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Fernand Lungren

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He married Henrietta Coflin Whipple in 1898, then spent three years in London, England. During his stay, he exhibited some of his views of the American desert and produced a number of images of London street life. During their three-year stay, Lungren became highly skilled at the use of pastel, a
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In 1901, Lungren returned to the United States. After settling initially in New York, he moved to Los Angeles, California, in 1903. Three years later, he established his home in Santa Barbara, commenting in 1914 that "as a field for artistic endeavor, it would be impossible to find a spot more
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region, North East of Los Angeles, California, where he focused on scenes of the desert in all conditions of weather, seasonal change and time of the day, producing several famous paintings of these landscapes, with often poetic rendition of the specific desert atmosphere.
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Late in 1900, he traveled to Egypt for seven months with the medical scientist Henry Solomon Wellcome. There he created pastels of the pyramids, but many of the pastels and sketches that resulted were lost when his baggage was damaged on the return journey.
384: 137:(1857–1932) was an American painter and illustrator. He is mostly known for his paintings of American South Western landscapes and scenes (in California, New Mexico, Arizona) as well as for his earlier New York and European city street scenes. 160:
Born in Hagerstown, Maryland, of Swedish descent, on November 13, 1857, Fernand Lungren was raised in Toledo, Ohio. He showed an early talent for drawing but his father induced him to pursue a professional career and in 1874 entered the
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Elizabeth Brown has described Lungren as Santa Barbara's most important artist. Art historians have suggested that he was largely responsible for establishing desert scenery as a subject worthy of exploration.
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artists at work. Disappointed with the academic art that he observed, and eager to experience life, Lungren left his Paris studies and traveled to the town of Barbizon, South East of Paris, near
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Returning to America in 1883, Lungren first settled in New York, then moved shortly thereafter to Cincinnati, Ohio. There, he was encouraged to explore Western subjects by fellow artists
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Indians in Arizona. He was eventually made a member of several Indian tribes and priesthoods. In 1895, Lungren created illustrations of the Moquis, Navajo, and Apache people for
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In 1877, now twenty years old, and upon completion of his studies, Fernand Lungren moved to New York City. There he rented a studio with the prominent painter and pastellist
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In 1878, he helped found The Tile Club, an association of young artists who gathered for the purpose of painting on decorative tiles. Among the members of the club were
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in 1881) during the period known as ‘the Golden Age of American illustration.’ His first illustration appeared in 1879 and he continued to contribute to
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in 1920 with the sponsorship of the Community Arts Association of Santa Barbara. He remained a resident of Santa Barbara until his death in 1932.
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and attracted much attention across the U.S. From this time, he turned his attention to painting and sketching Indian people and their culture.
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school, by his outdoor subjects and his impressionist style during the last third of his life when he was living in California.
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chalk-like colored drawing medium, exhibiting the results with success. Lungren met many prominent artists in London, including
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Afterglow in the Desert - The Art of Fernand Lungren"", by Elizabeth A. Brown. University Art Museum, Sant Barbara, CA (2000).
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Fernand Lungren donated 320 of his paintings and drawings to the Santa Barbara State College, which ultimately became the
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An important figure in the Southern California art scene in the early twentieth century, Fernand Lungren helped found the
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2007: "The Urban Myth: Visions of the City" - Sullivan Goss - An American Gallery - Santa Barbara, Santa Barbara, CA
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Magazine. His most famous illustration "Thirst", depicting a dying man and a dead horse, was published in 1896 in
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In the same period, Fernand Lungren authored the illustrations of three books by the American nature writer
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by Janet B. Dominik, in "Plein Air Painters of California", Westphal Publishing, Irvine, California, 1986.
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area, which remarkably express the immensity, colors and solitude of these landscapes. He also dabbled in
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At the age of 19, and following a dispute with his father, Lungren was finally permitted to enrol at the
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He is famous for his vibrantly colored paintings of the Southern California desert, especially in the
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1959: Two Centuries of American Art: 1750-1950 - The Art Institute of Chicago, Chicago, IL
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2005: California Art from the Permanent Collection - Part I, The Beginning, 1832-1925 -
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2010: "The Desert Speaks: The Art of Fernand Lungren" - Wildling Art Museum, Solvang, CA
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https://collection.terraamericanart.org/view/people/asitem/items$ 0040null:279/0;Grauer
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The Montecito Salon II - Sullivan Goss - An American Gallery - Montecito, Montecito, CA
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Although not born and educated in California, Fernand Lungren can be associated to the
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Paintings by Fernand Lungren were also featured in the following thematic exhibitions:
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2000 - 2001: "Afterglow in the Desert - The Art of Fernand Lungren" - Art Museum at
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to change his studies from music to art, and was therefore instrumental in forming
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Painter and illustrator, especially of California desert and American tribal scenes
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https://collection.terraamericanart.org/view/people/asitem/items$ 0040null:279/0
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hired Lungren to sketch scenes along its route. He spent eight months in
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The Pass - Mountaineering Through the Late 19th and Early 20th Centuries
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Volume 1, by Joan M. Marter (ed), Oxford University Press, 2011, p. 197
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wrote the foreword for the first Fernand Lungren biography written by
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2001: Homage to the Square - Berry-Hill Galleries, New York City, NY
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until 1903. He was also an illustrator for the children’s magazine,
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by Edan Milton Hughes, ed.: Hughes Pub Co; 2 Sub edition, June 1989
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and published in 1936 (Schauer Press, Santa Barbara, CA).
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Rounded Up in Glory: Frank Reaugh, Texas Renaissance Man,
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Rounded Up in Glory: Frank Reaugh, Texas Renaissance Man,
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Material Dreams: Southern California through the 1920s,
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http://www.oac.cdlib.org/findaid/ark:/13030/kt4g50195q/
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http://www.oac.cdlib.org/findaid/ark:/13030/kt4g50195q/
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art, while travelling through Europe and North Africa.
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In 1909, Lungren made his first of many trips to the
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Discovering Santa Fe: South-Western and Indian themes
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Afterglow in the Desert: The Art of Fernand Lungren,
657:"Fernand Lundgren,' , Lundgren Art Museum, Online: 627:"Fernand Lundgren,' , Lundgren Art Museum, Online: 633:http://www.artic.edu/aic/collections/artwork/59908 568:2000: Fernand Lungren - Sketches of the West - 797:https://www.museum.ucsb.edu/collections/fine-arts 969: 285:In 1882, Fernand Lungren traveled to Paris with 864:Volume 1, Oxford University Press, 2011, p. 197 270:Visit to Europe, return to New York, Cincinnati 194: 707:University of North Texas Press, 2016, p. 124 690:University of North Texas Press, 2016, p. 124 470:; his collection is kept at the University's 663:http://www.sullivangoss.com/fernand_Lungren/ 390:Art in California: A survey of American Art, 289:. In Paris, Lungren enrolled briefly at the 770:University of California Press, 1993, p. 10 659:http://lagunaartmuseum.org/fernand-lungren/ 629:http://lagunaartmuseum.org/fernand-lungren/ 561:, Laguna Beach, CA, (January–March), then 29: 575:1987: Fernand Lungren - Art Museum at 383: 273: 198: 176:in Philadelphia, where he studied under 862:The Grove Encyclopedia of American Art, 849:University of California, Santa Barbara 729:"Fernand Lungren," , Terra Foundation, 699:"Fernand Lungren," , Terra Foundation, 616:The Grove Encyclopedia of American Art, 577:University of California, Santa Barbara 555:University of California, Santa Barbara 479:University of California, Santa Barbara 468:University of California, Santa Barbara 970: 517:, Amherst College, Massachusetts; the 474:(formerly the University Art Museum). 831:"Fernand Lungren – Laguna Art Museum" 472:Art, Design & Architecture Museum 174:Pennsylvania Academy of the Fine Arts 88:Pennsylvania Academy of the Fine Arts 891:Painters and the American West: The 281:painting by Fernand Lungren, 1882-84 13: 1028:20th-century American male artists 1023:19th-century American male artists 871: 14: 1039: 959:Works by or about Fernand Lungren 943: 921:Artists in California, 1786-1940, 503:Terra Foundation for American Art 489:, Newport Beach, California; the 38:1897; painting by Fernand Lungren 565:, Palm Springs, CA (April–June). 449:Santa Barbara School of the Arts 231:from 1879 to 1904 and later for 935:by John A. Berger, Foreword By 854: 837: 823: 809: 790: 773: 760: 748: 735: 993:20th-century American painters 988:19th-century American painters 723: 710: 693: 680: 667: 651: 637: 621: 608: 524: 461: 155: 1: 1018:University of Michigan alumni 1008:American Orientalist painters 933:Fernand Lungren: A Biography, 787:Oxford University Press, 1990 601: 497:Museum, Ganado, Arizona; the 456:California Plein-Air Painting 397:favored than Santa Barbara". 379: 366:James Abbott McNeill Whistler 66:Santa Barbara, California, US 897:by Joan Carpenter Troccoli, 880:, by Elizabeth A. Brown, in 745:ACR edition, 1994, p.121-22 631:; Art Institute of Chicago, 195:Illustrator in New York City 36:Washington Square, New York, 16:American painter (1857–1932) 7: 998:American landscape painters 589: 570:Santa Barbara Museum of Art 487:Orange County Museum of Art 483:Santa Barbara Museum of Art 320:, who were teaching at the 10: 1044: 927:The Arts in Santa Barbara, 878:The Art of Fernand Lungren 563:Palm Springs Desert Museum 720:ACR edition, 1994, p.122 677:ACR edition, 1994, p. 22 505:, Chicago, Illinois; the 322:Art Academy of Cincinnati 124: 105: 97: 79: 71: 59: 43: 28: 21: 1013:Painters from California 950:Works by Fernand Lungren 817:"Artist Fernand Lungren" 768:Paintings of California, 513:, Washington, D.C.; the 499:Art Institute of Chicago 54:Hagerstown, Maryland, US 847:University Art Museum, 511:Corcoran Gallery of Art 250:, J. Carroll Beckwith, 1003:American male painters 743:American Orientalists, 718:American Orientalists, 675:American Orientalists, 614:"Fernand Lungren," in 393: 282: 208: 163:University of Michigan 84:University of Michigan 48:Fernand Harvey Lungren 903:Yale University Press 887:Vol. XIII, No 2 2001. 387: 287:Robert Frederick Blum 277: 264:Robert Frederick Blum 248:William Merritt Chase 213:Robert Frederick Blum 202: 182:Robert Frederick Blum 937:Stewart Edward White 507:Toledo Museum of Art 495:Hubbell Trading Post 438:Stewart Edward White 436:, while, in return, 414:Stewart Edward White 346:Santa Fe, New Mexico 305:(outdoor) painting. 893:Anschutz collection 883:American Art Review 843:Brown, E. A. (ed), 766:Skolnick, A. (ed), 579:, Santa Barbara, CA 572:, Santa Barbara, CA 477:In addition to the 330:Ernest Blumenschein 326:Ernest Blumenschein 803:2019-06-20 at the 547:, Laguna Beach, CA 519:Wallace Collection 394: 388:Illustration from 314:Joseph Henry Sharp 283: 225:Scribner’s Monthly 217:Scribner’s Monthly 209: 203:Illustration from 954:Project Gutenberg 899:Denver Art Museum 559:Laguna Art Museum 545:Laguna Art Museum 491:Laguna Art Museum 132: 131: 128:Henrietta Whipple 51:13 November 1857, 1035: 963:Internet Archive 865: 858: 852: 841: 835: 834: 827: 821: 820: 813: 807: 794: 788: 777: 771: 764: 758: 752: 746: 741:Ackerman, G.M., 739: 733: 727: 721: 716:Ackerman, G.M., 714: 708: 697: 691: 684: 678: 673:Ackerman, G.M., 671: 665: 655: 649: 648: 641: 635: 625: 619: 612: 501:, Illinois; the 342:Santa Fe Railway 180:(1844-1916) and 33: 19: 18: 1043: 1042: 1038: 1037: 1036: 1034: 1033: 1032: 968: 967: 946: 874: 872:Further reading 869: 868: 859: 855: 842: 838: 829: 828: 824: 815: 814: 810: 805:Wayback Machine 795: 791: 778: 774: 765: 761: 753: 749: 740: 736: 728: 724: 715: 711: 698: 694: 685: 681: 672: 668: 656: 652: 643: 642: 638: 626: 622: 613: 609: 604: 592: 527: 515:Mead Art Museum 464: 382: 358:Harper’s Weekly 338: 293:and saw French 291:AcadĂ©mie Julian 272: 207:(serial) (1873) 197: 186:AcadĂ©mie Julian 158: 135:Fernand Lungren 114:Barbizon school 92:AcadĂ©mie Julian 67: 64: 63:9 November 1932 55: 52: 50: 49: 39: 24: 23:Fernand Lungren 17: 12: 11: 5: 1041: 1031: 1030: 1025: 1020: 1015: 1010: 1005: 1000: 995: 990: 985: 980: 966: 965: 956: 945: 944:External links 942: 941: 940: 930: 924: 918: 906: 888: 873: 870: 867: 866: 860:Marter, J.M., 853: 836: 822: 819:. 5 June 2013. 808: 789: 772: 759: 747: 734: 722: 709: 692: 679: 666: 650: 636: 620: 606: 605: 603: 600: 599: 598: 591: 588: 587: 586: 583: 580: 573: 566: 551: 548: 541: 538: 535: 526: 523: 463: 460: 442:John A. Berger 426:Camp and Trail 381: 378: 337: 334: 310:Frank Duveneck 271: 268: 252:John Twachtman 229:Saint Nicholas 196: 193: 157: 154: 130: 129: 126: 122: 121: 116:; Californian 107: 103: 102: 99: 98:Known for 95: 94: 81: 77: 76: 73: 69: 68: 65: 61: 57: 56: 53: 47: 45: 41: 40: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 1040: 1029: 1026: 1024: 1021: 1019: 1016: 1014: 1011: 1009: 1006: 1004: 1001: 999: 996: 994: 991: 989: 986: 984: 981: 979: 976: 975: 973: 964: 960: 957: 955: 951: 948: 947: 938: 934: 931: 928: 925: 922: 919: 917: 916: 915:0-942006-70-4 912: 907: 904: 900: 896: 894: 889: 886: 884: 879: 876: 875: 863: 857: 851:, March 2001. 850: 846: 840: 832: 826: 818: 812: 806: 802: 798: 793: 786: 783:; Starr, K., 782: 776: 769: 763: 757: 751: 744: 738: 732: 726: 719: 713: 706: 702: 696: 689: 683: 676: 670: 664: 660: 654: 646: 645:"In the CafĂ©" 640: 634: 630: 624: 617: 611: 607: 597: 596:Maynard Dixon 594: 593: 584: 581: 578: 574: 571: 567: 564: 560: 556: 552: 549: 546: 542: 539: 536: 533: 532: 531: 522: 520: 516: 512: 508: 504: 500: 496: 492: 488: 484: 480: 475: 473: 469: 459: 457: 452: 450: 445: 443: 439: 435: 431: 427: 423: 419: 418:The Mountains 415: 410: 407: 406:Mojave Desert 403: 398: 391: 386: 377: 373: 371: 370:Royal Academy 367: 361: 359: 355: 351: 347: 343: 340:In 1892, the 333: 331: 327: 323: 319: 315: 311: 306: 304: 300: 299:Fontainebleau 296: 295:Impressionist 292: 288: 280: 276: 267: 265: 261: 260:J. Alden Weir 257: 256:Winslow Homer 253: 249: 244: 242: 238: 234: 230: 226: 222: 218: 214: 206: 205:St. Nicholas, 201: 192: 191: 187: 183: 179: 178:Thomas Eakins 175: 170: 168: 164: 153: 151: 147: 146:Mojave Desert 143: 138: 136: 127: 123: 119: 115: 111: 108: 104: 100: 96: 93: 89: 85: 82: 78: 74: 70: 62: 58: 46: 42: 37: 32: 27: 20: 932: 926: 920: 908: 890: 881: 877: 861: 856: 844: 839: 825: 811: 792: 784: 775: 767: 762: 750: 742: 737: 725: 717: 712: 704: 695: 687: 686:Grauer, M., 682: 674: 669: 653: 639: 623: 615: 610: 528: 509:, Ohio; the 476: 465: 453: 446: 425: 421: 417: 411: 402:Death Valley 399: 395: 389: 374: 362: 357: 353: 339: 307: 284: 278: 245: 240: 236: 232: 228: 224: 220: 216: 210: 204: 190:In The Cafe. 189: 171: 159: 142:Death Valley 139: 134: 133: 35: 983:1932 deaths 978:1857 births 557:, CA, then 525:Exhibitions 462:Collections 424:(1906) and 318:Henry Farny 241:The Outlook 156:Early years 150:Orientalist 110:Orientalist 72:Nationality 972:Categories 602:References 521:, London. 430:New Mexico 380:California 167:Kenyon Cox 303:plein-air 237:McClure’s 219:(renamed 118:Plein-air 80:Education 801:Archived 590:See also 420:(1904), 354:Harper’s 279:Il cafĂš, 233:Harper’s 106:Movement 75:American 961:at the 905:, 2000. 434:Arizona 416:, i.e. 221:Century 913:  703:, M., 493:; the 485:; the 316:, and 262:, and 125:Spouse 120:school 911:ISBN 901:and 432:and 404:and 392:1916 350:Hopi 239:and 144:and 60:Died 44:Born 952:at 974:: 799:, 312:, 266:. 258:, 254:, 235:, 112:; 90:, 86:, 895:, 885:, 833:. 647:.

Index


University of Michigan
Pennsylvania Academy of the Fine Arts
Académie Julian
Orientalist
Barbizon school
Plein-air
Death Valley
Mojave Desert
Orientalist
University of Michigan
Kenyon Cox
Pennsylvania Academy of the Fine Arts
Thomas Eakins
Robert Frederick Blum
Académie Julian

Robert Frederick Blum
William Merritt Chase
John Twachtman
Winslow Homer
J. Alden Weir
Robert Frederick Blum

Robert Frederick Blum
Académie Julian
Impressionist
Fontainebleau
plein-air
Frank Duveneck

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