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from the court are located on the balconies. On the left, rich carpet and on it the altar with the green cross, symbolizing the hope of forgiveness of the reconciled, and the banner of the Holy Office. Next door, the stands of public office, and the throne of the inquisitor general who is still next to the king's tribune after taking an oath. In the center of the painting we see two prisoners dressed as in the 15th century, with coroza and sambenitos with flames, the rapporteurs or readers of causes and sentences in the pulpits, and some
Dominicans with the preacher in the central pulpit. On the right are the stands for relatives of the Inquisition and prisoners in person or statue (dead or fled), which bears an inscription with their crimes and a box with their bones. Prisoners could be penance (punished with various penalties and who by abjuring their mistakes became reconciled) or relaxed (condemned to death in a club, or at the stake if they were repeat offenders). In the foreground are the soldiers of faith and donkeys who will take those condemned to death on the outskirts of the city to be executed by secular justice. In this group of soldiers at the bottom center of the painting, we find a male figure who carries a large drum widely used in this type of ceremony.
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reconciliados, y el estandarte del Santo Oficio. Al lado, las gradas de los cargos públicos, y el solio del inquisidor general quien todavía está junto a la tribuna del rey después de haberle tomado juramento. En el centro del cuadro vemos a dos reos vestidos como en el siglo XV, con coroza y sambenitos con llamas, a los relatores o lectores de causas y sentencias en los púlpitos, y a unos dominicos con el predicador en el púlpito central. A la derecha están las gradas para los familiares de la
Inquisición y los reos en persona o en estatua (muertos o huidos), la cual lleva una inscripción con sus delitos y una caja con sus huesos. Los reos podían ser penitenciados (castigados con diversas penas y que al abjurar de sus errores se convertían en reconciliados) o relajados (condenados a muerte en garrote, o en hoguera si eran reincidentes). En primer plano se ve a los soldados de la fe y los asnos que llevarán a los condenados a muerte a las afueras de la ciudad para ser ejecutados por la justicia secular. En este grupo de soldados en la parte inferior central del cuadro, encontramos una figura masculina que porta un tambor de grandes dimensiones muy utilizado en este tipo de ceremonias.
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The work represents an auto de fe celebrated in Madrid on June 30, 1680, during the reign of
Charles II of Spain. The ritual was held in the Plaza Mayor and lasted a whole day. In the background we see the royal tribune and in it Charles II, his wife María Luisa and his mother. Distinguished people
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y duró toda una jornada. Al fondo vemos la tribuna real y en ella a Carlos II, a su mujer María Luisa y a su madre. En los balcones, se ubican personas distinguidas de la corte. A la izquierda, rica alfombra y sobre ella el altar con la cruz verde, simbolizando la esperanza de perdón de los
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work of art. The work of art itself is in the public domain for the following reason:
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40° 24′ 50″ N, 3° 41′ 32″ W
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Knowledge:Candidatos a recursos destacados/Enero-2015
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471:medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
428:el día 30 de junio de 1680, durante el reinado de
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1717:Knowledge:Recurso del día/febrero de 2015
1612:Benutzer:Koppchen/Baustellen/Baustelle 17
1547:Llegenda negra de la Inquisició espanyola
1414:The following other wikis use this file:
1687:Leyenda negra de la Inquisición española
220:Spanish painter, artist and scenographer
1737:Knowledge:Recurso del día/enero de 2018
1374:History of the Catholic Church in Spain
862:Creative Commons Public Domain Mark 1.0
1732:Auto de fe en la plaza Mayor de Madrid
1672:La Inquisición en la ficción y el arte
1632:Ŝablono:Ĉefpaĝo Vorto de la semajno/14
1557:Auto de fe en la plaza Mayor de Madrid
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381:Auto de Fe en la plaza Mayor de Madrid
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1697:Historia de la plaza Mayor de Madrid
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458:date QS:P571,+1683-00-00T00:00:00Z/9
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1702:Knowledge:Recurso del día/701 - 800
1399:User:Jane023/Paintings in the Prado
1334:User created page with UploadWizard
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840:United States public domain tag
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485:dimensions QS:P2049,438U174728
482:dimensions QS:P2048,277U174728
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1552:Diego Sarmiento de Valladares
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827:life plus 100 years or fewer
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1899:Date and time of digitizing
1859:Adobe Photoshop CS3 Windows
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1628:Usage on eo.wiktionary.org
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1418:Usage on als.wikipedia.org
1394:User:Emijrp/Museo del Prado
885:Reuse of PD-Art photographs
716:institution QS:P195,Q160112
432:. El auto se celebró en la
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1473:Usage on ba.wikipedia.org
1428:Usage on ar.wikipedia.org
1364:Diego Sarmiento Valladares
956:suitable copyright license
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1910:12:40, 18 February 2010
1902:12:40, 18 February 2010
1868:11:40, 18 February 2010
1354:Ancient Regime of Spain
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246:Location of birth/death
185: (1614–1685)
108:. Information from its
1652:Intolerancia religiosa
418:La obra representa un
358:artist QS:P170,Q939968
111:description page there
46:Size of this preview:
1831:Horizontal resolution
1662:Plaza Mayor de Madrid
1587:Spanische Inquisition
1467:Plaza Mayor de Madrid
1422:Spanische Inquisition
1404:User:Novioboy/sandbox
1823:Number of components
1667:Inquisición española
1602:Plaza Mayor (Madrid)
1562:Casal d'Àustria
1542:Plaça Major (Madrid)
1487:Габсбургская Іспанія
1457:Inquisición española
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70:3,071 × 1,946 pixels
1839:Vertical resolution
1452:Casa d'Austria
1389:Spanish Inquisition
1379:Plaza Mayor, Madrid
1312:11:11, 2 March 2014
938:Recursos destacados
751:Source/Photographer
430:Carlos II de España
236:2 August 1685
225:Date of birth/death
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1799:Compression scheme
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