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Emil Doepler

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chocolate company. In 1898, he headed the “Committee for the Procurement and Monitoring of Artistic Stollwerck Pictures” (Komité zur Beschaffung und Ueberwachung künstlerischer Stollwerck-Bilder), founded by
228:, President of the Weimar Republic, declared one of Doepler's designs to be Germany's official coat-of-arms. It served in that function until 1928. After that, it became an 102: 138: 26: 168: 415: 116: 312: 365: 111:
in Berlin. Upon graduating, in 1873, he worked as a free-lance illustrator. From 1876 to 1877, he took further lessons at the
264: 400: 344: 326: 75:. He was also Emil's first teacher. Heraldry was among his earliest interests, but he also created landscapes and 336: 125:(books have their destiny), the motto of the German publishing industry. He was promoted to Professor in 1889. 405: 385: 160:. They also acted as judges for competitions. This was intended to give the cards a higher artistic value. 240:
began employing it for the same purposes. His designs also serve as the coats-of-arms for the cities of
108: 112: 410: 369: 121: 229: 82: 115:. In 1881, he became a teacher at the Museum. In 1888, he designed the coat-of-arms for the 395: 390: 143: 21: 8: 356: 283: 149: 31: 340: 322: 308: 72: 68: 225: 90: 173: 157: 379: 195: 153: 71:, an illustrator and designer, who was head of the costume department at the 237: 209: 178:, combined the lettering with a three-point crown, to create the company's 129: 86: 164: 133: 76: 286:– Wissenschaftliche Dienste (ed.), No. 83/08 (12 December 2008), p. 1. 52: 163:
In 1899, he designed several variations of the company name, in an
245: 233: 48: 44: 241: 232:; used for certain specific ceremonial purposes, such as a 179: 278:
Jana Leichsenring, "Staatssymbole: Der Bundesadler", in:
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Reklamekunst um 1900. KĂĽnstlerlexikon fĂĽr Sammelbilder
182:. He married Hirsch in 1909. They had no children. 128:He also designed advertising materials, signs, and 377: 51:) was a German illustrator, graphic artist, and 301:Aufbruch in die Moderne – Das Exlibris um 1900 321:. Berlin : Reimer, 2000, pg.82 ff. 81: 20: 378: 117:Börsenverein des Deutschen Buchhandels 59:, to distinguish him from his father. 366:Literature by and about Emil Doepler 359:Walhall: Die Götterwelt der Germanen 333:Graphic Design in Germany: 1890-1945 317:"Doepler, Emil", in: Detlef Lorenz: 148:. Other committee members included 13: 416:People from the Kingdom of Bavaria 293: 167:font. Later, one of his students, 14: 427: 350: 266:Ăśber die Veränderung eines Zitats 236:for official vehicles. In 1949, 208: 194: 62: 55:. He is usually referred to as 337:University of California Press 272: 258: 1: 251: 96:From 1870, he studied at the 7: 10: 432: 16:German artist (1855–1922) 401:Art Nouveau illustrators 362:by Wilhelm Ranisch, 1905 113:Prussian Academy of Arts 370:German National Library 122:Habent sua fata libelli 47:– 21 December 1922, in 188:Designs for Stollwerck 109:Arts and Crafts Museum 93: 37: 85: 43:(29 October 1855, in 24: 406:Artists from Munich 386:German illustrators 357:Illustrations from 284:Deutscher Bundestag 98:instructional annex 313:978-3-922 835-19-6 307:, Wiesbaden 1990, 224:In November 1919, 150:Woldemar Friedrich 94: 38: 331:Aynsley, Jeremy, 303:,an article from 280:Aktueller Begriff 139:Ludwig Stollwerck 132:pictures for the 73:Bayreuth Festival 69:Carl Emil Doepler 25:Emil Doepler, by 423: 287: 276: 270: 262: 216:Sir Isaac Newton 212: 198: 177: 147: 106: 35: 431: 430: 426: 425: 424: 422: 421: 420: 376: 375: 353: 296: 294:Further reading 291: 290: 277: 273: 263: 259: 254: 226:Friedrich Ebert 222: 221: 220: 219: 218: 217: 213: 205: 204: 203: 199: 190: 189: 171: 141: 100: 91:Weimar Republic 67:He was born to 65: 29: 27:Wilhelm Fechner 17: 12: 11: 5: 429: 419: 418: 413: 411:German artists 408: 403: 398: 393: 388: 374: 373: 363: 352: 351:External links 349: 348: 347: 329: 315: 305:Die Heraldiker 295: 292: 289: 288: 271: 269:@ Boersenblatt 256: 255: 253: 250: 215: 214: 207: 206: 201: 200: 193: 192: 191: 187: 186: 185: 184: 158:Franz Skarbina 64: 61: 15: 9: 6: 4: 3: 2: 428: 417: 414: 412: 409: 407: 404: 402: 399: 397: 394: 392: 389: 387: 384: 383: 381: 371: 367: 364: 361: 360: 355: 354: 346: 345:0-520-22796-4 342: 338: 334: 330: 328: 327:3-496-01220-X 324: 320: 316: 314: 310: 306: 302: 299:Gernot Blum: 298: 297: 285: 281: 275: 268: 267: 261: 257: 249: 247: 243: 239: 235: 231: 227: 211: 197: 183: 181: 175: 170: 166: 161: 159: 155: 154:Bruno Schmitz 151: 145: 140: 135: 131: 126: 124: 123: 118: 114: 110: 104: 99: 92: 88: 84: 80: 78: 74: 70: 63:Life and work 60: 58: 54: 50: 46: 42: 33: 28: 23: 19: 358: 332: 318: 304: 300: 279: 274: 265: 260: 238:West Germany 223: 162: 130:trading card 127: 120: 119:, featuring 95: 87:Coat-of-Arms 66: 56: 41:Emil Doepler 40: 39: 18: 396:1922 deaths 391:1855 births 172: [ 169:Elli Hirsch 165:Art Nouveau 142: [ 101: [ 77:still-lifes 57:The Younger 30: [ 380:Categories 252:References 230:escutcheon 202:Earthquake 134:Stollwerck 372:catalogue 53:heraldist 368:in the 339:, 2000 107:of the 343:  325:  311:  246:Bochum 234:pennon 49:Berlin 45:Munich 36:(1890) 242:Essen 176:] 146:] 105:] 34:] 341:ISBN 323:ISBN 309:ISBN 244:and 180:logo 156:and 79:. 382:: 335:, 282:, 248:. 174:de 152:, 144:de 103:de 89:, 32:de

Index


Wilhelm Fechner
de
Munich
Berlin
heraldist
Carl Emil Doepler
Bayreuth Festival
still-lifes

Coat-of-Arms
Weimar Republic
instructional annex
de
Arts and Crafts Museum
Prussian Academy of Arts
Börsenverein des Deutschen Buchhandels
Habent sua fata libelli
trading card
Stollwerck
Ludwig Stollwerck
de
Woldemar Friedrich
Bruno Schmitz
Franz Skarbina
Art Nouveau
Elli Hirsch
de
logo

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