116:, to which he contributed several works. De la Iglesia took risks in his films that captured the struggles of the underclass, portraying the everyday, unidealized lives of powerless characters portrayed genuinely with flaws and vices. They are an example of commitment to the immediate reality, going against the conformist outlook of most movies of its time. Beyond their debatable aesthetic merits, his film served as a document of the Spanish marginality of the late seventies and early eighties, and they have the stamp of his strong personality.
389:, 1984). These films made an effort to connect with a popular audience in a direct and unpretentious style. His formula for success involved young non-professional actors, topical themes, a modest budget, and usually on location shooting. From the last years of the 1970s to the early 1980s, de la Iglesia was one of Spain's more commercial successful film directors, but film critics were usually harsh in the appreciation of his work.
31:
263:"I talk about the world of which the majority of filmmakers do not care to speak, the marginal world. I am a most unopportunistic filmmaker. I am the one who always wants to make the films that are not supposed to be made. I’m the one interested in the subjects that everyone else has agreed not to talk about."
200:
During the early 1970s, de la
Iglesia was a member of the Spanish Communist Party; his films of this period reflected his beliefs and often centered on violent forms of social protest. His political leanings and the lurid subjects of his film made him a controversial filmmaker facing many problems
111:
De la
Iglesia was an outspoken gay and socialist filmmaker who is relatively unknown outside Spain despite a prolific and successful career in his native country. He is best remembered for having portrayed urban marginality and the world of drugs and juvenile delinquency, with many of his films
434:
Like many of the young protagonists of his films, de la iglesia became addicted to drugs such as heroin, and he stopped making films for 15 years. Claiming that his addiction to cinema was stronger than his drug problems, de la
Iglesia eventually kicked his habit and resumed his career making
136:, but he abandoned it to direct children's theater. By age 20, he had written and directed many works for television sharpening his narrative skills. He established himself as a writer of children's television programs for
189:, 1969), a boxing story, faced problems with the Francoist censors and failed at the box office. His films did not attract widespread notice until his fourth effort, the critically acclaimed thriller
1185:
132:, but he could not enter Spain's national film school because he wasn't yet 21, the minimum age required for admission. Instead, he began to study philosophy and literature at the
128:, GuipĂşzcoa into a wealthy Basque family, he grew up in Madrid. His desire to follow a career in filmmaking initially was thwarted. He attended courses at the prestigious Parisian
1072:
349:
De la
Iglesia's subsequent films, written in collaboration with Gonzalo Goicoechea, were centered in social problems such as juvenile delinquency and drug addiction, such as
274:
The dismantling of the
Francoist censorship allowed de la Iglesia to increase sexually charged tones in his works. This approach became apparent in his films:
129:
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1245:
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dealing with the theme of homosexuality. Part of his work is closely related to the phenomenon popularly known in Spain as
325:), also released in 1979, deals with a conservative, Catholic priest whose sexual obsessions lead him to self-mutilation.
228:, 1972), leaving stylistic and structural academicism aside. He defined a sharp style, torn and impressionistic. His film
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1073:"allece el director de cine Eloy de la Iglesia, retratista de la marginalidad y el mundo de la droga"
451:
248:
295:
In the late 1970s, de la
Iglesia, collaborated with journalist and screen riter Gonzalo Goicoechea.
552:
1133:
Images in the Dark: An
Encyclopedia of Gay and Lesbian Film and Video Guide to the Cinema of Spain
450:, he died on 23 March 2006, age 62, after surgery to remove a malignant tumor. He was cremated at
315:, 1979), follows the story of a politician who is blackmailed due to his secret homosexuality and
426:, continued de la Iglesia's commercial success, but it was not well received by Spanish critics.
328:
With the arrival of the 1980s, de La
Iglesia explored the theme of urban insecurity in his film
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443:, 2003), a film based on the novel of the same title written by Eduardo Mendicutti.
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165:. While doing mandatory military service, he wrote the script of his second film,
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108:(1 January 1944 – 23 March 2006) was a Spanish screenwriter and film director.
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410:'s novel, de la Iglesia returned to the subject of juvenile delinquency in
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De la
Iglesia made his debut as film director when he was age 22 with
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Film directors from the Basque
Country (autonomous community)
208:
He approached the horror genre in his two following films:
137:
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395:
became the director's biggest success at the box office.
1013:"Eloy de la Iglesia, un director popular y comprometido"
242:, a mixed of futuristic thriller, took some cues from
336:, 1980) and he mixed sex, politics and violence in
1177:
1045:"Muere el realizador de cine Eloy de la Iglesia"
418:, 1987), this time employing a humorous tone.
398:After the critical and commercial failure of
130:Institut des hautes études cinématographiques
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977:
950:
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153:, 1966), adapting three children's stories:
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1119:Historical Dictionary of Spanish Cinema
922:based on a novel by Eduardo Mendicutti
119:
1178:
231:Una gota de sangre para seguir amando
616:Una gota de sangre para morir amando
1039:
13:
1246:Deaths from kidney cancer in Spain
1226:20th-century Spanish screenwriters
305:, 1977) focused on homosexuality.
14:
1257:
1241:20th-century Spanish LGBTQ people
1231:20th-century Spanish male writers
1160:
45:Eloy Germán de la Iglesia Diéguez
259:
134:Complutense University of Madrid
986:Diccionario Espasa Cine Español
1065:
1033:
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500:The Three Hairs from the Devil
201:with the Spanish censor under
159:The three hairs from the devil
1:
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429:
416:The Tobacconist from Vallecas
1201:Spanish LGBTQ film directors
1147:Diccionario del cine Español
1105:Guide to the Cinema of Spain
1000:Guide to the Cinema of Spain
956:Guide to the Cinema of Spain
706:Confessions of a Congressman
313:Confessions of a Congressman
7:
1196:Spanish LGBTQ screenwriters
1081:(in Spanish). 24 March 2006
1021:(in Spanish). 23 March 2006
10:
1262:
1191:Spanish male screenwriters
1135:. TLA Publications, 1994,
899:José Luis Alonso de Santos
424:José Luis Alonso de Santos
406:, 1985), loosely based on
267:
262:
179:, a sordid melodrama, and
1121:. Scarecrow press, 2010.
1107:. Greenwood Press, 1997.
893:La estanquera de Vallecas
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452:Cementerio de la Almudena
420:La Estanquera de vallecas
412:La Estanquera de vallecas
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515:Something Bitter Tasting
494:Made of three episodes:
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171:Something Bitter Tasting
138:RadiotelevisĂon Española
743:Fear to go out at Night
633:Juego de amor prohibido
591:No One Heard the Scream
458:Filmography as director
334:Fear to Go Out at Night
280:Games of Forbbiden Love
276:Juego de amor prohibido
256:Films of the transition
226:No One Heard the Scream
1149:, Espasa Calpe, 1994,
887:Hostages in the Barrio
748:Miedo a salir de noche
628:Game of Forbidden Love
610:Murder in a Blue World
521:Algo amargo en la boca
330:Miedo a salir de noche
238:, 1973), written with
236:Murder in a Blue World
177:Algo Amargo en la Boca
167:Algo Amargo en la Boca
875:The Turn of the Screw
864:Otra vuelta de tuerca
859:The Turn of the Screw
767:La mujer del ministro
578:La semana del asesino
422:, based on a play by
404:The Turn of the Screw
400:Otra vuelta de tuerca
339:La mujer del ministro
210:La semana del asesino
35:De la Iglesia in 2001
693:Los placeres ocultos
441:The Bulgarian Lovers
298:Los placeres ocultos
120:Early life and films
16:Spanish screenwriter
1236:People from Zarautz
1221:Spanish gay writers
918:Los novios bĂşlgaros
897:based on a play by
761:The Minister’s Wife
559:El techo de cristal
496:The Maid of the Sea
437:Los novios bulgaros
344:The Minister's wife
268:Eloy de la Iglesia
191:El Techo de Cristal
155:The Maid of the Sea
1167:Eloy de la Iglesia
969:Images in the Dark
249:A Clockwork Orange
106:Eloy de la Iglesia
23:Eloy de la Iglesia
1206:Gay screenwriters
1145:Torres, Augusto.
1131:Murray, Raymond.
1043:(24 March 2006).
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646:The Other Bedroom
553:The Glass Ceiling
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597:Nadie oyĂł gritar
572:The Cannibal Man
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215:The Cannibal Man
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70:23 March 2006
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1083:. Retrieved
1078:Europa Press
1076:
1067:
1055:. Retrieved
1053:(in Spanish)
1048:
1035:
1023:. Retrieved
1016:
1007:
999:
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839:The Needle 2
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72:(2006-03-23)
1216:2006 deaths
1211:1944 births
870:Henry James
712:El diputado
672:La criatura
534:Boxing Ring
408:Henry James
308:El diputado
205:'s régime.
187:Boxing Ring
1180:Categories
1141:1880707012
1098:References
818:The Needle
725:The Priest
490:FantasĂa 3
430:Last years
377:The Needle
346:, 1981).
323:The Priest
146:Fantasia 3
86:Occupation
51:1944-01-01
1085:9 October
1057:9 October
1025:9 October
872:'s novel
868:based on
845:El pico 2
786:Navajeros
484:Fantasy 3
382:El pico 2
369:, 1982),
359:, 1980),
352:Navajeros
292:, 1976).
197:, 1970).
173:, 1968).
151:Fantasy 3
99:1966–2003
90:Filmmaker
1002:, p. 169
998:D’Lugo,
988:, p. 251
983:Torres,
967:Murray,
958:, p. 168
954:D’Lugo,
124:Born in
1018:El PaĂs
971:, p. 40
824:El pico
805:Colegas
780:Knifers
392:El pico
372:El pico
362:Colegas
357:Knifers
80:, Spain
61:, Spain
59:Zarautz
1153:
1139:
1125:
1111:
474:Notes
126:Zarauz
78:Madrid
933:Notes
907:2003
882:1987
855:1985
834:1984
813:1983
794:1982
775:1981
756:1981
739:1980
720:1979
701:1979
682:1977
660:1977
641:1976
624:1975
605:1973
586:1973
567:1972
548:1971
529:1970
510:1969
479:1966
465:Year
1171:IMDb
1151:ISBN
1137:ISBN
1123:ISBN
1109:ISBN
1087:2023
1059:2023
1027:2023
799:Pals
502:and
367:Pals
161:and
67:Died
41:Born
1169:at
1041:EFE
246:'s
1182::
1075:.
1047:.
1015:.
976:^
941:^
498:,
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