707:
3720:
758:. Within this group, women worked together, from all backgrounds, to publish pieces of artwork and writing of unknown women artists, published in a series of magazines and discussions. When speaking on the group, she declared, "And that's what Heresies became for me. All of my disdain for white feminists disappeared, because we were all in the same boat. We just came to the boat from different spaces." She edited the collective's journal
538:
738:, Amos did not become actively involved until the late 1980s. Before this time, in the early 1970s, while raising children, Amos was invited to join a Feminist Group of artists that met in New York City parks. When choosing whether or not to attend, Amos stated, "From what I heard of feminist discussions in the park, the experiences of black women of any
33:
472:" and galleries that only showed work by African Americans, but she came to understand that these were often the only options available to black artists at the time, and also learned how to integrate race and sex politics into her work without her work becoming dominated by the process of political engagement.
654:
sequence of paintings is anecdotal, but the objective of each is the same: to argue constructively against norms in the field of art as well as society. Her responses are reactive and reflexive; she ably uses her paintings as a means to analyze and assess cultural production, authorship, meaning and
771:
and used the pseudonym Zora Neale
Hurston. Amos was also briefly involved with A.I.R. or Artists in Residency Gallery, known for being the first artist-run gallery for women in the United States of America. For numerous years, Amos also attended meetings with the group, Fantastic Women in the Arts.
742:
were left out. I came from a line of working women who were not only mothers, but breadwinners, cultured, educated, and who had been treated as equals by their black husbands. I felt I could not afford to spend precious time away from studio and family to listen to stories so far removed from my
772:
This group also explored the artwork and writings of many female artists, but also focused on how the revolution in the 1960s and 1970s, concerning education on racism and sexism, failed to actually make any difference for black
Americans or women. It is in this group that Amos discussed the
455:
Amos felt that joining Spiral would be useful because she did not know many artists in New York at the time. Amos worked full-time as a designer during the day, and studied full-time in the evenings, and made time to paint on the weekends. In May 1965, Spiral rented a gallery space at 147
780:, and how that was evident in the arts in everyday life. Amos stayed active in her involvement in these issues and providing education to younger generations, however, keeping groups going seemed to her to be the hardest challenge. Amos felt that "artists who are not white, young, and
452:, and the members of the group liked her work enough to invite her to join as their first and only female member. Amos thought it strange that no other women artists were asked to join the group, even though they were acquainted with the members of Spiral.
308:
from
Antioch in 1958, then went back to London for her degree in etching, which she received in 1959 after two years of study. The following year Amos moved to New York City to start working with two printmaking studios. Later on she received her
333:
that she encountered upon moving to New York. Galleries would not accept her under the premise that she was too young to show, and studio teaching jobs rejected her on the grounds that, "We're not hiring right now". Amos was told by both
694:, who were praised for including subjects of color into their work, while African American artists were seemingly expected to paint other subjects of color. Amos incorporated white subjects into her art, particularly images of the
655:
consumption. Amos is quintessentially postmodern because she questions the validity of canonical traditions and institutions that for so long have been biased against the inclusion of women and artists of color, especially blacks.
528:
Her piece
Measuring Measuring (1995) was used as the front cover image for the African American women artists historical text, Creating Their Own Image: The History of the African American Women Artists by Lisa E. Farrington.
292:, which enabled her to visit galleries and museums, which had been less accessible in Atlanta. Her fourth year at Antioch, she went to England and studied at the London Central School of Art, where she learned to
682:
work for a period. After a while she deemed abstraction too easy and arbitrary, so she returned to painting the figure because it was more challenging. This influence remained present in her figurative work.
686:
Amos used her art to explore themes of race and sex, contending that the very act of being black while an artist is political in nature. She cited well-known White, male artists, such as
2918:
2480:
3389:
178:
in 1937 to India DeLaine Amos and Miles Green Amos. She also has an older brother named Larry. Amos took an interest in art at an early age, creating "masses of
3423:
468:
bust that depicted Amos "staring indifferently at the viewer from behind a pair of dark sunglasses." Prior to Spiral, Amos was resistant towards the idea of "
342:
that they were not hiring after she applied for a teaching position. The difficulty of entering work into galleries led her to teach as an assistant at the
760:
3890:
3746:
2616:
525:
a civil rights leader and activist, which is made up of four installations and is located in the Ralph David
Abernathy Memorial Park in Atlanta, GA.
815:
350:
art scene, where she experienced difficulty showing her work in a "man's scene." It was also around this time that Emma Amos began her career as a
3865:
3885:
3875:
3840:
3815:
2718:
3800:
3795:
1887:
3054:
3870:
3860:
2886:
2344:
1116:(2002), Minneapolis Institute of Art; National Gallery of Art, Washington, D.C.; and Princeton University Art Museum, Princeton, New Jersey
2952:
2108:
3880:
3850:
3224:
3190:
2684:
2548:
385:'s Printmaking Workshop. Despite the difficulty African Americans face in entering the art scene, as there is often a lack of access to
3790:
3258:
3321:
3122:
2908:
1158:
480:
3020:
2786:
2468:
2142:
3810:
3805:
3785:
2514:
1302:
321:
Amos moved to New York City after feeling stunted by the slow move of the
Atlanta art scene. Amos was not expecting the level of
3377:
2138:
885:
715:
2650:
2446:
2278:
2176:
792:
Amos retired from teaching in 2008 and made a point to visit her students' exhibitions to support them. Her works in the 2017
3855:
3621:
3588:
3497:
1667:
1483:
1447:
1312:
2752:
2210:
3845:
3835:
3355:
2412:
2244:
2008:
3820:
2820:
1263:
3088:
2986:
2076:
2042:
1730:
784:, and who are openly political, and feminist, seem to still be on the margins. hope we all will see more change soon."
3726:
3152:
1974:
1801:
1363:
1234:
1108:
2854:
2312:
3156:
393:, Amos persevered and received her M.A. from New York University in 1966. While at NYU, she became reacquainted with
475:
Spiral stopped meeting shortly after 1965, when rising rent prices lost them their gallery and meeting space on the
3575:
3450:
3411:
2172:
1136:
898:
269:
230:
98:
3608:
2582:
2378:
200:, but he did not accept many private students and left the area before she had the opportunity to study with him.
3825:
989:
946:
830:
339:
1057:
511:
3830:
441:
408:. The group was a collective of approximately fifteen prominent African American artists, founded in 1963 by
347:
1209:
3186:
3050:
2714:
2510:
1002:
960:
2604:
1692:
1475:
1150:
1140:
1070:
1061:
631:
and batiks. The scale and textural layering of the work resembles forms often found in
European prestige
437:
1912:
3288:
2646:
2442:
2274:
1154:
915:
2850:
1716:
The
Heretics. Dir. Joan Braderman. Prod. Crescent Diamond. No More Nice Girls Productions, 2009. Web.
1572:
Patton, Sharon F. "Emma Amos: Thinking Paint" catalogue notes, Oxford
University Press, 1998. Print.
1162:
1029:
382:
129:
She combines printmaking, painting and textile in her works, usually on linen and large and unframed.
3488:
Amos, Emma; Gouma-Peterson, Thalia; Hooks, Bell; Mercer, Valerie J; Zurko, Kathleen McManus (1993).
2706:
3118:
2782:
2206:
1827:
1271:
1095:
911:
706:
280:. While at Antioch, Amos worked for half of the year, and studied for the remainder. She worked in
223:
3220:
3042:
2748:
2612:
2544:
2476:
2308:
1970:
1888:"Emma Amos' artwork is celebrated in a traveling retrospective at the Philadelphia Museum of Art"
1439:
1275:
985:
969:
950:
847:
667:
figure. She liked painting clothed figures because she believed that painting the nude figure is
545:
2876:
2334:
1659:
1625:
1468:
2940:
2098:
1074:
807:
727:
679:
537:
433:
405:
374:
196:, was painting the figure by the age of nine. Her mother had aspirations of Amos studying with
75:
1853:
1355:
1348:
730:, as an African American woman, she had always been aware of the adversities she faced in her
3693:
3385:
3212:
3178:
2672:
2536:
1048:
993:
902:
819:
773:
496:
417:
3246:
1937:
1582:
3780:
3775:
3351:
3254:
2816:
2680:
2408:
2240:
2004:
851:
573:
265:
204:
3309:
3110:
1603:
1513:
Farrington, Lisa E. "Emma Amos: Art as Legacy." Woman's ArtJournal 28, no. 1 (2007): 3-11.
8:
3008:
2578:
2374:
1304:
Women artists of color: a bio-critical sourcebook to 20th century artists in the
Americas
938:
755:
647:
469:
277:
103:
3719:
2774:
1350:
Creating Black Americans: African-American history and its meanings, 1619 to the present
3672:
3419:
2913:
2130:
1652:
1548:
1343:
1044:
747:
659:
Among the variety of mixed media that Amos uses in her work, the main subject is often
515:
460:, where the group had their first and only exhibit. Amos displayed an etching entitled
457:
445:
245:
188:
2502:
1828:"Emma Amos, Imaginative Painter Who Attacked Racism Through Figuration, Is Dead at 83"
3676:
3664:
3656:
3627:
3617:
3594:
3584:
3561:
3553:
3532:
3524:
3503:
3493:
3469:
3461:
1861:
1663:
1489:
1479:
1443:
1369:
1359:
1318:
1308:
1127:
746:
It was not until the early 1980s, after she began teaching at Mason Gross of Arts at
212:
156:
153:
115:
3648:
3280:
2948:
2638:
2434:
2266:
2164:
1435:
942:
636:
577:
370:
305:
289:
219:
175:
56:
1010:(1982), Smithsonian American Art Museum, Smithsonian Institution, Washington, D.C.
3317:
3016:
2740:
2198:
2103:
1682:
Weathers, Diane, Essence. Emma Amos: `Painting white'. Sep 1994, Vol 25. Issue 5.
1463:
1398:
1123:
889:
875:
781:
777:
768:
719:
565:
522:
488:
476:
261:
234:
89:
3697:
3652:
3343:
2400:
2232:
1996:
1755:
3084:
2982:
2881:
2808:
2339:
2072:
2038:
1776:
930:
859:
660:
589:
553:
413:
409:
359:
351:
310:
249:
241:
226:
193:
183:
32:
3668:
3536:
1529:
Thompson, Mildred. "Interview: Emma Amos." Art Papers 19 (1999): 21-23. Print.
1493:
3769:
3686:
3660:
3631:
3598:
3557:
3552:(3). Hampton, VA: Museum of African American Art, Hampton University: 2, 60.
3528:
3473:
3465:
3076:
2974:
2064:
2030:
1865:
1373:
1322:
855:
731:
687:
643:
605:
601:
597:
581:
561:
465:
421:
401:
394:
343:
285:
197:
3565:
3507:
1962:
3747:"Emma Amos Died Just Before Her Retrospective But Her Art Is Alive As Ever"
2842:
2300:
739:
695:
691:
675:
593:
585:
492:
335:
3544:
Harris, Juliette (1999). "Private Dancer, Private Dealer: Private Show!".
3144:
1731:"How Emma Amos's Art and Activism Powerfully Confronted Racism and Sexism"
1583:"City of Atlanta, Mayor's Office of Cultural Affairs | We Will Not Forget"
448:. Woodruff took some of her work to one of their meetings at their rented
425:
1427:
628:
569:
293:
1552:
616:
2570:
2366:
1470:
Creating Their Own Image: the history of African-American women artists
800:
751:
664:
620:
449:
429:
386:
378:
179:
163:
119:
604:
works in her use of applications from several disciplines on the same
301:
1183:
735:
632:
624:
159:
1539:
Farrington, Lisa E. (1 January 2007). "Emma Amos: Art as Legacy".
945:; Museum of Modern Art, New York; Philadelphia Museum of Art; and
440:
for black Africans around the world. Spiral was formed out of the
3616:. Washington, DC: Smithsonian Institution Press. pp. 45–79.
1854:"Emma Amos, Painter Who Challenged Racism and Sexism, Dies at 83"
1401:(1991). "Floating Falling Landing: An Interview with Emma Amos".
1099:
507:
484:
390:
355:
297:
281:
215:
208:
663:. Unlike many figurative artists Amos did not like to paint the
479:. During the 1970s, Amos went on to teach textile design at the
1930:
934:
668:
612:
363:
330:
326:
322:
273:
1430:(20 October 2006). "Amos, Emma". In Shypula, Gabriella (ed.).
491:
and thrived as a weaver due to the propagation of weaving and
3639:
Patton, Sharon (1 September 2002). "Emma Amos: Art Matters".
611:
As well as bordering her paintings with African fabric, Amos
557:
346:
where she met artists and was introduced to the New York and
3490:
Emma Amos : paintings and prints 1982-92: an exhibition
1802:"Oral history interview with Emma Amos, 2011 November 19-26"
1235:"Oral history interview with Emma Amos, 2011 November 19-26"
767:
Emma Amos was also a member of the anonymous feminist group
1474:. Oxford & New York: Oxford University Press. pp.
796:
487:
on her own looms at Threadbare, a yarn and weaving shop on
93:
3460:. No. 15. New York: Heresies Collective. p. 19.
510:
in Boston in 1977–79, and later became a Professor at the
1296:
1294:
1292:
400:
At the age of 23, Amos had a meeting with Woodruff for a
3713:
3614:
African American Visual Aesthetics: A Postmodernist View
3576:"Emma Amos (b. 1938), Painter, Printmaker, Fiber Artist"
1658:. New York, New York: Oxford University Press. pp.
3727:"Oral history interview with Emma Amos, 1968 October 3"
754:
where she decided to participate in the feminist group
674:
During her time at Central School of Art, Amos studied
580:. She borrowed schema, subject matter and symbols from
552:
Amos combined printmaking, painting and textile in her
138:
1289:
836:
464:, which has since been lost. This etching was a nude
3515:
Gardner, Paul (February 1998). "Taking the Plunge".
761:
Heresies: A Feminist Publication on Art and Politics
369:
In New York, Amos joined the printmaking studios of
1307:. Westport, CT: Greenwood Press. pp. 231–238.
304:, which she had not done before. Amos received her
3685:
3607:
3574:
1917:Georgia Museum of Art at the University of Georgia
1651:
1467:
1347:
600:. Amos demonstrated the deconstructive license of
3731:Archives of American Art, Smithsonian Institution
3609:"Living Fearlessly with and within Difference(s)"
1604:"Measuring, Measuring | Birmingham Museum of Art"
3767:
3583:. Westport, CT: Greenwood Press. pp. 7–11.
3523:(2). New York, NY: ARTnews Associates: 110–113.
362:, where her designs were translated into unique
300:under Anthony Harrison, and began to paint with
1143:; and National Gallery of Art, Washington, D.C.
825:Amos' work was included in the 2022 exhibition
3492:. Wooster, OH: College of Wooster Art Museum.
3451:"Some Do's and Don'ts for Black Women Artists"
1456:
1422:
1420:
1418:
1416:
1354:. New York: Oxford University Press. p.
1257:
1255:
978:(1980), Library of Congress, Washington, D.C.
424:. The group was interested in discussions of
3546:International Review of African American Art
1825:
1336:
1022:(1985-1987), Museum of Modern Art, New York
814:, a retrospective of her work organized by
810:on May 20, 2020 at the age of 83. In 2021,
231:Booker T. Washington High School in Atlanta
3718:
1649:
1538:
1462:
1440:10.1093/gao/9781884446054.article.t2021445
1413:
1252:
31:
3891:Textile artists from Georgia (U.S. state)
3692:(MA). Washington, DC: Howard University.
1885:
1159:Zimmerli Art Museum at Rutgers University
799:show inspired a collection from designer
481:Newark School of Fine and Industrial Arts
436:and centered around encouraging a common
397:, who was a professor there at the time.
237:, because of their progressive policies.
3641:Nka: Journal of Contemporary African Art
3581:Encyclopedia of African American Artists
1149:(2006), Museum of Modern Art, New York;
1122:(2002), Philadelphia Museum of Art; and
705:
536:
3647:(16–17). Duke University Press: 41–47.
1886:Salisbury, Stephan (29 November 2021).
1397:
1342:
584:while pictorially quoting artists like
3866:20th-century African-American painters
3768:
3193:from the original on 29 September 2020
2139:Munson-Williams-Proctor Arts Institute
1851:
1697:Munson Williams Proctor Arts Institute
1426:
1300:
1261:
1069:(1994), Whitney Museum, New York; and
914:; Museum of Modern Art, New York; and
886:Munson-Williams-Proctor Arts Institute
716:Munson-Williams-Proctor Arts Institute
560:, large scale, and unframed. She used
3886:21st-century American textile artists
3876:21st-century African-American artists
3841:Mason Gross School of the Arts alumni
3816:20th-century American textile artists
3426:from the original on 26 December 2022
3392:from the original on 26 December 2022
3324:from the original on 26 December 2022
3261:from the original on 26 December 2022
3227:from the original on 26 December 2022
3125:from the original on 19 December 2022
3091:from the original on 26 December 2022
3057:from the original on 26 December 2022
3023:from the original on 26 December 2022
2955:from the original on 26 December 2022
2921:from the original on 26 December 2022
2889:from the original on 26 December 2022
2857:from the original on 26 December 2022
2755:from the original on 26 December 2022
2721:from the original on 26 December 2022
2687:from the original on 26 December 2022
2619:from the original on 26 December 2022
2585:from the original on 26 December 2022
2551:from the original on 26 December 2022
2517:from the original on 26 December 2022
2483:from the original on 26 December 2022
2381:from the original on 26 December 2022
2281:from the original on 26 December 2022
2213:from the original on 15 December 2022
2179:from the original on 26 December 2022
2145:from the original on 26 December 2022
2079:from the original on 26 December 2022
2045:from the original on 26 December 2022
2011:from the original on 26 December 2022
1728:
1724:
1722:
1568:
1566:
1564:
1562:
1525:
1523:
1521:
1519:
1509:
1507:
1505:
1503:
1207:
404:of her prints, and he told her about
3801:21st-century American women painters
3796:20th-century American women painters
2989:from the original on 20 October 2021
2415:from the original on 15 January 2022
1729:Durón, Maximilíano (30 April 2021).
1393:
1391:
1389:
1387:
1385:
1383:
1082:(1994), Minneapolis Institute of Art
152:(16 March 1937 – 20 May 2020) was a
3871:21st-century African-American women
3861:20th-century African-American women
3159:from the original on 31 August 2021
2789:from the original on 17 August 2022
837:Notable works in public collections
671:, and that clothing shows culture.
608:, making a "seamless work of art."
13:
3881:21st-century women textile artists
3851:20th-century women textile artists
3442:
3358:from the original on 25 April 2021
3153:San Francisco Museum of Modern Art
2315:from the original on 8 August 2022
1719:
1559:
1516:
1500:
1109:San Francisco Museum of Modern Art
988:; Philadelphia Museum of Art; and
726:Amos admitted that being from the
222:, Amos was submitting her work to
14:
3902:
3791:20th-century American printmakers
3705:
2347:from the original on 25 June 2022
1826:Greenberger, Alex (22 May 2020).
1380:
1201:
576:effects with iron-on fabric, and
233:at the age of 16, and applied to
203:At eleven, Amos took a course at
3688:An Assertive Black Feminist Gaze
2823:from the original on 1 July 2022
2653:from the original on 1 July 2022
2449:from the original on 1 July 2022
2247:from the original on 27 May 2022
2173:Minnesota Museum of American Art
2111:from the original on 17 May 2022
1977:from the original on 7 July 2022
1137:Mount Holyoke College Art Museum
1088:(1995), Whitney Museum, New York
1016:(1983), Art Institute of Chicago
899:Minnesota Museum of American Art
868:(1966), Whitney Museum, New York
270:Central School of Art and Design
240:Her father exposed her to black
3684:Spears, Melanie J. (May 2010).
3612:. In Driskell, David C. (ed.).
3404:
3370:
3336:
3302:
3273:
3239:
3205:
3171:
3137:
3103:
3069:
3035:
3001:
2967:
2933:
2901:
2869:
2835:
2801:
2767:
2733:
2699:
2665:
2631:
2597:
2563:
2529:
2495:
2461:
2427:
2393:
2359:
2327:
2293:
2259:
2225:
2191:
2157:
2123:
2091:
2057:
2023:
1989:
1955:
1942:Modern Art Museum of Fort Worth
1905:
1879:
1852:Cotter, Holland (29 May 2020).
1845:
1819:
1794:
1769:
1748:
1710:
1685:
1676:
1643:
1618:
1596:
1575:
1532:
990:Princeton University Art Museum
947:Smithsonian American Art Museum
923:(1973), Cleveland Museum of Art
831:Modern Art Museum of Fort Worth
698:, challenging this assumption.
521:Amos designed the memorial for
218:were producing at the time. By
211:and took note of the work that
37:Amos in her studio in the 1990s
3811:African-American women artists
3806:21st-century American painters
3786:20th-century American painters
1756:"America Goddam :: AEQAI"
1227:
1176:
1058:Williams College Museum of Art
1037:(1992), British Museum, London
806:Amos died of complications of
512:Mason Gross School of the Arts
502:Amos originated and co-hosted
313:at New York University (NYU).
1:
3634:– via Internet Archive.
3601:– via Internet Archive.
1496:– via Internet Archive.
1262:Murray, Al (3 October 1968).
1169:
442:Works Progress Administration
169:
118:African-American painter and
3856:African-American printmakers
3187:Minneapolis Institute of Art
3051:Minneapolis Institute of Art
2715:Minneapolis Institute of Art
2511:Museum of Fine Arts, Houston
1003:Minneapolis Institute of Art
961:Museum of Fine Arts, Houston
255:
99:London Central School of Art
16:American painter (1937–2020)
7:
3846:American postmodern artists
3836:Heresies Collective members
3653:10.1215/10757163-16-17-1-41
1434:. Oxford University Press.
1151:Smith College Museum of Art
1141:South Hadley, Massachusetts
1071:Yale University Art Gallery
1062:Williamstown, Massachusetts
701:
252:once called on the family.
10:
3907:
3821:American women printmakers
3289:Philadelphia Museum of Art
2647:Philadelphia Museum of Art
2443:Philadelphia Museum of Art
2275:Philadelphia Museum of Art
1913:"Emma Amos: Color Odyssey"
1693:"Emma Amos: Color Odyssey"
1626:"Creating Their Own Image"
1264:"Interview with Emma Amos"
1155:Northampton, Massachusetts
916:Philadelphia Museum of Art
734:. However, in relation to
432:born out of opposition to
207:, where she worked on her
3745:
2851:Detroit Institute of Arts
1650:Farrington, Lisa (2005).
1630:Hurston/Wright Foundation
1163:New Brunswick, New Jersey
1030:Detroit Institute of Arts
787:
316:
133:
125:
111:
83:
64:
42:
30:
23:
3449:Amos, Emma (Fall 1982).
3119:Birmingham Museum of Art
2877:"Mississippi Wagon 1937"
2783:Art Institute of Chicago
2639:"To Sit (With Porchoir)"
2605:"To Sit (With Porchoir)"
2207:Art Institute of Chicago
1654:Creating Their Own Image
1272:Archives of American Art
1214:New Georgia Encyclopedia
1188:The Museum of Modern Art
1096:Birmingham Museum of Art
912:Art Institute of Chicago
812:Emma Amos: Color Odyssey
712:Emma Amos: Color Odyssey
532:
3606:Patton, Sharon (1995).
3221:National Gallery of Art
3077:"About Whiteness (Red)"
2941:"Reminders GA & FL"
2749:Smithsonian Institution
2613:Baltimore Museum of Art
2545:National Gallery of Art
2477:Smithsonian Institution
2309:Cleveland Museum of Art
2301:"Sandy and Her Husband"
1971:Cleveland Museum of Art
1301:Farris, Phoebe (1999).
1276:Smithsonian Institution
986:Baltimore Museum of Art
970:National Gallery of Art
951:Smithsonian Institution
848:Cleveland Museum of Art
627:with her own weavings,
546:Baltimore Museum of Art
248:frequently visited and
3826:Antioch College alumni
3111:"Measuring, Measuring"
1938:"Women Painting Women"
1075:New Haven, Connecticut
1035:Mississippi Wagon 1937
723:
680:Abstract Expressionist
657:
549:
375:Stanley William Hayter
76:Bedford, New Hampshire
3700:– via ProQuest.
3573:Jegede, Dele (2009).
3386:Mount Holyoke College
2031:"Without Feather Boa"
1997:"Without Feather Boa"
1963:"Without Feather Boa"
1210:"Emma Amos (b. 1937)"
1086:About Whiteness (Red)
1054:Reminders GA & FL
1049:Hartford, Connecticut
994:Princeton, New Jersey
982:To Sit (With Pochoir)
921:Sandy and Her Husband
820:Georgia Museum of Art
709:
652:
642:Art museum director,
540:
523:Ralph David Abernathy
497:Feminist Art Movement
462:Without a Feather Boa
229:. She graduated from
3831:Artists from Atlanta
3382:Five Colleges Museum
3352:Museum of Modern Art
3255:Princeton University
3251:Princeton Art Museum
2817:Museum of Modern Art
2681:Princeton University
2677:Princeton Art Museum
2409:Museum of Modern Art
2241:Museum of Modern Art
2005:Museum of Modern Art
1208:Klacsmann, Karen T.
1092:Measuring, Measuring
852:Museum of Modern Art
827:Women Painting Women
678:, and produced some
506:, a crafts show for
266:Yellow Springs, Ohio
205:Morris Brown College
2579:Library of Congress
2375:Library of Congress
2311:. 30 October 2018.
1973:. 7 December 2021.
1777:"NY ARTIST PROGRAM"
1541:Woman's Art Journal
1464:Farrington, Lisa E.
1344:Painter, Nell Irvin
939:Library of Congress
844:Without Feather Boa
808:Alzheimer's disease
340:Art Students League
278:New York University
104:New York University
3420:Rutgers University
2914:Wadsworth Atheneum
1858:The New York Times
1045:Wadsworth Atheneum
972:, Washington, D.C.
953:, Washington, D.C.
822:before traveling.
748:Rutgers University
724:
710:The retrospective
556:works, usually on
550:
516:Rutgers University
458:Christopher Street
446:Harlem Renaissance
434:French colonialism
354:, working for the
246:Zora Neale Hurston
224:Atlanta University
3753:. 13 January 2021
3733:. 12 January 2021
3623:978-1-56098-605-8
3590:978-0-313-33761-1
3499:978-0-9604658-7-3
2775:"Black Dog Blues"
1669:978-0-19-516721-4
1606:. 9 November 2021
1485:978-0-19-516721-4
1449:978-1-884446-05-4
1314:978-0-313-09111-7
1128:Savannah, Georgia
676:abstract painting
646:, summarizes her
623:and occasionally
174:Amos was born in
147:
146:
3898:
3762:
3760:
3758:
3742:
3740:
3738:
3722:
3717:
3716:
3714:Official website
3701:
3691:
3680:
3635:
3611:
3602:
3578:
3569:
3540:
3511:
3484:
3482:
3480:
3455:
3436:
3435:
3433:
3431:
3408:
3402:
3401:
3399:
3397:
3374:
3368:
3367:
3365:
3363:
3340:
3334:
3333:
3331:
3329:
3306:
3300:
3299:
3297:
3295:
3277:
3271:
3270:
3268:
3266:
3243:
3237:
3236:
3234:
3232:
3209:
3203:
3202:
3200:
3198:
3175:
3169:
3168:
3166:
3164:
3141:
3135:
3134:
3132:
3130:
3107:
3101:
3100:
3098:
3096:
3073:
3067:
3066:
3064:
3062:
3039:
3033:
3032:
3030:
3028:
3013:Yale Art Gallery
3005:
2999:
2998:
2996:
2994:
2971:
2965:
2964:
2962:
2960:
2949:Williams College
2937:
2931:
2930:
2928:
2926:
2905:
2899:
2898:
2896:
2894:
2873:
2867:
2866:
2864:
2862:
2839:
2833:
2832:
2830:
2828:
2805:
2799:
2798:
2796:
2794:
2771:
2765:
2764:
2762:
2760:
2737:
2731:
2730:
2728:
2726:
2703:
2697:
2696:
2694:
2692:
2669:
2663:
2662:
2660:
2658:
2635:
2629:
2628:
2626:
2624:
2601:
2595:
2594:
2592:
2590:
2567:
2561:
2560:
2558:
2556:
2533:
2527:
2526:
2524:
2522:
2499:
2493:
2492:
2490:
2488:
2465:
2459:
2458:
2456:
2454:
2431:
2425:
2424:
2422:
2420:
2397:
2391:
2390:
2388:
2386:
2363:
2357:
2356:
2354:
2352:
2331:
2325:
2324:
2322:
2320:
2297:
2291:
2290:
2288:
2286:
2263:
2257:
2256:
2254:
2252:
2229:
2223:
2222:
2220:
2218:
2195:
2189:
2188:
2186:
2184:
2161:
2155:
2154:
2152:
2150:
2127:
2121:
2120:
2118:
2116:
2099:"Flower Sniffer"
2095:
2089:
2088:
2086:
2084:
2061:
2055:
2054:
2052:
2050:
2027:
2021:
2020:
2018:
2016:
1993:
1987:
1986:
1984:
1982:
1959:
1953:
1952:
1950:
1948:
1934:
1928:
1927:
1925:
1923:
1909:
1903:
1902:
1900:
1898:
1883:
1877:
1876:
1874:
1872:
1849:
1843:
1842:
1840:
1838:
1823:
1817:
1816:
1814:
1812:
1798:
1792:
1791:
1789:
1787:
1773:
1767:
1766:
1764:
1762:
1752:
1746:
1745:
1743:
1741:
1726:
1717:
1714:
1708:
1707:
1705:
1703:
1689:
1683:
1680:
1674:
1673:
1657:
1647:
1641:
1640:
1638:
1636:
1622:
1616:
1615:
1613:
1611:
1600:
1594:
1593:
1591:
1589:
1579:
1573:
1570:
1557:
1556:
1536:
1530:
1527:
1514:
1511:
1498:
1497:
1473:
1460:
1454:
1453:
1432:Grove Art Online
1424:
1411:
1410:
1399:Lippard, Lucy R.
1395:
1378:
1377:
1353:
1340:
1334:
1333:
1331:
1329:
1298:
1287:
1286:
1284:
1282:
1259:
1250:
1249:
1247:
1245:
1231:
1225:
1224:
1222:
1220:
1205:
1199:
1198:
1196:
1194:
1180:
943:Washington, D.C.
794:Soul of a Nation
714:appeared at the
637:African diaspora
578:African textiles
554:self-referential
383:Robert Blackburn
371:Letterio Calapai
352:textile designer
290:Washington, D.C.
260:Amos studied at
216:college students
213:African American
176:Atlanta, Georgia
157:African-American
143:
140:
71:
57:Atlanta, Georgia
52:
50:
35:
21:
20:
3906:
3905:
3901:
3900:
3899:
3897:
3896:
3895:
3766:
3765:
3756:
3754:
3736:
3734:
3725:
3712:
3711:
3708:
3683:
3638:
3624:
3605:
3591:
3572:
3543:
3514:
3500:
3487:
3478:
3476:
3453:
3448:
3445:
3443:Further reading
3440:
3439:
3429:
3427:
3410:
3409:
3405:
3395:
3393:
3376:
3375:
3371:
3361:
3359:
3342:
3341:
3337:
3327:
3325:
3318:Telfair Museums
3308:
3307:
3303:
3293:
3291:
3279:
3278:
3274:
3264:
3262:
3245:
3244:
3240:
3230:
3228:
3211:
3210:
3206:
3196:
3194:
3177:
3176:
3172:
3162:
3160:
3143:
3142:
3138:
3128:
3126:
3109:
3108:
3104:
3094:
3092:
3075:
3074:
3070:
3060:
3058:
3041:
3040:
3036:
3026:
3024:
3017:Yale University
3007:
3006:
3002:
2992:
2990:
2973:
2972:
2968:
2958:
2956:
2939:
2938:
2934:
2924:
2922:
2907:
2906:
2902:
2892:
2890:
2875:
2874:
2870:
2860:
2858:
2841:
2840:
2836:
2826:
2824:
2807:
2806:
2802:
2792:
2790:
2773:
2772:
2768:
2758:
2756:
2739:
2738:
2734:
2724:
2722:
2705:
2704:
2700:
2690:
2688:
2671:
2670:
2666:
2656:
2654:
2637:
2636:
2632:
2622:
2620:
2603:
2602:
2598:
2588:
2586:
2569:
2568:
2564:
2554:
2552:
2535:
2534:
2530:
2520:
2518:
2501:
2500:
2496:
2486:
2484:
2469:"American Girl"
2467:
2466:
2462:
2452:
2450:
2435:"American Girl"
2433:
2432:
2428:
2418:
2416:
2401:"American Girl"
2399:
2398:
2394:
2384:
2382:
2367:"American Girl"
2365:
2364:
2360:
2350:
2348:
2335:"American Girl"
2333:
2332:
2328:
2318:
2316:
2299:
2298:
2294:
2284:
2282:
2265:
2264:
2260:
2250:
2248:
2231:
2230:
2226:
2216:
2214:
2197:
2196:
2192:
2182:
2180:
2163:
2162:
2158:
2148:
2146:
2129:
2128:
2124:
2114:
2112:
2104:Brooklyn Museum
2097:
2096:
2092:
2082:
2080:
2063:
2062:
2058:
2048:
2046:
2029:
2028:
2024:
2014:
2012:
1995:
1994:
1990:
1980:
1978:
1961:
1960:
1956:
1946:
1944:
1936:
1935:
1931:
1921:
1919:
1911:
1910:
1906:
1896:
1894:
1884:
1880:
1870:
1868:
1850:
1846:
1836:
1834:
1824:
1820:
1810:
1808:
1800:
1799:
1795:
1785:
1783:
1775:
1774:
1770:
1760:
1758:
1754:
1753:
1749:
1739:
1737:
1727:
1720:
1715:
1711:
1701:
1699:
1691:
1690:
1686:
1681:
1677:
1670:
1648:
1644:
1634:
1632:
1624:
1623:
1619:
1609:
1607:
1602:
1601:
1597:
1587:
1585:
1581:
1580:
1576:
1571:
1560:
1537:
1533:
1528:
1517:
1512:
1501:
1486:
1461:
1457:
1450:
1425:
1414:
1396:
1381:
1366:
1341:
1337:
1327:
1325:
1315:
1299:
1290:
1280:
1278:
1260:
1253:
1243:
1241:
1233:
1232:
1228:
1218:
1216:
1206:
1202:
1192:
1190:
1182:
1181:
1177:
1172:
1167:
1124:Telfair Museums
1014:Black Dog Blues
890:Utica, New York
876:Brooklyn Museum
839:
790:
778:white Americans
720:Utica, New York
704:
535:
489:Bleecker Street
477:Lower East Side
438:racial identity
319:
262:Antioch College
258:
235:Antioch College
192:and the art of
186:from issues of
182:" and learning
172:
137:
90:Antioch College
79:
73:
69:
60:
54:
48:
46:
38:
26:
17:
12:
11:
5:
3904:
3894:
3893:
3888:
3883:
3878:
3873:
3868:
3863:
3858:
3853:
3848:
3843:
3838:
3833:
3828:
3823:
3818:
3813:
3808:
3803:
3798:
3793:
3788:
3783:
3778:
3764:
3763:
3743:
3723:
3707:
3706:External links
3704:
3703:
3702:
3681:
3636:
3622:
3603:
3589:
3570:
3541:
3512:
3498:
3485:
3444:
3441:
3438:
3437:
3403:
3369:
3335:
3301:
3272:
3238:
3204:
3170:
3136:
3102:
3085:Whitney Museum
3068:
3034:
3000:
2983:Whitney Museum
2966:
2932:
2900:
2882:British Museum
2868:
2834:
2800:
2766:
2732:
2707:"Out in Front"
2698:
2664:
2630:
2596:
2562:
2528:
2494:
2460:
2426:
2392:
2358:
2340:British Museum
2326:
2292:
2258:
2224:
2190:
2165:"Summer, 1968"
2156:
2122:
2090:
2073:Whitney Museum
2056:
2039:Whitney Museum
2022:
1988:
1954:
1929:
1904:
1878:
1844:
1818:
1806:www.aaa.si.edu
1793:
1768:
1747:
1718:
1709:
1684:
1675:
1668:
1642:
1617:
1595:
1574:
1558:
1531:
1515:
1499:
1484:
1455:
1448:
1412:
1379:
1365:9-780195137552
1364:
1335:
1313:
1288:
1251:
1239:www.aaa.si.edu
1226:
1200:
1174:
1173:
1171:
1168:
1166:
1165:
1144:
1133:How Time Flies
1130:
1117:
1111:
1102:
1089:
1083:
1077:
1064:
1051:
1038:
1032:
1023:
1017:
1011:
1005:
996:
979:
973:
963:
954:
931:British Museum
924:
918:
905:
892:
879:
872:Flower Sniffer
869:
863:
860:Whitney Museum
840:
838:
835:
816:Shawnya Harris
789:
786:
769:Guerilla Girls
703:
700:
590:Malcolm Morley
574:photo transfer
544:(1986) at the
542:Tumbling After
534:
531:
414:Charles Alston
410:Romare Bearden
360:Dorothy Liebes
318:
315:
257:
254:
250:W.E.B. Du Bois
242:intelligentsia
194:Alberto Vargas
184:figure drawing
171:
168:
145:
144:
135:
131:
130:
127:
123:
122:
113:
112:Known for
109:
108:
107:
106:
101:
96:
85:
81:
80:
74:
72:(aged 83)
66:
62:
61:
55:
44:
40:
39:
36:
28:
27:
24:
15:
9:
6:
4:
3:
2:
3903:
3892:
3889:
3887:
3884:
3882:
3879:
3877:
3874:
3872:
3869:
3867:
3864:
3862:
3859:
3857:
3854:
3852:
3849:
3847:
3844:
3842:
3839:
3837:
3834:
3832:
3829:
3827:
3824:
3822:
3819:
3817:
3814:
3812:
3809:
3807:
3804:
3802:
3799:
3797:
3794:
3792:
3789:
3787:
3784:
3782:
3779:
3777:
3774:
3773:
3771:
3752:
3748:
3744:
3732:
3728:
3724:
3721:
3715:
3710:
3709:
3699:
3695:
3690:
3689:
3682:
3678:
3674:
3670:
3666:
3662:
3658:
3654:
3650:
3646:
3642:
3637:
3633:
3629:
3625:
3619:
3615:
3610:
3604:
3600:
3596:
3592:
3586:
3582:
3577:
3571:
3567:
3563:
3559:
3555:
3551:
3547:
3542:
3538:
3534:
3530:
3526:
3522:
3518:
3513:
3509:
3505:
3501:
3495:
3491:
3486:
3475:
3471:
3467:
3463:
3459:
3452:
3447:
3446:
3425:
3421:
3417:
3413:
3407:
3391:
3387:
3383:
3379:
3373:
3357:
3353:
3349:
3345:
3339:
3323:
3319:
3315:
3311:
3305:
3290:
3286:
3282:
3276:
3260:
3256:
3252:
3248:
3242:
3226:
3222:
3218:
3214:
3208:
3192:
3188:
3184:
3180:
3174:
3158:
3154:
3150:
3146:
3140:
3124:
3120:
3116:
3112:
3106:
3090:
3086:
3082:
3078:
3072:
3056:
3052:
3048:
3044:
3038:
3022:
3018:
3014:
3010:
3004:
2988:
2984:
2980:
2976:
2970:
2954:
2950:
2946:
2942:
2936:
2920:
2916:
2915:
2910:
2904:
2888:
2884:
2883:
2878:
2872:
2856:
2852:
2848:
2844:
2838:
2822:
2818:
2814:
2810:
2804:
2788:
2784:
2780:
2776:
2770:
2754:
2750:
2746:
2742:
2736:
2720:
2716:
2712:
2708:
2702:
2686:
2682:
2678:
2674:
2668:
2652:
2648:
2644:
2640:
2634:
2618:
2614:
2610:
2606:
2600:
2584:
2580:
2576:
2572:
2566:
2550:
2546:
2542:
2538:
2532:
2516:
2512:
2508:
2504:
2498:
2482:
2478:
2474:
2470:
2464:
2448:
2444:
2440:
2436:
2430:
2414:
2410:
2406:
2402:
2396:
2380:
2376:
2372:
2368:
2362:
2346:
2342:
2341:
2336:
2330:
2314:
2310:
2306:
2302:
2296:
2280:
2276:
2272:
2268:
2262:
2246:
2242:
2238:
2234:
2228:
2212:
2208:
2204:
2200:
2194:
2178:
2174:
2170:
2166:
2160:
2144:
2140:
2136:
2132:
2126:
2110:
2106:
2105:
2100:
2094:
2078:
2074:
2070:
2066:
2060:
2044:
2040:
2036:
2032:
2026:
2010:
2006:
2002:
1998:
1992:
1976:
1972:
1968:
1964:
1958:
1943:
1939:
1933:
1918:
1914:
1908:
1893:
1889:
1882:
1867:
1863:
1859:
1855:
1848:
1833:
1829:
1822:
1807:
1803:
1797:
1782:
1778:
1772:
1757:
1751:
1736:
1732:
1725:
1723:
1713:
1698:
1694:
1688:
1679:
1671:
1665:
1661:
1656:
1655:
1646:
1631:
1627:
1621:
1605:
1599:
1584:
1578:
1569:
1567:
1565:
1563:
1554:
1550:
1546:
1542:
1535:
1526:
1524:
1522:
1520:
1510:
1508:
1506:
1504:
1495:
1491:
1487:
1481:
1477:
1472:
1471:
1465:
1459:
1451:
1445:
1441:
1437:
1433:
1429:
1423:
1421:
1419:
1417:
1408:
1404:
1400:
1394:
1392:
1390:
1388:
1386:
1384:
1375:
1371:
1367:
1361:
1357:
1352:
1351:
1345:
1339:
1324:
1320:
1316:
1310:
1306:
1305:
1297:
1295:
1293:
1277:
1273:
1269:
1265:
1258:
1256:
1240:
1236:
1230:
1215:
1211:
1204:
1189:
1185:
1179:
1175:
1164:
1160:
1156:
1152:
1148:
1145:
1142:
1138:
1134:
1131:
1129:
1125:
1121:
1118:
1115:
1112:
1110:
1106:
1103:
1101:
1097:
1093:
1090:
1087:
1084:
1081:
1078:
1076:
1072:
1068:
1065:
1063:
1059:
1055:
1052:
1050:
1046:
1042:
1039:
1036:
1033:
1031:
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1004:
1000:
997:
995:
991:
987:
983:
980:
977:
974:
971:
967:
964:
962:
958:
955:
952:
948:
944:
940:
936:
932:
928:
927:American Girl
925:
922:
919:
917:
913:
909:
906:
904:
900:
896:
893:
891:
887:
883:
880:
877:
873:
870:
867:
864:
861:
857:
853:
849:
845:
842:
841:
834:
832:
828:
823:
821:
817:
813:
809:
804:
802:
798:
795:
785:
783:
779:
775:
770:
765:
763:
762:
757:
753:
749:
744:
741:
737:
733:
732:everyday life
729:
721:
717:
713:
708:
699:
697:
693:
689:
684:
681:
677:
672:
670:
666:
662:
656:
651:
649:
645:
644:Sharon Patton
640:
638:
634:
630:
626:
622:
618:
614:
609:
607:
606:picture plane
603:
602:postmodernist
599:
598:Henri Matisse
595:
591:
587:
583:
579:
575:
571:
567:
563:
562:acrylic paint
559:
555:
547:
543:
539:
530:
526:
524:
519:
517:
513:
509:
505:
504:Show of Hands
500:
498:
494:
490:
486:
482:
478:
473:
471:
467:
466:self-portrait
463:
459:
453:
451:
447:
443:
439:
435:
431:
427:
423:
422:Hale Woodruff
419:
415:
411:
407:
403:
398:
396:
395:Hale Woodruff
392:
388:
384:
380:
376:
372:
367:
365:
361:
358:and colorist
357:
353:
349:
345:
344:Dalton School
341:
337:
332:
328:
324:
314:
312:
307:
303:
299:
295:
291:
287:
283:
279:
275:
271:
267:
263:
253:
251:
247:
243:
238:
236:
232:
228:
225:
221:
217:
214:
210:
209:draftsmanship
206:
201:
199:
198:Hale Woodruff
195:
191:
190:
185:
181:
177:
167:
165:
161:
158:
155:
151:
142:
136:
132:
128:
124:
121:
117:
116:Postmodernist
114:
110:
105:
102:
100:
97:
95:
91:
88:
87:
86:
82:
77:
67:
63:
58:
53:16 March 1937
45:
41:
34:
29:
22:
19:
3755:. Retrieved
3750:
3735:. Retrieved
3730:
3687:
3644:
3640:
3613:
3580:
3549:
3545:
3520:
3516:
3489:
3477:. Retrieved
3457:
3428:. Retrieved
3415:
3406:
3394:. Retrieved
3381:
3372:
3360:. Retrieved
3347:
3338:
3326:. Retrieved
3313:
3304:
3292:. Retrieved
3284:
3275:
3263:. Retrieved
3250:
3241:
3229:. Retrieved
3216:
3207:
3195:. Retrieved
3182:
3173:
3161:. Retrieved
3148:
3139:
3127:. Retrieved
3114:
3105:
3093:. Retrieved
3080:
3071:
3059:. Retrieved
3046:
3037:
3025:. Retrieved
3012:
3003:
2991:. Retrieved
2978:
2969:
2957:. Retrieved
2944:
2935:
2923:. Retrieved
2912:
2903:
2891:. Retrieved
2880:
2871:
2859:. Retrieved
2846:
2837:
2825:. Retrieved
2812:
2803:
2791:. Retrieved
2778:
2769:
2757:. Retrieved
2744:
2735:
2723:. Retrieved
2710:
2701:
2689:. Retrieved
2676:
2667:
2655:. Retrieved
2642:
2633:
2621:. Retrieved
2608:
2599:
2587:. Retrieved
2574:
2565:
2553:. Retrieved
2540:
2531:
2519:. Retrieved
2506:
2503:"Dream Girl"
2497:
2485:. Retrieved
2472:
2463:
2451:. Retrieved
2438:
2429:
2417:. Retrieved
2404:
2395:
2383:. Retrieved
2370:
2361:
2349:. Retrieved
2338:
2329:
2317:. Retrieved
2305:ClevelandArt
2304:
2295:
2283:. Retrieved
2270:
2261:
2249:. Retrieved
2236:
2227:
2215:. Retrieved
2202:
2193:
2181:. Retrieved
2168:
2159:
2147:. Retrieved
2134:
2125:
2113:. Retrieved
2102:
2093:
2081:. Retrieved
2068:
2059:
2047:. Retrieved
2034:
2025:
2013:. Retrieved
2000:
1991:
1979:. Retrieved
1967:ClevelandArt
1966:
1957:
1945:. Retrieved
1941:
1932:
1920:. Retrieved
1916:
1907:
1895:. Retrieved
1892:inquirer.com
1891:
1881:
1869:. Retrieved
1857:
1847:
1835:. Retrieved
1831:
1821:
1809:. Retrieved
1805:
1796:
1784:. Retrieved
1780:
1771:
1759:. Retrieved
1750:
1738:. Retrieved
1734:
1712:
1700:. Retrieved
1696:
1687:
1678:
1653:
1645:
1633:. Retrieved
1629:
1620:
1608:. Retrieved
1598:
1586:. Retrieved
1577:
1544:
1540:
1534:
1469:
1458:
1431:
1428:Marter, Joan
1406:
1402:
1349:
1338:
1326:. Retrieved
1303:
1279:. Retrieved
1267:
1242:. Retrieved
1238:
1229:
1217:. Retrieved
1213:
1203:
1191:. Retrieved
1187:
1178:
1146:
1132:
1119:
1113:
1104:
1091:
1085:
1079:
1066:
1053:
1040:
1034:
1025:
1019:
1013:
1007:
999:Out in Front
998:
981:
975:
965:
956:
926:
920:
907:
895:Summer, 1968
894:
881:
871:
865:
843:
826:
824:
818:, opened at
811:
805:
793:
791:
766:
759:
745:
725:
711:
696:Ku Klux Klan
685:
673:
658:
653:
641:
610:
594:Lucian Freud
586:Paul Gauguin
582:European art
551:
541:
527:
520:
503:
501:
474:
461:
454:
418:Norman Lewis
399:
368:
348:East Hampton
336:Cooper Union
320:
259:
239:
202:
187:
173:
149:
148:
70:(2020-05-20)
18:
3781:2020 deaths
3776:1937 births
3430:26 December
3396:26 December
3362:26 December
3328:26 December
3310:"Miss Otis"
3294:26 December
3285:PhilaMuseum
3281:"Miss Otis"
3265:26 December
3231:26 December
3197:26 December
3163:26 December
3129:26 December
3095:26 December
3061:26 December
3043:"Tightrope"
3027:26 December
2993:26 December
2959:26 December
2925:26 December
2893:26 December
2861:26 December
2827:26 December
2793:26 December
2759:26 December
2725:26 December
2691:26 December
2657:26 December
2643:PhilaMuseum
2623:26 December
2589:26 December
2555:26 December
2537:"Pool Lady"
2521:26 December
2487:26 December
2453:26 December
2439:PhilaMuseum
2419:26 December
2385:26 December
2351:26 December
2319:26 December
2285:26 December
2271:PhilaMuseum
2251:26 December
2217:26 December
2183:26 December
2149:26 December
2115:26 December
2083:26 December
2049:26 December
2015:26 December
1981:26 December
1832:ARTnews.com
1761:27 November
1735:ARTnews.com
1547:(1): 3–11.
1409:(6): 13–16.
1328:24 February
1281:24 February
1184:"Emma Amos"
629:Kente cloth
621:embroidered
564:, etching,
495:within the
373:(a part of
220:high school
180:paper dolls
68:20 May 2020
3770:Categories
3757:14 January
3737:14 January
3669:1021260852
3537:1053909683
3479:14 January
3412:"Identity"
3378:"Identity"
3344:"Identity"
2809:"Take One"
2571:"Sand Tan"
2267:"3 Ladies"
2233:"3 Ladies"
2199:"3 Ladies"
2131:"Godzilla"
1922:4 February
1897:4 February
1811:2 December
1786:2 December
1740:4 February
1635:7 December
1610:7 December
1588:2 December
1494:1148590525
1403:Art Papers
1268:aaa.si.edu
1244:2 December
1170:References
957:Dream Girl
903:Saint Paul
878:, New York
862:, New York
801:Duro Olowu
752:New Jersey
661:figurative
633:tapestries
570:collagraph
566:silkscreen
493:fabric art
450:storefront
430:philosophy
379:Atelier 17
306:BFA degree
170:Early life
164:printmaker
154:postmodern
120:printmaker
49:1937-03-16
3698:577604351
3677:191325013
3661:2152-7792
3632:604999396
3599:466422666
3558:1045-0920
3529:0004-3273
3474:913569846
3466:0146-3411
2909:"Baggage"
2741:"Winning"
1866:0362-4331
1702:19 August
1374:607522345
1323:607117768
1120:Miss Otis
1080:Tightrope
966:Pool Lady
774:privilege
617:appliqued
470:black art
426:Négritude
377:'s Paris
288:, and in
268:, at the
256:Education
227:art shows
150:Emma Amos
84:Education
25:Emma Amos
3694:ProQuest
3566:47639248
3508:29579572
3458:Heresies
3424:Archived
3416:Zimmerli
3390:Archived
3356:Archived
3322:Archived
3259:Archived
3225:Archived
3191:Archived
3157:Archived
3123:Archived
3089:Archived
3055:Archived
3021:Archived
2987:Archived
2953:Archived
2945:Williams
2919:Archived
2887:Archived
2855:Archived
2843:"Equals"
2821:Archived
2787:Archived
2785:. 1983.
2753:Archived
2719:Archived
2685:Archived
2673:"To Sit"
2651:Archived
2617:Archived
2583:Archived
2549:Archived
2547:. 1980.
2515:Archived
2481:Archived
2447:Archived
2413:Archived
2379:Archived
2345:Archived
2313:Archived
2279:Archived
2245:Archived
2211:Archived
2209:. 1970.
2177:Archived
2143:Archived
2109:Archived
2077:Archived
2043:Archived
2009:Archived
1975:Archived
1553:20358105
1466:(2005).
1346:(2006).
1219:14 March
1147:Identity
1135:(2004),
1107:(1999),
1094:(1995),
1056:(1994),
1043:(1993),
1028:(1992),
1020:Take One
1001:(1982),
984:(1981),
976:Sand Tan
968:(1980),
959:(1975),
929:(1974),
910:(1970),
908:3 Ladies
897:(1968),
884:(1968),
882:Godzilla
874:(1966),
856:New York
846:(1965),
782:straight
756:Heresies
736:Feminism
702:Feminism
635:and the
444:and the
402:critique
391:curators
338:and the
286:New York
139:emmaamos
3751:NPR.org
3517:ARTnews
3314:Telfair
3247:"Crown"
3213:"Crown"
3183:ArtsMIA
3179:"Crown"
3115:ArtsBMA
3081:Whitney
3047:ArtsMIA
2979:Whitney
2711:ArtsMIA
2069:Whitney
2035:Whitney
1476:157–163
1100:Alabama
1041:Baggage
1008:Winning
829:at the
722:in 2021
692:Gauguin
688:Picasso
625:quilted
548:in 2022
508:WGBH-TV
485:weaving
387:dealers
364:carpets
282:Chicago
276:and at
189:Esquire
160:painter
134:Website
3696:
3675:
3667:
3659:
3630:
3620:
3597:
3587:
3564:
3556:
3535:
3527:
3506:
3496:
3472:
3464:
3149:SFMoMA
3145:"Solo"
3009:"Sold"
2975:"Sold"
2609:ArtBMA
2065:"Baby"
1947:14 May
1871:2 June
1864:
1837:2 June
1666:
1551:
1492:
1482:
1446:
1372:
1362:
1321:
1311:
1193:2 June
1157:; and
1026:Equals
935:London
858:; and
788:Legacy
743:own."
669:sexist
650:thus:
648:oeuvre
596:, and
420:, and
406:Spiral
381:) and
356:weaver
331:ageism
329:, and
327:sexism
323:racism
317:Career
274:London
3673:S2CID
3454:(PDF)
2779:ArtIC
2203:ArtIC
2135:MWPAI
1781:A.I.R
1549:JSTOR
1114:Crown
740:class
728:South
613:sewed
558:linen
533:Style
294:print
126:Style
3759:2021
3739:2021
3665:OCLC
3657:ISSN
3645:2002
3628:OCLC
3618:ISBN
3595:OCLC
3585:ISBN
3562:OCLC
3554:ISSN
3533:OCLC
3525:ISSN
3504:OCLC
3494:ISBN
3481:2021
3470:OCLC
3462:ISSN
3432:2022
3398:2022
3364:2022
3348:MoMA
3330:2022
3296:2022
3267:2022
3233:2022
3199:2022
3165:2022
3131:2022
3097:2022
3063:2022
3029:2022
2995:2022
2961:2022
2927:2022
2895:2022
2863:2022
2829:2022
2813:MoMA
2795:2022
2761:2022
2727:2022
2693:2022
2659:2022
2625:2022
2591:2022
2557:2022
2523:2022
2507:MFAH
2489:2022
2455:2022
2421:2022
2405:MoMA
2387:2022
2353:2022
2321:2022
2287:2022
2253:2022
2237:MoMA
2219:2022
2185:2022
2169:MMAA
2151:2022
2117:2022
2085:2022
2051:2022
2017:2022
2001:MoMA
1983:2022
1949:2022
1924:2022
1899:2022
1873:2020
1862:ISSN
1839:2020
1813:2021
1788:2021
1763:2021
1742:2022
1704:2021
1664:ISBN
1637:2021
1612:2021
1590:2021
1490:OCLC
1480:ISBN
1444:ISBN
1370:OCLC
1360:ISBN
1330:2018
1319:OCLC
1309:ISBN
1283:2018
1246:2021
1221:2017
1195:2020
1105:Solo
1067:Sold
866:Baby
797:Tate
690:and
665:nude
428:, a
389:and
302:oils
298:etch
296:and
162:and
141:.com
94:Ohio
78:, US
65:Died
59:, US
43:Born
3649:doi
3217:NGA
2847:DIA
2575:LOC
2541:NGA
2371:LOC
1660:161
1436:doi
1356:418
776:of
750:in
718:in
514:at
272:in
264:in
92:in
3772::
3749:.
3729:.
3671:.
3663:.
3655:.
3643:.
3626:.
3593:.
3579:.
3560:.
3550:16
3548:.
3531:.
3521:97
3519:.
3502:.
3468:.
3456:.
3422:.
3418:.
3414:.
3388:.
3384:.
3380:.
3354:.
3350:.
3346:.
3320:.
3316:.
3312:.
3287:.
3283:.
3257:.
3253:.
3249:.
3223:.
3219:.
3215:.
3189:.
3185:.
3181:.
3155:.
3151:.
3147:.
3121:.
3117:.
3113:.
3087:.
3083:.
3079:.
3053:.
3049:.
3045:.
3019:.
3015:.
3011:.
2985:.
2981:.
2977:.
2951:.
2947:.
2943:.
2917:.
2911:.
2885:.
2879:.
2853:.
2849:.
2845:.
2819:.
2815:.
2811:.
2781:.
2777:.
2751:.
2747:.
2745:SI
2743:.
2717:.
2713:.
2709:.
2683:.
2679:.
2675:.
2649:.
2645:.
2641:.
2615:.
2611:.
2607:.
2581:.
2577:.
2573:.
2543:.
2539:.
2513:.
2509:.
2505:.
2479:.
2475:.
2473:SI
2471:.
2445:.
2441:.
2437:.
2411:.
2407:.
2403:.
2377:.
2373:.
2369:.
2343:.
2337:.
2307:.
2303:.
2277:.
2273:.
2269:.
2243:.
2239:.
2235:.
2205:.
2201:.
2175:.
2171:.
2167:.
2141:.
2137:.
2133:.
2107:.
2101:.
2075:.
2071:.
2067:.
2041:.
2037:.
2033:.
2007:.
2003:.
1999:.
1969:.
1965:.
1940:.
1915:.
1890:.
1860:.
1856:.
1830:.
1804:.
1779:.
1733:.
1721:^
1695:.
1662:.
1628:.
1561:^
1545:28
1543:.
1518:^
1502:^
1488:.
1478:.
1442:.
1415:^
1407:15
1405:.
1382:^
1368:.
1358:.
1317:.
1291:^
1274:,
1270:.
1266:.
1254:^
1237:.
1212:.
1186:.
1161:,
1153:,
1139:,
1126:,
1098:,
1073:,
1060:,
1047:,
992:,
949:,
941:,
937:;
933:,
901:,
888:,
854:,
850:;
833:.
803:.
764:.
639:.
619:,
615:,
592:,
588:,
572:,
568:,
518:.
499:.
483:,
416:,
412:,
366:.
325:,
311:MA
284:,
244:;
166:.
3761:.
3741:.
3679:.
3651::
3568:.
3539:.
3510:.
3483:.
3434:.
3400:.
3366:.
3332:.
3298:.
3269:.
3235:.
3201:.
3167:.
3133:.
3099:.
3065:.
3031:.
2997:.
2963:.
2929:.
2897:.
2865:.
2831:.
2797:.
2763:.
2729:.
2695:.
2661:.
2627:.
2593:.
2559:.
2525:.
2491:.
2457:.
2423:.
2389:.
2355:.
2323:.
2289:.
2255:.
2221:.
2187:.
2153:.
2119:.
2087:.
2053:.
2019:.
1985:.
1951:.
1926:.
1901:.
1875:.
1841:.
1815:.
1790:.
1765:.
1744:.
1706:.
1672:.
1639:.
1614:.
1592:.
1555:.
1452:.
1438::
1376:.
1332:.
1285:.
1248:.
1223:.
1197:.
51:)
47:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)