31:
416:(1965), that a woman is "at disadvantage from the beginning… She lacks conviction that she has the 'right' to achievement. She also lacks the belief that her achievements are worthy". She continued to explain that, "a fantastic strength is necessary and courage. I dwell on this all the time. My determination and will are strong but I am lacking so in self-esteem that I never seem to overcome." Hesse denied her work was strictly feminist, defending it as feminine but without feminist statements in mind. In an interview with Cindy Nemser for
313:
459:
material and process contradicts her intention for these works to attain permanency. When discussing this topic with collectors in mind, she wrote, "At this point, I feel a little guilty when people want to buy it. I think they know but I want to write them a letter and say it's not going to last. I am not sure what my stand on lasting really is. Part of me feels that it's superfluous and if I need to use rubber that is more important. Life doesn't last; art doesn't last."
434:
have been made of flesh and shapes, that look like they might be made of flesh but should not have been – you can look at these things, these materials, these shapes, and feel the shudder of an unnamable nanosensation, or you can let your eye pass by them without reaction; maybe you can do both at once." All of her work, and especially her drawings, are based on repetition and simple progressions.
429:
and which are studies, sketches, or models for future works. Hesse's drawings have often been noted as drafts for later sculptures, but Hesse herself disavowed any strong connection. Her work is often described as anti-form, i.e. a resistance to uniformity. Her work embodies elements of minimalism in its simple shapes, delicate lines, and limited color palette.
255:, and others. Her close friendship with Sol LeWitt continued until the end of her life. The two frequently wrote to one another, and in 1965 LeWitt famously counseled a young doubting Eva to "Stop and just DO!" Both Hesse and LeWitt went on to become influential artists; their friendship stimulated the artistic development of their work.
447:, writing of the Jewish Museum's 2006 retrospective, refers to "the discolorations, the slackness in the membrane-like latex, the palpable aging of the material… Yet, somehow the work does not feel tragic. Instead, it is full of life, of eros, even of comedy… Each piece in the show vibrates with originality and mischief."
296:. This year in Germany marked a turning point in Hesse's career. From here on she would continue to make sculptures, which became the primary focus of her work. Returning to New York City in 1965, she began working and experimenting with the unconventional materials that would become characteristic of her ouptut:
472:, premiered in New York, illustrated her painful background. Directed by Marcie Begleiter, the film tells the story of Hesse's "tragically foreshortened life". It "focuses on those years of artistic emergence, a period of rapid development and furious productivity, with few parallels in the history of art."
358:, Hesse employed industrial latex and once it was hardened, she hung it on the wall and ceiling using wire."Industrial latex was meant for casting. Hesse handled it like house paint, brushing layer upon layer to build up a surface that was smooth yet irregular, ragged at the edges like deckled paper."
373:
as "...the first time my idea of absurdity or extreme feeling came through...The whole thing is absolutely rigid, neat cord around the entire thing... It is extreme and that is why I like it and don't like it... It is the most ridiculous structure that I ever made and that is why it is really good".
428:
Hesse's work often shows minimal physical manipulation of a material while simultaneously completely transforming the meaning it conveys. This simplicity and complexity has evoked controversy among art historians. Debate has focussed on which pieces should be considered complete and finished works,
326:
Hesse's early work (1960–65) consisted primarily of abstract drawings and paintings. She is better known for her sculptures and because of this, her drawings are often regarded as preliminary steps to her later work. However, she created most of her drawings as a separate body of work. She stated,
433:
described her work for the Camden Arts Centre in London: "Things folded, things piled, things twisted, things wound and unwound; tangled things, blunt things to connect to; materials that have a congealed look, materials that seem lost or discarded or mistreated; shapes that look like they should
411:
Hesse worked and sometimes competed with her male counterparts in post-minimalist art, a primarily male-dominated movement. Many feminist art historians have noted how her work successfully illuminates women's issues while refraining from any obvious political agenda. She revealed, in a letter to
277:. By 1965 the two had moved to Germany so that Doyle could pursue an artist's residency from German industrialist and collector Friedrich Arnhard Scheidt, a move Hesse was not happy about. Hesse and Doyle, whose marriage was by then falling apart, lived and worked in an abandoned textile mill in
480:
movement, and her ability to usher in the postmodern and postminimalist art movements. Arthur Danto connects the two by describing her as "cop with emotional chaos by reinventing sculpture through aesthetic insubordination, playing with worthless material amid the industrial ruins of a defeated
458:
argued for steps for active conservation, "She wanted her work to last ... She certainly didn't have the attitude that she would mutely sit by and let it disintegrate before her eyes." LeWitt's response is supported by many of Hesse's other friends and colleagues. However, Hesse's dedication to
484:
Hesse was among the first artists of the 1960s to experiment with the fluid contours of the organic world of nature, as well as the simplest of artistic gestures. Some observers see in these qualities latent, proto-feminist references to the female body; others find in Hesse's languid forms
285:
for about a year.. The building still contained machine parts, tools, and materials from its previous use and the angular forms of these disused machines and tools served as inspiration for Hesse's mechanical drawings and paintings. Her first sculpture was a relief
467:
Her art is often viewed in the context of the many struggles of her life. This includes escaping from the Nazis, her parents' divorce, the suicide of her mother when she was 10, her failed marriage, and the death of her father. A 2016 documentary entitled
743:. 1968. Fiberglass and polyester resin. 38 in. x 86 in. x 6 1/8 in. Five parts divided among: San Francisco Museum of Modern Art, San Francisco; Glenstone Museum; Whitney Museum of American Art; Museum Wiesbaden; and Daros Collection, Switzerland.
442:
There has been ongoing discussion about how best to preserve Eva Hesse's sculptures. With the exception of fiberglass, most of her favored materials have aged badly, so much of her work presents conservators with an enormous challenge.
345:
Hesse's interest in latex as a medium for sculptural forms had to do with immediacy. Art critic John Keats stated: "immediacy may be one of the prime reasons Hesse was attracted to latex". Hesse's first two works using latex,
383:
475:
While experiences no doubt had profound impressions on Hesse, the true impact of her artwork has been her formal, artistic invention: for example, her inventive uses of material, her contemporary response to the
2365:
331:
202:, and she died on Friday, May 29, 1970, after three failed operations within a year. Her death at the age of 34 ended a career that would become highly influential, despite spanning only a decade.
485:
expressions of wit, whimsy, and a sense of spontaneous invention with casually found, or "everyday" materials. Prominent artists that have noted her as a primary influence include
Japanese artist
195:. In 1944, Hesse's parents separated; her father remarried in 1945 and her mother committed suicide in 1946. In 1961, Hesse met and married sculptor Tom Doyle (1928–2016); they divorced in 1966.
523:. Her first solo show of sculpture was presented at the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, in 1965. In November 1968, she exhibited her large-scale sculptures at the
2630:
531:
and was her only solo sculpture exhibition during her lifetime in the United States. The exhibition was pivotal in Hesse's career, securing her reputation at the time. Her large piece
273:. There Hesse made her first three-dimensional piece: a costume for the Happening. In 1963, Eva Hesse had a one-person show of works on paper at the Allan Stone Gallery on New York's
3147:
653:
at
Oberlin College, which also maintains the Eva Hesse Archive, donated to the museum by the artist's sister, Helen Hesse Charash, in 1977. Other public collections include the
707:. 1965. Pencil, acetone, varnish, enamel paint, ink, and cloth covered electrical wire on papier-mâché and masonite. 26 3/8 x 16 1/2 x 4 1/2 in. Museum of Modern Art, New York.
649:, which started actively acquiring her work after the 1990 exhibition "Female Artists of the Twentieth Century." One of the largest collections of Hesse's drawings is in the
1862:
1094:
2623:
2369:
973:
Eva Hesse (2006): Volumes I and II: Paintings and
Sculptures. Vol. I (Paintings) with an essay by Annette Spohn. Vol. II (Sculptures) with an essay by Jörg Daur.
1199:
2603:
audio interview with Marcie
Begeiter with Irit Krygier discussing her journey directing and co-producing with Karen S. Shapiro the documentary film, Eva Hesse
3212:
2872:
2616:
2540:
3142:
361:
Hesse's work often employs multiple forms of similar shapes organized together in grid structures or clusters. Retaining some of the defining forms of
408:
distinguished post-minimalism from minimalism by its "mirth and jokiness," its "unmistakable whiff of eroticism," and its "nonmechanical repetition."
3152:
713:. 1965-66. Acrylic, cloth-covered cord, wire, papier-mâché over plastic plumbers' pipe. 130 x 23 1/4 x 23 1/4 in. Allen Memorial Art Museum, Oberlin.
1287:
3172:
187:
After almost six months of separation, the reunited family moved to
England and then, in 1939, emigrated to New York City where they settled into
3177:
413:
3217:
3197:
1599:
Keats, John. "The
Afterlife of Eva Hesse." Art & Antiques Magazine. Art & Antiques Magazine, March 31, 2011; accessed March 4, 2015.
2888:
2710:
2688:
2639:
2507:
719:. Nets. 1966. Polyethylene, paper, lead weights, and cord. 71 x 15 1/2 x 8 1/4 in. San Francisco Museum of Modern Art, San Francisco.
2571:
597:
Numerous major exhibitions have been organized since the early 2000s, including a major show in 2002 (organized jointly between the
365:, modularity, and the use of unconventional materials, she created eccentric work that was repetitive and labor-intensive. Her work
3202:
3192:
2676:
2776:
2593:
454:
can no longer be exhibited to the public because the latex boxes have curled in on themselves and crumbled. Hesse's close friend
2588:
1359:
1475:
574:
organized the first retrospective dedicated entirely to Hesse's drawings, which traveled to the Grey Art
Gallery at NYU, the
2835:
2766:
2682:
2147:
2089:
1543:
1324:
1128:
1022:
1000:
658:
2735:
1384:
1410:
258:
In
November 1961, Eva Hesse married fellow sculptor Tom Doyle. In August 1962, Eva Hesse and Tom Doyle participated in an
2579:
1086:
152:(January 11, 1936 – May 29, 1970) was a German-born American sculptor known for her pioneering work in materials such as
725:. 1966. Acrylic on cloth over wood; acrylic on cord over steel tube. 72 × 84 × 78 in. Art Institute of Chicago, Chicago.
3187:
2511:
670:
598:
3098:
2771:
1618:
978:
958:
901:
243:
After Yale, Hesse returned to New York, where she became friends with many other young minimalist artists, including
1196:
3157:
2755:
587:
369:
from 1968 is an ideal example of this concept. And in a statement on her work, Hesse described her piece entitled
3207:
3162:
3137:
2740:
512:
266:
113:
542:
There have been dozens of major posthumous exhibitions in the United States and Europe. An early one was at the
176:, Germany, on January 11, 1936. When Hesse was two years old in December 1938, her parents, hoping to flee from
3087:
686:
2602:
1884:
767:. 1969. Fiberglass, polyester resin, latex, and cheesecloth. 122 inches x 300 in. Guggenheim Museum, New York.
749:. 1969. Cheesecloth, latex, fiberglass. 8 units, dimensions variable. National Gallery of Australia, Canberra.
662:
219:
192:
180:, sent Hesse and her older sister, Helen Hesse Charash, to the Netherlands. They were aboard one of the last
3182:
1206:
674:
543:
2920:
2760:
666:
618:
30:
2786:
2781:
2544:
555:
737:. 1968. Fiberglass and polyester resin. 19 units, dimensions variable. Museum of Modern Art, New York.
3167:
3127:
2925:
682:
650:
626:
614:
575:
2032:
755:. 1969. Galvanized steel and vinyl. 30 3/4 × 30 3/4 × 30 3/4 in. Detroit Institute of Arts, Detroit.
382:
3082:
2915:
2880:
2597:
654:
546:(1972), while in 1979, three separate iterations of an Eva Hesse retrospective were held, entitled
211:
519:. In 1963, Hesse had a one-person show of works on paper at the Allan Stone Gallery on New York's
3132:
591:
551:
390:
338:
327:"they were related because they were mine but they weren't related in one completing the other."
1863:"Portrait of the Artist as a Young Woman: Documenting the Innovation and Influence of Eva Hesse"
2720:
2390:
625:, Edinburgh (August to October 2009). An exhibition of her drawings from the collection of the
237:
1535:
1524:
1118:
773:. 1969–70. Latex, rope, string, and wire. Dimensions variable. Whitney Museum of American Art.
420:(1970), she stated, "The way to beat discrimination in art is by art. Excellence has no sex."
2854:
2655:
2608:
2293:
2056:
1653:
938:
583:
1808:
1504:
3122:
3117:
1531:
1508:
642:
320:
594:. In 1992 and 1993, retrospective exhibitions were held in New Haven, Valencia and Paris.
481:
nation that, only two decades earlier, would have murdered her without a second thought."
8:
3021:
2986:
2730:
2560:
The
Afterlife of Eva Hesse′s ″Expanded Expansion″ (Guggenheim produced short documentary)
1582:
New
Encounters: Arts, Cultures, Concepts: Eva Hesse: Longing, Belonging, and Displacement
1075:
SFMOMA exhibit notes, 2002 for Hamburg; Danto 2006, p.32 for family being observant Jews.
930:
924:
645:, in New York. The largest collection of Hesse's work outside of the United States is in
622:
516:
270:
232:
and in 1959 she received her BA from Yale University. While at Yale, Hesse studied under
225:
1564:
New Encounters: Arts, Cultures, Concepts: Eva Hesse: Longing, Belonging and Displacement
3051:
2811:
2520:
2171:
1770:
1705:
2566:
312:
2976:
2971:
2153:
2143:
2085:
1774:
1647:
1614:
1539:
1320:
1124:
1018:
996:
974:
954:
937:. NY/New Haven: The Drawing Center/Yale University Press, 2005. (Including essays by
906:
897:
524:
330:
1363:
896:(The Art Alliance Press: Philadelphia; Associated University Presses: London, 1974)
3046:
2956:
2827:
1766:
1483:
963:
885:
785:
646:
606:
571:
2559:
2487:
1926:
1247:
731:. 1967. Painted papier-mâché, wood and cord. Dimensions variable. Tate Collection.
3031:
2910:
2750:
2714:
2497:
2219:
1203:
1010:
988:
950:
847:
809:
793:
579:
520:
430:
354:(1967–68), use latex in a way never imagined by the manufacturer. In her artwork
274:
218:
of Design. She dropped out only a year later. When Hesse was 18, she interned at
215:
181:
109:
93:
2414:
566:
from August 17 – September 23, 1979. One artwork featured in the exhibition was
500:. Simultaneously, she showed her drawings in the John Heller Gallery exhibition
3041:
3026:
2946:
2745:
2705:
2514:
February 2, 2002 — May 19, 2002 exhibition). Accessed online 19 September 2006.
2267:
825:
805:
789:
610:
536:
133:
2317:
2195:
2105:
1222:
288:
3111:
3056:
2951:
2819:
2660:
2243:
2157:
1778:
1316:
817:
2463:
3011:
2996:
2991:
2966:
2961:
2725:
2650:
2007:
1950:
946:
919:
Willson, William S., ""Eva Hesse: On the Threshold of Illusions", in :
881:
877:
821:
678:
633:
in Vienna, Hauser & Wirth New York, and the Allen Memorial Art Museum.
505:
444:
405:
401:
259:
252:
233:
229:
177:
105:
97:
58:
2438:
1666:
3061:
3016:
3006:
2981:
2930:
2341:
1029:
863:
813:
797:
602:
398:
248:
199:
161:
1885:"Review: 'Eva Hesse' Offers a Moving Portrait of an Artist's Brief Life"
1709:
1521:
833:. 1995 IconEditions, An Imprint of HarperCollins Publishers. 173-199pps.
761:. 1969. Fiberglass. 5 × 18 × 4 ft. Milwaukee Art Museum, Milwaukee.
701:. 1963–64. Oil on canvas. 59 × 39 1/4 in. The Jewish Museum (Manhattan).
3066:
2803:
1014:
984:
942:
856:. 1992 Timken Publishers, Inc. Bill Barrette. illus. Trade Paper. 274p.
801:
496:
In 1961, Hesse's gouache paintings were exhibited in Brooklyn Museum's
477:
455:
362:
301:
244:
157:
1415:
The Brooklyn Rail Critical Perspectives on Arts, Politics, and Culture
846:. 1976 New York; New York University Press / 1992 Da Capo Press, Inc.
450:
In some cases, her work is damaged beyond presentation. For instance,
1149:
Lippard 1992, p. 6 and in the Chronology: THE ARTIST'S LIFE, p. 218.
508:
486:
262:
188:
123:
2554:
1757:
Fer, Briony (1994). "Bordering on Blank: Eva Hesse and Minimalism".
3036:
563:
293:
872:
1992. Edited by Helen A. Cooper. New Haven: Yale University Press.
866:. Edited by John Cheim and Nathan Kernan. illus. Trade Cloth. 58p.
2905:
1966:
1964:
1013:(Contributor), Kirsten Swenson, "Converging Lines: Eva Hesse and
559:
278:
173:
54:
2494:, July 17/24, 2006, p. 30–34. Posted online June 28, 2006.
1288:"Josef Albers, Eva Hesse, and the Imperative of Teaching | Tate"
829:. 1975 New York; Charles Scribner's Sons. 201-224pps. Reprinted
570:
four double sheets of latex stuffed with polyethylene. In 1982,
562:
from June 30 – August 5, 1979; and the Kestner-Gesellschaft in
2638:
2549:
1961:
1908:
993:
Art without Art: Selected Writing from the World of Blunt Edge
840:(I.B. Tauris, 2010) 250 pages; focus on drawings from 1960–61.
630:
297:
282:
160:, and plastics. She is one of the artists who ushered in the
153:
1685:. Berkeley, CA: University of California Press. p. 705.
831:
Art Talk: Conversations: Conversations with 15 Women Artists
16:
German-born American sculptor and textile artist (1936-1970)
101:
1360:"Blanton Museum of Art: The University of Texas at Austin"
292:, which featured cloth-covered cord, electrical wire, and
1087:"Finally, a Documentary About Eva Hesse's Life and Work"
539:
in the 1969 exhibit "Anti-Illusion: Process/Materials".
224:
magazine. During this time she also took classes at the
3148:
Jewish emigrants from Nazi Germany to the United States
1649:
More Than Minimal: Feminism and Abstraction in the 70's
1443:
1441:
889:. Michael Blackwood Productions, Inc. Color VHS 45 min.
504:. In August 1962, she and Tom Doyle participated in an
2508:
SFMOMA | Exhibitions | Exhibition Overview | Eva Hesse
1385:"S+ Stimulant: Sol LeWitt's advice to Eva Hessa Hesse"
1183:(2nd ed.). Detroit: Gale. 2004. pp. 365–367.
1065:(2nd ed.). Detroit: Gale. 2004. pp. 365–367.
2873:
Heresies: A Feminist Publication on Art and Politics
2504:. 1992 Da Capo Press, Inc. illus. Trade Paper. 251p.
1438:
1166:
1164:
307:
1522:Harriet Schoenholz Bee; Cassandra Heliczer (2005).
1450:
1179:
1061:
2519:
2137:
1696:Nemser, Cindy (2007). "My Memories of Eva Hesse".
1523:
1340:Nemser, Cindy (2007). "My Memories of Eva Hesse".
214:at the age of 16, and in 1952 she enrolled in the
172:Hesse was born into a family of observant Jews in
2318:"Eva Hesse. Repetition Nineteen III. 1968 | MoMA"
1927:"Eva Hesse Biography, Art, and Analysis of Works"
1613:(first ed.). NY: HarperCollins. p. 29.
1161:
617:. In Europe, Hesse had recent exhibitions at the
3109:
629:will travel in 2019-20 to the Museum Wiesbaden,
2244:"Eva Hesse, Untitled or Not Yet, 1966 · SFMOMA"
1348:(Spring–Summer). Old City Publishing, Inc.: 27.
1305:
838:Eva Hesse: Longing, Belonging, and Displacement
423:
319:(1968), fiberglass and polyester resin, at the
2033:"Eva Hesse – Exhibition at Tate Modern | Tate"
1282:
1280:
1120:Eva Hesse: Longing, Belonging and Displacement
377:
2624:
1652:. Waltham, MA: Brandeis University. pp.
609:), and concurrent exhibitions in 2006 at The
3213:Deaths from brain cancer in New York (state)
2711:Elizabeth A. Sackler Center for Feminist Art
1765:(3). Oxford: Blackwell Publishers: 424–449.
1411:"Converging Lines: Eva Hesse and Sol LeWitt"
2889:Why Have There Been No Great Women Artists?
2689:New York School of Applied Design for Women
2196:"Eva Hesse. Ringaround Arosie. 1965 | MoMA"
1978:
1976:
1632:
1630:
1595:
1593:
1591:
1277:
1192:
1190:
983:
437:
2640:Feminist art movement in the United States
2631:
2617:
1683:Theories and Documents of Contemporary Art
1557:
1555:
1116:
995:. London: Ziggurat Books. pp. 55–60.
554:in London from May 4 – June 17, 1979; the
198:In October 1969, she was diagnosed with a
29:
3143:People from Washington Heights, Manhattan
1991:Lippard 1992, pp. 5, 128–29, 138, 180–82.
1791:
1722:
1270:
1268:
1117:Corby, Vanessa; Hesse, Eva (2010-08-15).
1057:
1055:
1053:
1051:
1049:
1047:
1045:
692:
3153:American people of German-Jewish descent
2677:American Association of University Women
1973:
1627:
1588:
1408:
1187:
381:
329:
311:
3173:Art Students League of New York faculty
2575:Essay by Leslie Dick published in X-TRA
2517:
2140:Encyclopedia of Jewish American artists
2128:Information booklet of Museum Wiesbaden
1842:Danto, Arthur (2006). "All About Eva".
1738:Danto, Arthur (2006). "All About Eva".
1608:
1552:
1152:
527:in New York. The exhibition was titled
3178:Art Students League of New York alumni
3110:
2084:. The Fruitmarket Gallery, Edinburgh.
1792:Schwabsky, Barry (2010). "Eva Hesse".
1723:Schwabsky, Barry (2010). "Eva Hesse".
1695:
1680:
1645:
1339:
1265:
1181:Encyclopedia of World Biography Vol. 7
1084:
1042:
550:. These exhibitions took place at the
498:21st International Watercolor Biennial
3218:20th-century American women sculptors
2836:WACK! Art and the Feminist Revolution
2683:National Association of Women Artists
2612:
1882:
1860:
1841:
1737:
1727:(April). Camden Arts Centre: 205–206.
1676:
1674:
1579:
1575:
1573:
1561:
1217:
1215:
659:Hirshhorn Museum and Sculpture Garden
3198:High School of Art and Design alumni
2777:The Women's Building (San Francisco)
2736:National Museum of Women in the Arts
2415:"Right After | Milwaukee Art Museum"
1704:(1). Old City Publishing, Inc.: 27.
641:Over 20 of her works feature in the
2526:. New Haven: Yale University Press.
2342:"Eva Hesse, Sans II, 1968 · SFMOMA"
2079:
1806:
1756:
1409:Mitchell, Samantha (2 April 2014).
970:. London and Munich: Prestel, 2006.
13:
2767:Women's Art Resources of Minnesota
2512:San Francisco Museum of Modern Art
1771:10.1111/j.1467-8365.1994.tb00586.x
1671:
1570:
1212:
671:San Francisco Museum of Modern Art
599:San Francisco Museum of Modern Art
14:
3229:
3099:Feminist movements and ideologies
2534:
1796:(April). Camden Arts Centre: 206.
1584:. London, UK: Tauris. p. 16.
582:, the Renaissance Society at the
397:Eva Hesse is associated with the
308:Methods, materials, and processes
2584:Source with some more references
2291:
2030:
1085:Sutton, Benjamin (16 May 2015).
1017:". Yale University Press, 2014.
916:(September, 1954): 140-141, 161.
909:, Oberlin College, Oberlin Ohio.
894:A decade of sculpture: the 1960s
210:Hesse graduated from New York's
3203:Sculptors from New York (state)
3193:20th-century American sculptors
2741:New York Feminist Art Institute
2456:
2431:
2407:
2383:
2358:
2334:
2310:
2285:
2260:
2236:
2212:
2188:
2164:
2131:
2122:
2098:
2073:
2049:
2024:
2000:
1994:
1985:
1943:
1919:
1901:
1876:
1854:
1835:
1826:
1800:
1785:
1750:
1731:
1716:
1689:
1660:
1639:
1602:
1515:
1497:
1468:
1459:
1429:
1402:
1377:
1352:
1333:
1240:
1097:from the original on 2020-04-15
1063:Encyclopedia of World Biography
777:
621:in Barcelona (2010) and at the
513:Art Students League of New York
502:Drawings: Three Young Americans
267:Art Students League of New York
114:Art Students League of New York
3088:Women in the art history field
2772:Woman's Building (Los Angeles)
2530:Artforum, Summer 1979. Page 6.
2008:"Eva Hesse – Museum Wiesbaden"
1970:Sussman and Wasserman, Preface
1861:Wolfe, Jennifer (2016-06-27).
1476:"Eva Hesse – The Arts Council"
1173:
1143:
1109:
1078:
1069:
862:. 1992 Robert Miller Gallery.
860:Eva Hesse Paintings, 1960–1964
687:Whitney Museum of American Art
636:
491:
236:and was heavily influenced by
228:. From 1954–57 she studied at
1:
2756:Washington Women's Art Center
2480:
2294:"'Addendum', Eva Hesse, 1967"
1566:. London: Tauris. p. 12.
784:Art Talk: Conversations with
663:National Gallery of Australia
143:Tom Doyle (1961–66; divorced)
2796:Exhibitions or installations
2368:. Nga.gov.au. Archived from
2272:The Art Institute of Chicago
1207:Solomon R. Guggenheim Museum
675:Solomon R. Guggenheim Museum
424:Visual and critical analysis
164:art movement in the 1960s.
7:
2921:Women Artists in Revolution
2761:Women Artists in Revolution
2518:Sussman, Elisabeth (2006).
2138:Baskind, Samantha. (2011).
1274:SFMOMA exhibit notes, 2002.
1009:Veronica Roberts (Editor),
966:with Vanessa Corby (eds.),
870:Eva Hesse: A Retrospective.
850:. illus. Trade Paper. 251p.
667:Nelson-Atkins Museum of Art
387:Test Piece for "Contingent"
378:Postminimalism and feminism
35:Hesse in her studio in 1965
10:
3234:
2567:Eva Hesse on Artcyclopedia
2545:Union List of Artist Names
1883:Scott, A.O. (2016-04-26).
3188:Yale School of Art alumni
3096:
3075:
2939:
2898:
2864:
2846:
2795:
2698:
2669:
2646:
2596:Exhibition (2006) at The
1865:. Creative Planet Network
1681:Stiles, Kristine (2012).
1611:Art of The Postmodern Era
1505:"Repetition Nineteen III"
1435:Lippard 1992, p. 21, 218.
651:Allen Memorial Art Museum
627:Allen Memorial Art Museum
615:Jewish Museum of New York
576:Allen Memorial Art Museum
462:
205:
139:
129:
119:
89:
81:
65:
40:
28:
21:
3083:List of feminist artists
2881:The Feminist Art Journal
2598:Jewish Museum (New York)
2322:The Museum of Modern Art
2200:The Museum of Modern Art
1609:Sandler, Irving (1996).
1036:
987:(2008). "Eva Hesse". In
655:Art Institute of Chicago
588:Contemporary Arts Museum
438:Preservation of artworks
212:School of Industrial Art
3158:Jewish American artists
2787:Women's Studio Workshop
2782:Women's Interart Center
2699:Venues or organizations
2572:Eva Hesse: Random Notes
1909:"Eva Hesse Documentary"
1580:Corby, Vanessa (2010).
1562:Corby, Vanessa (2010).
1417:. Yale University Press
1223:"Eva Hesse Documentary"
735:Repetition Nineteen III
592:Baltimore Museum of Art
552:Whitechapel Art Gallery
391:National Gallery of Art
339:National Gallery of Art
167:
3208:Postminimalist artists
3163:Jewish women sculptors
3138:Artists from Manhattan
2926:Women's Caucus for Art
2847:Films or documentaries
2721:Feminist Art Coalition
2057:"Eva Hesse: Sculpture"
1951:"Bangkok Post article"
1646:Stoops, Susan (1996).
1030:Eva Hesse: Studiowork.
968:Encountering Eva Hesse
693:List of selected works
619:Fundació Antoni Tàpies
394:
342:
323:
238:Abstract Expressionism
2855:!Women Art Revolution
2656:Feminist art movement
2550:Eva Hesse Documentary
1913:Eva Hesse Documentary
1832:Danto, 2006, p.30–31.
1319:. 2019. p. 185.
1227:Eva Hesse Documentary
939:Benjamin H.D. Buchloh
584:University of Chicago
385:
356:Untitled (Rope Piece)
333:
315:
2594:Eva Hesse: Sculpture
2589:Eva Hesse Chronology
2439:"Expanded Expansion"
2080:Fer, Briony (2009).
1532:Museum of Modern Art
1509:Museum of Modern Art
1456:Lippard 1992, p. 24.
1447:Lippard 1992, p. 219
931:de Zegher, Catherine
643:Museum of Modern Art
613:in New York and the
590:in Houston, and the
548:Eva Hesse: Sculpture
321:Museum of Modern Art
3183:Cooper Union alumni
2987:Helen Frankenthaler
2731:Lesbian Art Project
2541:Entry for Eva Hesse
2522:Eva Hesse Sculpture
2176:thejewishmuseum.org
2172:"The Jewish Museum"
2142:. Greenwood Press.
2012:museum-wiesbaden.de
1698:Woman's Art Journal
1636:Danto, 2006, p. 33.
1465:Lippard 1992, p. 26
1342:Woman's Art Journal
1313:Great women artists
1170:Lippard 1992, p. 6.
1123:. pp. 133–37.
925:Catherine de Zegher
854:Eva Hesse Sculpture
717:Untitled or Not Yet
623:Fruitmarket Gallery
517:Woodstock, New York
418:Woman's Art Journal
279:Kettwig-on-the-Ruhr
271:Woodstock, New York
226:Art Students League
76:New York City, U.S.
3052:Carolee Schneemann
2812:Three Weeks in May
2486:Arthur C. Danto, "
2419:collection.mam.org
2106:"Eva Hesse | MoMA"
1982:Danto, 2006, p.30.
1889:The New York Times
1202:2013-10-29 at the
927:, MIT Press, 1996.
921:Inside the Visible
907:Eva Hesse Archives
765:Expanded Expansion
533:Expanded Expansion
395:
343:
324:
317:Repetition 19, III
193:Washington Heights
3105:
3104:
2977:Mary Beth Edelson
2972:Elaine de Kooning
2820:The Sister Chapel
2149:978-1-84972-849-2
2091:978-0-300-13476-6
2061:The Jewish Museum
1545:978-0-87070-490-1
1326:978-0-7148-7877-5
1158:Danto 2006, p.32.
1130:978-1-84511-544-9
1023:978-0-300-20482-7
1002:978-0-9546656-6-1
935:Eva Hesse Drawing
912:"It's All Yours"
892:Busch, Julia M.,
705:Ringaround Arosie
544:Guggenheim Museum
525:Fischbach Gallery
335:One More Than One
289:Ringaround Arosie
147:
146:
3225:
3168:Jewish sculptors
3128:Feminist artists
3047:Rachel Rosenthal
3022:Georgia O'Keeffe
2957:Louise Bourgeois
2828:The Dinner Party
2633:
2626:
2619:
2610:
2609:
2527:
2525:
2475:
2474:
2472:
2471:
2460:
2454:
2453:
2451:
2450:
2435:
2429:
2428:
2426:
2425:
2411:
2405:
2404:
2402:
2401:
2387:
2381:
2380:
2378:
2377:
2362:
2356:
2355:
2353:
2352:
2338:
2332:
2331:
2329:
2328:
2314:
2308:
2307:
2305:
2304:
2289:
2283:
2282:
2280:
2279:
2264:
2258:
2257:
2255:
2254:
2240:
2234:
2233:
2231:
2230:
2224:www2.oberlin.edu
2216:
2210:
2209:
2207:
2206:
2192:
2186:
2185:
2183:
2182:
2168:
2162:
2161:
2135:
2129:
2126:
2120:
2119:
2117:
2116:
2102:
2096:
2095:
2082:Eva Hesse Studio
2077:
2071:
2070:
2068:
2067:
2053:
2047:
2046:
2044:
2043:
2028:
2022:
2021:
2019:
2018:
2004:
1998:
1992:
1989:
1983:
1980:
1971:
1968:
1959:
1958:
1947:
1941:
1940:
1938:
1937:
1923:
1917:
1916:
1905:
1899:
1898:
1896:
1895:
1880:
1874:
1873:
1871:
1870:
1858:
1852:
1851:
1839:
1833:
1830:
1824:
1823:
1821:
1819:
1807:Johnson, Ellen.
1804:
1798:
1797:
1789:
1783:
1782:
1754:
1748:
1747:
1735:
1729:
1728:
1720:
1714:
1713:
1693:
1687:
1686:
1678:
1669:
1664:
1658:
1657:
1643:
1637:
1634:
1625:
1624:
1606:
1600:
1597:
1586:
1585:
1577:
1568:
1567:
1559:
1550:
1549:
1529:
1519:
1513:
1512:
1501:
1495:
1494:
1492:
1491:
1482:. Archived from
1480:The Arts Council
1472:
1466:
1463:
1457:
1454:
1448:
1445:
1436:
1433:
1427:
1426:
1424:
1422:
1406:
1400:
1399:
1397:
1395:
1389:Seymour Magazine
1381:
1375:
1374:
1372:
1371:
1362:. Archived from
1356:
1350:
1349:
1337:
1331:
1330:
1309:
1303:
1302:
1300:
1298:
1284:
1275:
1272:
1263:
1262:
1260:
1258:
1244:
1238:
1237:
1235:
1233:
1219:
1210:
1194:
1185:
1184:
1177:
1171:
1168:
1159:
1156:
1150:
1147:
1141:
1140:
1138:
1137:
1113:
1107:
1106:
1104:
1102:
1082:
1076:
1073:
1067:
1066:
1059:
1006:
964:Griselda Pollock
886:Susan Rothenberg
836:Corby, Vanessa.
786:Barbara Hepworth
647:Museum Wiesbaden
607:Museum Wiesbaden
572:Ellen H. Johnson
72:
51:January 11, 1936
50:
48:
33:
19:
18:
3233:
3232:
3228:
3227:
3226:
3224:
3223:
3222:
3108:
3107:
3106:
3101:
3092:
3071:
3032:Louise Nevelson
2935:
2911:Guerrilla Girls
2894:
2860:
2842:
2791:
2751:tArt Collective
2715:Brooklyn Museum
2694:
2665:
2642:
2637:
2555:Eva Hesse: MoMA
2537:
2498:Lucy R. Lippard
2483:
2478:
2469:
2467:
2462:
2461:
2457:
2448:
2446:
2437:
2436:
2432:
2423:
2421:
2413:
2412:
2408:
2399:
2397:
2389:
2388:
2384:
2375:
2373:
2366:"Softsculpture"
2364:
2363:
2359:
2350:
2348:
2340:
2339:
2335:
2326:
2324:
2316:
2315:
2311:
2302:
2300:
2290:
2286:
2277:
2275:
2266:
2265:
2261:
2252:
2250:
2242:
2241:
2237:
2228:
2226:
2220:"Hesse_Laocoon"
2218:
2217:
2213:
2204:
2202:
2194:
2193:
2189:
2180:
2178:
2170:
2169:
2165:
2150:
2136:
2132:
2127:
2123:
2114:
2112:
2104:
2103:
2099:
2092:
2078:
2074:
2065:
2063:
2055:
2054:
2050:
2041:
2039:
2029:
2025:
2016:
2014:
2006:
2005:
2001:
1995:
1990:
1986:
1981:
1974:
1969:
1962:
1949:
1948:
1944:
1935:
1933:
1925:
1924:
1920:
1907:
1906:
1902:
1893:
1891:
1881:
1877:
1868:
1866:
1859:
1855:
1840:
1836:
1831:
1827:
1817:
1815:
1805:
1801:
1790:
1786:
1755:
1751:
1736:
1732:
1721:
1717:
1694:
1690:
1679:
1672:
1665:
1661:
1644:
1640:
1635:
1628:
1621:
1607:
1603:
1598:
1589:
1578:
1571:
1560:
1553:
1546:
1526:MoMA Highlights
1520:
1516:
1503:
1502:
1498:
1489:
1487:
1474:
1473:
1469:
1464:
1460:
1455:
1451:
1446:
1439:
1434:
1430:
1420:
1418:
1407:
1403:
1393:
1391:
1383:
1382:
1378:
1369:
1367:
1358:
1357:
1353:
1338:
1334:
1327:
1311:
1310:
1306:
1296:
1294:
1292:www.tate.org.uk
1286:
1285:
1278:
1273:
1266:
1256:
1254:
1248:"The Art Story"
1246:
1245:
1241:
1231:
1229:
1221:
1220:
1213:
1204:Wayback Machine
1195:
1188:
1178:
1174:
1169:
1162:
1157:
1153:
1148:
1144:
1135:
1133:
1131:
1115:Vanessa Corby,
1114:
1110:
1100:
1098:
1083:
1079:
1074:
1070:
1060:
1043:
1039:
1011:Lucy R. Lippard
1003:
989:Marcus Reichert
951:Bracha Ettinger
848:Lucy R. Lippard
794:Louise Nevelson
780:
695:
639:
580:Oberlin College
521:Upper East Side
494:
465:
440:
431:Barry Schwabsky
426:
380:
310:
304:, and plastic.
275:Upper East Side
216:Pratt Institute
208:
182:Kindertransport
170:
110:Pratt Institute
96:, studied with
94:Yale University
77:
74:
70:
61:
52:
46:
44:
36:
24:
17:
12:
11:
5:
3231:
3221:
3220:
3215:
3210:
3205:
3200:
3195:
3190:
3185:
3180:
3175:
3170:
3165:
3160:
3155:
3150:
3145:
3140:
3135:
3133:Modern artists
3130:
3125:
3120:
3103:
3102:
3097:
3094:
3093:
3091:
3090:
3085:
3079:
3077:
3073:
3072:
3070:
3069:
3064:
3059:
3054:
3049:
3044:
3042:M. C. Richards
3039:
3034:
3029:
3027:Barbara Kruger
3024:
3019:
3014:
3009:
3004:
2999:
2994:
2989:
2984:
2979:
2974:
2969:
2964:
2959:
2954:
2949:
2947:Alison Bechdel
2943:
2941:
2937:
2936:
2934:
2933:
2928:
2923:
2918:
2916:The Waitresses
2913:
2908:
2902:
2900:
2896:
2895:
2893:
2892:
2885:
2877:
2868:
2866:
2862:
2861:
2859:
2858:
2850:
2848:
2844:
2843:
2841:
2840:
2832:
2824:
2816:
2808:
2799:
2797:
2793:
2792:
2790:
2789:
2784:
2779:
2774:
2769:
2764:
2758:
2753:
2748:
2746:SOHO20 Gallery
2743:
2738:
2733:
2728:
2723:
2718:
2708:
2706:A.I.R. Gallery
2702:
2700:
2696:
2695:
2693:
2692:
2686:
2680:
2673:
2671:
2667:
2666:
2664:
2663:
2658:
2653:
2647:
2644:
2643:
2636:
2635:
2628:
2621:
2613:
2607:
2606:
2600:
2591:
2586:
2577:
2569:
2563:
2562:
2557:
2552:
2547:
2536:
2535:External links
2533:
2532:
2531:
2528:
2515:
2505:
2495:
2482:
2479:
2477:
2476:
2455:
2430:
2406:
2391:"Accession II"
2382:
2357:
2346:www.sfmoma.org
2333:
2309:
2284:
2259:
2248:www.sfmoma.org
2235:
2211:
2187:
2163:
2148:
2130:
2121:
2097:
2090:
2072:
2048:
2023:
1999:
1993:
1984:
1972:
1960:
1942:
1918:
1900:
1875:
1853:
1834:
1825:
1799:
1784:
1749:
1746:(July): 30–33.
1730:
1715:
1688:
1670:
1659:
1638:
1626:
1619:
1601:
1587:
1569:
1551:
1544:
1514:
1496:
1467:
1458:
1449:
1437:
1428:
1401:
1376:
1351:
1332:
1325:
1304:
1276:
1264:
1239:
1211:
1186:
1172:
1160:
1151:
1142:
1129:
1108:
1077:
1068:
1040:
1038:
1035:
1034:
1033:
1025:
1007:
1001:
981:
971:
961:
928:
917:
910:
904:
890:
876:Four Artists:
873:
867:
857:
851:
841:
834:
826:Nancy Grossman
806:Grace Hartigan
790:Sonia Delaunay
779:
776:
775:
774:
768:
762:
756:
750:
744:
738:
732:
726:
720:
714:
708:
702:
694:
691:
638:
635:
611:Drawing Center
556:Kroller-Muller
537:Whitney Museum
535:showed at the
529:Chain Polymers
493:
490:
464:
461:
439:
436:
425:
422:
389:(1969) at the
379:
376:
337:(1967) at the
309:
306:
207:
204:
169:
166:
145:
144:
141:
137:
136:
134:Postminimalism
131:
127:
126:
121:
120:Known for
117:
116:
91:
87:
86:
83:
79:
78:
75:
73:(aged 34)
67:
63:
62:
53:
42:
38:
37:
34:
26:
25:
22:
15:
9:
6:
4:
3:
2:
3230:
3219:
3216:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3124:
3121:
3119:
3116:
3115:
3113:
3100:
3095:
3089:
3086:
3084:
3081:
3080:
3078:
3074:
3068:
3065:
3063:
3060:
3058:
3057:Cindy Sherman
3055:
3053:
3050:
3048:
3045:
3043:
3040:
3038:
3035:
3033:
3030:
3028:
3025:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3003:
3000:
2998:
2995:
2993:
2990:
2988:
2985:
2983:
2980:
2978:
2975:
2973:
2970:
2968:
2965:
2963:
2960:
2958:
2955:
2953:
2952:Lynda Benglis
2950:
2948:
2945:
2944:
2942:
2940:Notable women
2938:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2904:
2903:
2901:
2897:
2890:
2886:
2883:
2882:
2878:
2875:
2874:
2870:
2869:
2867:
2863:
2857:
2856:
2852:
2851:
2849:
2845:
2838:
2837:
2833:
2830:
2829:
2825:
2822:
2821:
2817:
2814:
2813:
2809:
2806:
2805:
2801:
2800:
2798:
2794:
2788:
2785:
2783:
2780:
2778:
2775:
2773:
2770:
2768:
2765:
2762:
2759:
2757:
2754:
2752:
2749:
2747:
2744:
2742:
2739:
2737:
2734:
2732:
2729:
2727:
2724:
2722:
2719:
2716:
2712:
2709:
2707:
2704:
2703:
2701:
2697:
2690:
2687:
2684:
2681:
2678:
2675:
2674:
2672:
2668:
2662:
2661:Women artists
2659:
2657:
2654:
2652:
2649:
2648:
2645:
2641:
2634:
2629:
2627:
2622:
2620:
2615:
2614:
2611:
2604:
2601:
2599:
2595:
2592:
2590:
2587:
2585:
2581:
2578:
2576:
2573:
2570:
2568:
2565:
2564:
2561:
2558:
2556:
2553:
2551:
2548:
2546:
2542:
2539:
2538:
2529:
2524:
2523:
2516:
2513:
2509:
2506:
2503:
2499:
2496:
2493:
2489:
2488:All About Eva
2485:
2484:
2466:. whitney.org
2465:
2459:
2444:
2440:
2434:
2420:
2416:
2410:
2396:
2392:
2386:
2372:on 2016-03-13
2371:
2367:
2361:
2347:
2343:
2337:
2323:
2319:
2313:
2299:
2295:
2288:
2273:
2269:
2263:
2249:
2245:
2239:
2225:
2221:
2215:
2201:
2197:
2191:
2177:
2173:
2167:
2159:
2155:
2151:
2145:
2141:
2134:
2125:
2111:
2107:
2101:
2093:
2087:
2083:
2076:
2062:
2058:
2052:
2038:
2034:
2027:
2013:
2009:
2003:
1997:
1988:
1979:
1977:
1967:
1965:
1956:
1952:
1946:
1932:
1931:The Art Story
1928:
1922:
1914:
1910:
1904:
1890:
1886:
1879:
1864:
1857:
1849:
1845:
1838:
1829:
1814:
1810:
1803:
1795:
1788:
1780:
1776:
1772:
1768:
1764:
1760:
1753:
1745:
1741:
1734:
1726:
1719:
1711:
1707:
1703:
1699:
1692:
1684:
1677:
1675:
1668:
1663:
1655:
1651:
1650:
1642:
1633:
1631:
1622:
1620:0-06-438509-4
1616:
1612:
1605:
1596:
1594:
1592:
1583:
1576:
1574:
1565:
1558:
1556:
1547:
1541:
1537:
1533:
1528:
1527:
1518:
1510:
1506:
1500:
1486:on 2019-12-27
1485:
1481:
1477:
1471:
1462:
1453:
1444:
1442:
1432:
1416:
1412:
1405:
1390:
1386:
1380:
1366:on 2014-08-17
1365:
1361:
1355:
1347:
1343:
1336:
1328:
1322:
1318:
1317:Phaidon Press
1314:
1308:
1293:
1289:
1283:
1281:
1271:
1269:
1253:
1252:The Art Story
1249:
1243:
1228:
1224:
1218:
1216:
1208:
1205:
1201:
1198:
1193:
1191:
1182:
1176:
1167:
1165:
1155:
1146:
1132:
1126:
1122:
1121:
1112:
1096:
1092:
1091:hyperallergic
1088:
1081:
1072:
1064:
1058:
1056:
1054:
1052:
1050:
1048:
1046:
1041:
1032:
1031:
1026:
1024:
1020:
1016:
1012:
1008:
1004:
998:
994:
990:
986:
982:
980:
979:0-300-10441-3
976:
972:
969:
965:
962:
960:
959:0-300-11618-7
956:
952:
948:
944:
940:
936:
932:
929:
926:
922:
918:
915:
911:
908:
905:
903:
902:0-87982-007-1
899:
895:
891:
888:
887:
883:
880:, Eva Hesse,
879:
874:
871:
868:
865:
861:
858:
855:
852:
849:
845:
842:
839:
835:
832:
828:
827:
823:
819:
818:Eleanor Antin
815:
812:, Eva Hesse,
811:
807:
803:
799:
795:
791:
787:
782:
781:
772:
769:
766:
763:
760:
757:
754:
751:
748:
745:
742:
739:
736:
733:
730:
727:
724:
721:
718:
715:
712:
709:
706:
703:
700:
697:
696:
690:
688:
684:
683:Jewish Museum
680:
676:
672:
668:
664:
660:
656:
652:
648:
644:
634:
632:
628:
624:
620:
616:
612:
608:
604:
600:
595:
593:
589:
585:
581:
577:
573:
569:
565:
561:
557:
553:
549:
545:
540:
538:
534:
530:
526:
522:
518:
514:
510:
507:
503:
499:
489:
488:
482:
479:
473:
471:
460:
457:
453:
448:
446:
435:
432:
421:
419:
415:
414:Ethelyn Honig
409:
407:
403:
400:
392:
388:
384:
375:
372:
368:
364:
359:
357:
353:
349:
340:
336:
332:
328:
322:
318:
314:
305:
303:
299:
295:
291:
290:
284:
280:
276:
272:
268:
264:
261:
256:
254:
250:
246:
241:
239:
235:
231:
227:
223:
222:
217:
213:
203:
201:
196:
194:
190:
185:
183:
179:
175:
165:
163:
159:
155:
151:
142:
138:
135:
132:
128:
125:
122:
118:
115:
111:
107:
103:
99:
95:
92:
88:
84:
80:
68:
64:
60:
56:
43:
39:
32:
27:
20:
3012:Jane Kaufman
3001:
2997:Nancy Graves
2992:Mary Garrard
2967:Judy Chicago
2962:Norma Broude
2879:
2871:
2865:Publications
2853:
2834:
2826:
2818:
2810:
2802:
2726:Hera Gallery
2651:Feminist art
2583:
2574:
2521:
2501:
2491:
2468:. Retrieved
2458:
2447:. Retrieved
2445:. 1969-01-01
2442:
2433:
2422:. Retrieved
2418:
2409:
2398:. Retrieved
2394:
2385:
2374:. Retrieved
2370:the original
2360:
2349:. Retrieved
2345:
2336:
2325:. Retrieved
2321:
2312:
2301:. Retrieved
2297:
2287:
2276:. Retrieved
2271:
2262:
2251:. Retrieved
2247:
2238:
2227:. Retrieved
2223:
2214:
2203:. Retrieved
2199:
2190:
2179:. Retrieved
2175:
2166:
2139:
2133:
2124:
2113:. Retrieved
2110:www.moma.org
2109:
2100:
2081:
2075:
2064:. Retrieved
2060:
2051:
2040:. Retrieved
2036:
2026:
2015:. Retrieved
2011:
2002:
1996:
1987:
1955:Bangkok Post
1954:
1945:
1934:. Retrieved
1930:
1921:
1912:
1903:
1892:. Retrieved
1888:
1878:
1867:. Retrieved
1856:
1847:
1843:
1837:
1828:
1816:. Retrieved
1813:Tate Britain
1812:
1802:
1793:
1787:
1762:
1758:
1752:
1743:
1739:
1733:
1724:
1718:
1701:
1697:
1691:
1682:
1662:
1648:
1641:
1610:
1604:
1581:
1563:
1530:. New York:
1525:
1517:
1499:
1488:. Retrieved
1484:the original
1479:
1470:
1461:
1452:
1431:
1419:. Retrieved
1414:
1404:
1392:. Retrieved
1388:
1379:
1368:. Retrieved
1364:the original
1354:
1345:
1341:
1335:
1312:
1307:
1295:. Retrieved
1291:
1255:. Retrieved
1251:
1242:
1230:. Retrieved
1226:
1180:
1175:
1154:
1145:
1134:. Retrieved
1119:
1111:
1099:. Retrieved
1090:
1080:
1071:
1062:
1028:
1027:Briony Fer,
992:
967:
947:Mignon Nixon
934:
920:
913:
893:
882:Bruce Nauman
878:Robert Ryman
875:
869:
859:
853:
843:
837:
830:
822:Audrey Flack
783:
778:Bibliography
770:
764:
758:
753:Accession II
752:
746:
740:
734:
728:
722:
716:
710:
704:
698:
679:Tate Gallery
640:
596:
567:
547:
541:
532:
528:
506:Allan Kaprow
501:
497:
495:
483:
474:
469:
466:
451:
449:
445:Arthur Danto
441:
427:
417:
410:
406:Arthur Danto
402:art movement
396:
386:
370:
366:
360:
355:
351:
347:
344:
334:
325:
316:
287:
260:Allan Kaprow
257:
253:Yayoi Kusama
242:
234:Josef Albers
230:Cooper Union
220:
209:
197:
186:
178:Nazi Germany
171:
149:
148:
106:Cooper Union
98:Josef Albers
71:(1970-05-29)
69:May 29, 1970
59:Nazi Germany
3123:1970 deaths
3118:1936 births
3062:Alma Thomas
3017:Lee Krasner
3007:Lila Katzen
2982:Suzi Ferrer
2931:Where We At
2884:(1972–1977)
2876:(1977–1992)
2823:(1974–1978)
2580:oneroom.org
2395:www.dia.org
1809:"Eva Hesse"
1759:Art History
1511:, New York.
1209:, New York.
985:Milne, Drew
864:Max Kozloff
814:Lila Katzen
798:Lee Krasner
759:Right After
637:Collections
603:Tate Modern
492:Exhibitions
399:Postminimal
249:Donald Judd
200:brain tumor
162:postminimal
82:Nationality
3112:Categories
3067:June Wayne
2804:Womanhouse
2670:Precursors
2492:The Nation
2481:References
2470:2018-03-11
2464:"No Title"
2449:2019-03-02
2443:Guggenheim
2424:2019-03-02
2400:2019-03-02
2376:2016-08-23
2351:2019-03-02
2327:2019-03-02
2303:2019-03-02
2278:2019-03-02
2253:2019-03-02
2229:2019-03-02
2205:2019-03-02
2181:2018-03-12
2115:2018-08-19
2066:2017-04-05
2042:2018-08-19
2017:2018-08-19
1936:2018-03-26
1894:2017-05-01
1869:2016-08-22
1844:The Nation
1740:The Nation
1534:. p.
1490:2016-03-05
1370:2014-08-21
1136:2012-04-18
1015:Sol LeWitt
943:Briony Fer
923:edited by
802:Alice Neel
747:Contingent
478:minimalist
456:Sol LeWitt
367:Contingent
363:minimalism
302:fiberglass
245:Sol LeWitt
158:fiberglass
47:1936-01-11
3002:Eva Hesse
2502:EVA HESSE
2268:"Hang Up"
2158:755870011
1850:(24): 32.
1818:April 12,
1779:0141-6790
1421:April 12,
1297:11 August
1257:March 12,
1232:12 August
1197:Eva Hesse
914:Seventeen
844:Eva Hesse
509:Happening
487:Eiji Sumi
470:Eva Hesse
263:Happening
221:Seventeen
189:Manhattan
150:Eva Hesse
124:Sculpture
90:Education
23:Eva Hesse
3037:Yoko Ono
2891:" (1971)
1794:Artforum
1725:Artforum
1710:20358108
1394:12 April
1200:Archived
1101:26 March
1095:Archived
771:No Title
729:Addendum
699:Untitled
685:and the
564:Hannover
452:Sans III
294:masonite
184:trains.
130:Movement
85:American
2906:subRosa
2543:on the
991:(ed.).
933:(ed.),
810:Marisol
741:Sans II
723:Hang Up
711:Laocoön
560:Otterlo
511:at the
393:in 2022
371:Hang-Up
341:in 2022
265:at the
174:Hamburg
55:Hamburg
2899:Groups
2839:(2007)
2831:(1979)
2815:(1977)
2807:(1972)
2691:(1892)
2685:(1889)
2679:(1881)
2292:Tate.
2274:. 1966
2156:
2146:
2088:
2031:Tate.
1777:
1708:
1667:Resume
1617:
1542:
1323:
1127:
1021:
999:
977:
957:
900:
681:, the
677:, the
673:, the
665:, the
661:, the
657:, the
586:, the
568:Aught,
463:Legacy
352:Sequel
348:Schema
286:titled
206:Career
140:Spouse
3076:Lists
2763:(WAR)
1706:JSTOR
1654:54–59
1037:Notes
631:Mumok
298:latex
283:Essen
281:near
154:latex
2298:Tate
2154:OCLC
2144:ISBN
2086:ISBN
2037:Tate
1820:2015
1775:ISSN
1615:ISBN
1540:ISBN
1423:2015
1396:2015
1321:ISBN
1299:2017
1259:2017
1234:2017
1125:ISBN
1103:2018
1019:ISBN
997:ISBN
975:ISBN
955:ISBN
898:ISBN
605:and
350:and
168:Life
102:Yale
66:Died
41:Born
2490:",
1767:doi
1536:271
953:).
578:at
558:in
515:in
269:in
191:'s
100:at
3114::
2582:,
2500:,
2441:.
2417:.
2393:.
2344:.
2320:.
2296:.
2270:.
2246:.
2222:.
2198:.
2174:.
2152:.
2108:.
2059:.
2035:.
2010:.
1975:^
1963:^
1953:.
1929:.
1911:.
1887:.
1848:17
1846:.
1811:.
1773:.
1763:17
1761:.
1744:24
1742:.
1702:28
1700:.
1673:^
1629:^
1590:^
1572:^
1554:^
1538:.
1507:.
1478:.
1440:^
1413:.
1387:.
1346:28
1344:.
1315:.
1290:.
1279:^
1267:^
1250:.
1225:.
1214:^
1189:^
1163:^
1093:.
1089:.
1044:^
949:,
945:,
941:,
884:,
824:,
820:,
816:,
808:,
804:,
800:,
796:,
792:,
788:,
689:.
669:,
601:,
404:.
300:,
251:,
247:,
240:.
156:,
112:,
108:,
104:,
57:,
2887:"
2717:)
2713:(
2632:e
2625:t
2618:v
2605:.
2510:(
2473:.
2452:.
2427:.
2403:.
2379:.
2354:.
2330:.
2306:.
2281:.
2256:.
2232:.
2208:.
2184:.
2160:.
2118:.
2094:.
2069:.
2045:.
2020:.
1957:.
1939:.
1915:.
1897:.
1872:.
1822:.
1781:.
1769::
1712:.
1656:.
1623:.
1548:.
1493:.
1425:.
1398:.
1373:.
1329:.
1301:.
1261:.
1236:.
1139:.
1105:.
1005:.
49:)
45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
.jpg)