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His controversial artwork "The
Misadventures of the Romantic Cannibals", which portrays Jesus, and possibly other religious figures, in a context of ambiguous sexual content, is part of a ten-artist exhibit called "The Legend of Bud Shark and His Indelible Ink" which is on display in a city-run art
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in Mexico City from 1971 to 1974. As a student, he was sent to work on rural development projects with a focus on economics, an experience that strengthened his interest in political and social activism. While attending a rural development program he married an
American sociologist working on the
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His work often includes political themes that are developed using subversion and wit to convey the message. One work that exemplifies this political leaning is “Detention at the Border of
Language” (2023). This painting utilizes various effects, such as a visual glitch, pop culture figures, and
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codices from the precolonial era. Over the course of his career, he has created over 40 different codices. One example of his codices includes "El Popol Vuh de la
Abuelita del Ahuizote" (The Community Book of King Ahuizote’s Granny), which was created in 2021. This work is inspired by the
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historical abstract elements. The larger than life Mayan mask dominates the focal point of the piece, leading to a sense of dominance by indigenous culture over the painting. This painting depicts three Native
Americans, who are in the process of abducting a feminine
218:, referencing Middle Eastern conflicts over oil. This codex-inspired work is done on handmade amate paper. The use of cannibalism is shocking, but draw attention to present-day social issues such as cultural appropriation and the barbarism that often accompanies.
103:(born 1953) is a Mexican-born American painter, printmaker, and educator. The subject of his artwork is the changing nature of culture. He frequently uses shocking imagery, irony, and Mesoamerican icons to convey his point in his artwork. Chagoya teaches at
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which has Mayan origins. Another example of his codex work includes "The New Codex
Ytrebil", created in 2023. This version of the codex is inspired by the Aztec culture, specifically from 16th century books created under the direction of Catholic
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museum in
Loveland, Colorado. The copy on exhibit in Loveland, one of a limited edition of 30 lithographs, was destroyed by a woman wielding a crowbar on October 6, 2010. According to the artist the work is a commentary on the
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278:. The Native Americans are in a canoe named "Border Patrol". This is an inversion of the traditional understanding of Border Patrol and immigration, and creates a political statement.
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in 1953. His father, who was a bank employee, was also an artist. This influence from a young age was instrumental in
Chagoya's interest in pursuing art. He was partly raised by an
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Another controversial artwork includes "The
Enlightened Savage Guide to Economic Theory" (2009–10). This artwork includes imagery of murdered children, suspended from
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Stanford University's the Dean's Award in the Humanities in 1998. In 2000, Chagoya became a citizen of the
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at the Coulter Gallery, Department of Art and Art History, Stanford University, Stanford, CA. Solo exhibition.
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nurse who helped him to respect the indigenous people of his country and their history. He studied
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Schwendener, Martha; Diehl, Travis; Heinrich, Will; Lakin, Max; Gopnik, Blake (2023-05-03).
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at Florida Gulf Coast University Art Gallery, Fort Meyers, FL. Solo exhibition.
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character. Donald Duck likely serves as an allusion to former President
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546:"Oral history interview with Enrique Chagoya, 2001 July 25-August 6"
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Oral history interview with Enrique Chagoya, 2001 July 25-August 6
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at Anglimh/Trimble Gallery in San Francisco, CA. Solo exhibition.
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Stanford University Department of Art and Art History faculty
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190:'Liberty Club in the Sky', (2005) hard ground and spit bite
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In 1977, Chagoya and his first wife Jeanine Kramer visited
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at Sonoma Valley Museum of Art. Collaboration with artist
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post in the blog "Culture Monster" on the website of the
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147:. In 1979, Chagoya immigrated to the United States to
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in the department of Art and Art History. He lives in
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Mexican-born American painter, printmaker and educator
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300:He is the recipient of a Tiffany Fellowship.
876:"Xican-a.o.x. Body • Pérez Art Museum Miami"
575:"Hallie Ford Museum of Art: Enrique Chagoya"
406:at Edgewood College Gallery in Madison, WI.
366:in New York, NY. Group virtual exhibition.
327:Eye to I: Selfportraits From 1900 to Today
241:, which draw inspiration from traditional
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1228:University of California, Berkeley alumni
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844:"What to See in N.Y.C. Galleries in May"
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746:"Beer with a Painter: Enrique Chagoya"
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360:(Re)Print: Five Print Projects
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136:same program, Jeanine Kramer.
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816:"Enrique Chagoya: Borderless"
814:Pardee, Hearne (2023-05-04).
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333:. Group exhibition.
1021:"Search Collection"
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47:Mexico City, Mexico
1119:Chagoya, Enrique,
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1069:"Organic Cannibal"
973:"Chagoya, Enrique"
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1045:"Enrique Chagoya"
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638:"Enrique Chagoya"
552:. August 6, 2001.
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523:References
381:Kara Maria
233:by Chagoya
208:meat hooks
202:by Chagoya
125:Amerindian
93:Kara Maria
856:0362-4331
615:0362-4331
423:, Florida
257:Popol Vuh
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231:aquatint
200:drypoint
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149:Berkeley
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389:At the
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239:codices
227:etching
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131:at the
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251:Mayan
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