Knowledge

Encyclopedic novel

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49: 909:-like attempt to "render the full range of knowledge and beliefs of a national culture, while identifying the ideological perspectives from which that culture shapes and interprets its knowledge". In more general terms, the encyclopedic novel is a long, complex work of fiction that incorporates extensive information (which is sometimes fictional itself), often from specialized disciplines of science and the humanities. Mendelson's essays examine the encyclopedic tendency in the history of literature, considering the 1147:
totalizing system" of knowledge. Encyclopedic novels in this view are commentaries on the limits of such narratives and systems. Given that the aura of encyclopedism in a work of fiction is necessarily an illusion, it points to a failure—a "failure" which may align with a novelistic intent to "highlight the illusory basis of 'total knowledge'". From this perspective, encyclopedic fiction suggests that "we should not systematically encyclopedize but seek more 'open' approaches to knowledge". On the other hand,
842: 1192:(1975). Yet, a defining characteristic of the encyclopedic novel is the presentation of unwanted or unnecessary information. Such writing "terminate focused attention", and is in danger of boring the reader. One view of the encyclopedic novel's method, therefore, is that it requires the reader to practice modulating their attention to the text, bringing more consciousness to the act of filtering the important from the tangential. Encyclopedic novels such as 20: 1104:
There has been considerable debate about the nature and function of the encyclopedic novel since Mendelson's exposition of the concept. Hillary A. Clark attributes to this type of discourse the importance of ordering the information which the writer discovers and retrieves. Moreover, Clark points out
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narrative". One critical review questions why a novelist would paradoxically reference a fictional universe, and what literary purpose is served by the proliferation of the "junk text" that is often a carrier of the encyclopedic conceit. When excessive real-world data is presented to the reader, the
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analysis of the encyclopedic novel sees it as critical of encyclopedism, the ostensible goal of which is to capture the sum of all human knowledge. This critique suggests that the encyclopedic project is "tainted by its association with master narratives" and that it reinforces the "illusion of a
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appears to achieve an opposite goal: in his relentless encyclopedic presentation of "facts and theories", the two main characters, Bouvard and Pécuchet, appear to be so absorbed in a world of knowledge, of having to gain knowledge, of needing to put knowledge to practical purpose, that Flaubert
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is an example of an encyclopedic novel) simply recycling narratives. The encyclopedist's essential job regardless of the type of discourse, is to gather, recycle, and restate. The encyclopedic writer "returns to the role of the medieval scribe … reading and copying the already known, the
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Encyclopedic novels include "the full account of at least one technology or science" and the display of "an encyclopedia of literary styles, ranging from the most primitive and anonymous levels ... to the most esoteric of high styles". Their closest inspiration is frequently the
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author's purpose is unclear: those readers who already know the material will find it superfluous, and those who do not know it may find that it adds nothing of interest to the text. Giving examples of "junk text" in encyclopedic fiction, the review cites "the pseudo-scientific
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referencing a variety of in-universe and out-of-universe subjects, thus directly adopting the conventions of academic writing while also creating a layer of "cruft" that the reader must actively parse in pursuit of the core narrative.
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for Ireland. Encyclopedic authors are unique to their culture of origin, such that a culture cannot produce more than a single such author without one eclipsing and replacing the other, as Shakespeare did to
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experienced by the reader of such a novel might represent the author's exploration of the assumptions and practices embodied in the production of a real encyclopedia. Along these lines, a
1128:. She explains that the urge to order the sum of all knowledge grew exponentially during the Renaissance and that by the 20th century we see writers such as Pound and James Joyce (whose 1092:). Mendelson states that "ecause they are the products of an epic in which the world's knowledge is larger than any one person can encompass, they necessarily make extensive use of 979:(1997). Other literary critics have explored the concept since, attempting to understand the function and effect of "encyclopedic" narratives, and coining the related terms 1027:). Mendelson also ascribed encyclopedic authors a nationalistic or patriotic function as codifiers of a single national culture that their work later comes to define; The 1409:
Herman, Luc and Petrus van Ewijk. "Gravity's Encyclopedia Revisited: The Illusion of a Totalizing System in Gravity's Rainbow."
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which incorporates elements across a wide range of scientific, academic, and literary subjects. The concept was coined by
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masterpiece, while others might emulate the genre with mock-encyclopedias of purely fictional information (as with
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popular, as well as the esoteric," and hence the encyclopedic novel assumes an almost "anti-creative" function.
999:("Encyclopedic Narrative" and "Gravity's Encyclopedia"). Mendelson described such novels as works created by an 1629: 521: 1298:"At the edges of perception": William Gaddis and the encyclopedic novel from Joyce to David Foster Wallace. 1644: 1536: 975: 761: 746: 660: 1639: 1161:
While an encyclopedia is a factual reference work, a novel stands in opposition to it as a "literary
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culture of data and information in place of the geopolitical divisions that defined previous works.
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Mendelson, Edward (1976). "Gravity's Encyclopedia". In Levine, George; David Leverenz (eds.).
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Mendelson, Edward (1976). "Gravity's Encyclopedia". In Levine, George; David Leverenz (eds.).
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spread encyclopedic elements across a wider collective body of work rather than a single
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The Maximalist Novel: From Thomas Pynchon's Gravity's Rainbow to Roberto Bolano's 2666.
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Mendelson, Edward (December 1976). "Encyclopedic Narrative: From Dante to Pynchon".
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Mendelson, Edward (December 1976). "Encyclopedic Narrative: From Dante to Pynchon".
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Boswell, Marshall. "Introduction: David Foster Wallace and 'The Long Thing'".
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Mendelson put forward the concept of the encyclopedic novel in two essays on
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Mendelson, Edward (1986). "Gravity's Encyclopedia". In Bloom, Harold (ed.).
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appears to suggest the civilization they inhabit lacks creativity and art.
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that encyclopedic texts have a long history, from the Renaissance
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Letzler, David. "Encyclopedic novels and the cruft of fiction:
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90.2 (April 2009): 167–179. Quoted in Letzler, "Paradox", 2
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The Art of Excess: Mastery in Contemporary American Fiction
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Novel that is said to describe or define an entire culture
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and "minor-character chatter about art and economics" in
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Letzler, 305, quoting Dorrit Cohn with added emphasis
1378: 1275:, "Encyclopedic Narrative", 1269. Quoted in Herman. 1396:Rasula, Jed. "Textual Indigence in the Archive." 1616: 1052:in England. Mendelson nonetheless distinguishes 1357:, "Gravity's Encyclopedia". Quoted in Boswell 1096:". Orderly plot structures are often absent. 864: 1503:Clark, Hillary A. "Encyclopedic Discourse". 1202:include extensive and sometimes nonsensical 1594:. New Haven: Chelsea House. pp. 29–52. 1578:Mindful Pleasures: Essays on Thomas Pynchon 1400:(May 1999). Quoted in Letzler, "Paradox", 2 1342:Mindful Pleasures: Essays on Thomas Pynchon 1512:Routledge Encyclopedia of Narrative Theory 1482:Bersani, Leo. "Flaubert's Encyclopedism". 871: 857: 1585: 1575: 1546: 1486:. 21:⅔ (Winter – Spring, 1988): 140–146 1339: 1300:2001, doctoral thesis, Durham University. 1237: 1366:Clark, 99; For Mendelson see note 1, 108 949:period include, in addition to Pynchon, 18: 1233: 1231: 1003:, but clarified that some authors like 1617: 1056:as self-reflexively proclaiming a new 1099: 1611:. Baltimore: Johns Hopkins UP, 1999. 1228: 1537:The Paradox of Encyclopedic Fiction 1510:Herman, Luc. "Encyclopedic novel". 1315:University of Illinois Press, 1989. 13: 1601: 14: 1656: 1592:: Modern Critical Interpretations 1580:. Little, Brown. pp. 161–95. 1344:. Little, Brown. pp. 161–95. 933:, with an emphasis on the modern 840: 47: 1464: 1452: 1443: 1434: 1425: 1416: 1403: 1390: 1369: 1039:for the United States (compare 1360: 1348: 1333: 1318: 1303: 1287: 1278: 1266: 1: 990: 33:an "encyclopedic narrative". 7: 1210: 10: 1661: 1609:The Distinction of Fiction 1514:. Routledge, 2010. 137–38. 1476: 1484:Novel: A Forum on Fiction 1222: 1031:for Florence and Italy, 956:The Gold Bug Variations 1539:". 2012. Presented at 1525:44:3 (2012): 304–324. 1493:44:3 (2012): 263–266. 887:is a genre of complex 34: 1630:Descriptive technique 1531:10.1353/sdn.2012.0036 1499:10.1353/sdn.2012.0033 1387:Letzler, "Paradox", 2 847:Literature portal 23:Mendelson considered 22: 1523:Studies in the Novel 1507:21.1 (1992): 95–110. 1491:Studies in the Novel 1041:Great American Novel 961:David Foster Wallace 621:Groups and movements 1470:Letzler, p. 308-309 1324:Ercolino, Stefano, 1154:Bouvard et Pécuchet 1001:encyclopedic author 240:Short prose fiction 143:Major written forms 1645:1976 in literature 1398:Postmodern Culture 1144:post-structuralist 1100:Other perspectives 1018:Gulliver's Travels 885:encyclopedic novel 734:Lists and outlines 210:Long prose fiction 35: 1590:Gravity's Rainbow 1588:Thomas Pynchon's 1535:Letzler, David. " 1293:Burn, Stephen J. 1089:Gravity's Rainbow 1054:Gravity's Rainbow 997:Gravity's Rainbow 942:Gravity's Rainbow 898:Gravity's Rainbow 881: 880: 633: 632: 488: 487: 295: 294: 1652: 1640:1970s neologisms 1595: 1581: 1572: 1555:(6): 1267–1275. 1471: 1468: 1462: 1456: 1450: 1449:Letzler, 304–308 1447: 1441: 1438: 1432: 1429: 1423: 1420: 1414: 1407: 1401: 1394: 1388: 1385: 1376: 1373: 1367: 1364: 1358: 1352: 1346: 1345: 1337: 1331: 1330:Bloomsbury, 2014 1322: 1316: 1307: 1301: 1291: 1285: 1282: 1276: 1270: 1264: 1263: 1246:(6): 1267–1275. 1235: 1183:The Recognitions 1151:'s encyclopedic 1149:Gustave Flaubert 1138:The illusion of 905:, defined as an 895:in criticism of 893:Edward Mendelson 889:literary fiction 873: 866: 859: 845: 844: 843: 499: 498: 306: 305: 207: 206: 51: 37: 36: 1660: 1659: 1655: 1654: 1653: 1651: 1650: 1649: 1615: 1614: 1604: 1602:Further reading 1561:10.2307/2907136 1479: 1474: 1469: 1465: 1457: 1453: 1448: 1444: 1439: 1435: 1430: 1426: 1421: 1417: 1411:English Studies 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1626: 1623: 1622: 1620: 1610: 1606: 1605: 1593: 1589: 1584:Reprinted in 1583: 1582: 1579: 1574: 1570: 1566: 1562: 1558: 1554: 1550: 1545: 1542: 1538: 1534: 1532: 1528: 1524: 1521:s endnotes". 1520: 1516: 1513: 1509: 1506: 1502: 1500: 1496: 1492: 1488: 1485: 1481: 1480: 1467: 1461: 1458:Letzler, 309 1455: 1446: 1437: 1428: 1419: 1412: 1406: 1399: 1393: 1384: 1382: 1372: 1363: 1356: 1351: 1343: 1336: 1329: 1328: 1321: 1314: 1313: 1306: 1299: 1296: 1290: 1281: 1274: 1269: 1261: 1257: 1253: 1249: 1245: 1241: 1234: 1232: 1227: 1218: 1217:National epic 1215: 1214: 1208: 1205: 1201: 1200: 1195: 1194:Infinite Jest 1191: 1190: 1185: 1184: 1179: 1175: 1174: 1169: 1164: 1159: 1156: 1155: 1150: 1145: 1141: 1140:encyclopedism 1136: 1133: 1132: 1127: 1126: 1122: 1118: 1114: 1110: 1109: 1108:Divine Comedy 1097: 1095: 1091: 1090: 1085: 1081: 1080: 1075: 1071: 1067: 1061: 1059: 1055: 1051: 1046: 1042: 1038: 1034: 1030: 1026: 1025: 1024:War and Peace 1020: 1019: 1014: 1010: 1006: 1002: 998: 988: 986: 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324:Realist 310:Fiction 278:Parable 263:Drabble 248:Novella 232:romance 197:Ergodic 113:Oration 106:proverb 30:Ulysses 1567:  1460:et seq 1422:Herman 1258:  1082:, and 1043:), or 1029:Comedy 927:, and 831:Estate 788:Theory 777:poetry 767:Cycles 678:Script 673:Satire 646:Comedy 595:Sonnet 590:Qasida 565:Ghazal 550:Ballad 471:Nature 461:Letter 394:horror 354:erotic 288:Wisdom 268:Sketch 223:Serial 163:Poetry 135:Saying 96:legend 1565:JSTOR 1256:JSTOR 1223:Notes 1113:Dante 924:Faust 752:Books 666:moral 626:Poets 608:Lists 570:Haiku 555:Elegy 541:Lyric 451:Essay 349:crime 334:Genre 228:Novel 190:verse 180:Prose 168:lyric 151:Drama 71:fable 1119:'s 1013:epic 983:and 939:and 883:The 826:Feud 790:and 656:Play 616:Epic 575:Hymn 517:Epic 466:Life 101:myth 1557:doi 1549:MLN 1527:doi 1495:doi 1248:doi 1240:MLN 1196:or 1189:J R 1180:'s 1115:to 1111:of 1086:'s 1076:'s 1068:or 1007:or 973:'s 963:'s 901:by 585:Ode 27:'s 1621:: 1563:. 1553:91 1551:. 1380:^ 1254:. 1244:91 1242:. 1230:^ 953:' 921:, 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Index


James Joyce
Ulysses
Literature

Oral literature
Folklore
fable
fairy tale
folk play
folksong
heroic epic
legend
myth
proverb
Oration
Performance
audiobook
spoken word
Saying
Drama
closet drama
Poetry
lyric
narrative
Prose
Nonsense
verse
Ergodic
Electronic

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