537:, there is this sequence of shots: A room with a red teapot in the foreground. Another view of the room. The mother folding clothes. A shot down a corridor with a mother crossing it at an angle, and then a daughter crossing at the back. A reverse shot in the hallway as the arriving father is greeted by the mother and daughter. A shot as the father leaves the frame, then the mother, then the daughter. A shot as the mother and father enter the room, as in the background the daughter picks up the red pot and leaves the frame. This sequence of timed movement and cutting is as perfect as any music ever written, any dance, any poem."
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285:), who has run off owing to a conflict with her father, he agrees. Finding her in a bar where she now works, he listens to her side of the story. Fumiko complains that her father is stubborn, insisting on arranging her marriage, whereas she has now fallen in love with a musician and is adamant to lead life her own way.
303:) tries a ruse in which she asks Hirayama's opinion concerning a similar situation – her mother forcing her to marry someone she didn't like. When Hirayama advises her to ignore her mother, Yukiko reveals it is all a setup and states that Hirayama has just given his consent to Setsuko's marriage.
296:). Hirayama is extremely unhappy that his daughter has made wedding plans on her own. He confronts her at home and says that she must not go to work until she sees the folly of her ways. Hirayama tries to find out more about Taniguchi from his subordinate.
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After the wedding, Mikami reveals that he, like
Hirayama, has agreed to let his daughter select her own marriage partner. After going for a short business trip outside Tokyo, Hirayama decides to visit the newly-weds at
491:, which featured her in a much showier starring role. Yamamoto also receives what may be the only solo screen credit in any of Ozu's films, which starred some of the biggest names in Japanese cinema.
314:) is on the side of her sister, finding her father too old-fashioned. Finally, after the couple's insistence on getting married, Hirayama decides to give in by attending his daughter's wedding.
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In 2011, the BFI released a Region 2 Dual Format
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superstar it had borrowed for the film. The movie is constructed to spotlight the actress, who is elevated with extended dialogue scenes as a
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Studio still showing from left: Ineko Arima, Fujiko
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It is
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Despite the ruse, Hirayama remains unchanged and
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Ebert, Roger (April 11, 1992). "Twenty-Five Years in the Dark".
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One day during work, a young man named
Masahiko Taniguchi (
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by train, where
Taniguchi is stationed by his company.
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Owing to the standoff, his daughter's friend Yukiko (
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277:businessman. When an old schoolmate Mikami (
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677:. British Film Institute. Archived from
1018:Brothers and Sisters of the Toda Family
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582:(in Japanese). Kinema-Junposha.Co.Ltd
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16:For the flower of the same name, see
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511:, with an average rating of 7.4/10.
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927:Where Now Are the Dreams of Youth?
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602:"EQUINOX FLOWER (Higanbana)"
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935:Until the Day We Meet Again
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187:September 7, 1958
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743:"DVD & Blu-ray - Shop"
551:Eclipse Series 3: Late Ozu
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1010:What Did the Lady Forget?
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967:A Mother Should Be Loved
721:The Criterion Collection
547:The Criterion Collection
768:Rotten Tomatoes Reviews
624:"Equinox Flower (1958)"
441:film from Germany over
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903:The Lady and the Beard
1058:The Munekata Sisters
747:filmstore.bfi.org.uk
681:on February 14, 2017
481:as Best Actress for
376:- Masahiko Taniguchi
1146:An Autumn Afternoon
871:I Graduated, But...
753:on January 7, 2011.
1026:There Was a Father
919:I Was Born, But...
855:Sword of Penitence
838:Films directed by
580:"彼岸花 (Higan-bana)"
559:There Was a Father
500:Critical reception
334:- Setsuko Hirayama
153:Yoshiyasu Hamamura
23:1958 Japanese film
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1138:The End of Summer
1042:A Hen in the Wind
895:That Night's Wife
887:I Flunked, But...
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479:Blue Ribbon Award
434:Carmen Comes Home
429:Keisuke Kinoshita
406:- Heinosuke Horie
400:- Toshihiko Kawai
394:- Ichiro Nagamura
370:- Shukichi Mikami
364:- Hisako Hirayama
358:- Kiyoko Hirayama
352:- Wataru Hirayama
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380:Teiji Takahashi
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683:. Retrieved
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657:. Retrieved
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648:Kehr, Dave.
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633:February 13,
631:. Retrieved
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604:. Ozusan.com
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52:Yasujirō Ozu
1130:Late Autumn
1082:Tokyo Story
1050:Late Spring
994:Sound films
586:14 December
527:Roger Ebert
350:Shin Saburi
332:Ineko Arima
294:Ineko Arima
271:Shin Saburi
207:118 minutes
115:Shin Saburi
100:Ineko Arima
83:Produced by
48:Directed by
1169:1958 films
1163:Categories
566:References
541:Home media
423:Production
410:Ureo Egawa
404:Ryūji Kita
374:Keiji Sada
368:Chishū Ryū
290:Keiji Sada
279:Chishū Ryū
259:Ton Satomi
191:1958-09-07
125:Chishū Ryū
110:Keiji Sada
77:Ton Satomi
58:Written by
785:Higanbana
774:Higanbana
727:March 20,
608:April 22,
545:In 2007,
513:Dave Kehr
320:Hiroshima
244:Higanbana
149:Edited by
75:novel by
62:Kōgo Noda
31:Higanbana
790:AllMovie
459:Shochiku
447:Fujifilm
223:Japanese
220:Language
173:Shochiku
159:Music by
93:Starring
72:Based on
495:Release
475:protégé
452:Lycoris
212:Country
189: (
1149:(1962)
1141:(1961)
1133:(1960)
1125:(1959)
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1101:(1957)
1093:(1956)
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898:(1930)
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882:(1930)
874:(1929)
866:(1929)
858:(1927)
469:, the
471:Daiei
443:Kodak
275:Tokyo
215:Japan
779:IMDb
729:2024
687:2017
661:2017
635:2017
610:2020
588:2015
485:and
439:Agfa
326:Cast
265:Plot
788:at
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238:彼岸花
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