38:
906:
162:
1400:
1347:
897:
typefaces with lower-case, as early as 1825. This was repeated by some authors, but is now known to be untrue: Wolfgang Homola dates it to 1882 based on a study of
Schelter & Giesecke specimens.
913:
Beginning in 1827 Schelter & Giesecke manufactured letterpress presses, cylinder proof presses and platen presses; and after World War I also of web-fed, letterpress and flexo printing presses.
138:
962:
791:
306:
397:
1465:
1266:
987:
80:
849:
1470:
134:
76:
275:
763:
551:
489:
245:
1384:
1460:
561:
613:
521:
473:
417:
341:
267:
511:
413:
1441:
543:
1306:
166:
1377:
916:
The
Leipzig house of foundry co-owner Georg Giesecke, designed by Berlin architect Max Hasak, survives and is listed.
1475:
1208:
1189:
1168:
1147:
1099:
1078:
1057:
1036:
17:
1240:
1370:
1434:
1415:
1358:
142:
1480:
893:
The foundry claimed by the twentieth century to have been one of the first to offer general-purpose
1427:
37:
963:"Type design in the age of the machine. The 'Breite Grotesk' by J. G. Schelter & Giesecke"
1296:
595:
8:
599:
48:
1302:
1260:
1204:
1185:
1164:
1143:
1095:
1074:
1053:
1032:
981:
404:
1241:"Comments on Typophile thread - "Unborn: sans serif lower case in the 19th century""
905:
968:. University of Reading (archived). Archived from the original on 12 January 2011
161:
1411:
1354:
681:
1454:
209:
1329:
1325:
1236:
691:
671:
653:
643:
629:
451:
355:
326:
316:
126:
58:
1112:
1002:
932:
909:
Villa Georg
Giesecke, the Leipzig house of foundry co-owner Georg Giesecke
873:
805:
241:
225:
220:
146:
114:
169:
competition of 1965 uses the company's popular Breite halbfette
Grotesk.
1407:
894:
263:
1399:
1328:
also comments that the claimed date is "forty years too early" and
1119:. School of Computer Science, McGill University, Montreal, Canada
1009:. School of Computer Science, McGill University, Montreal, Canada
939:. School of Computer Science, McGill University, Montreal, Canada
259:
150:
130:
102:
98:
1346:
1000:
Unless otherwise noted, all types in this list are cited from
173:
These foundry types were produced by
Schelter & Giesecke:
1353:
This article about an industrial corporation or company is a
1229:
141:(1793-1850). The foundry was nationalized in 1946 by the new
925:
1215:
1203:
David R. Godine, Publisher, Boston, Massachusetts, 1990,
1129:
Georg Kraus mentions the date 1915, as does Nick Curtis .
1105:
1180:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1159:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1138:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1090:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1069:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1048:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
1027:
Jaspert, W. Pincus, W. Turner Berry and A.F. Johnson.
956:
954:
484:(2014) on this typeface; see also the recent revival
129:
and manufacturer of printing presses started 1819 in
27:
German type foundry and printing press manufacturer
951:
1273:
1452:
1265:: CS1 maint: bot: original URL status unknown (
986:: CS1 maint: bot: original URL status unknown (
1298:Buchstadt Leipzig: der historische Reiseführer
1435:
1378:
1294:
1247:. Archived from the original on 28 June 2014
1201:Lawson, Alexander S., Anatomy of a Typeface,
1466:Manufacturing companies established in 1819
1442:
1428:
1385:
1371:
368:(1933), angular blackletterish script face
295:(1835; other publications mention 1890) +
36:
1332:describes it as "thoroughly discredited".
1288:
1471:Manufacturing companies based in Leipzig
904:
160:
14:
1453:
1113:"J.G. Schelter&Giesecke / Koralle"
1003:"J.G. Schelter&Giesecke type list"
900:
1461:Letterpress font foundries of Germany
1394:
1341:
1301:. Ch. Links Verlag. pp. 80–81.
1073:. Blandford Press Lts.: 1953, 1983,
1052:. Blandford Press Lts.: 1953, 1983,
1031:. Blandford Press Lts.: 1953, 1983,
748:Schmale fette Edelgotisch und Zierat
258:(1886) This typeface influenced the
167:International Bartenders Association
24:
1235:
1184:Blandford Press Lts.: 1953, 1983,
1163:Blandford Press Lts.: 1953, 1983,
1142:Blandford Press Lts.: 1953, 1983,
1094:Blandford Press Lts.: 1953, 1983,
960:
25:
1492:
1279:
1398:
1345:
1319:
1195:
1182:The Encyclopedia of Type Faces.
1174:
1161:The Encyclopedia of Type Faces.
1153:
1140:The Encyclopedia of Type Faces.
1092:The Encyclopedia of Type Faces.
1132:
1084:
1071:The Encyclopedia of Type Faces
1063:
1050:The Encyclopedia of Type Faces
1042:
1029:The Encyclopedia of Type Faces
1021:
994:
610:Rosenzierat Serien 534 und 535
528:Moderne enge halbfette Fraktur
458:Kartuschen Einfassung serie 72
13:
1:
919:
754:Schmale fette Schelterantiqua
190:(1883), borders and ornaments
1414:. You can help Knowledge by
1357:. You can help Knowledge by
933:"J.G. Schelter&Giesecke"
818:Shieldface Combinationpieces
744:(1908), a German Romanesque.
622:(1909; others say 1902-1903)
156:
139:Christian Friedrich Giesecke
123:J.G. Schelter & Giesecke
31:J.G. Schelter & Giesecke
7:
824:Silhouette Border Series 63
410:Halbfette Gutenberg-Gotisch
10:
1497:
1393:
1340:
690:(1906) Revived in 2020 by
438:(1883) a black-letter face
329:), a decorated version of
143:German Democratic Republic
1223:Handbuch der Schriftarten
866:, a non-connected script.
664:Salzmannschrift halbfette
640:Kräftige Salzmann Fraktur
426:(1890), a pirate map face
380:(1933), brush-like script
208:Baldur (1895) Revived by
108:
94:
86:
72:
64:
54:
44:
35:
1476:Industrial company stubs
1225:. Leipzig: Seeman. 1926.
762:(1840) Rived in 2020 by
283:Breite Halbfette Grotesk
262:and was a forerunner of
790:(1918) Digitization by
742:Schmale Anker Romanisch
702:Leipziger Lateinschrift
668:schmale Salzmannschrift
496:Leipziger Lateinschrift
412:(1890) The original by
1410:-related article is a
910:
594:, later copied by the
558:Patriz Huber Ornamente
430:Initialen zur Rousseau
170:
1295:Sabine Knopf (2011).
908:
864:Kartenschrift Watteau
846:Walgunde mit Zieraten
574:Reklameschrift Radium
307:F.H. Ernst Schneidler
287:Breite magere Grotesk
164:
1245:Typophile (archived)
774:Schmale Steinschrift
714:(1907) a variant of
704:(1907) a variant of
596:Central Type Foundry
398:Herbert Thannhaueser
374:(1907), handwriting.
901:Press Manufacturing
802:Shakespere Mediäval
696:Schelter Antiqua WF
554:also did a revival.
448:Kalender Vignetten
436:Italian Renaissance
272:Schelter Grotesk NF
194:Akropolis Ornamente
32:
961:Homola, Wolfgang.
911:
820:(1881), ornamental
542:(1896) Revived by
482:Koralle Rounded NF
354:(1905) Revived by
171:
81:Christian Giesecke
49:Aktiengesellschaft
30:
1423:
1422:
1366:
1365:
1308:978-3-86153-634-5
1282:Letters of Credit
850:Eduard Lautenbach
768:Schmale Mediaeval
760:Schmale Medieäval
712:Tauchnitz-Antiqua
460:(1887), ornaments
405:Gutenberg-Gotisch
297:Halbfette Kanzlei
244:face, revived by
232:Biedermeierzierat
165:A poster for the
120:
119:
18:Fafner (typeface)
16:(Redirected from
1488:
1481:Typography stubs
1444:
1437:
1430:
1402:
1395:
1387:
1380:
1373:
1349:
1342:
1333:
1323:
1313:
1312:
1292:
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1227:
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1199:
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1157:
1151:
1136:
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1126:
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1109:
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1088:
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1067:
1061:
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1040:
1025:
1019:
1018:
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1014:
998:
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991:
985:
977:
975:
973:
967:
958:
949:
948:
946:
944:
929:
886:Zierschrift 1400
880:Zierschrift 1328
814:(1881) caps only
736:Schlanke Grotesk
730:Schlanke Grotesk
716:Schelter Antiqua
706:Schelter Antiqua
688:Schelter Antiqua
636:Salzmann Fraktur
626:Salzmann Antiqua
548:Münster Gotische
420:dates from 1880.
260:Bauhaus movement
137:and typefounder
40:
33:
29:
21:
1496:
1495:
1491:
1490:
1489:
1487:
1486:
1485:
1451:
1450:
1449:
1448:
1392:
1391:
1338:
1336:
1324:
1320:
1316:
1309:
1293:
1289:
1280:Tracy, Walter.
1278:
1274:
1258:
1257:
1250:
1248:
1234:
1230:
1221:
1220:
1216:
1200:
1196:
1179:
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1158:
1154:
1137:
1133:
1122:
1120:
1111:
1110:
1106:
1089:
1085:
1068:
1064:
1047:
1043:
1026:
1022:
1012:
1010:
1001:
999:
995:
979:
978:
971:
969:
965:
959:
952:
942:
940:
931:
930:
926:
922:
903:
891:
860:Watteau Schmuck
856:Watteau-Schrift
796:DS-Schulfraktur
724:Schelter Kursiv
660:Salzmannschrift
650:Salzmann Kursiv
540:Münster-Gotisch
424:Hispania Script
274:(2010), and by
182:Accidenz-Zierat
176:
159:
135:Johann Schelter
133:by punchcutter
111:
77:Johann Schelter
28:
23:
22:
15:
12:
11:
5:
1494:
1484:
1483:
1478:
1473:
1468:
1463:
1447:
1446:
1439:
1432:
1424:
1421:
1420:
1403:
1390:
1389:
1382:
1375:
1367:
1364:
1363:
1350:
1335:
1334:
1317:
1315:
1314:
1307:
1287:
1272:
1228:
1214:
1194:
1173:
1152:
1131:
1104:
1083:
1062:
1041:
1020:
993:
950:
923:
921:
918:
902:
899:
890:
889:
883:
877:
867:
853:
843:
833:
827:
821:
815:
809:
799:
777:
771:
764:Ralph M. Unger
757:
751:
745:
739:
733:
727:
721:
720:
719:
709:
685:
682:Jan Tschichold
675:
657:
647:
633:
623:
617:
607:
589:
583:
580:Roland Grotesk
577:
571:
565:
555:
552:Gerhard Helzel
537:
531:
525:
515:
505:
499:
493:
490:Ralph M. Unger
467:
461:
455:
445:
442:Jugend-Fraktur
439:
433:
427:
421:
401:
391:
381:
375:
369:
363:
345:
335:
334:
333:
310:
300:
293:Breite Kanzlei
290:
280:Sagen Grotesk,
256:Breite Grotesk
253:
246:Ralph M. Unger
235:
229:
217:
214:New Baldur APT
203:
197:
191:
185:
178:
158:
155:
118:
117:
112:
109:
106:
105:
96:
92:
91:
88:
84:
83:
74:
70:
69:
66:
62:
61:
56:
52:
51:
46:
42:
41:
26:
9:
6:
4:
3:
2:
1493:
1482:
1479:
1477:
1474:
1472:
1469:
1467:
1464:
1462:
1459:
1458:
1456:
1445:
1440:
1438:
1433:
1431:
1426:
1425:
1419:
1417:
1413:
1409:
1404:
1401:
1397:
1396:
1388:
1383:
1381:
1376:
1374:
1369:
1368:
1362:
1360:
1356:
1351:
1348:
1344:
1343:
1339:
1331:
1327:
1322:
1318:
1310:
1304:
1300:
1299:
1291:
1284:. p. 86.
1283:
1276:
1268:
1262:
1246:
1242:
1238:
1237:Mosley, James
1232:
1224:
1218:
1212:
1210:
1209:0-87923-333-8
1206:
1198:
1191:
1190:0-7137-1347-X
1187:
1183:
1177:
1170:
1169:0-7137-1347-X
1166:
1162:
1156:
1149:
1148:0-7137-1347-X
1145:
1141:
1135:
1118:
1114:
1108:
1101:
1100:0-7137-1347-X
1097:
1093:
1087:
1080:
1079:0-7137-1347-X
1076:
1072:
1066:
1059:
1058:0-7137-1347-X
1055:
1051:
1045:
1038:
1037:0-7137-1347-X
1034:
1030:
1024:
1008:
1004:
997:
989:
983:
964:
957:
955:
938:
934:
928:
924:
917:
914:
907:
898:
896:
887:
884:
881:
878:
875:
871:
868:
865:
861:
857:
854:
851:
847:
844:
841:
837:
834:
831:
828:
825:
822:
819:
816:
813:
810:
807:
803:
800:
797:
793:
789:
788:Schmale fette
785:
781:
780:Schul-Fraktur
778:
775:
772:
769:
765:
761:
758:
755:
752:
749:
746:
743:
740:
737:
734:
731:
728:
725:
722:
717:
713:
710:
707:
703:
700:
699:
697:
693:
689:
686:
683:
679:
676:
673:
669:
665:
661:
658:
655:
651:
648:
645:
641:
637:
634:
631:
627:
624:
621:
618:
615:
611:
608:
605:
601:
597:
593:
590:
587:
586:Roland Kursiv
584:
581:
578:
575:
572:
569:
566:
563:
559:
556:
553:
549:
545:
541:
538:
535:
532:
529:
526:
523:
519:
518:Mimosenzierat
516:
513:
509:
506:
503:
500:
497:
494:
491:
487:
483:
479:
475:
471:
468:
465:
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364:
361:
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353:
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346:
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332:
328:
324:
321:
320:
318:
314:
311:
308:
304:
301:
298:
294:
291:
288:
284:
281:
277:
273:
269:
266:. Revived by
265:
261:
257:
254:
251:
247:
243:
239:
236:
233:
230:
227:
223:
222:
218:
215:
211:
210:Alan Prescott
207:
204:
201:
198:
195:
192:
189:
186:
183:
180:
179:
177:
174:
168:
163:
154:
152:
148:
144:
140:
136:
132:
128:
125:was a German
124:
116:
113:
107:
104:
100:
97:
93:
89:
85:
82:
78:
75:
71:
67:
63:
60:
57:
53:
50:
47:
43:
39:
34:
19:
1416:expanding it
1405:
1359:expanding it
1352:
1337:
1330:James Mosley
1326:Walter Tracy
1321:
1297:
1290:
1281:
1275:
1249:. Retrieved
1244:
1231:
1222:
1217:
1202:
1197:
1181:
1176:
1160:
1155:
1139:
1134:
1121:. Retrieved
1116:
1107:
1091:
1086:
1070:
1065:
1049:
1044:
1028:
1023:
1011:. Retrieved
1006:
996:
970:. Retrieved
941:. Retrieved
936:
927:
915:
912:
892:
885:
879:
869:
863:
862:(1913), aka
859:
855:
845:
839:
835:
829:
823:
817:
812:Shieldface A
811:
804:(1927–1929,
801:
795:
787:
783:
779:
773:
767:
759:
753:
747:
741:
735:
729:
723:
715:
711:
705:
701:
695:
692:Oliver Weiss
687:
677:
672:Max Salzmann
667:
663:
659:
654:Max Salzmann
649:
644:Max Salzmann
639:
635:
630:Max Salzmann
625:
619:
609:
603:
591:
585:
579:
573:
567:
562:Patriz Huber
557:
547:
539:
533:
527:
517:
510:(1904-1908,
508:Meierschrift
507:
501:
495:
485:
481:
477:
469:
463:
457:
452:Max Salzmann
447:
441:
435:
429:
423:
409:
403:
393:
387:
383:
377:
371:
365:
359:
356:Oliver Weiss
352:Schraffierte
351:
347:
337:
330:
327:Max Salzmann
322:
317:Max Salzmann
312:
309:), ornaments
302:
296:
292:
286:
282:
279:
276:Arve Båtevik
271:
255:
249:
237:
231:
219:
213:
205:
199:
193:
187:
181:
175:
172:
127:type foundry
122:
121:
95:Headquarters
59:Type foundry
45:Company type
1117:Luc Devroye
1007:Luc Devroye
937:Luc Devroye
874:Georg Belwe
806:Georg Belwe
620:Rundgotisch
614:Heinz Keune
600:Saint Louis
576:(1904-1906)
522:Heinz Keune
486:Koralle RMU
480:(2012) and
474:Nick Curtis
418:Th. Friebel
388:breite Gnom
342:Albert Knab
338:Edelgotisch
268:Nick Curtis
242:Art Nouveau
226:Georg Belwe
221:Belwe Roman
147:VEB Typoart
115:Georg Belwe
1455:Categories
1408:typography
1251:15 October
972:17 January
920:References
895:sans-serif
840:Titan Gnom
512:C.F. Meier
488:(2018) by
478:Koralle NF
476:based his
444:(ca. 1900)
414:F.W. Bauer
323:Zierdolmen
303:Die Zierde
240:(1904) An
200:Alt Latein
145:, forming
110:Key people
1211:, p. 296.
1123:7 January
1013:7 January
943:7 January
786:(1890) +
782:(1886) +
592:Romanisch
408:(1885) +
360:WF Fafner
264:Helvetica
157:Typefaces
1261:cite web
982:cite web
830:Tauperle
792:Delbanco
604:De Vinne
550:(2009).
250:Borghese
238:Borghese
188:Akantrea
55:Industry
1192:p. 205.
1171:p. 201.
1102:p. 109.
1081:p. 263.
872:(1926,
870:Wieland
848:(1908,
798:(2001).
680:(1931,
670:(1910,
652:(1911,
642:(1911,
628:(1913,
612:(1905,
560:(1906,
544:Paulo W
520:(1909,
472:(1929)
470:Koralle
464:Kolibri
450:(1907,
396:(1935,
394:Gravira
340:(1901,
331:Dolmen.
325:(1922,
315:(1922,
305:(1913,
289:(2015).
252:(2015).
224:(1907,
216:(1996).
202:(1924)
151:Dresden
131:Leipzig
103:Germany
99:Leipzig
87:Defunct
73:Founder
65:Founded
1305:
1207:
1188:
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