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by John Sharpe states "It is
Yamamoto who provides the best entry point, as she is not afraid to inject structure into the understated free form with her strong rhythmic foundation and bluesy intonation... Dickey is a master of multiple and implied rhythms, shifting in and out of time to a point that
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recorded in 2009 and released on the Polish Not Two label. It features eight collective improvisations by a trio which includes
Japanese pianist Eri Yamamoto and multi-instrumentalist
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a dreamlike quality pervades the music, compounded by his richly detailed touches, making full use of space for dramatic effect."
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Years given are for the recording(s), not first release, unless stated otherwise.
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186:. Yamamoto and Carter played together previously on
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213:All compositions by Carter/Yamamoto/Dickey
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190:, a collection of duets by the pianist.
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178:is an album by American jazz drummer
16:2009 studio album by Whit Dickey
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513:Not Two Records albums
240:"Plum Blossom" – 7:07
219:"Conversation" – 6:03
237:"Last Taste" – 7:49
228:"Convection" – 6:02
68:Park West Studios,
508:Whit Dickey albums
304:2014-10-28 at the
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122:, Marek Winiarski
60:February 24, 2009
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234:"Twirls" – 10:13
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306:Wayback Machine
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267:Eri Yamamoto –
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231:"Rocker" – 5:54
225:"Mobile" – 7:36
222:"Get Up" – 8:40
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37:Studio album
503:2009 albums
472:Live albums
413:Coalescence
365:Whit Dickey
274:Whit Dickey
180:Whit Dickey
128:Whit Dickey
120:Whit Dickey
42:Whit Dickey
497:Categories
458:Mat Maneri
405:Life Cycle
308:at Not Two
284:References
130:chronology
437:Emergence
389:Transonic
320:Emergence
298:Emergence
245:Personnel
194:Reception
175:Emergence
150:Emergence
22:Emergence
302:Archived
188:Duologue
115:Producer
57:Recorded
49:Released
39: by
464:, 2016)
397:Big Top
259:trumpet
163:(2016)
154:(2009)
145:(2006)
109:Not Two
483:(2002)
456:(with
448:(2015)
440:(2009)
432:(2004)
424:(2004)
416:(2003)
408:(2000)
400:(1999)
392:(1997)
322:review
88:Length
65:Studio
278:drums
269:piano
263:flute
255:reeds
105:Label
77:Genre
460:and
198:The
82:Jazz
52:2009
324:at
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276:–
261:,
257:,
253:–
97:24
93:59
357:e
350:t
343:v
95::
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