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File:Dorothy Mackaill Safe in Hell 1931.jpg

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43: 625:"}},"text\/plain":{"en":{"":"inception"}}},"{\"value\":{\"time\":\"+1931-01-01T00:00:00Z\",\"timezone\":0,\"before\":0,\"after\":0,\"precision\":9,\"calendarmodel\":\"http:\\\/\\\/www.wikidata.org\\\/entity\\\/Q1985727\"},\"type\":\"time\"}":{"text\/html":{"en":{"P571":"1931"}},"text\/plain":{"en":{"P571":"1931"}}}}": --> 570: 259:"According to the old copyright act, such production stills were not automatically copyrighted as part of the film and required separate copyrights as photographic stills. The new copyright act similarly excludes the production still from automatic copyright but gives the film's copyright owner a five-year period in which to copyright the stills. Most studios have never bothered to copyright these stills because they were happy to see them pass into the public domain, to be used by as many people in as many publications as possible." 99: 312: 663:"}},"text\/plain":{"en":{"":"media type"}}},"{\"value\":\"image\\\/jpeg\",\"type\":\"string\"}":{"text\/html":{"en":{"P1163":"image\/jpeg"}},"text\/plain":{"en":{"P1163":"image\/jpeg"}}}}": --> 799: 769: 659: 271:" expressed the opinion that it is not necessary for authors to request permission to reproduce frame enlargements... some trade presses that publish educational and scholarly film books also take the position that permission is not necessary for reproducing frame enlargements and publicity photographs." 241:"Publicity photos (star headshots) have traditionally not been copyrighted. Since they are disseminated to the public, they are generally considered public domain, and therefore clearance by the studio that produced them is not necessary." 660: 354:), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties. 267: 622: 65: 61: 57: 53: 47: 110: 78: 809: 779: 341: 250:"There is a vast body of photographs, including but not limited to publicity stills, that have no notice as to who may have created them." 213: 798: 793: 768: 763: 191: 926:
This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
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If the file has been modified from its original state, some details may not fully reflect the modified file.
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taken and publicly distributed to promote the subject or a work relating to the subject.
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for US works (depending on the date of the author's death), such as Canada (50
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Note that it may still be copyrighted in jurisdictions that do not apply the
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writes in the conclusion of a 1993 conference of cinema scholars and editors
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Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Ruled the Movies
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Click on a date/time to view the file as it appeared at that time.
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Dorothy Mackaill in still from the American pre-Code thriller film
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As stated by film production expert Eve Light Honathaner in
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Kristin Thompson, committee chairperson of the Society for
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Add a one-line explanation of what this file represents
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in the United States between 1929 and 1977, inclusive,
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Commons is a freely licensed media file repository.
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Knowledge:Dobre Artykuły/zajawki/Pre-Code Hollywood
168: 263: 569: 248:(Allworth Communications, 2007, p. 55.), notes: 246:The Professional Photographer's Legal Handbook 98: 208: 164: 140: 197: 174: 14: 894:Knowledge:Dobre Artykuły/archiwum/2020-09 851:The following other wikis use this file: 1022:xmp.did:0E1F61313D28E9118BF7997798A73346 904:Szablon:Dobry artykuł/archiwum/2020/09 143:Dorothy Mackaill Safe in Hell 1931.jpg 826:The following 3 pages use this file: 253:Film industry author Gerald Mast, in 237:The Complete Film Production Handbook 129: 325:in the United States because it was 306: 816:User created page with UploadWizard 697: 607:In dieser Datei abgebildete Objekte 185: 183: 13: 924: 600: 594: 568: 317: 221: 147: 130: 76: 1034: 931: 599: 344:of "publication" for public art. 585: 310: 255:Film Study and the Copyright Law 97: 31: 21: 1011:Date metadata was last modified 582: 371: 336:. 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Information from its 1014:16:25, 4 February 2019 1006:16:13, 4 February 2019 972:10:55, 4 February 2019 794:17:48, 18 January 2020 764:17:52, 18 January 2020 574: 257:(1989, p. 87), writes: 111:description page there 46:Size of this preview: 943:Horizontal resolution 572: 338:Commons:Hirtle chart 319:This work is in the 70:1,800 × 1,379 pixels 951:Vertical resolution 342:detailed definition 52:Other resolutions: 889:Pre-Code Hollywood 831:Pre-Code Hollywood 575: 66:1,280 × 981 pixels 62:1,003 × 768 pixels 1026: 1025: 847:Global file usage 819: 593: 579: 578: 563: 305: 304: 279: 278: 217: 214:Reusing this file 192:978-076-246-675-7 126: 125: 106:Wikimedia Commons 32:Global file usage 1030: 932: 879:Dorothy Mackaill 806: 776: 746: 708: 591: 571: 564: 559: 435:Bahasa Indonesia 333:copyright notice 314: 313: 307: 301: 298: 295: 292: 287: 286: 244:Nancy Wolff, in 227: 211: 204: 189: 187: 170: 152: 144: 138: 122: 101: 100: 94: 88: 86: 73: 58:627 × 480 pixels 54:313 × 240 pixels 48:783 × 600 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File:Dorothy Mackaill Safe in Hell 1931.jpg
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313 × 240 pixels
627 × 480 pixels
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1,800 × 1,379 pixels
Original file
Wikimedia Commons
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Safe in Hell
ISBN
978-076-246-675-7
Reusing this file
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Cinema and Media Studies

public domain
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copyright notice
Commons:Hirtle chart
detailed definition
rule of the shorter term
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