105:, recalled that the English Singers' recording of Byrd's Short Service Magnificat, made on 29 January 1923, "was a revelation in its beauty when rightly performed; it exerted a widespread influence in church-music circles." On the other hand, reviewing The English Singers' earliest discs, Harry Haskell notes the "lack of rhythmic definition" in the performances, though he allows that this may have been due, as Steuart Wilson recalled, to the acoustic process where they had to record with "six noses crowded into a single horn". There was, says Haskell, an improvement with the group's electric recordings, though their singing still suffered from "flaccid rhythms and unfocused tone".
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The group habitually performed seated around a table, which
Steuart Wilson initially claimed was the standard practice for singing madrigals in Elizabethan times. It was only years later, after several other madrigal ensembles had adopted the practice in the belief it was authentic, that Wilson
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reported, the concert was a great success: "It was the first occasion upon which in modern times madrigals were properly interpreted on a concert platform, and it was the first appearance in public of The
English Singers, though it was not till later in the year that they took that title. The
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and Nellie Carson (sopranos), Mary Morris (contralto), David
Brynely and Norman Notley (tenors) and Kelly himself. The group toured in the United States, appearing at New York's Town Hall. Both tenors were replaced by 1936, the new tenors being Eric Greene and
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audience was entranced. Here was something quite new to an
English audience and they rose to it." Two further concerts were arranged that year at the Aeolian Hall, and another 15 concerts were given elsewhere before the end of 1920.
307:
90:, the singers enjoyed "the biggest success". That April the English Singers toured Berlin, Prague and Vienna, again with Boult and Bliss. Another tour in April 1929 took the group to Czechoslovakia, Germany and Holland.
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In
October 1924, Whelen, Wilson and Carey were replaced by Nellie Carson, Norman Stone and Norman Notley. This group toured America in 1925, the first of many such tours.
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In
October 1932 Kelly formed a new group, the New English Singers, whose repertoire was again Elizabethan madrigals but also including contemporary works by
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admitted that the group's practice simply was expediency to avoid his having to carry six music stands on public transport across London for rehearsals.
38:, was a vocal group which specialised in early English music. The group made dozens of recordings of English madrigals between 1921 and 1955.
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178:"E.H. Fellowes, the scholar and performer who "found" the English composer, John Dowland, and rediscovered the lute song. Part 2 of 4"
50:. In 1920 the group was augmented to six singers, the members being Flora Mann, Winifred Whelen, Lillian Berger, Steuart Wilson,
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In 1917 the bass singer
Cuthbert Kelly founded a quartet of singers, having previously staged wartime concerts at the church of
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101:'s tercentenary in 1923 the group recorded five discs, singing one voice to a part. The early English music scholar,
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In
January 1922 the group, by now named The English Singers, visited Prague, accompanied by
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and
Cuthbert Kelly himself. The ensemble gave its first concert on 28 February at London's
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who joined the group in time for its tour that year in the United States and Canada.
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Letters From a Life: The
Selected Letters of Benjamin Britten, Volume I, 1923–1939
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performing contemporary British music conducted by Boult and Bliss: according to
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19:"English singers" redirects here. For singers in or from England, see
308:"New English Singers in First Christmas Program at the Town Hall"
34:, co-founded in 1920 by the singers Cuthbert Kelly and
248:
The International Cyclopedia of Music & Musicians
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Thomson, Oscar and Slonimsky, Nicolas (eds) (1942).
78:, performing in the second half of a concert in the
339:Britten, Benjamin (1991). Donald Mitchell (ed.).
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391:The Travel Diaries of Peter Pears, 1936-1978
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400:English Singer: The Life of Steuart Wilson
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250:. London: J.M. Dent & Sons Ltd. p. 505
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389:Pears, Peter (1999). Philip Reed (ed.).
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422:Musical groups established in 1920
360:The early music revival: a history
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180:. Semibrevity blog. 7 October 2011
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402:. Gerald Duckworth & Co. Ltd.
25:Category:English-language singers
306:B.H. Haggin (10 December 1934).
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23:. For singers in English, see
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343:. London: Faber and Faber.
82:, the first half being the
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398:Stewart, Margaret (1970).
42:Background and development
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427:A cappella musical groups
21:Category:English singers
358:Haskell, Harry (1996).
315:Brooklyn NY Daily Eagle
112:The New English Singers
58:. As the music scholar
48:St Martin-in-the-Fields
122:Ralph Vaughan Williams
97:in December 1921. For
374:. London: Macmillan.
362:. Dover Publications.
432:British vocal groups
124:. The members were
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417:Early music choirs
219:Stewart, pp. 67–68
95:His Master's Voice
84:Czech Philharmonic
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164:Pears, p. 1.
126:Dorothy Silk
118:Gustav Holst
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99:William Byrd
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80:Smetana Hall
76:Arthur Bliss
72:Adrian Boult
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56:Aeolian Hall
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320:17 December
131:Peter Pears
52:Clive Carey
411:Categories
393:. Boydell.
381:0333487524
350:057115221X
184:5 December
137:References
259:Kennedy,
228:Kennedy,
370:(1989).
333:Sources
263:, p. 86
232:, p. 85
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311:(PDF)
376:ISBN
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322:2011
186:2011
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