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recordings were as Poor quality that the singer's voice sounded like "horrendous scream" and the accompanying orchestra was almost inaudible. However, in an isolated environment, such as the city of Huacho, where
Iturriaga spent his childhood, the opportunities for music concerts of different artistic angles are very rare, and as a result, Iturriaga could satisfy his curiosity for music art only by Gramophone use.
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125:, a small port city north of the Peruvian capital. As a child, Iturriaga did not receive any formal musical training, but music was always present in the Iturriaga family house. His grandmother and older cousins often played the piano during family gatherings, arousing Enrique's interest in music from an early age, and was also encouraged by his father to play the
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gramophone also gave him the opportunity to explore a selection of music and art. Due to the difficulties in properly recording piano and string instruments in acoustic and electrical recordings, most of the repertoire recorded in the 1920s consisted of short and arian songs, however, even the vocal
145:, all by ear. Peruvian popular music not only played an important role in the development of Iturriaga's childhood, but also later shaped his musical creativity. In the coastal regions of Peru where he grew up, the most common type of popular music during the first half of the twentieth century was
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Iturriaga learned to play popular music with relative ease because of his keen ear, but was not interested in becoming a popular music artist; rather, it was the invention of original piano pieces that fascinated him most. However, I needed basic music training before I could start composition
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of their country, through the introduction of new musical techniques and the improvement of musical work. In 1950 he traveled to France with a scholarship granted by the
Government of that country. In Paris he took classes with
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In 1957 he won the Juan
Landaeta Prize, Caracas; and in 1965, the Third Ibero-American Festival of Washington commissioned him with a work, "Vivencias", that was premiered by the Buffalo Symphony Orchestra.
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353:. In addition to teaching and criticism, his dissemination work was expanded with the publication of the books La música en el Perú – in co-authorship – and Método de composición melódica.
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At the
Conservatory he graduated as a composition teacher. In 1947, when he was still a student he won the Duncker Lavalle National Prize for his work
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250:, invited to meet and study the work of universities and other higher institutions in the field of music. The same year he traveled to
129:. The young Iturriaga was naturally involved in music and enjoyed improvising on the piano; He also learned to play popular music like
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Between 1973 and 1976 he was director of the
National School of Music. In 1999 he was elected as general director of the
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Iturriaga garnered recognition early, when in 1947 he won the Dunker
Lavalle Award for his work for voice and orchestra
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His works are halfway between modernist and traditional tendencies, so in his works he mixes these styles alternately.
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Although
Iturriaga's exposure to music in his early years was predominantly that of popular idioms, the family's
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Between 1934 and 1939 he studied piano with Lily Rosay and began studying theory and harmony with
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527:"Enrique Iturriaga, pionero de la composición orquestal en el Perú, falleció a los 101 años"
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Enrique
Iturriaga Romero: obra e influencia en la música contemporánea del Perú 1947 – 1974
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413:"Enrique Iturriaga, pionero de la composición orquestal peruana, falleció a los 101 años"
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On
November 23, 2019, the orchestral composer died at 101. The news was confirmed by the
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209:. He has formed an important number of Peruvian composers. He has been director of the
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Iturriaga is part of a group of
Peruvian composers formed by the German-born musician
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243:. That same year he was called as professor at the National Conservatory of Music.
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for Orchestra, in the contest called by the second Latin American Festival in
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Enrique Iturriaga after a lesson at the National Conservatory of Music, 2008.
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Iturriaga in the library of the National Conservatory of Music of Peru, 2008.
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He was part of the group of Peruvian composers who in the 1950s renewed the
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and studies in the faculty of letters, then leaves his studies to enter the
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Cumbres, desiertos y clases: Un recuento de vivencias con Enrique Iturriaga
109:(April 3, 1918 – November 23, 2019) was a Peruvian composer and educator.
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In 2005 he was awarded the Medal of Honor of the Peruvian Culture of the
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La música orquestal peruana de 1945 a 2005 Identidades en la diversidad
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648:"Recitales de homenaje al maestro Enrique Iturriaga el 3 y 4 de abril"
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studies. In 1932, at the age of fourteen, he auditioned in Lima for
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179:– original key is different – that he learned completely by ear.
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512:(Thesis) (in Spanish). Universidad Nacional Mayor de San Marcos.
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In 1965, the committee for the third Ibero-American Festival in
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Between 1953 and 1960 he was a music critic of the newspaper
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Academic staff of the Pontifical Catholic University of Peru
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to attend the Inter-American Congress of Musical Educators.
650:(in Spanish). Universidad Nacional de Música. 29 March 2018
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Romero, Raul R. (1985). "La Música Tradicional y Popular".
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In April 1957 he won the Juan Landaeta Prize for his work
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Academic staff of the National University of San Marcos
269:– four pieces for orchestra – which was premiered by
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Homenaje a Stravinsky para orquesta y cajón solista
121:, Peru, in 1918 and spent most of his childhood in
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586:"Semblanza del maestro Enrique Iturriaga Romero"
508:Maggiolo Dibos, Ana Teresa Guillermina (2018).
205:for voice and orchestra, on a text by the poet
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588:(in Spanish). Universidad Nacional de Música
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16:Peruvian composer and educator (1918–2019)
691:National University of San Marcos alumni
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342:– his only serial work – for orchestra,
584:Barriga Tello, Martha (27 March 2018).
288:. He also served as a professor at the
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616:(in Spanish). University of Helsinki.
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377:. He won the award again in 1971 with
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480:(in Spanish) (257). Lima: Pro Musica.
390:National Institute of Culture of Peru
117:Enrique Iturriaga Romero was born in
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344:Preludio y fuga para un Santiago
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562:(in Spanish). 25 November 2019
533:(in Spanish). 23 November 2019
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419:(in Spanish). 23 November 2019
332:Cuatro poemas de Javier Heraud
286:National Conservatory of Music
275:Buffalo Philharmonic Orchestra
211:National Conservatory of Music
192:National Conservatory of Music
99:National Conservatory of Music
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301:Gran Teatro Nacional del Perú
556:"Falleció Enrique Iturriaga"
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371:Canción y muerte de Rolando
324:Canción y muerte de Rolando
246:In 1963 he traveled to the
203:Canción y muerte de Rolando
194:. There he would work with
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346:for brass, among others.
320:Sinfonía Junín y Ayacucho
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322:for symphony orchestra,
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176:Hungarian Rhapsody No. 2
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97:general director of the
23:Enrique Iturriaga Romero
701:Peruvian male composers
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716:Peruvian centenarians
375:Jorge Eduardo Eielson
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338:for choir a capella,
334:for voice and piano,
328:Homenaje a Stravinski
207:Jorge Eduardo Eielson
478:La Música en el Perú
686:Musicians from Lima
256:University of Chile
198:from 1945 to 1950.
70:Burlington, Vermont
696:Peruvian composers
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623:978-952-10-5690-1
254:, invited by the
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64:(2019-11-23)
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676:1918 births
654:27 November
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592:27 November
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537:27 November
423:27 November
336:Las cumbres
318:for piano,
230:El Comercio
78:Nationality
670:Categories
396:References
271:Lukas Foss
184:Andrés Sas
163:Lily Rosay
463:1025-9902
340:Vivencias
267:Vivencias
232:in Lima.
218:art music
113:Biography
292:and the
279:New York
273:and the
154:Victrola
135:marinera
81:Peruvian
241:Caracas
167:C minor
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365:Awards
123:Huacho
614:(PDF)
307:Works
237:Suite
171:Liszt
139:tango
127:piano
656:2019
631:2019
618:ISBN
594:2019
568:2019
539:2019
459:ISSN
425:2019
169:for
143:jazz
119:Lima
72:, US
59:Died
52:Perú
48:Lima
41:Born
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