1554:- looking at the child. The ox, which appears behind St Lawrence, is also looking in that direction. Above all this, an angel is flying down from heaven. In his left hand he is holding a banner on which the words of the gloria are written. His right hand is pointing upwards, as if, by also looking at the baby, he wanted to reassure the Christ-child that he really is the Son of God.
<P>
<TABLE ALIGN=LEFT CELLPADDING=5 BORDER=1 WIDTH=320 BGCOLOR="#99CCCC">
<TR VALIGN=MIDDLE><TD><IMG SRC="/support/gif/listen.gif" BORDER=0 VALIGN=MIDDLE>
Suggested listening (streaming mp3, 16 minutes):<BR><A HREF="#" onClick="w=window.open ('/music1/17_cent/corelli_christmas.html', 'newWin', 'scrollbars=yes,status=no,dependent=yes,screenX=0,screenY=0,width=350,height=350');w.opener=this;w.focus();return true"><B>Arcangelo Corelli: Concerto grosso in g minor op. 6 No. 8 (Christmas Concerto)</B></A>
</TD></TR></TABLE>
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The center of the picture is shared out between the figures who have come to worship. The naked Christ-child lies there on a bed of straw and some white drapery. Exhausted, the Holy Virgin is crouching on the ground behind him - wearing an unusually cut dress, which is falling from her right shoulder
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Under the roof of the stable in
Bethlehem, whose side walls are disappearing into brownish darkness, shepherds and saints gathered to worship the newborn Christ-child in such a way that we can make out Archdeacon Lawrence on the left only after a second look, and viewers may well mistake St Francis
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The painting representing the
Nativity was stolen in October 1969 from the church of San Lorenzo in Palermo, where it had been since it was made. The composition is less successful than in other cases; the contained and pensive atmosphere, however, shows that at this stage Caravaggio associated the
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for a shepherd. One figure, the patron, represents the church for which the picture was intended, and the other, the Order to which the church belongs. We cannot be entirely sure who Joseph, the foster-father, is.
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Author: CARAVAGGIO
Title: Nativity with St
Francis and St Lawrence
Time-line: 1551-1600
School: Italian
Form: painting
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This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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Nativity with St
Francis and St Lawrence
1609
Oil on canvas, 268 x 197 cm
Formerly in Oratorio di San Lorenzo, Palermo
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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This photographic reproduction is therefore also considered to be in the public domain in the United States.
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Knowledge:Artikelwerkstatt/Meister und
Margarita/Christi Geburt mit den Heiligen Laurentius und Franziskus
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idea of advent of Christ not with the joy of
Redemption but with a future that was at best uncertain.
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Nativity with St. Francis and St. Lawrence (1600). Oil on canvas, 268 x 197 cm. Stolen in 1969
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Geboorte van
Christus met de heiligen Laurentius en Franciscus van Assisi
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to indicate why this work is in the public domain in the United States.
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http://www.caravaggio.org/nativity-with-st-francis-and-st-lawrence.jsp
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Christi Geburt mit den
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1539:(b. 1571, Caravaggio, d. 1610, Porto Ercole)
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