455:, part of their "Vintage Modified" series. The look is based on the blackface model. Although for a limited period of time a special edition Blonde version was produced, Fender’s Consumer Relations Department states that the blonde special edition Super Champ XD with oxblood grill was a FSR (factory special run) that was limited to only 1,000 produced. The blonde version is no longer available new and Fender has completed the amps' production run so no more will be produced or available from Fender. Unlike the Champion 600 (all tube circuitry), the Super Champ XD (like the Vibro Champ XD) is a hybrid (tube circuitry complemented with digital modeling and effects). Aside from one dual-triode 12AX7 and two 6V6 output tubes, it also has a
275:) as Marketing Director to specify and help design a whole new range of amplifiers to meet the contemporary requirements of musicians. Even though he did not personally create the new designs, his direction of the engineering team, headed by Ed Jahns and Bill Hughes, resulted in some legendary amps, including the Super Champ. Featuring a push-pull output, 10" speaker, and spring reverb, as well as some new circuitry; master volume, a switchable extra gain stage for a 'lead' effect, and a mid-boost switch. The Super Champ utilized 1Ă— 12AX7 for the first and second stage preamp, a 1Ă— 12AT7 for spring reverb driver tube, whilst the three sections of the triple-triode 6C10
280:
on/off. Two 6V6GT power tubes provide it with 18 RMS watts. The cabinet was finished in black Tolex, with a black faceplate and silver grille cloth. The speaker was offered either with the standard Fender Blue Label, or optionally with a Fender-branded
Electro-Voice EVI-10. Additionally, 100 Super Champ cabinets made of oak, fitted with EVI-10, having brown/champagne faceplate and knobs, and a special grille cloth were offered as part of the Super Pro Series. The Super Champ was sold until 1986. Along with the Concert amp, it was the last tube amp to be made by Fender under CBS ownership, and the last to be made at Fullerton.
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71:. Fender also renamed the circuit the "5C1", "5" standing for the decade (1950s), "C" for the third circuit revision, and "1" was the Champ's circuit designation. The 5C1 circuit was extraordinarily simple, using one 6SJ7 pentode in the preamplifier section to provide a single stage of voltage amplification, one 6V6 beam power tetrode in the power amplifier section, a 5Y3 rectifier tube and a single volume knob with no tone controls.
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as an interface between the solid-state circuitry and the tube circuitry. The second triode is a phase inverter, which creates mirror images of the signal to drive the output tubes. This arrangement provides the same feel of a complete tube amp while allowing multiple voicing. The DSP chip also provides effects, including reverb, delay, chorus, and tremolo. There is no spring reverb tank.
118:
being hard-wired rather than adjustable via Treble and Bass controls, and a couple of additional resistors reducing input-stage gain) and a switch to solid-state rectification from the original 5Y3 tube. The current look is the TV-front with two-tone tolex and speaker grille cloth of imitation suede.
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serve as a recovery for the spring reverb, as a driver for the phase inverter, and as a split-load phase inverter. When the volume knob is pulled, some signal from the 12AT7 reverb driver is re-routed, resulting in higher gain. An optional two-button foot-switch allowed for gain switching and reverb
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The 5F1 lasted until 1964, when the Champ finally made the transition to the "Blackface" style of circuit and cabinet. A small number of the last 5F1 style cabinets were covered with the "Blackface" amp cosmetics around this transition, as the factory most likely ran out of the tweed cloth covering.
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There are two stages of amplification: the first stage is done by solid-state op amps and the DSP, which also provide the desired voicing of the amps. It is then fed into the first triode of the 12AX7, which acts as a second stage preamp, provides the additional tube gain for both channels and acts
341:
Introduced along with the Super Champ described above, the Champ II was the most basic of the tube amps in the "Rivera-era" range of
Fenders, having no reverb or extra gain switching. It was discontinued in 1983, along with the Bassman 20 (with which it shared the same metal chassis design), three
228:
In
January 2021 Fender introduced the '68 Custom Vibro Champ Reverb as a part of their Vintage Modified series. This 5-watt silverface combo amplifier is identical to the original late-1960s Vibro Champ except for the inclusion of hall reverb, modified circuitry and a larger 10" Celestion® Ten 30
66:
First introduced in 1948, it sported the name "Champion 800" (with 8" speaker), changing a year later to "Champion 600" (6" speaker) with circuit designation 5B1. It was rated at about 3 watts, featuring a "T.V. Front" style cabinet; the 800 was covered in greenish fabric while the 600 featured
79:
By 1955 Fender started putting its amps in the "Narrow Panel" tweed cabinet with a plastic oxblood color grill cloth, and by this time the Champ was officially named the Champ (model 5E1). Through 1957, Champs only had a six-inch speaker, but the 1958 model 5F1 featured an 8". The 5E1 and 5F1
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It has two channels, channel 1 being a clean channel, and channel 2 having both clean and distortion voices, using modeling technology to provide 15 additional voices. Both the Bass/Treble EQ and
Effects (FX) are global settings meaning they affect the sound of both channel 1 and channel 2.
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dual triode in the preamplifier to provide two stages of voltage amplification, and a single 6V6GT power tube to produce about 5 watts. A Champ from this era can easily be dated by the code stamped on the tube chart, by the code stamped on the speaker or by its serial number.
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years before the rest of the range, perhaps because its dearth of features was unfashionable at the time. It had the same colour scheme, power supply, output stage and stock speaker as the Super Champ but the preamp and phase inverter consisted of two 12AX7 tubes.
216:(DSP) that functions as a pre-amp by modelling 16 different amplifiers. The effect of the volume, gain and tone control knobs varies according to the selected amp model. The digitally modelled signal is fed into a class-A single-ended tube circuit, with a
474:, a redesign of the XD. The X2 is designed to interface with the FUSE software used by the Fender Mustang series of modeling solid-state amplifiers, and is also available in both combo and discrete head/speaker cabinet units.
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Eric
Clapton Signature Vibro Champ (2013–present) – Based on the original Vibro Champ with single volume and tremolo controls in a tweed cabinet; it has custom-made Schumacher transformers and an 8" Weber
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Vibro Champ (1964–1982; 2007–2012) – A Champ with tremolo; reissued in 2007 as the Vibro Champ XD, with hybrid (tube/solid-state) circuit, and utilization of DSP for 16 effects and voicings
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In 2006, Fender "reissued" the
Champion 600. Cosmetically similar to the original Champion 600, internally it features a modified blackface Champ circuit (with the settings of the
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output tube driver, and a 6V6 output tube. The amp also comes equipped with DSP effects, including reverb, delay, chorus, tremolo, and
Vibratone (there is no spring reverb tank).
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G5222 Electromatic. Production of the
Champion 600 reissue ceased in 2010 and was reintroduced by Fender in late 2014. As of 2016, the Champion 600 was once again discontinued.
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188:. It was first introduced in 1964 and discontinued in 1982. The Vibro Champ featured built-in tremolo with controls for speed and intensity. The
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two-tone blonde and brown vinyl covering. This style lasted until 1953, when Fender's cabinet style changed to the "Wide Panel" design with a
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four years later. Fender brought back the blackface cosmetics for a short time in 1981 before discontinuing the Champ the following year.
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In 1982, in order to combat its decreasing amp sales, which at that time was around 10,000 units per year, Fender hired Paul Rivera (of
212:
era. Unlike the
Champion 600, which has a strictly all-tube audio signal path, the Vibro Champ XD's tube circuitry is complemented by a
39:. It was introduced in 1948 and discontinued in 1982. An updated version was introduced in 2006 as part of the "Vintage Modified" line.
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123:, the same electronics were available with a different look and feel – based on "tweed" Fender amps, despite the branding – as the
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Super Champ (1982–1985) – 18 watts/10" speaker, channel switching and reverb. Limited Super Pro Series version also offered.
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Super Champ XD (2007–2012) – with hybrid (tube/solid-state) circuit, and utilization of DSP for 16 effects and voicings
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718:"How to Date a Tweed Fender Champ Amplifier by the Speaker Code | My Fender Champ | Vintage Amps"
696:"How to Date a Tweed Fender Champ Amplifier by the Tube Chart | My Fender Champ | Vintage Amps"
459:(DSP) which models 16 different amplifiers and programs the volume, gain, and tone controls accordingly.
740:"How to Date a Tweed Fender Champ Amplifier by Serial Number | My Fender Champ | Vintage Amps"
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Available as a 10" combo, features an internal 8 ohm speaker; some with output jack, some hardwired
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and the simple toneful circuit allowed the Champ to be used easily and often in recording studios.
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Controls: volume (pull for lead), treble (pull for mid boost), bass, reverb, lead level, master.
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Champion "600" (1949–1955, 2006–2013) – Replaced the
Champion "800", modified/reissued in 2006
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Controls: volume 1, channel select, gain, volume 2, voicing, treble, bass, FX level, FX select
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630:"1959 Tweed Fender Champ Grill Cloth | My Fender Champ | Vintage Amps"
46:. The Champ had only one power tube, and the power stage circuit is, typically,
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The Champ had the lowest power output and the simplest circuit of all Fender
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Available as a 10" Combo, features an internal 8 ohm speaker output jack
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Available as a 10" combo, features an internal 8 ohm speaker output jack
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Available as a 6" Combo, features an internal 4 ohm speaker output jack
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Childs, Zac. ""God"-Approved?: Fender's EC Twinolux and Vibro Champ".
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In 1964, a Champ with tremolo was also introduced. It was called the
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Controls: gain, volume, voicing, treble, bass, FX level, FX select
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After Fender took on marketing, production and distribution for
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Teagle, J. and Sprung, J.: Fender Amps: The First Fifty Years
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Controls: volume, treble (pull for mid boost), bass, master.
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Fender reissued the 1957 narrow panel tweed Champ in 2009.
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Super Champ X2 (2012–2016) - as per the XD, with an added
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In 2007, Fender resurrected the Super Champ name with the
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Champion "800" (1948–1949) – First version of the Champ.
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1 4 ohm speaker output, 1 line-level output (back panel)
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In 2007, Fender reintroduced the Vibro Champ as the
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558:Champ 25/25SE (1992–1994) – tube/solid-state amp
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552:connection for computer accessible modelling
539:Champ II (1982–1983) – 18 watts/10" speaker.
555:Champ 12 (1987–1992) – 12 watts/12" speaker
419:. Unsourced material may be challenged and
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439:Learn how and when to remove this message
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929:Fender Musical Instruments Corporation
492:1-input, 2-channel (clean and voicing)
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417:adding citations to reliable sources
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23:1953 Fender Champ in tweed covering
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837:Fender Amps: The First Fifty Years
192:version served as a basis for the
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329:Accutronics 3-spring reverb 9.25”
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241:5 watt RMS class-A, single-ended
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849:"Fender '57 Champ Amp Review".
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1264:List of Fender Guitar Finishes
823:Fender Amps:The First 50 Years
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148:2 Input (high, low), 1 Channel
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760:Isadore, Jason (2010-07-20).
738:Isadore, Jason (2009-12-01).
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470:In 2012, Fender released the
224:'68 Custom Vibro Champ Reverb
292:Hand-wired eyelet fiberboard
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835:Teagle, J. and Sprung, J.:
505:Solid-state diode-rectified
373:Solid-state diode-rectified
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326:Solid-state diode rectified
256:Solid-state diode-rectified
196:student amplifier of 1967.
161:Solid-state diode-rectified
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98:. The Champ switched from
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804:"Fender Champion 600 Amp"
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457:digital signal processor
238:Available as an 8" combo
214:digital signal processor
1242:Fender vibrato systems
1195:American Deluxe Series
24:
1364:Instrument amplifiers
164:Class A, single-ended
22:
1306:Starcaster by Fender
413:improve this section
110:Champion 600 reissue
89:Blackface/Silverface
69:tweed cloth covering
853:. 17 December 2009.
785:. Myfenderchamp.com
764:. Myfenderchamp.com
676:. Myfenderchamp.com
654:. Myfenderchamp.com
610:. Myfenderchamp.com
588:. Myfenderchamp.com
508:Class AB, push–pull
376:Class AB, push–pull
332:Class AB, push–pull
253:1Ă— 12AX7 and 1Ă— 6V6
1279:Fender Reverb Unit
1269:Fender Custom Shop
891:. pp. 138–39.
301:1-input, 2-channel
247:1 input, 1 channel
178:Fender Vibro Champ
25:
1359:Fender amplifiers
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1231:Noiseless Pickups
1200:California Series
1169:Vibrosonic Reverb
1059:Bandmaster Reverb
866:Missing or empty
806:. Andertons.co.uk
742:. My Fender Champ
720:. My Fender Champ
698:. My Fender Champ
632:. My Fender Champ
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273:Rivera Amplifiers
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1369:Valve amplifiers
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1259:List of products
1215:Signature Series
1119:Princeton Reverb
970:George Fullerton
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1144:Super Reverb
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990:Bill Schultz
950:Doc Kauffman
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808:. Retrieved
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762:"transition"
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48:single-ended
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29:Fender Champ
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1301:Lace Sensor
1205:Lead Series
1164:Vibro Champ
985:Don Randall
980:Paul Rivera
960:Bill Carson
937:Key figures
486:15 watt RMS
354:18 watt RMS
295:18 watt RMS
267:Super Champ
172:Vibro Champ
96:Vibro Champ
1353:Categories
1236:Wide Range
1159:Vibrasonic
1129:Pro Reverb
1054:Bandmaster
1046:Amplifiers
1036:Heartfield
975:Dale Hyatt
945:Leo Fender
868:|url=
810:2016-12-05
789:2012-01-28
768:2012-01-28
746:2012-01-28
724:2012-01-28
702:2012-01-28
680:2012-01-28
658:2012-01-28
636:2012-01-28
614:2012-01-28
592:2012-01-28
563:References
318:Compactron
277:compactron
190:silverface
139:5 watt RMS
116:tone stack
104:Silverface
1179:White Amp
1174:Vibroverb
1114:Princeton
400:does not
229:speaker.
210:blackface
100:Blackface
75:The Champ
44:tube amps
1325:Category
1224:Hardware
1149:Tremolux
859:cite web
337:Champ II
184:made by
35:made by
1337:Commons
1289:Gretsch
1134:Showman
1099:Harvard
1084:Concert
1064:Bassman
1021:Jackson
1016:Charvel
536:speaker
499:and 2Ă—
421:removed
406:sources
360:1 input
320:and 2Ă—
155:and 1Ă—
125:Gretsch
121:Gretsch
54:. Five
52:class A
1188:Series
1089:Deluxe
1074:Bronco
1031:Tacoma
1026:Squier
1011:Bigsby
1004:Brands
839:, p.69
521:Models
194:Bronco
186:Fender
180:was a
37:Fender
31:was a
1139:Super
1079:Champ
674:"5F1"
652:"5E1"
497:12AX7
367:, 2Ă—
312:, 1Ă—
310:12AT7
308:, 1Ă—
218:12AX7
153:12AX7
82:12AX7
56:watts
1154:Twin
872:help
404:any
402:cite
365:7025
314:6C10
306:7025
176:The
50:and
27:The
1124:Pro
550:USB
501:6V6
495:1Ă—
415:by
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