277:, rich and famous from the success of his first novel and its film adaptation by the Italian director Sergio Branco Mallone. Sergio and Tyvian compete for the affections of Sergio's assistant Francesca, who falls in love with Tyvian and gets engaged to him, but wants to keep her job with Sergio. Tyvian resents Sergio's demands on Francesca's time, but still accepts an advance from Sergio to begin writing a new novel, which Sergio hopes to film.
289:
upset
Francesca to confront him and Sergio to berate and threaten him. Despite this negative fallout, Tyvian cannot resist spending an expensive weekend in Venice with Eve, where he reveals to her that his best-selling book was actually written by his deceased brother. Tyvian has begun to drink heavily and ends up publicly humiliated and rejected by Eve, who used the weekend to make money gambling and connecting with wealthy new clients.
293:
discovers Tyvian with Eve, and, distraught, rushes away in a motorboat and dies in a crash. The night of her funeral, Tyvian breaks into Eve's apartment seeking comfort, but Eve drives him out with a riding whip and pushes him into a garbage pile. Two years later, Sergio still mourns
Francesca, while Tyvian haunts the bars of Venice and pursues a contemptuous Eve, who is planning to sail to the Greek islands with a wealthy Greek client.
292:
Tyvian marries
Francesca. Meanwhile, Sergio has discovered that Tyvian lied about his past and did not write the book published under his name, but cannot get Francesca to leave Tyvian. While Francesca is away working with Sergio, Tyvian trysts with Eve in his home. Francesca unexpectedly returns,
411:
concluded "Mr. Losey said the producer ruined it by cutting. The rejoinder is: He didn't cut it enough"; while in a similarly unfavourable review, Dennis
Schwartz opined "The story itself is the film's main problem, because it is so unsettling and perverse. It never lets in any sunlight"; however
288:
Tyvian tracks Eve to her penthouse apartment in Rome, where she has many clients. After pursuing her for several days, he finally succeeds in having sex with her. She indicates her primary interest is money, and warns him not to fall in love with her. His friends see him out with Eve, causing an
284:
Eva "Eve" Olivieri. The couple broke in to take shelter after their boat's rudder failed in a storm. Initially angry, Tyvian finds himself strongly attracted to Eve and, after throwing Pieri out of the house, tries unsuccessfully to seduce her. Eve knocks him unconscious and leaves.
397:
Losey said later the producers made cuts without his permission and the film was a disappointment to him. Losey's original cut was 2 hours and 35 minutes long and was cut to 1 hour and 41 minutes for its release in
Britain, with two parts redubbed and a new music track.
29:
280:
Francesca leaves on a business trip to Rome with Sergio, and Tyvian returns to his Venice house to find it occupied by local businessman Pieri and his "friend", the erotic
549:
1184:
394:. Losey said he never would have normally chosen to make a film out of Chase's novel "but I made the film mine more than anything I have ever done."
517:
127:
904:
412:
Derek
Winnert noted "Losey's dark thriller is really rather effective and underrated, and the actors are spot on in tailor-made roles."
1189:
1174:
1169:
1179:
1164:
599:
1229:
1214:
471:
EUGENE ARCHER. (March 15, 1964). "EXPATRIATE RETRACES HIS STEPS: Joseph Losey
Changes Direction With His British 'Servant'".
929:
813:
438:
685:
550:"Eva **** (1962, Stanley Baker, Jeanne Moreau, Virna Lisi, James Villiers, Lisa Gastoni) – Classic Movie Review 3999"
953:
897:
387:
488:
1000:
945:
261:
1209:
1056:
977:
789:
1219:
1204:
1199:
805:
1224:
1194:
890:
701:
797:
757:
592:
1159:
937:
829:
653:
1131:
1016:
853:
717:
339:
83:
1048:
984:
741:
645:
621:
1088:
1072:
733:
709:
1008:
992:
661:
585:
236:
1115:
961:
765:
8:
1154:
1107:
1080:
1064:
821:
56:
1040:
914:
845:
677:
669:
493:
473:
407:
321:
256:
73:
773:
693:
572:
434:
391:
380:
113:
67:
861:
749:
366:
273:
Tyvian Jones, a Welsh author from a working-class coal mining background, comes to
1123:
1024:
869:
781:
577:
837:
351:
345:
327:
137:
882:
1148:
637:
309:
303:
248:
244:
123:
99:
95:
1032:
609:
456:
384:
333:
240:
42:
518:"The Screen: Jeanne Moreau as Eva:Romantic Drama Opens at Little Carnegie"
629:
535:
52:
566:
969:
315:
252:
103:
281:
28:
274:
431:
Making Waves, Revised and
Expanded: New Cinemas of the 1960s
489:"Losey Back In U.S.:, Not Sure Blacklist Is Yet Abolished"
428:
383:
around Venice. The film's sets were designed by the
607:
454:"FILM CRAFT: Joseph Losey talks to Peter Lennon".
1146:
912:
470:
898:
593:
1185:Films based on works by James Hadley Chase
905:
891:
600:
586:
27:
515:
447:
1147:
429:Geoffrey Nowell-Smith (20 June 2013).
360:Roberto Paoletti as Eva's first escort
886:
581:
401:
229:, released in the United Kingdom as
13:
460:. London. July 9, 1962. p. 5.
14:
1241:
560:
516:Crowther, Bosley (June 5, 1965).
255:. Its screenplay is adapted from
536:"EVA – Dennis Schwartz Reviews"
268:
1190:Films directed by Joseph Losey
1175:Films scored by Michel Legrand
1170:English-language Italian films
542:
528:
509:
497:. 18 September 1963. p. 1
481:
464:
422:
1:
1180:Films based on British novels
1165:English-language French films
415:
374:
1230:English-language drama films
1215:1960s English-language films
930:No Orchids for Miss Blandish
806:The Assassination of Trotsky
369:as Baccarat player at casino
165:Gala Film Distributors (UK)
7:
702:The Gypsy and the Gentleman
363:Alexis Revidis as The Greek
235:, is a 1962 Italian-French
167:Times Film Corporation (US)
10:
1246:
978:There's Always A Price Tag
1099:
921:
830:The Romantic Englishwoman
616:
357:Nona Medici as Anna Maria
336:as The red-headed Russian
214:
204:
194:
171:
159:
143:
133:
119:
109:
91:
79:
62:
48:
38:
26:
21:
1132:But a Short Time to Live
1017:I Would Rather Stay Poor
324:as Sergio Branco Mallone
180:3 October 1962
1049:Like a Hole in the Head
622:The Boy with Green Hair
433:. A&C Black, 2013.
296:
239:drama film directed by
152:Paris Film Productions
1089:You Can Say That Again
1073:Consider Yourself Dead
1001:The World in My Pocket
790:Figures in a Landscape
1057:Just a Matter of Time
1009:A Lotus for Miss Quon
993:The Guilty Are Afraid
954:I'll Get You for This
686:The Intimate Stranger
662:Stranger on the Prowl
1210:Films shot in Venice
1116:Trusted Like the Fox
985:You've Got It Coming
318:as Francesca Ferrari
33:Original film poster
1220:1960s Italian films
1205:Films set in Venice
1200:Italian drama films
1108:No Business of Mine
1081:You Must Be Kidding
1065:My Laugh Comes Last
379:It was shot partly
1225:1960s French films
1195:French drama films
1041:The Whiff of Money
938:Get a Load of This
922:James Hadley Chase
915:James Hadley Chase
846:Roads to the South
678:A Man on the Beach
670:The Sleeping Tiger
608:Films directed by
474:The New York Times
408:The New York Times
402:Critical reception
322:Giorgio Albertazzi
257:James Hadley Chase
74:James Hadley Chase
1142:
1141:
962:I'll Bury My Dead
880:
879:
694:Time Without Pity
392:Luigi Scaccianoce
388:Richard Macdonald
330:as Alan McCormick
222:
221:
114:Gianni Di Venanzo
1237:
1160:1962 drama films
1100:Raymond Marshall
907:
900:
893:
884:
883:
750:King and Country
602:
595:
588:
579:
578:
554:
553:
552:. July 11, 2016.
546:
540:
539:
532:
526:
525:
513:
507:
506:
504:
502:
485:
479:
478:
468:
462:
461:
451:
445:
444:
426:
367:Peggy Guggenheim
340:Riccardo Garrone
187:
185:
163:Cineriz (Italy)
31:
19:
18:
16:1962 French film
1245:
1244:
1240:
1239:
1238:
1236:
1235:
1234:
1145:
1144:
1143:
1138:
1095:
1025:The Soft Centre
917:
911:
881:
876:
782:Secret Ceremony
612:
606:
563:
558:
557:
548:
547:
543:
534:
533:
529:
514:
510:
500:
498:
487:
486:
482:
469:
465:
453:
452:
448:
441:
427:
423:
418:
404:
377:
372:
312:as Tyvian Jones
299:
271:
209:
197:
190:
183:
181:
174:
166:
164:
155:
153:
148:
146:
126:
102:
98:
85:
71:
55:
34:
17:
12:
11:
5:
1243:
1233:
1232:
1227:
1222:
1217:
1212:
1207:
1202:
1197:
1192:
1187:
1182:
1177:
1172:
1167:
1162:
1157:
1140:
1139:
1137:
1136:
1128:
1120:
1112:
1103:
1101:
1097:
1096:
1094:
1093:
1085:
1077:
1069:
1061:
1053:
1045:
1037:
1029:
1021:
1013:
1005:
997:
989:
981:
974:
966:
958:
950:
942:
934:
925:
923:
919:
918:
910:
909:
902:
895:
887:
878:
877:
875:
874:
866:
858:
850:
842:
838:Monsieur Klein
834:
826:
818:
814:A Doll's House
810:
802:
798:The Go-Between
794:
786:
778:
770:
762:
758:Modesty Blaise
754:
746:
738:
730:
722:
714:
706:
698:
690:
682:
674:
666:
658:
650:
642:
634:
626:
617:
614:
613:
605:
604:
597:
590:
582:
576:
575:
562:
561:External links
559:
556:
555:
541:
527:
508:
480:
463:
446:
440:978-1623566913
439:
420:
419:
417:
414:
403:
400:
376:
373:
371:
370:
364:
361:
358:
355:
352:Enzo Fiermonte
349:
346:Checco Rissone
343:
337:
331:
328:James Villiers
325:
319:
313:
307:
306:as Eva Olivier
300:
298:
295:
270:
267:
259:'s 1945 novel
220:
219:
216:
212:
211:
206:
202:
201:
198:
195:
192:
191:
189:
188:
177:
175:
172:
169:
168:
161:
160:Distributed by
157:
156:
151:
149:
144:
141:
140:
138:Michel Legrand
135:
131:
130:
121:
117:
116:
111:
110:Cinematography
107:
106:
93:
89:
88:
81:
77:
76:
64:
60:
59:
50:
46:
45:
40:
36:
35:
32:
24:
23:
15:
9:
6:
4:
3:
2:
1242:
1231:
1228:
1226:
1223:
1221:
1218:
1216:
1213:
1211:
1208:
1206:
1203:
1201:
1198:
1196:
1193:
1191:
1188:
1186:
1183:
1181:
1178:
1176:
1173:
1171:
1168:
1166:
1163:
1161:
1158:
1156:
1153:
1152:
1150:
1134:
1133:
1129:
1126:
1125:
1121:
1118:
1117:
1113:
1110:
1109:
1105:
1104:
1102:
1098:
1091:
1090:
1086:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1051:
1050:
1046:
1043:
1042:
1038:
1035:
1034:
1030:
1027:
1026:
1022:
1019:
1018:
1014:
1011:
1010:
1006:
1003:
1002:
998:
995:
994:
990:
987:
986:
982:
980:
979:
975:
972:
971:
967:
964:
963:
959:
956:
955:
951:
948:
947:
943:
940:
939:
935:
932:
931:
927:
926:
924:
920:
916:
908:
903:
901:
896:
894:
889:
888:
885:
872:
871:
867:
864:
863:
859:
856:
855:
851:
848:
847:
843:
840:
839:
835:
832:
831:
827:
824:
823:
819:
816:
815:
811:
808:
807:
803:
800:
799:
795:
792:
791:
787:
784:
783:
779:
776:
775:
771:
768:
767:
763:
760:
759:
755:
752:
751:
747:
744:
743:
739:
736:
735:
731:
728:
727:
723:
720:
719:
715:
712:
711:
707:
704:
703:
699:
696:
695:
691:
688:
687:
683:
680:
679:
675:
672:
671:
667:
664:
663:
659:
656:
655:
654:The Big Night
651:
648:
647:
643:
640:
639:
635:
632:
631:
627:
624:
623:
619:
618:
615:
611:
603:
598:
596:
591:
589:
584:
583:
580:
574:
570:
569:
565:
564:
551:
545:
537:
531:
523:
519:
512:
496:
495:
490:
484:
477:. p. X9.
476:
475:
467:
459:
458:
450:
442:
436:
432:
425:
421:
413:
410:
409:
399:
395:
393:
389:
386:
385:art directors
382:
368:
365:
362:
359:
356:
353:
350:
347:
344:
341:
338:
335:
332:
329:
326:
323:
320:
317:
314:
311:
310:Stanley Baker
308:
305:
304:Jeanne Moreau
302:
301:
294:
290:
286:
283:
278:
276:
266:
264:
263:
258:
254:
250:
249:Stanley Baker
246:
245:Jeanne Moreau
243:and starring
242:
238:
237:co-production
234:
233:
228:
227:
217:
213:
207:
203:
199:
193:
179:
178:
176:
170:
162:
158:
154:Interopa Film
150:
142:
139:
136:
132:
129:
125:
124:Reginald Beck
122:
118:
115:
112:
108:
105:
101:
100:Stanley Baker
97:
96:Jeanne Moreau
94:
90:
87:
84:Raymond Hakim
82:
78:
75:
70:
69:
65:
61:
58:
54:
51:
49:Screenplay by
47:
44:
41:
37:
30:
25:
20:
1130:
1122:
1114:
1106:
1087:
1079:
1071:
1063:
1055:
1047:
1039:
1031:
1023:
1015:
1007:
999:
991:
983:
976:
968:
960:
952:
944:
936:
928:
868:
860:
854:Don Giovanni
852:
844:
836:
828:
820:
812:
804:
796:
788:
780:
772:
764:
756:
748:
740:
732:
725:
724:
718:The Criminal
716:
708:
700:
692:
684:
676:
668:
660:
652:
644:
636:
628:
620:
610:Joseph Losey
567:
544:
530:
521:
511:
499:. Retrieved
492:
483:
472:
466:
457:The Guardian
455:
449:
430:
424:
406:
405:
396:
378:
334:Lisa Gastoni
291:
287:
279:
272:
269:Plot summary
260:
241:Joseph Losey
231:
230:
225:
224:
223:
196:Running time
173:Release date
128:Franca Silvi
86:Robert Hakim
66:
43:Joseph Losey
742:The Servant
646:The Prowler
630:The Lawless
501:18 February
381:on location
200:116 minutes
80:Produced by
53:Hugo Butler
39:Directed by
1155:1962 films
1149:Categories
970:Safer Dead
734:The Damned
710:Blind Date
416:References
375:Production
342:as Michele
316:Virna Lisi
253:Virna Lisi
184:1962-10-03
145:Production
104:Virna Lisi
57:Evan Jones
913:Works by
862:The Trout
282:call girl
205:Countries
147:companies
120:Edited by
870:Steaming
766:Accident
522:NY Times
348:as Pieri
215:Language
134:Music by
92:Starring
63:Based on
1124:Mallory
822:Galileo
494:Variety
354:as Enzo
218:English
208:France
182: (
1135:(1951)
1127:(1950)
1119:(1948)
1111:(1947)
1092:(1980)
1084:(1979)
1076:(1978)
1068:(1977)
1060:(1972)
1052:(1970)
1044:(1969)
1036:(1966)
1028:(1964)
1020:(1962)
1012:(1961)
1004:(1959)
996:(1957)
988:(1955)
973:(1954)
965:(1953)
957:(1946)
949:(1945)
941:(1942)
933:(1939)
873:(1985)
865:(1982)
857:(1979)
849:(1978)
841:(1976)
833:(1975)
825:(1975)
817:(1973)
809:(1972)
801:(1971)
793:(1970)
785:(1968)
777:(1968)
769:(1967)
761:(1966)
753:(1964)
745:(1963)
737:(1963)
729:(1962)
721:(1960)
713:(1959)
705:(1958)
697:(1957)
689:(1956)
681:(1955)
673:(1954)
665:(1952)
657:(1951)
649:(1951)
641:(1951)
633:(1950)
625:(1948)
437:
275:Venice
251:, and
774:Boom!
210:Italy
1033:Cade
573:IMDb
503:2024
435:ISBN
390:and
297:Cast
946:Eve
726:Eva
571:at
568:Eva
262:Eve
232:Eve
226:Eva
72:by
68:Eve
22:Eva
1151::
520:.
491:.
265:.
247:,
906:e
899:t
892:v
638:M
601:e
594:t
587:v
538:.
524:.
505:.
443:.
186:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.