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Eugène Brieux

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District of Paris (3rd Arrondissement). His schooling was limited to attending the "École communale" and "École primaire supérieure" ("École Turgot"), which he completed at the age of 13. Nonetheless, he was very interested in literature, read a lot and wrote his first play at the age of 15. For many
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and its consequences and which was censored in various countries because of its medical details, was considered the most discussed play of the decade and the greatest contribution of theater to the good of mankind. In particular, sex reform groups propagated the educational play, in Germany, for
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there was no more important playwright west of Russia. For others he was "the Tolstoy of the Faubourg du Temple". After the First World War, however, interest in his plays, whose didactic impetus was no longer considered up-to-date, waned sharply.
198:, became a local tourist attraction, prompting him to move to an even more remote region in the Loire department, where he spent his time fishing and farming. He was made a Knight of the Legion of Honor and in 1908 campaigned for the 323:. It tells how a young lawyer infected with syphilis declines his physician's advice to take a long course of mercurial treatment and postpone his marriage. It was dedicated to 135:(1903), he critically examined social problems such as poverty, political corruption, divorce, venereal diseases, the death penalty and parenthood. Later dramas like 873: 163:
example, by the German Society for Combating Venereal Diseases. It was seen by an audience of millions between 1910 and 1920 in Germany alone. In the United States,
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On the basis of this limited success, Brieux first decided to try his hand at journalism. After a few years as a reporter in Dieppe, he became editor-in-chief of
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years, in which he unsuccessfully offered his manuscripts to various theaters, he earned his living as a bank clerk. For the first time one of his plays,
717: 1044: 238:, written in collaboration with M. Gaston Salandri, was produced in 1879, but he had to wait eleven years before he obtained another hearing, his 1049: 885: 866: 346: 921: 722: 88:. In Rouen he also staged some less important plays without losing sight of a career in Paris. He found encouragement when his play 859: 287:(1897) is a powerful, somewhat brutal, study of the miseries imposed on poor middle-class girls by the French system of 221:
called him "incomparably the greatest writer France has produced since Molière" and maintained that after the death of
945: 391:(1914). He also wrote wartime pamphlets, paying special attention to the care of those blinded by their wounds. 897: 1024: 953: 623: 819:. Vol. 30 (12th ed.). London & New York: The Encyclopædia Britannica Company. p. 504. 815: 482: 416: 549: 395: 961: 618: 249:
His plays are essentially didactic, being aimed at some weakness or iniquity of the social system.
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in 1890. But it was only two years later that he finally made his breakthrough with the play
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One or more of the preceding sentences incorporates text from a publication now in the
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on 10 April, and at Her Majesty's Theatre, London, on 20 September. This was followed by
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On that basis Brieux returned to Paris, where he wrote articles for Patrie, Gaulois and
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Syphilis in der Literatur: über Ästhetik, Moral, Genie und Medizin (1880-2000)
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Brieux was the best known and most popular French playwright of his time.
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Grove's Dictionary of Music and Musicians, 5th edition, vol. VIII, p. 368
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Brieux grew up as the son of a carpenter in modest circumstances in the
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in English, was banned by the censor, due to its medical details of
333:(1902) describes the life of a Parisian shop-girl. Later plays are 316: 278: 159: 356:
Brieux wrote four more plays in the ensuing decade. The first was
52:; 19 January 1858 – 6 December 1932) was a French 399: 195: 303:(1901) against the practice of putting children out to nurse. 190:
Brieux increasingly withdrew to the countryside. His villa in
288: 277:(1896) satirized an indiscriminate belief in the doctrine of 85: 74: 739:"Alfred Fournier, 1832-1914. His influence on venereology" 273:(1896) against the frivolity of fashionable charity; and 167:
wrote a novelized version of the play in 1913. In 1918,
299:(1900) was directed against the injustices of the law; 143:(1908), on the other hand, were again more optimistic. 610:, directed by Phil Goldstone (1937, based on the play 660:
Damaged Goods. Sex Hysteria and the Prostitute Fatale
394:Eugène Brieux died in 1932 and was interred in the 1016: 658:. Würzburg 2005, pp. 343-360; Katie N. Johnson: 1055:20th-century French dramatists and playwrights 1040:19th-century French dramatists and playwrights 881: 681:Blanchette and the Escape. Two Plays by Brieux 867: 253:(1892) pointed out the civic results of the 73:, was performed in 1879, at the theater in 922:Jean-Antoine de Mesmes (premier président) 874: 860: 337:(1903, acted privately at Rouen in 1893), 319:, was read privately by the author at the 770: 808: 712: 695: 693: 691: 689: 383:(1920). He also wrote some travelogues: 327:, Europe's foremost expert on syphilis. 28: 20: 269:(1894) against corruption in politics; 1017: 1045:Burials at the Cimetière du Grand Jas 855: 736: 686: 389:Au Japon par Java, la Chine, la Corée 47: 183:adapted it in 1933 under the title 13: 683:. Boston 1913, pp. I, xxxiv, xxxv. 14: 1066: 1050:Members of the Académie Française 827: 385:Voyages aux Indes et à Indo-Chine 353:, a comedy in three acts (1906). 345:(1904), in collaboration with M. 802: 700: 175:filmed the play under the title 154:(1903), translated in German as 36:(left) and Eugène Brieux (1914). 843:Works by or about Eugène Brieux 743:Sexually Transmitted Infections 104:and also toured the provinces. 946:Louis Philippe, comte de Ségur 796: 787: 730: 669: 648: 409: 285:Les trois filles de M. Dupont 246:at the Théâtre Libre in 1890. 1: 898:Antoine Girard de Saint-Amant 641: 367:in 1909. It was presented in 117:Les Trois Filles de M. Dupont 809:Chisholm, Hugh, ed. (1922). 261:(1892) was directed against 59: 16:French dramatist (1858–1932) 7: 954:Jean-Pons-Guillaume Viennet 10: 1071: 737:Waugh, M A (1 June 1974). 177:Die Geissel der Menschheit 119:in 1897. In plays such as 892: 633:(1943, based on the play 600:(1937, based on the play 584:(1933, based on the play 568:(1933, based on the play 552:(1926, based on the play 536:(1925, based on the play 522:(1922, based on the play 506:(1921, based on the play 490:(1919, based on the play 474:(1918, based on the play 460:(1918, based on the play 444:(1918, based on the play 434:Die Geißel der Menschheit 424:(1914, based on the play 619:Coup de feu dans la nuit 381:Les Américains chez nous 257:of the working classes; 229: 816:Encyclopædia Britannica 723:Encyclopædia Britannica 377:Le Bourgeois aux champs 293:Le Résultat des courses 938:Gabriel-Henri Gaillard 834:Works by Eugène Brieux 550:Émile-Bernard Donatien 396:Cimetière du Grand Jas 212:Georges de Porto-Riche 37: 26: 962:Joseph d'Haussonville 666:44 (2003), pp. 43-67. 92:was performed at the 32: 25:Eugène Brieux in 1923 24: 755:10.1136/sti.50.3.232 325:Jean Alfred Fournier 113:La Vie Contemporaine 34:Jean Jules Jusserand 930:Pierre-Joseph Alary 361:Camille Saint-Saëns 259:Monsieur de Réboval 219:George Bernard Shaw 158:, which dealt with 156:Die Schiffbrüchigen 146:By the outbreak of 90:Ménage des Artistes 49:[øʒɛnbʁijø] 1025:Writers from Paris 883:Académie française 675:Henry L. Mencken: 458:Camille de Morlhon 255:education of girls 242:being produced by 200:Académie française 38: 27: 1012: 1011: 838:Project Gutenberg 582:Jean de Marguenat 358:La Foi, for which 240:Ménage d'artistes 77:, but only once. 1062: 1005: 997: 989: 986:François Mauriac 981: 973: 965: 957: 949: 941: 933: 925: 917: 909: 906:Jacques Cassagne 901: 876: 869: 862: 853: 852: 847:Internet Archive 821: 820: 811:"Brieux, Eugène" 806: 805: 800: 794: 791: 785: 784: 774: 734: 728: 727: 706: 704: 703: 697: 684: 673: 667: 652: 627: 488:Alexander Butler 365:incidental music 301:Les Remplaçantes 271:Les Bienfaiteurs 234:A one-act play, 51: 46: 1070: 1069: 1065: 1064: 1063: 1061: 1060: 1059: 1015: 1014: 1013: 1008: 1002:René de Obaldia 1000: 992: 984: 976: 968: 960: 952: 944: 936: 928: 920: 914:Louis de Verjus 912: 904: 896: 888: 880: 830: 825: 824: 803: 801: 797: 792: 788: 735: 731: 716:, ed. (1911). " 701: 699: 698: 687: 674: 670: 654:Anja Schonlau: 653: 649: 644: 621: 412: 321:Théâtre Antoine 236:Bernard Palissy 232: 71:Bernard Palissy 62: 44: 17: 12: 11: 5: 1068: 1058: 1057: 1052: 1047: 1042: 1037: 1032: 1027: 1010: 1009: 1007: 1006: 998: 990: 982: 974: 970:Ludovic Halévy 966: 958: 950: 942: 934: 926: 918: 910: 902: 893: 890: 889: 879: 878: 871: 864: 856: 850: 849: 840: 829: 828:External links 826: 823: 822: 795: 786: 749:(3): 232–236. 729: 718:Brieux, Eugène 714:Chisholm, Hugh 685: 668: 664:Theatre Survey 646: 645: 643: 640: 639: 638: 629:, directed by 615: 605: 596:, directed by 589: 580:, directed by 573: 566:Edgar G. Ulmer 564:, directed by 557: 548:, directed by 541: 532:, directed by 527: 518:, directed by 511: 502:, directed by 495: 486:, directed by 479: 470:, directed by 465: 456:, directed by 449: 436:, directed by 431: 420:, directed by 411: 408: 404:French Riviera 373:La Femme Seule 231: 228: 204:Ludovic Halévy 181:Edgar G. Ulmer 165:Upton Sinclair 82:Le Nouvelliste 61: 58: 15: 9: 6: 4: 3: 2: 1067: 1056: 1053: 1051: 1048: 1046: 1043: 1041: 1038: 1036: 1033: 1031: 1028: 1026: 1023: 1022: 1020: 1003: 999: 995: 991: 987: 983: 979: 978:Eugène Brieux 975: 971: 967: 963: 959: 955: 951: 947: 943: 939: 935: 931: 927: 923: 919: 915: 911: 907: 903: 899: 895: 894: 891: 887: 884: 877: 872: 870: 865: 863: 858: 857: 854: 848: 844: 841: 839: 835: 832: 831: 818: 817: 812: 799: 790: 782: 778: 773: 768: 764: 760: 756: 752: 748: 744: 740: 733: 725: 724: 719: 715: 710: 709:public domain 696: 694: 692: 690: 682: 678: 672: 665: 661: 657: 651: 647: 636: 632: 628: 625: 620: 616: 613: 609: 608:Damaged Goods 606: 603: 599: 595: 594: 590: 587: 586:La Robe rouge 583: 579: 578: 574: 571: 567: 563: 562: 561:Damaged Lives 558: 555: 551: 547: 546: 542: 539: 535: 531: 528: 525: 521: 517: 516: 512: 509: 505: 501: 500: 496: 493: 489: 485: 484: 483:Damaged Goods 480: 477: 473: 472:Mihály Fekete 469: 466: 463: 459: 455: 454: 450: 447: 443: 439: 435: 432: 429: 428: 423: 419: 418: 417:Damaged Goods 414: 413: 407: 405: 401: 397: 392: 390: 386: 382: 378: 374: 370: 366: 362: 359: 354: 352: 351:Les Hannetons 348: 344: 343:La Déserteuse 340: 336: 332: 328: 326: 322: 318: 314: 313:Damaged Lives 310: 309: 304: 302: 298: 297:La Robe rouge 294: 290: 286: 282: 280: 276: 272: 268: 264: 260: 256: 252: 247: 245: 244:André Antoine 241: 237: 227: 224: 220: 215: 213: 209: 205: 202:, to succeed 201: 197: 193: 188: 186: 185:Damaged Lives 182: 178: 174: 170: 166: 161: 157: 153: 149: 144: 142: 138: 137:Les Hannetons 134: 130: 126: 125:La Robe Rouge 122: 118: 114: 110: 105: 103: 102:André Antoine 99: 95: 94:Théâtre Libre 91: 87: 83: 78: 76: 72: 67: 57: 55: 50: 42: 41:Eugène Brieux 35: 31: 23: 19: 994:Julien Green 977: 814: 798: 789: 746: 742: 732: 721: 680: 676: 671: 663: 659: 655: 650: 634: 631:Robert Péguy 617: 611: 607: 601: 598:Pierre Caron 591: 585: 577:The Red Robe 575: 569: 559: 553: 543: 537: 534:Gaston Ravel 529: 523: 513: 507: 497: 491: 481: 475: 467: 461: 451: 445: 433: 425: 422:Tom Ricketts 415: 393: 388: 384: 380: 379:(1914), and 376: 372: 357: 355: 350: 342: 338: 334: 330: 329: 312: 306: 305: 300: 296: 292: 284: 283: 274: 270: 266: 258: 250: 248: 239: 235: 233: 223:Henrik Ibsen 216: 208:Alfred Capus 189: 184: 176: 155: 151: 145: 140: 136: 132: 128: 124: 120: 116: 112: 106: 97: 89: 81: 79: 70: 63: 40: 39: 18: 1035:1932 deaths 1030:1858 births 622: [ 612:Les Avariés 570:Les Avariés 520:Paul Powell 504:René Hervil 492:Les Avariés 476:Les Avariés 446:Les Avariés 442:Jacob Fleck 427:Les Avariés 410:Filmography 387:(1910) and 369:Monte Carlo 347:Jean Sigaux 331:Petite amie 308:Les Avariés 267:L'Engrenage 173:Luise Fleck 152:Les Avariés 148:World War I 131:(1901) and 129:Les Avariés 1019:Categories 642:References 602:Blanchette 593:Blanchette 524:Le Berceau 515:The Cradle 508:Blanchette 499:Blanchette 438:Luise Kolm 263:pharisaism 251:Blanchette 139:(1906) or 121:Le Berceau 98:Blanchette 763:1368-4973 339:Maternité 335:La Couvée 275:L'Évasion 133:Maternité 109:Le Figaro 60:Biography 54:dramatist 635:L'Avocat 538:L'Avocat 530:L'Avocat 468:A Métely 375:(1913), 341:(1904), 317:syphilis 311:(1901), 279:heredity 160:syphilis 127:(1900), 123:(1898), 886:seat 22 845:at the 781:4602942 772:1045022 711::  677:Preface 402:on the 194:, near 45:French: 1004:(1999) 996:(1971) 988:(1933) 980:(1909) 972:(1884) 964:(1869) 956:(1830) 948:(1806) 940:(1771) 932:(1723) 924:(1710) 916:(1679) 908:(1662) 900:(1634) 807:  779:  769:  761:  705:  662:. In: 554:Simone 545:Simone 462:Simone 453:Simone 400:Cannes 363:wrote 349:, and 196:Cannes 141:Simone 66:Temple 679:. In: 626:] 289:dowry 230:Works 169:Jacob 86:Rouen 75:Cluny 777:PMID 759:ISSN 440:and 210:and 192:Agay 171:and 836:at 767:PMC 751:doi 720:". 398:in 187:." 84:in 1021:: 813:. 775:. 765:. 757:. 747:50 745:. 741:. 688:^ 624:fr 406:. 291:; 281:. 265:; 214:. 179:; 56:. 875:e 868:t 861:v 783:. 753:: 637:) 614:) 604:) 588:) 572:) 556:) 540:) 526:) 510:) 494:) 478:) 464:) 448:) 430:) 43:(

Index



Jean Jules Jusserand
[øʒɛnbʁijø]
dramatist
Temple
Cluny
Rouen
Théâtre Libre
André Antoine
Le Figaro
World War I
syphilis
Upton Sinclair
Jacob
Luise Fleck
Edgar G. Ulmer
Agay
Cannes
Académie française
Ludovic Halévy
Alfred Capus
Georges de Porto-Riche
George Bernard Shaw
Henrik Ibsen
André Antoine
education of girls
pharisaism
heredity
dowry

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