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192:(1922). It was common practice for men to play women in plays and movies, so she became a huge woman superstar. Fatma Begum was fair skinned and wore dark make-up that suited the sepia/black & white images on the screen. Most of the roles required wigs for the heroes as well as the heroines.
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158:. However, there is no record of a marriage or contract having taken place between the Nawab and Fatma or of the Nawab having recognised any of her children as his own, a prerequisite for legal paternity in Muslim family law. She was the mother of silent superstars
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In 1926, she established Fatma Films which later became known as
Victoria-Fatima Films in 1928. She became a pioneer for fantasy cinema where she used trick photography to have early special effects. She was an actress at Kohinoor Studios and
211:. While no known prints of the film currently exist, the high budget production has been described as a fantasy film featuring many special effects. If true, the film places Begum among early pioneers of fantasy cinema such as
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126:. Within four years, she went on to write, produce and direct many films. She launched her own production house, Fatma Films, which later became Victoria-Fatma Films, and directed her first film,
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166:, and Shehzadi. She was also the grandmother of Humayun Dhanrajgir and Durreshahwar Dhanrajgir, son and daughter of Zubeida and Maharaja Narsingir Dhanrajgir of Hyderabad and
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daughter of
Sultana and Seth Razaaq, a prominent businessman of Karachi. She also happened to be the great-grandmother of model turned actress
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family in India. She was supposedly married to Nawab Sidi
Ibrahim Muhammad Yakut Khan III of
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She began her career on the Urdu stage. She later shifted to films and debuted in
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She died in 1983 at the age of 91. Her legacy was carried on by her daughter
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441:"Fatma Begum, Jaddanbai: The earliest female filmmakers of Indian cinema"
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19:"Fatima Begum" redirects here. For the Pakistan Movement politician, see
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who is the daughter of her grand daughter
Durreshahwar Dhanrajgir.
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Nawab Sidi
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383:Rajadhyaksha, Ashish; Willemen, Paul, eds. (1999).
410:"Bollywood's unforgettable women - Times of India"
221:She directed many other films, her last being the
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387:(2 ed.). New York: Routledge. p. 95.
627:20th-century Indian dramatists and playwrights
203:Begum became the first female director of
74:Actress, director, screenwriter, producer
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455:26 February
357:silent film
261:Debuted in
229:Filmography
172:Rhea Pillai
120:Fatma Begum
111:Rhea Pillai
32:Fatma Begum
581:Categories
394:1579581463
363:References
150:-speaking
507:22 August
445:Cinestaan
225:in 1929.
102:Relatives
531:Archived
449:Archived
424:31 March
418:Archived
352:Alam Ara
317:Director
295:Director
280:Actress
87:Children
537:4 March
527:IBNLive
481:25 June
347:Zubeida
332:Actress
258:Actress
164:Sultana
160:Zubeida
96:Sultana
92:Zubeida
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359:star.
341:Legacy
245:Notes
178:Career
152:Muslim
134:Family
79:Spouse
270:1924
65:India
53:India
572:IMDb
539:2016
509:2019
483:2014
457:2020
426:2016
389:ISBN
324:1938
309:1929
287:1926
250:1922
242:Role
239:Film
236:Year
148:Urdu
94:and
59:Died
50:1892
47:Born
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371:^
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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