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chocolate company. In 1898, he headed the “Committee for the
Procurement and Monitoring of Artistic Stollwerck Pictures” (Komité zur Beschaffung und Ueberwachung künstlerischer Stollwerck-Bilder), founded by
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in Berlin. Upon graduating, in 1873, he worked as a free-lance illustrator. From 1876 to 1877, he took further lessons at the
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75:. He was also Emil's first teacher. Heraldry was among his earliest interests, but he also created landscapes and
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125:(books have their destiny), the motto of the German publishing industry. He was promoted to Professor in 1889.
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began employing it for the same purposes. His designs also serve as the coats-of-arms for the cities of
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286:– Wissenschaftliche Dienste (ed.), No. 83/08 (12 December 2008), p. 1.
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In 1899, he designed several variations of the company name, in an
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182:. He married Hirsch in 1909. They had no children.
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51:) was a German illustrator, graphic artist, and
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321:. Berlin : Reimer, 2000, pg.82 ff.
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117:Börsenverein des Deutschen Buchhandels
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366:Literature by and about Emil Doepler
359:Walhall: Die Götterwelt der Germanen
333:Graphic Design in Germany: 1890-1945
317:"Doepler, Emil", in: Detlef Lorenz:
148:. Other committee members included
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416:People from the Kingdom of Bavaria
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167:font. Later, one of his students,
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236:for official vehicles. In 1949,
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55:. He is usually referred to as
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16:German artist (1855–1922)
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362:by Wilhelm Ranisch, 1905
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370:German National Library
122:Habent sua fata libelli
47:– 21 December 1922, in
188:Designs for Stollwerck
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43:(29 October 1855, in
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406:Artists from Munich
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331:Aynsley, Jeremy,
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169:Elli Hirsch
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77:still-lifes
57:The Younger
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380:Categories
252:References
230:escutcheon
202:Earthquake
134:Stollwerck
372:catalogue
53:heraldist
368:in the
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