623:
113:
70:
55:
38:
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Recommendation for the
Safeguarding and Preservation of Moving Images, approved in Belgrade in 1980. In pursuit of the goals of the Recommendation, the Federation facilitates contacts between developing archives and older archives to make sure that experience is passed on. The Federation is a member
221:
Much of the work of FIAF takes the form of active cooperation between members on projects of mutual benefit or interest - for example, the careful restoration of a particular film, or the compilation of a national or international filmography. The more visible activities include the annual congress,
208:
FIAF's members are archives that are actively engaged in the activities and fully committed to the ideals described earlier. Current members reflect a wide range of non-profit institutions, including government archives, independent foundations and trusts, self-contained cinematheques, and museum or
250:
twice a year. A special office compiles and publishes the
International Index to Film Periodicals and the FIAF International FilmArchive Database. Publications also include an annual bibliography of members' publications, the proceedings of symposia or workshops, the results of surveys and reports,
168:
FIAF brings together the world's leading institutions in the field of moving picture heritage. Its affiliates describe themselves as "the defenders of the twentieth century's own art form". They are dedicated to the rescue, collection, preservation and screening of moving images, which are valued
228:
FIAF meets every year in a different country. The
Congress combines a General Assembly at which the formal business of the Federation is transacted with a programme of symposia and workshops on technical or legal aspects of film archive work and on aspects of film history and culture. The final
235:
The
Commissions are groups of individual experts from affiliated archives who meet regularly to pursue work programmes that promote and assist in the development and maintenance of standards at both the theoretical and the practical level. The three FIAF Commissions are the Cataloguing and
302:
Training of archive personnel takes place at FIAF Summer
Schools and Technical Symposia that have been held several times in various countries. Their aim is to introduce participants to the necessary skills of preservation, cataloguing, documentation and even administration.
212:
FIAF's
Associates are non-profit institutions that support the goals of the Federation but are not involved in film preservation per se. In this way, FIAF is joined by moving image museums, videotheques, documentation centres, and so on.
169:
both as works of art and culture and as historical documents. As of April 2021, it comprises 171 institutions in 79 countries - a reflection of the extent to which preservation of moving image heritage has become a world-wide concern.
17:
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The FIAF Award celebrates a personality – external to the FIAF archival community – whose experience in the field of cinema underlines the objectives and goals of the
Federation.
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565:(Berkeley, Los Angeles: University of California Press, 2005); Christophe Dupin, "The origins and early development of the National Film Library: 1929-1936",
400:
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83:
663:
574:
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653:
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to ensure the permanent availability of material from the collections for study and research by the wider community
236:
Documentation
Commission, the Technical Commission, and the Programming and Access to Collections Commission.
142:
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FIAF has always had an active international profile. It was closely involved in the preparatory work for the
251:
manuals and discussion papers prepared by the specialist
Commissions and the results of other FIAF projects.
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to develop cooperation between members and "to ensure the international availability of films and documents".
569:, 7.3, 2006; Rolf Aurich, "Cinéaste, collector, National Socialist: Frank Hensel and the Reichsfilmarchiv",
246:
178:
to uphold a code of ethics for film preservation and practical standards for all areas of film archive work
633:
668:
314:
The FIAF Award was created in 2001, and has since then been presented to the following personalities:
267:
422:
360:
187:
to promote film culture and facilitate historical research on both a national and international level
54:
598:
69:
648:
272:
154:
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to encourage the collection and preservation of documents and materials relating to the cinema
500:
476:
255:
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to seek the improvement of the legal context within which film archives carry out their work
586:
515:
406:
158:
8:
622:
452:
324:
112:
262:
416:
354:
336:
528:
390:
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440:
146:
428:
348:
318:
126:
378:
330:
384:
642:
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to foster training and expertise in preservation and other archive techniques
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to promote the creation of moving image archives in countries which lack them
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98:
85:
471:
410:
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372:
628:
366:
342:
563:
Museum movies: The Museum of Modern Art and the birth of art cinema
286:
150:
37:
280:
138:
48:
229:
congress of Fiaf was held in
Budapest on 24–29 April 2022.
616:
292:
Coordinating Council of Audiovisual Archives Associations
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publications and the work of the specialist commissions.
487:
Coordinating Council of Audiovisual Archives Association
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Association of European Film Archives and Cinematheques
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575:Christophe Dupin: The origins of FIAF, 1936-1938
131:Fédération internationale des archives du film
18:Fédération Internationale des Archives du Film
621:
281:Relations with international organisations
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68:
53:
561:(Paris: Gallimard, 2006); Haidee Wasson,
123:International Federation of Film Archives
31:International Federation of Film Archives
629:International Index to Film Periodicals
263:International Index to Film Periodicals
14:
641:
559:Histoire de la Cinémathèque française
498:
557:See, for example, Laurent Mannoni,
24:
492:
25:
685:
664:Organizations established in 1938
608:
501:"The Origins of FIAF, 1936-1938"
499:Dupin, Christophe (April 2013).
36:
239:
592:
580:
551:
13:
1:
521:
306:
216:
203:
674:FIAF-affiliated institutions
659:Organizations based in Paris
654:Film organizations in France
571:Journal of Film Preservation
505:Journal of Film Preservation
297:
257:Journal of Film Preservation
247:Journal of Film Preservation
7:
465:
233:The Specialized Commissions
10:
690:
567:Journal of Media Practice
423:Apichatpong Weerasethakul
361:Nelson Pereira dos Santos
77:
62:
44:
35:
209:university departments.
634:FIAF Congresses website
172:
155:British Film Institute
143:Cinémathèque Française
130:
99:48.856614°N 2.352222°E
477:List of film archives
599:About the FIAF Award
407:Jean-Pierre Dardenne
274:FIAF Bulletin Online
159:Museum of Modern Art
401:Angela Ricci Lucchi
244:FIAF publishes the
226:The Annual Congress
104:48.856614; 2.352222
95: /
32:
27:French Organization
573:, 64, April 2002;
453:Guillermo del Toro
325:Manoel de Oliveira
30:
669:Film preservation
417:Christopher Nolan
397:Yervant Gianikian
355:Peter Bogdanovich
337:Geraldine Chaplin
137:) was founded in
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16:(Redirected from
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625:
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619:
617:Official website
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537:COURAGE Registry
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441:Amitabh Bachchan
147:Reichsfilmarchiv
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493:Further reading
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429:Jean-Luc Godard
349:Hou Hsiao-hsien
319:Martin Scorsese
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141:in 1938 by the
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609:External links
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587:FIAF's Mission
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391:Jan Ĺ vankmajer
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331:Ingmar Bergman
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268:FIAF Databases
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649:Film archives
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516:FIAF Timeline
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447:Tilda Swinton
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435:Walter Salles
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163:New York City
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472:Cinematheque
411:Luc Dardenne
379:KyĹŤko Kagawa
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240:Publications
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122:
120:
66:France
459:Wim Wenders
385:Agnès Varda
373:Liv Ullmann
102: /
78:Coordinates
643:Categories
522:References
367:Rithy Panh
343:Mike Leigh
307:FIAF Award
217:Activities
204:Affiliates
87:48°51′24″N
546:Q64784883
298:Education
294:(CCAAA).
90:2°21′08″E
542:Wikidata
511:: 43–58.
466:See also
157:and the
45:Location
290:of the
63:Country
544:
461:(2024)
455:(2023)
449:(2022)
443:(2021)
437:(2020)
431:(2019)
425:(2018)
419:(2017)
413:(2016)
403:(2015)
393:(2014)
387:(2013)
381:(2011)
375:(2010)
369:(2009)
363:(2008)
357:(2007)
351:(2006)
345:(2005)
339:(2004)
333:(2003)
327:(2002)
321:(2001)
287:UNESCO
153:, the
151:Berlin
145:, the
127:French
51:
139:Paris
49:Paris
409:and
399:and
173:Aims
135:FIAF
121:The
161:in
149:in
645::
540:,
509:88
507:.
503:.
165:.
133:,
129::
601:.
589:.
577:.
125:(
20:)
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