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Pierre and Firmin Didot and Louis
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typefaces. The types that Didot used are characterized by extreme contrast in thick strokes and thin strokes, by the use of hairline serifs and by the vertical stress of the letters. Many fonts today are available based on Firmin Didot's typefaces, and are often called
301:(1795), in which he secured an accuracy till then unattainable. He published stereotyped editions of French, English and Italian classics at a very low price. At the 1798
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refers to the metal printing plate created for the actual printing of pages (as opposed to printing pages directly with
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Exposition publique des produits de l'industrie française -- Catalogue des produits industriels
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is also indebted for the establishment of her Royal Press. Relatives of Firmin Didot include
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is indebted to the Didot family for the publication of the
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532:. Vancouver: Hartley & Marks. p. 53.
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371:(1765–1862); and
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396:or "Modern" style of
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235:[fiʁmɛ̃dido]
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169:(1819)
23:Firmin Didot
590:1836 deaths
585:1764 births
388:Along with
369:Henri Didot
579:Categories
409:References
338:Theocritus
280:stereotype
246:Early life
116:politician
112:Translator
108:Occupation
557:Blog post
385:in 1852.
89:(aged 72)
334:Tyrtaeus
311:Napoleon
284:printing
260:Essonnes
240:engraver
130:Children
515:Gallica
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268:Corbeil
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39:, 1823.
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394:Didone
355:, and
349:France
344:Legacy
330:Virgil
295:Callet
200:deputy
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160:Awards
145:Family
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398:serif
383:Paris
266:near
264:Paris
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63:Paris
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336:and
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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