanced by Elmo's imagination, allowed the writers and
535:. They found that the segment had high appeal for children, regardless of their age, sex, and socioeconomic background. Attention and participation such as hand-clapping, moving along with the music, and counting along with the characters increased with repeated viewing. 675:, have played two more of Mr. Noodle's brothers. According to Freudberg, "Mr. Noodle, who never speaks, is all about trial and error. When you throw him a hat, he acts like he's never seen one before. Kids feel empowered watching him because they can do what he can't." 443:
TV critic Tim Goodman called it, "deconstructing" the show. They changed the structure of the entire show to a more narrative format, making the show easier for young children to navigate. Arlene Sherman, a co-executive producer for 25 years and one of the creators of
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had been on the air for over 20 years and was, as author Michael Davis put it, "the undisputed heavyweight champion of preschool television". The show's dominance began to be challenged throughout the decade by other television shows for preschoolers such as
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began taking steps to increase the age of their viewers and to increase their ratings. By the end of the show's 40th anniversary in 2009, 3-year-old viewers had increased by 41 percent, 4-year-olds by 4 percent, and 5-year-olds by 21 percent. According to
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researchers to insert the curriculum lessons they want to convey. Up to nine goldfish were used per episode, so they could be replaced when necessary. Several fish were needed each season, and the surviving Dorothys were given good homes afterwards.
628:"a colorful, lively celebration of creativity" and "one of the most imaginative endeavors I've ever been involved in". He stated that the segment provided him with new challenges and opportunities for "creative risk-taking". 517:
called it "a show within a show". Clash called it "a playdate between the child and Elmo", and felt that its intimacy provided an effective teaching tool. He also called it "an instant success". Davis compared
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further developed the idea with her. Freudberg stated that the concept "was radical because we had never veered from that magazine mosaic and had never given any character more than another character to do".
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s producers went further in changing the show to reflect its younger demographic and increase in their viewers' sophistication. They decided, after the show's 33rd season, to expand upon the
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Fisch, Shalom M. and Lewis Bernstein (2001). "Formative Research Revealed: Methodological and Process Issues in Formative Research", In Shalom M. Fisch & Rosemarie T. Truglio.
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included Emily Kingsley and Molly Boylan. The theme song was based upon a song Geiss wrote called "Elmo's Song", with lyrics changed to fit the segment. Writer Louise Gikow and
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The segment was developed out of a series of workshops that studied changes in the viewing habits of Sesame Street's audience, and the reasons for the show's lower ratings.
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returned, in a newly designed segment that ran five minutes at the end of each episode. Steve Youngwood, the Sesame Workshop's CEO, called it "fresh, contemporary".
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came up with the idea of creating a segment with "an entirely different format" from the rest of the show during the CTW's workshops, and writer
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came up with the idea of creating a less-realistic setting compared to the rest of the show. The segment presented Elmo, first portrayed by
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The actors who have played members of the Noodle family: Bill Irwin, Michael Jeter, Kristin Chenoweth, Sarah Jones, and Daveed Diggs
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called a "phenomenon" until Clash took over the role in 1983. Elmo became, as writer Michael Davis reported, "the embodiment" of
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s producers changed the rest of the show to reflect its younger demographic and the increase in their viewers' sophistication.
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At first, the same segment was repeated daily for a week, but this practice was dropped at the end of the first season of
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to replace Irwin as Mr. Noodle's brother Mr. Noodle. Jeter was in the role beginning in 2000, until his death in 2003.
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The CTW, as it has done throughout its existence and for all the shows it produced, conducted extensive studies on
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The first way the CTW addressed the issues brought up by their research was by lowering the target age for
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My Life as a Furry Red Monster: What Being Elmo has Taught Me About Life, Love and Laughing Out Loud.
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s younger viewers. Elmo was created in 1979 and was performed by various puppeteers, including
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For the first time since the show debuted, the producers and a team of researchers analyzed
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played Mr. Noodle's other sister Miss Noodle in the episode "Helping". As of January 2017,
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in 2012, and returned in 2017. The show is alternated by two more Elmo-centered segments,
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temporarily wrapped production in 2009, on the tenth and final season, the producers of
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used traditional production elements, but had a more sustained narrative. In 2002,
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is a segment that is shown in the American children's television program
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The Monster at the End of This Book: Starring Lovable, Furry Old Grover
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a different time than the rest of the season, much of it in front of a
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Sunny Days: The Children's Television Revolution That Changed America
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The CTW changed its name to the Sesame Workshop (SW) in June 2000.
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Five of the actors playing members of the Noodle family have won
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Sesame Street: A Celebration— Forty Years of Life on the Street.
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Segment shown in the children's television program Sesame Street
144:"Elmo's World Theme Song" (sung to "Elmo's Song" prior to 2017) 785: 504:(1998 to 1999), Protozoa (2000), and Celefex (2001 to 2009). 1265:
Clash, Kevin, Gary Brozek, and Louis Henry Mitchell (2006).
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In addition to Freudberg and Geiss, other writers of
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Children and Television: Lessons from Sesame Street
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It was replaced by 1303:Mahweh, New Jersey: Lawrence Erlbaum Publishers. 1247:Elmo's World at official sesamestreet.org website 612:, but did not become what his eventual portrayer 2394: 1317:New York: Black Dog & Leventhal Publishers. 725:began airing on the cable subscription service 678: 2473:American preschool education television series 1916:Sesame Street... 20 Years & Still Counting 2483:Television controversies in the United States 1351: 985: 983: 522:with the Saturday Morning children's TV show 2478:American television shows featuring puppetry 2012:Sesame Street's 50th Anniversary Celebration 1684:One of These Things (Is Not Like the Others) 1217: 1170:"'Sesame Street' Will Revive 'Elmo's World'" 1163: 1161: 1017: 1015: 1013: 1011: 962:Whitlock, Natalie Walker (16 October 2006). 2468:2020s preschool education television series 2463:2010s preschool education television series 2458:2000s preschool education television series 2453:1990s preschool education television series 1095: 1093: 957: 955: 953: 951: 941: 939: 937: 927: 925: 923: 921: 919: 917: 863: 861: 859: 857: 855: 663:played Mr. Noodle's sister Ms. Noodle, and 1358: 1344: 1067: 1065: 1063: 980: 898: 896: 894: 827: 825: 823: 821: 819: 817: 815: 813: 451: 217:Children's Television Workshop (1998–2000) 1167: 1158: 1008: 880:. Muppet Central.com. Reuters. 2000-06-05 631:According to Clash and Gikow, Elmo's pet 2265:Street Gang: How We Got to Sesame Street 1090: 961: 948: 934: 914: 852: 471: 2428:2021 American television series endings 2418:2009 American television series endings 2258:I Am Big Bird: The Caroll Spinney Story 1192: 1112:. 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(2012-06-16). 2488:Television series about children 2377: 2376: 1072:Jensen, Elizabeth (2012-09-13). 911:Fisch & Bernstein, pp. 44–45 573: 562: 551: 192:64 (+ 3 specials) (original run) 154:"The Happy Dance" (2017–present) 1817:The Not-Too-Late Show with Elmo 1330:Archive of American Television. 1211: 1186: 1168:Steinberg, Brian (2016-10-17). 1149: 1140: 1131: 1122: 1102: 1051: 1042: 1033: 1024: 791: 778: 765: 752: 136:Deborah Grausman (2017–present) 2055:Happy Birthday, Cookie Monster 2020:Sesame Street: Elmo's Playdate 1860:Christmas Eve on Sesame Street 1607:Snuffy's Parents Get a Divorce 1259: 905: 870: 843: 834: 743: 386:Children's Television Workshop 186: 175: 1: 2212:Sesame Street 4-D Movie Magic 804: 538: 343: 2088:The Sesame Street Dictionary 1940:Sesame Street Stays Up Late! 1594:International co-productions 1327:Herman, Karen (2004-07-20). 1287:. 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(2009). 643:Mr. Noodle was played by 231: 226: 213: 203: 198: 185: 174: 166: 158: 148: 140: 127: 92: 78: 67: 50: 30: 23: 1271:New York: Random House. 403:after 40 to 45 minutes. 2361:Kaufman Astoria Studios 2178:Kinect Sesame Street TV 1281:Davis, Michael (2008). 996:San Francisco Chronicle 452:Development and filming 440:San Francisco Chronicle 414:, hosted by the Muppet 350:Format of Sesame Street 2403:Sesame Street segments 2289:The Jim Henson Company 2074:Sesame Street Magazine 1900:Sesame Street, Special 1884:Don't Eat the Pictures 1844:Julie on Sesame Street 1758:The Great Muppet Caper 624:segment. 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Index

Children's show
Educational
Puppet show
Elmo
Sesame Street
Judy Freudberg
Kevin Clash
Ryan Dillon
Bill Irwin
Michael Jeter
Kristin Chenoweth
Daniel Koren
Daveed Diggs
Ilana Glazer
Andrea Martin
Sesame Workshop
Sesame Street
Elmo
Kevin Clash
Ryan Dillon
Judy Freudberg
Tony Geiss
Elmo: The Musical
Format of Sesame Street
Barney & Friends
Blue's Clues
Teletubbies
Children's Television Workshop
Elmo
San Francisco Chronicle

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