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gave the album a three-star review, and the staff reviewer wrote that
Ferraro "makes a glowing, glossy album out of everyday digital detritus. If you can wade through the excruciating sitar-synths, bank-lobby melodies, home-fitness techno, and infomercial drum breaks, Ferraro's playfulness blips into
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s review, Soderberg wrote, "the songs here are exactly the same as what they're ostensibly parodying, which is bold and maybe even the point. ... You suddenly realize you're listening to 45 minutes of utilitarian music that doesn't really have a purpose. Can something be utopian and dystopian at the
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he decided to represent the present as is and then let nature take its course, over time, and do the aging for him. Returning to it in ten or twenty years time, we might discover that it was ironically a victim of its own futurist acceleration, and is now about as up-to-date as a ten-year-old carton
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as its subject, but there was no consensus regarding whether
Ferraro intended to satirize, criticize or embrace this condition. Brandon Soderberg said that the album's concept "seemed critic-proof, which was frustrating ... Negative reviews could be dismissed as the listeners simply not getting the
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against a wall upon hearing its relentlessly arch, kitschy blandness, but it manages to successfully turn pop against itself, which, like it or not, is a politically progressive project. Its pure, bold conceptualism stood out in a year that was dominated by the 'febrile sterility' of post-internet
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seems to undertake an archaeology of the recent past, conjuring the onset of the internet revolution and 90s optimism about information technology. But that recent past could equally be a case of 'the long present' in so far as the digiculture ideology of convenience/instant access/maximization of
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named it the sixth best album of the year, and called it "he finest, most accessible example yet of James
Ferraro's ability to turn the detritus and dreck of US pop/commercial culture into gold – or, at any rate, something stomach-turningly psychedelic, mentally disturbing yet oddly celebratory."
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on their lists, and no voters chose it as their personal favorite. Herrington said the choice was "entirely appropriate in a year in which the abundance of choice brought on by digital technology reached such a tipping point as to make genuine consensus impossible. ... you either swoon over the
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writer said, "there's no distortion, no tape-hiss, no obvious underground signifiers... this new cleanness and clarity to the
Ferraro aesthetic hasn't diminished the hallucinatory power of his music... will terrify you to the core even as they evoke the soundtrack of a third-tier
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for a year and I used to hear to kids listening to instrumentals on their phones, rapping over the top. I love the way that sounds: the texture of super compressed digital beats coming out of a cellphone and just a voice over it.
1033:, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 77, which indicates "generally favorable reviews", based on seven reviews. Critics tended to agree that
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called the album "an intense immersive listening experience that is both deeply comforting and unsettling at the same time" and said "arguably, it is more a piece of art than a collection of music. ... Compositionally,
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was met with polarizing but generally positive reviews, with most critics commending its conceptual underpinnings and noting its ambiguous relationship to its subject. It was named album of the year by
British magazine
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s top 50 releases of 2011, a choice that proved to be polarizing among readers. Writing to elucidate the "low mandate" for the album, editor-in-chief Tony
Herrington stated that only seven of 60 voters included
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promise of a world of possibilities waiting behind the screen for your double-click, and evokes a time when we were much less familiar with and cynical about the virtual world technology has brought us into."
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B-side." Another critic said, "while
Ferraro is interested in issues of distance and impermanence, there is no lo-fi fuzz or warm nostalgic haze to temper how flat and ugly the music he's referencing on
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s list, "discerning music nerds have felt the imperative to step to either side of a line," and that
Herrington's column "amounted to a retraction." While praising the magazine for its diverse taste,
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mainly designates a space in society, or a mode of behaving. All of these things operating in synchronicity: like ringtones, flat-screens, theater, cuisine, fashion, sushi. I don't want to call it "
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said that, while the album's song titles allude to the 21st century, the album is sonically reminiscent of the 1990s, and that
Ferraro shares interest in that time period with contemporaries like
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the 21st best album of the year, summarized it as "hyperreal... frivolous... eerily familiar and scarily comfortable: pop structures moving one step closer toward the 'synthetic music box' from
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named the album one of its "12 albums for 2011", and Ruth
Saxelby concluded that Ferraro "neither celebrates nor critiques the internet's reign but simply observes it with deep fascination.
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magazine writer Luke Degan, the album is unlike the "reverbed-out, feedback-laden noise" of Ferraro's earlier music, but instead represents the noise of the "digital age". A
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appeared on several "best of 2011" lists and features. In Tiny Mix Tapes' end-of-year wrap-up column on nostalgia in pop music, Jonathan Dean wrote, "You may want to throw
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a kind of music you never knew you knew existed: techno-capitalist stock promotional music for the era of the personal computer ... Each track is bristling with the
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The album's first single "Adventures in Green Foot Printing" is an example of Ferraro's use of clean production and keyboards inspired by 1990s-era computer sounds.
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still feels like the culmination of numerous releases' worth of research and development. ... Whether or not its creator is giggling through a bong smoke haze,
282:, a decision which was met with contention from some journalists and readers. The album has since been cited as one of the original releases and catalysts of
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480:." Critics noted that the album abandons the veneer of noise that coats Ferraro's previous releases while retaining—and reimagining—the form and ethos of
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style, it reflects the ambiguity of consumer culture in the digital age back at us with a Pixar-animated wink." The album was placed at number 316 on
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does for 45 minutes—it reminds the listener that these sounds were born digitally and will die digitally. This is a digital album for a digital age."
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and get a gift card. They have a book there on the history of Starbucks—buy this book and go home. If you do all these things you'll understand what
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options now permeates everyday life and is arguably where faint residues of utopianism persist in an otherwise gloomy and anxious culture."
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s Eric Grandy jokingly commented that it was "no surprise" that the "willfully obscurantist" magazine would top their list with a "winking
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is truly frenetic, nothing safe from Ferraro’s meddling, all elements completely malleable and at the mercy of his eccentric imagination."
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wrote, "In contrast to the audio soup of Ferraro's earlier recordings, these tracks have a spacious, architectural feel that recalls
1029:"became Ferraro's most discussed and divisive effort, landing on year-end best-of lists as often as it got dismissed as a joke." At
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conceptual audacity of its deadpan appropriation of late capitalist-era corporate mood Muzak, or you think it's the worst record
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was met with greater critical attention than Ferraro's previous releases. Just over a year after its release, Marc Masters at
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succeeds in exciting the collective memory of that generation now so conjoined to its technological appendages." In Pitchfork
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took the album as a statement about blurred boundaries between consumers and their technologies, citing the writing of
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was announced in May 2011 as Ferraro's first album on the Hippos in Tanks label. The label first released the digital
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displaying abstract designs (with one placed as a head on a tuxedo), superimposed over a low-resolution image of
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named Hippos in Tanks the best label of the year, listing the signing of Ferraro and subsequent release of
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2698:"Underwhelmed And Overstimulated, Part Eight: What Happened When Skrillex Helped America Discover Rave"
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370:, which brought out the "cheap digital sound" he desired, and called it a "ubbery plastic symphony for
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an elaborate put-on—and I suspect Ferraro isn't averse to a chuckle at the expense of his audience—
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836:, many of James Ferraro's albums were impressionistic lo-fi portraits of bygone eras – perhaps on
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The tracks "Adventures in Green Foot Printing" and "Earth Minutes" were released as promotional
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are going towards my facial reconstructive plastic surgery. My new face will be fashioned after
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Ferraro's satirically written announcement for the album read, in part, "All the proceeds from
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aesthetic full of neon vulgarity and deteriorated sonics." A writer from French music blog
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Ferraro explained that his original idea had been to release the sixteen compositions on
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1770:"Music review: Replica from Oneohtrix Point Never and James Ferraro's Far Side Virtual"
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599:. And you will be able to see it live in concert on the Far Side Virtual World Tour..
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microgenres and tail-swallowing postmodernism." Music critic Jonah Weiner cited
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The album was retrospectively tagged as one of the most influential releases to
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of the 21st century, specifically the year it was released. Electronic musician
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had been "billed somewhat as a cultural critique as told through MIDI-synths".
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Ferraro's musical style changed to a clearer and more electronic sound for
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2760:"My Top 5 "Best of 2011" Lists: NPR Muzak, Mendacious Consensus, and More"
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published a favorable review by Joseph Stannard, in which he wrote "If it
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is a convincing evocation of the digital dreamtime." Stefan Wharton of
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538:, and secondly, go into a frozen yogurt shop. Afterwards, go into an
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2438:"Revisiting the Music of 2011: Dissent, Censorship, and Apocalypse"
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378:". He said, "This is ringtone music meant to be experienced on the
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The album is credited with helping to increase the popularity of
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store and just fool around, hang out in there. Afterwards, go to
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have been described as "perversely commonplace", and include the
253:. The album has been interpreted as engaging with themes such as
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2733:"Suffering through suffrage: Compiling The Wire's Rewind charts"
1275:"Starbucks, Dr. Seussism, and While Your Mac Is Sleeping" – 2:25
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Andy Battaglia compared the feeling of the music to the online
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1658:"Adventures on the Far Side: An Interview With James Ferraro"
1500:"Best Music 2011: The year's best and weirdest protest songs"
1313:""Adventures in Green Foot Printing" by James Ferraro review"
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that covers much of the same sonic and conceptual territory.
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36:
310:, while continuing to explore themes from his previous work.
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1930:"James Ferraro and Ryan Trecartin: 21st-century creatures"
1423:"HOW VAPORWAVE WAS CREATED THEN DESTROYED BY THE INTERNET"
229:, the album marked Ferraro's transition from his previous
2610:"12 albums for 2011 - James Ferraro's 'Far Side Virtual'"
1868:"The Month's Electronic Music: Through The Looking Glass"
1838:"Comment: Vaporwave and the pop-art of the virtual plaza"
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484:. Ferraro said "it's still in the tradition of noise."
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Commenting on the production style, Joseph Stannard of
515:. Explaining the title in an interview, Ferraro said:
2353:"James Ferraro, 'Far Side Virtual' (Hippos in Tanks)"
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2011: Favorite 50 Albums of 2011: 21. James Ferraro
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described the album as "nihilistic easy-listening."
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as ringtones was the realization of the album as "a
2017:"Stream: James Ferraro, 'Eco-Tot' + 'Text Bubbles'"
1989:"James Ferraro preps new album for Hippos in Tanks"
1559:"Interview: James Ferraro And His Music Multiverse"
1263:"PIXARnia and the Future of Norman Rockwell" – 1:44
1196:never made." Tiny Mix Tapes' Dean wrote that after
237:aesthetic that deliberately evokes sources such as
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217:is a studio album by American electronic musician
1530:Stannard, Joseph (November 2011), "James Ferraro
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2670:"2011 Rewind Chart: Top 50 Releases of the Year"
2288:"Album Review: James Ferraro – Far Side Virtual"
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1350:
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613:
386:." Ferraro frequently described it as a musical
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1122:, and called it "antagonizingly, alienatingly,
550:is — because people kind of live in it already.
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1384:James Ferraro|Biography & History|AllMusic
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394:praised the album for its unaltered, standard
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668:to the works of the French cultural theorist
499:The album's cover artwork displays a pair of
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1118:for his end-of-year article on contemporary
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398:sound. The sources of most of the album's
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1463:Ka Ying Chan, Karen (September 14, 2011),
1278:"Adventures in Green Foot Printing" – 3:28
1266:"Palm Trees, Wi-Fi and Dream Sushi" – 2:39
350:was inspired by hearing music like that."
233:recording approach to a sharply produced,
27:
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1955:Friedlander, Emilie (November 30, 2011),
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1465:"James Ferraro - Condo Pets [stream]"
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1420:
1336:""Earth Minutes" by James Ferraro Review"
1077:same time? Probably. Maybe even always."
714:, and the work of experimental filmmaker
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1710:Hockley-Smith, Sam (December 14, 2011),
1529:
1447:Dark side of the Moog|Music|The Guardian
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735:writer Luke Degnan wrote, "This is what
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2469:Soderberg, Brandon (January 13, 2012),
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2408:
2322:Soderberg, Brandon (November 4, 2011),
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2135:
2042:Fitzmaurice, Larry (October 18, 2011),
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1617:
1591:"Ring up the curtain for James Ferraro"
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1334:Fitzmaurice, Larry (October 18, 2011).
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1835:
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1134:as one of its finest accomplishments.
16:2011 studio album by James Ferraro
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2731:Herrington, Tony (December 9, 2011),
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2014:
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893:
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790:expressed as one critic noted "a pre-
2499:2011: Dispatches from the Pop Museum
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2436:Krimper, Michael (January 5, 2012),
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1928:Battaglia, Andy (December 8, 2011),
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1624:Hoffman, Kelley (October 25, 2011),
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1486:
1388:
1287:"Tomorrow's Baby of the Year" – 1:49
1173:poll, with votes from four critics.
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2608:Saxelby, Ruth (December 16, 2011),
2409:Masters, Marc (November 27, 2012),
2381:
2109:Harper, Adam (September 15, 2011),
2015:Bravo, Amber (September 13, 2011),
1768:Corrigan, Zac (September 4, 2012),
1746:, December 21, 2011, archived from
1498:Weiner, Jonah (December 19, 2011),
1421:Beauchamp, Scott (18 August 2016).
1395:Seraydarian, Thomas (24 May 2016).
986:
928:
530:. If you really want to understand
431:"Adventures in Green Foot Printing"
186:"Adventures in Green Foot Printing"
13:
2758:Grandy, Eric (December 21, 2011),
2471:"Bebetune@: Inhale C-4 $ $ $ $ $ "
2286:Gardner, Noel (November 2, 2011).
2250:
2144:"James Ferraro's Far Side Virtual"
1703:
1360:BEBETUNE$ - inhale C-4 $ $ $ $ $
1311:Battan, Carrie (October 4, 2011).
419:
221:, released on October 25, 2011 by
14:
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2822:
1891:Lhooq, Michelle (June 24, 2013),
1800:Shaw, Steve (November 11, 2011),
1269:"Fro Yo and Cellular Bits" – 2:19
2993:Four Pieces for Mirai (Overture)
2696:Ewing, Tom (December 23, 2011),
2496:Dean, Jonathan (December 2011),
2079:Lamm, Olivier (March 12, 2012),
2044:"James Ferraro: 'Earth Minutes'"
1893:"Is Vaporwave The Next Seapunk?"
1656:Gibb, Rory (December 15, 2012),
1626:"James Ferraro's Versace Dreams"
1589:Chan, Julia B. (March 1, 2012),
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1037:takes the state of 21st-century
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453:Problems playing this file? See
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2550:Román, Carlos (December 2011),
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2402:
2385:James Ferraro: Far Side Virtual
2325:James Ferraro: Far Side Virtual
2220:
2195:
2111:"Borne into the 90s [pt.2]"
2102:
2035:
2008:
1957:"Artist Profile: James Ferraro"
1948:
1884:
1866:Gibb, Rory (November 8, 2012),
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1761:
1730:
1676:
1582:
1567:, March 6, 2012, archived from
1397:"Crossfader's Vaporwave Primer"
778:Like Ferraro's previous albums
2639:"New York Pazz and Jop Albums"
1836:Harper, Adam (June 12, 2012),
1440:
1328:
1305:
1:
2860:— the abandoned precursor to
1299:
614:Symbolism and interpretations
353:
2176:"Band To Watch: Saint Pepsi"
2174:Bowe, Miles (26 July 2013).
2142:Degnan, Luke (Spring 2012),
1101:
7:
2296:. Silentway. Archived from
2087:(in French), archived from
376:Great Pacific Garbage Patch
333:Ferraro said, "When I made
265:, advertising, and musical
225:. Conceived as a series of
10:
3119:
2968:Requiem for Recycled Earth
2926:Night Dolls with Hairspray
1738:"Guest List: Best of 2011"
1712:"Interview: James Ferraro"
1684:"James Ferraro: Bodyguard"
1540:, no. 333, p. 58
1293:"Solar Panel Smile" – 4:08
1239: in the early 2010s.
832:. Harper wrote, "Up until
780:Night Dolls with Hairspray
554:
297:
198:Released: October 18, 2011
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3002:
2977:
2910:
2790:Emrantraut (2020-08-11).
2582:"50 best: albums of 2011"
2557:[Hippos in Tanks]
2524:"10 Best: Labels of 2011"
2081:"James Ferraro Interview"
1254:"Dubai Dream Tone" – 1:49
1230:
901:
898:
878:
875:
814:inspired by the ideas of
610:in advance of the album.
318:as a set of downloadable
206:
189:Released: October 4, 2011
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3088:Works about hyperreality
2262:Far Side Virtual Reviews
1775:World Socialist Web Site
290:-based electronic music
3093:Works about consumerism
1272:"Google Poeises" – 3:51
1248:"Linden Dollars" – 1:57
534:, first off, listen to
3103:Hippos in Tanks albums
3083:Psychedelic pop albums
2792:"History of Vaporwave"
2411:"James Ferraro: Sushi"
1596:San Francisco Examiner
1564:Red Bull Music Academy
1284:"Earth Minutes" – 4:17
664:Critics have compared
552:
424:
311:
3011:Inhale C-4 $ $ $ $ $
1534:Hippos In Tanks LP",
1251:"Global Lunch" – 2:13
1137:Tiny Mix Tapes named
850:Oneohtrix Point Never
844:English music critic
517:
423:
410:that appear to mimic
305:
249:, and early computer
153:Inhale C-4 $ $ $ $ $
3078:James Ferraro albums
3073:2010s concept albums
2448:on February 28, 2013
2230:(December 6, 2011),
1905:on February 23, 2014
1689:Dazed & Confused
866:Professional ratings
595:'s satellite queen,
337:, I was really into
2651:on January 18, 2012
2590:, November 30, 2011
2532:, November 22, 2011
2056:on October 22, 2011
1475:on January 22, 2013
1290:"Condo Pets" – 3:31
867:
852:. Reynolds wrote, "
374:, dedicated to the
2919:Last American Hero
2837:(list of releases)
2772:on January 9, 2012
2361:, October 25, 2011
2203:"Drowned in Sound"
865:
861:Critical reception
784:Last American Hero
707:city-building game
513:Google Street View
425:
408:synthesized voices
380:post-structuralist
312:
3055:
3054:
2947:NYC, Hell 3:00 AM
2703:The Village Voice
2644:The Village Voice
2382:Wharton, Stefan,
2300:on April 14, 2015
2156:on March 16, 2013
1603:on April 11, 2013
1281:"Dream On" – 3:07
1167:The Village Voice
1068:as a precedent: "
1014:
1013:
827:cultural theorist
718:. Adam Harper of
495:Artwork and title
440:
406:log-in sound and
210:
209:
175:Far Side Virtual
161:
160:
3110:
3098:Vaporwave albums
3035:Related articles
2933:Far Side Virtual
2897:
2890:
2883:
2874:
2873:
2866:Internet Archive
2862:Far Side Virtual
2851:Internet Archive
2842:Far Side Virtual
2830:Far Side Virtual
2817:
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2806:
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2802:
2787:
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2777:
2768:, archived from
2755:
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2605:
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2555:Far Side Virtual
2547:
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2293:Drowned in Sound
2283:
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2257:
2248:
2247:
2246:
2244:
2232:"Maximal Nation"
2224:
2218:
2217:
2215:
2214:
2205:. Archived from
2199:
2193:
2192:
2190:
2188:
2171:
2165:
2164:
2163:
2161:
2152:, archived from
2139:
2130:
2129:
2128:
2126:
2117:, archived from
2106:
2100:
2099:
2098:
2096:
2091:on July 12, 2016
2076:
2065:
2064:
2063:
2061:
2052:, archived from
2039:
2033:
2032:
2031:
2029:
2012:
2006:
2005:
2004:
2002:
1985:
1976:
1975:
1974:
1972:
1967:on April 2, 2013
1963:, archived from
1952:
1946:
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1901:, archived from
1888:
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1856:
1855:
1853:
1844:, archived from
1833:
1822:
1821:
1820:
1818:
1804:Far Side Virtual
1802:"James Ferraro:
1797:
1786:
1785:
1784:
1782:
1765:
1759:
1758:
1757:
1755:
1750:on March 6, 2016
1734:
1728:
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1707:
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1680:
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1653:
1642:
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1621:
1612:
1611:
1610:
1608:
1599:, archived from
1586:
1580:
1579:
1578:
1576:
1571:on June 28, 2013
1555:
1542:
1541:
1532:Far Side Virtual
1527:
1516:
1515:
1514:
1512:
1495:
1484:
1483:
1482:
1480:
1471:, archived from
1460:
1449:
1444:
1438:
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1435:
1433:
1418:
1412:
1411:
1409:
1407:
1392:
1386:
1381:
1375:
1374:
1373:
1371:
1357:Dean, Jonathan,
1354:
1343:
1332:
1326:
1309:
1215:
1206:
1198:Far Side Virtual
1189:Far Side Virtual
1185:
1177:Far Side Virtual
1139:Far Side Virtual
1132:Far Side Virtual
1116:Far Side Virtual
1111:Far Side Virtual
1107:Far Side Virtual
1089:Far Side Virtual
1075:
1070:Far Side Virtual
1058:Far Side Virtual
1054:Far Side Virtual
1035:Far Side Virtual
1027:Far Side Virtual
1017:Far Side Virtual
1010:
1009:
1008:
1004:
1003:
999:
998:
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989:
988:
952:
951:
950:
946:
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940:
936:
935:
931:
930:
909:Drowned in Sound
871:Aggregate scores
868:
864:
854:Far Side Virtual
838:Far Side Virtual
834:Far Side Virtual
830:Jean Baudrillard
808:Far Side Virtual
788:Far Side Virtual
767:Far Side Virtual
755:Melanie Griffith
737:Far Side Virtual
670:Jean Baudrillard
666:Far Side Virtual
652:
638:
626:
601:Always coca cola
589:Far Side Virtual
582:Far Side Virtual
560:Far Side Virtual
548:Far Side Virtual
528:Far Side Virtual
526:," so I call it
520:Far Side Virtual
442:
441:
422:
360:Far Side Virtual
358:Ferraro created
348:Far Side Virtual
335:Far Side Virtual
324:Far Side Virtual
316:Far Side Virtual
308:Far Side Virtual
273:Far Side Virtual
259:consumer culture
214:Far Side Virtual
199:
196:
190:
187:
144:Far Side Virtual
132:
131:
96:
95:
91:
52:October 25, 2011
31:
22:Far Side Virtual
19:
18:
3118:
3117:
3113:
3112:
3111:
3109:
3108:
3107:
3058:
3057:
3056:
3051:
3030:
2998:
2973:
2906:
2901:
2847:Hippos in Tanks
2825:
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2809:
2800:
2798:
2788:
2784:
2775:
2773:
2756:
2752:
2743:
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2729:
2722:
2713:
2711:
2694:
2690:
2681:
2679:
2678:, December 2011
2668:
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2663:
2654:
2652:
2637:
2636:
2632:
2623:
2621:
2620:on July 2, 2013
2606:
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2591:
2580:
2579:
2575:
2566:
2564:
2548:
2544:
2535:
2533:
2522:
2521:
2517:
2508:
2506:
2494:
2490:
2481:
2479:
2476:Pitchfork Media
2467:
2460:
2451:
2449:
2434:
2430:
2421:
2419:
2416:Pitchfork Media
2407:
2403:
2394:
2392:
2380:
2373:
2364:
2362:
2351:
2350:
2343:
2334:
2332:
2330:Pitchfork Media
2320:
2313:
2303:
2301:
2284:
2280:
2271:
2269:
2259:
2258:
2251:
2242:
2240:
2228:Reynolds, Simon
2225:
2221:
2212:
2210:
2201:
2200:
2196:
2186:
2184:
2172:
2168:
2159:
2157:
2140:
2133:
2124:
2122:
2121:on July 2, 2013
2107:
2103:
2094:
2092:
2077:
2068:
2059:
2057:
2040:
2036:
2027:
2025:
2013:
2009:
2000:
1998:
1987:
1986:
1979:
1970:
1968:
1953:
1949:
1940:
1938:
1926:
1917:
1908:
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1889:
1885:
1876:
1874:
1864:
1860:
1851:
1849:
1848:on July 3, 2013
1834:
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1346:
1333:
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1310:
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1245:
1233:
1213:
1204:
1183:
1148:Brave New World
1104:
1073:
1006:
1001:
996:
991:
958:Pitchfork Media
948:
943:
938:
933:
863:
760:or a forgotten
694:
693:
692:
691:
661:
660:
659:
653:
644:
643:
642:
639:
631:
630:
627:
616:
557:
524:virtual reality
497:
470:Laurie Anderson
460:
459:
451:
449:
448:
447:
446:
443:
436:
433:
426:
420:
366:audio software
356:
330:installation".
328:performance art
300:
223:Hippos in Tanks
202:
197:
195:"Earth Minutes"
194:
193:
188:
185:
184:
156:
147:
138:
107:Hippos in Tanks
93:
89:
88:
80:
44:
17:
12:
11:
5:
3116:
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3095:
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3028:
3021:
3014:
3006:
3004:
3000:
2999:
2997:
2996:
2989:
2981:
2979:
2978:Extended plays
2975:
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2972:
2971:
2964:
2957:
2950:
2943:
2936:
2929:
2922:
2914:
2912:
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2900:
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2892:
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2877:
2869:
2868:
2853:
2838:
2824:
2823:External links
2821:
2819:
2818:
2807:
2782:
2765:Seattle Weekly
2750:
2720:
2710:on May 5, 2012
2688:
2661:
2630:
2600:
2573:
2562:Tiny Mix Tapes
2542:
2515:
2504:Tiny Mix Tapes
2488:
2458:
2442:Hydra Magazine
2428:
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2390:Tiny Mix Tapes
2371:
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2194:
2166:
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2007:
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1692:, July 6, 2012
1675:
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1365:Tiny Mix Tapes
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1210:Seattle Weekly
1171:Pazz & Jop
1103:
1100:
1080:Steve Shaw of
1066:Markus Giesler
1062:Tiny Mix Tapes
1012:
1011:
982:
980:Tiny Mix Tapes
976:
975:
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862:
859:
846:Simon Reynolds
716:Ryan Trecartin
678:Ryan Trecartin
663:
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654:
647:
646:
645:
640:
633:
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628:
621:
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597:Princess Diana
556:
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429:
428:
427:
418:
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372:global warming
355:
352:
299:
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247:easy listening
239:elevator music
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2961:Human Story 3
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2911:Studio albums
2909:
2905:
2904:James Ferraro
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2256:
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2209:on 2015-04-14
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2024:
2023:
2018:
2011:
1997:, May 3, 2011
1996:
1995:
1990:
1984:
1982:
1966:
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1961:Altered Zones
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1887:
1873:
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1353:
1351:
1349:
1342:. Conde Nast.
1341:
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1319:
1314:
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1304:
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1292:
1289:
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1268:
1265:
1262:
1260:"Bags" – 3:25
1259:
1256:
1253:
1250:
1247:
1246:
1243:Track listing
1240:
1238:
1228:
1226:
1223:
1219:
1212:
1211:
1203:
1199:
1195:
1190:
1182:
1178:
1174:
1172:
1169:
1168:
1163:
1159:
1154:
1150:
1149:
1144:
1140:
1135:
1133:
1129:
1125:
1121:
1120:protest songs
1117:
1112:
1108:
1099:
1096:
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1090:
1085:
1084:
1078:
1071:
1067:
1063:
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1043:
1040:
1036:
1032:
1028:
1024:
1023:
1018:
983:
981:
978:
977:
973:
971:
970:
966:
965:
961:
959:
956:
955:
925:
923:
922:
918:
917:
913:
911:
910:
906:
905:
897:
894:Review scores
892:
888:
886:
883:
882:
874:
869:
858:
855:
851:
847:
842:
839:
835:
831:
828:
825:
821:
817:
813:
812:concept album
809:
805:
801:
798:-straight-to-
797:
793:
789:
785:
781:
776:
774:
773:
768:
763:
759:
756:
751:
747:
746:
742:According to
740:
738:
734:
729:
725:
722:called it a "
721:
717:
713:
712:
708:
704:
703:
699:
698:virtual world
689:
688:
683:
682:virtual world
679:
675:
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651:
637:
625:
611:
609:
604:
602:
598:
594:
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585:
583:
579:
578:
573:
569:
565:
564:extended play
561:
551:
549:
545:
541:
537:
533:
529:
525:
521:
516:
514:
511:as viewed in
510:
506:
502:
492:
490:
485:
483:
479:
475:
471:
467:
466:
458:
456:
432:
415:
413:
412:interactivity
409:
405:
401:
397:
393:
389:
385:
381:
377:
373:
369:
365:
361:
351:
349:
344:
341:. I lived in
340:
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317:
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264:
263:retrofuturism
260:
257:, disposable
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220:
219:James Ferraro
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124:James Ferraro
121:
118:James Ferraro
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87:
83:
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74:
72:
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2857:Avatar Salad
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2799:. Retrieved
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2770:the original
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2298:the original
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2207:the original
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1935:The National
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1257:"Sim" – 2:53
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400:found sounds
382:medium, the
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255:hyperreality
251:sound design
241:, corporate
213:
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135:
37:Studio album
3068:2011 albums
3047:Discography
2304:January 30,
1872:The Quietus
1663:The Quietus
1194:Dave Grusin
1162:Andy Warhol
1039:consumerism
1025:wrote that
824:post-modern
702:Second Life
687:Second Life
656:Second Life
629:Baudrillard
482:noise music
76:avant-garde
3062:Categories
3025:Suki Girlz
2864:, via the
2849:, via the
2801:2023-12-15
2267:Metacritic
2213:2015-01-30
1401:Crossfader
1323:Conde Nast
1300:References
1124:wondrously
1031:Metacritic
885:Metacritic
841:of milk."
806:described
728:maximalist
680:, and the
658:screenshot
580:said that
568:Condo Pets
505:6th Avenue
455:media help
392:Dan Deacon
388:still life
384:smartphone
368:GarageBand
354:Production
292:microgenre
243:mood music
235:electronic
136:Condo Pets
126:chronology
3042:Vaporwave
2776:March 10,
2744:March 10,
2714:March 10,
2682:March 10,
2655:March 10,
2624:March 10,
2594:March 10,
2567:March 10,
2536:March 14,
2509:March 10,
2482:March 18,
2452:March 10,
2422:March 10,
2395:March 10,
2365:March 10,
2335:March 10,
2272:March 10,
2243:March 10,
2237:Pitchfork
2181:Stereogum
2160:March 10,
2125:March 10,
2095:March 10,
2085:The Drone
2060:March 10,
2049:Pitchfork
2028:March 10,
2022:The Fader
2001:March 10,
1971:March 10,
1941:March 10,
1877:March 10,
1852:March 10,
1817:March 10,
1781:March 10,
1743:Pitchfork
1723:March 10,
1717:The Fader
1696:March 10,
1669:March 10,
1637:March 10,
1607:March 10,
1575:March 10,
1511:March 10,
1479:March 10,
1370:March 10,
1340:Pitchfork
1318:Pitchfork
1237:vaporwave
1225:hellscape
1222:soft-rock
1102:Accolades
1022:Pitchfork
822:from the
820:simulacra
804:The Drone
772:Stereogum
674:video art
641:Trecartin
577:The Fader
544:Starbucks
509:Manhattan
489:vaporwave
362:with the
320:ringtones
284:vaporwave
227:ringtones
66:Vaporwave
3003:Mixtapes
2954:Skid Row
2815:AllMusic
2738:The Wire
2675:The Wire
1537:The Wire
1202:The Wire
1181:The Wire
1126:bland."
1046:The Wire
724:pastiche
532:Far Side
465:The Wire
288:Internet
279:The Wire
261:, 1990s
114:Producer
49:Released
39: by
2835:Discogs
2187:26 June
1432:8 April
1427:Esquire
1406:8 April
1218:Windows
1200:topped
1179:topped
1098:view."
1042:joke."
800:Clinton
758:rom-com
711:SimCity
608:singles
555:Release
536:Debussy
298:Concept
171:Singles
157:(2011)
148:(2011)
139:(2011)
2796:Medium
1231:Legacy
1143:Huxley
962:7.6/10
902:Rating
899:Source
889:77/100
879:Rating
876:Source
796:Reagan
705:, the
267:kitsch
85:Length
2986:Troll
2940:Sushi
2614:Dummy
2115:Dummy
1842:Dummy
1505:Slate
1469:Dummy
1214:'
1205:'
1184:'
1158:Dummy
1074:'
810:as a
769:is."
720:Dummy
572:Dummy
566:(EP)
540:Apple
501:iPads
404:Skype
364:Apple
343:Leeds
339:grime
286:, an
231:lo-fi
173:from
102:Label
71:muzak
58:Genre
3018:Cold
2778:2013
2746:2013
2716:2013
2684:2013
2657:2013
2626:2013
2596:2013
2587:Fact
2569:2013
2538:2013
2529:Fact
2511:2013
2484:2013
2454:2013
2424:2013
2397:2013
2367:2013
2358:Spin
2337:2013
2306:2015
2274:2013
2245:2013
2189:2016
2162:2013
2149:Bomb
2127:2013
2097:2013
2062:2013
2030:2013
2003:2013
1994:Fact
1973:2013
1943:2013
1911:2013
1898:Vice
1879:2013
1854:2013
1819:2013
1811:Fact
1783:2013
1756:2013
1725:2013
1698:2013
1671:2013
1639:2013
1631:Elle
1609:2013
1577:2013
1513:2013
1481:2013
1434:2017
1408:2017
1372:2013
1220:'97
1153:Fact
1128:Fact
1094:Spin
1083:Fact
974:6/10
969:Spin
921:Fact
914:7/10
818:and
782:and
750:Fact
745:Bomb
733:Bomb
593:CCTV
478:Rush
476:and
396:MIDI
2845:at
2833:at
1227:".
1151:."
1145:'s
792:DVD
684:of
676:by
603:."
507:in
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