245:
219:
145:
106:
67:
35:
123:
84:
52:
27:
789:
146:
107:
68:
36:
214:, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively.
291:
Inversions are not restricted to the same number of tones as the original chord, nor to any fixed order of tones except with regard to the interval between the root, or its octave, and the bass note, hence, great variety
300:
in the bass, but it may have any arrangement of the root and fifth above that, including doubled notes, compound intervals, and omission (E-G-C, E-G-C-G', E-C'-G'', etc.)
1070:
1027:
693:
366:
248:
222:
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510:
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520:
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540:
361:, fifth edition, revised and expanded by Mark DeVoto (New York: W. W. Norton, 1987): p. 66.
251:
225:
1172:
1100:
910:
807:
555:
505:
237:
380:
708:
663:
637:
545:
296:
Note that any voicing above the bass is allowed. A first inversion chord must have the third
931:
915:
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413:
122:
1110:
8:
1105:
500:
495:
378:
Hubbard, William Lines (1908). The
American History and Encyclopedia of Music, Vol. 10:
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583:
391:
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199:
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1022:
849:
754:
266:, a first-inversion triad is a chord (not to be confused with an
825:
759:
1141:
398:
250:
Audio playback is not supported in your browser. You can
224:
Audio playback is not supported in your browser. You can
240:, the bass note is B, the third of the seventh chord.
1164:
286:The American History and Encyclopedia of Music:
270:), while a first-inversion seventh chord is a
1064:
414:
1071:
1057:
421:
407:
210:above it. In the first inversion of a C-
1165:
1052:
402:
1078:
13:
384:, p.103. Irving Squire: London. .
14:
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50:
25:
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1:
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128:Third inversion of F7 chord (
247:
236:In the first inversion of G-
221:
154:
7:
303:
10:
1199:
511:Dominant seventh flat five
428:
392:HathiTrust Digital Library
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481:
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1028:Chord names and symbols
252:download the audio file
226:download the audio file
1101:Close and open harmony
911:Secondary leading-tone
294:
238:dominant seventh chord
289:
916:Secondary supertonic
198:of the chord is the
987:Chord-scale system
906:Secondary dominant
381:Musical Dictionary
89:Second inversion (
32:Root position (F)
1160:
1159:
1046:
1045:
960:
959:
878:Chromatic mediant
783:
782:
734:Viennese trichord
367:978-0-393-95480-7
316:Inversion (music)
268:added sixth chord
256:
230:
159:
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1080:Voicing in music
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1059:
1050:
1049:
804:
803:
791:
599:
598:
556:Harmonic seventh
526:Diminished major
441:
440:
423:
416:
409:
400:
399:
394:
389:
376:
370:
352:
336:Fourth inversion
326:Second inversion
280:
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278:
155:
153:
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125:
114:
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54:
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29:
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1183:Voicing (music)
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854:
792:
779:
770:Synthetic chord
738:
709:Northern lights
674:Complexe sonore
652:
638:Augmented sixth
626:
624:
614:
596:
595:
589:Upper structure
560:
546:Altered seventh
541:Augmented minor
536:Augmented major
521:Half-diminished
477:
432:
427:
397:
385:
377:
373:
353:
349:
345:
340:
331:Third inversion
306:
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258:
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232:
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165:
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117:
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58:First inversion
55:
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34:
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12:
11:
5:
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1068:
1061:
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1040:
1035:
1033:List of chords
1030:
1025:
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989:
984:
979:
974:
968:
966:
962:
961:
958:
957:
955:
954:
949:
944:
939:
934:
928:
926:
922:
921:
919:
918:
913:
908:
902:
900:
894:
893:
891:
890:
885:
880:
875:
870:
864:
862:
856:
855:
853:
852:
843:
838:
833:
828:
823:
818:
812:
810:
801:
794:
793:
786:
784:
781:
780:
778:
777:
772:
767:
762:
757:
752:
750:Mixed interval
746:
744:
740:
739:
737:
736:
731:
726:
721:
716:
711:
706:
701:
696:
691:
686:
681:
676:
671:
666:
660:
658:
654:
653:
651:
650:
645:
640:
635:
629:
627:
619:
616:
615:
613:
612:
607:
602:
591:
586:
581:
576:
570:
568:
562:
561:
559:
558:
553:
548:
543:
538:
533:
528:
523:
518:
513:
508:
503:
498:
493:
487:
485:
479:
478:
476:
475:
470:
465:
460:
455:
449:
447:
438:
434:
433:
426:
425:
418:
411:
403:
396:
395:
371:
346:
344:
341:
339:
338:
333:
328:
323:
318:
313:
307:
305:
302:
275:
260:
259:
249:
246:
234:
233:
223:
220:
135:
127:
120:
119:
118:
96:
88:
81:
80:
79:
56:
49:
48:
47:
31:
24:
23:
22:
18:
17:
16:
15:
9:
6:
4:
3:
2:
1195:
1184:
1181:
1179:
1176:
1174:
1173:Chord factors
1171:
1170:
1168:
1153:
1152:Voice leading
1150:
1148:
1145:
1143:
1140:
1137:
1133:
1129:
1125:
1121:
1117:
1116:Root position
1114:
1112:
1109:
1107:
1104:
1102:
1099:
1097:
1094:
1092:
1089:
1088:
1085:
1081:
1074:
1069:
1067:
1062:
1060:
1055:
1054:
1051:
1039:
1036:
1034:
1031:
1029:
1026:
1024:
1021:
1020:
1018:
1014:
1008:
1005:
1003:
1000:
998:
995:
993:
990:
988:
985:
983:
980:
978:
975:
973:
970:
969:
967:
963:
953:
950:
948:
945:
943:
942:Primary triad
940:
938:
935:
933:
930:
929:
927:
923:
917:
914:
912:
909:
907:
904:
903:
901:
899:
895:
889:
886:
884:
881:
879:
876:
874:
871:
869:
866:
865:
863:
861:
857:
851:
847:
844:
842:
839:
837:
834:
832:
829:
827:
824:
822:
819:
817:
814:
813:
811:
809:
805:
802:
800:
795:
790:
776:
773:
771:
768:
766:
763:
761:
758:
756:
753:
751:
748:
747:
745:
741:
735:
732:
730:
727:
725:
722:
720:
717:
715:
712:
710:
707:
705:
702:
700:
697:
695:
692:
690:
687:
685:
682:
680:
677:
675:
672:
670:
667:
665:
662:
661:
659:
655:
649:
646:
644:
641:
639:
636:
634:
631:
630:
628:
622:
617:
611:
608:
606:
603:
601:
592:
590:
587:
585:
582:
580:
577:
575:
572:
571:
569:
567:
563:
557:
554:
552:
549:
547:
544:
542:
539:
537:
534:
532:
529:
527:
524:
522:
519:
517:
514:
512:
509:
507:
504:
502:
499:
497:
494:
492:
489:
488:
486:
484:
480:
474:
471:
469:
466:
464:
461:
459:
456:
454:
451:
450:
448:
446:
442:
439:
435:
431:
424:
419:
417:
412:
410:
405:
404:
401:
393:
388:
383:
382:
375:
368:
364:
360:
356:
355:Walter Piston
351:
347:
337:
334:
332:
329:
327:
324:
322:
321:Root position
319:
317:
314:
312:
309:
308:
301:
299:
293:
288:
287:
284:According to
282:
269:
265:
253:
243:
242:
241:
239:
227:
217:
216:
215:
213:
209:
205:
201:
197:
194:in which the
193:
189:
188:seventh chord
185:
181:
177:
173:
172:
158:
150:
124:
111:
85:
72:
59:
53:
40:
28:
19:F major chord
1123:
1091:Blind octave
846:Leading-tone
623: /
610:Tone cluster
491:Leading-tone
379:
374:
358:
350:
311:Figured bass
298:chord factor
295:
290:
285:
283:
264:figured bass
261:
235:
168:
166:
57:
1138:inversions)
1106:Common tone
1096:Block chord
831:Subdominant
694:Grandmother
551:Nondominant
531:Minor-major
212:major triad
192:ninth chord
1167:Categories
965:Techniques
952:Substitute
947:Subsidiary
883:Neapolitan
841:Submediant
821:Supertonic
594:Dominant 7
584:Thirteenth
516:Diminished
468:Diminished
343:References
1120:Inversion
982:Chordioid
898:Secondary
714:Petrushka
648:Seven six
605:Polychord
473:Suspended
463:Augmented
200:bass note
171:inversion
1111:Doubling
1023:Arpeggio
937:Contrast
873:Borrowed
868:Approach
850:Subtonic
836:Dominant
808:Diatonic
799:function
755:Secundal
657:Specific
597:♯
579:Eleventh
566:Extended
506:Dominant
304:See also
292:results.
202:and the
888:Passing
860:Altered
826:Mediant
765:Quartal
760:Tertian
743:General
729:Tristan
724:So What
684:Elektra
625:omitted
483:Seventh
437:By form
390:at the
359:Harmony
281:chord.
180:voicing
178:is the
1178:Chords
1142:Octave
1136:higher
1134:, and
1038:Factor
992:Guitar
932:Common
775:Tetrad
719:Psalms
704:Mystic
689:Farben
669:Bridge
643:Lydian
430:Chords
365:
169:first
1147:Voice
1016:Other
1007:Slash
1002:Power
977:Block
972:Barre
925:Other
816:Tonic
699:Magic
679:Dream
664:Alpha
633:Sixth
621:Added
574:Ninth
501:Minor
496:Major
458:Minor
453:Major
445:Triad
208:sixth
196:third
190:, or
184:triad
182:of a
176:chord
174:of a
1118:and
997:Open
387:Also
363:ISBN
204:root
167:The
157:edit
148:Play
109:Play
70:Play
38:Play
1132:3rd
1128:2nd
1124:1st
797:By
262:In
1169::
1130:,
1126:,
848:/
357:,
206:a
186:,
142:)
103:)
64:)
1122:(
1072:e
1065:t
1058:v
600:9
422:e
415:t
408:v
369:.
276:5
254:.
228:.
136:2
130:E
97:4
91:C
62:A
60:(
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