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Flashback (narrative)

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710:. Episode Fifteen "Farewell Under the Lunar Eclipse" is narrated by Riku that explains what had happened before and right after the Half-Demon Princesses were born; namely where Inuyasha and nineteen-year-old Kagome Higurashi had ended up, trapped within the Black Pearl at the border of the Afterlife for fourteen long years. Some months later, flashbacks that are memories belonging to Jaken ("The Silver-Scale Curse") and Hachimon ("Battle of the Moon, Part 1") eventually come. 155:. If flashbacks are extensive and in chronological order, one can say that these form the present of the story, while the rest of the story consists of flash forwards. If flashbacks are presented in non-chronological order, the time at which the story takes place can be ambiguous: An example of such an occurrence is in 283:. The remainder of the film is framed by a reporter's interviewing Kane's friends and associates, in a futile effort to discover what the word meant to Kane. As the interviews proceed, pieces of Kane's life unfold in flashback, but Welles' use of such unconventional flashbacks was thought to have been influenced by 531:
flashbacks. He also uses flashbacks in other films such as Nayak (1966), Kapurush- O – Mahapurush ( 1965), Aranyer Din Ratri (1970), Jalsaghar(1959). In fact, in Nayak, the entire film proceeds in a non linear narrative which explores the Hero (Arindam's) past through seven flashbacks and two dreams.
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uses flashbacks as a way to explain his past. A gag in the episode "Doof Dynasty" notes that, when a character explains his or her past, their body ripples (referencing the "ripple effect" which starts a flashback in other media). The whole episode "Act Your Age" is a flash-forward of the characters
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tale. The story begins with the discovery of a young woman's dead body. After the murderer later reveals himself, he narrates his reasons for the murder in a series of flashbacks leading up to the discovery of her dead body at the beginning of the story. Flashbacks are also employed in several other
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films. In films and television, several camera techniques, editing approaches and special effects have evolved to alert the viewer that the action shown is a flashback or flashforward; for example, the edges of the picture may be deliberately blurred, photography may be jarring or choppy, or unusual
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during its first season) began showing flashbacks set a quarter of a century ago in the Dark Kingdom, where the heavenly Moonstone resides within for hundreds of years in the second season's premiere "Beyond the Walls of Corona", "Rapunzel and the Great Tree" and the finale "Destinies Collide."
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when most of the story is in full color, may be used. The scene may fade or dissolve, often with the camera focused on the face of the character and there is typically a voice-over by a narrator (who is often, but not always, the character who is experiencing the memory).
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is the progenitor of the modern disaster epic in literature and film-making, where a single disaster intertwines the victims, whose lives are then explored by means of flashbacks of events leading up to the disaster. Analepsis is also used in
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as teenagers. Several other episodes also feature flashbacks of the main characters' ancestors who, as a running gag, always seem to look like the main characters with slight variations in clothing, but the exact same mannerisms and voices. (
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is used (a flashback within a flashback within a flashback) to give psychological depth to the story of a woman who was allegedly a kleptomaniac, inveterate liar, and murderess but had never been punished for any of her crimes.
447:(1962), the main action of the film is told in flashback, with the scene of Liberty Valance's murder occurring as a flashback within that flashback. Other examples that contains flashbacks within flashbacks are the 1968 248:'s original novel, the housekeeper Ellen narrates the main story to overnight visitor Mr. Lockwood, who has witnessed Heathcliff's frantic pursuit of what is apparently a ghost. More famously, also in 1939, 464:) and contains other flashbacks; for example, Madame Giry rescuing the Phantom from a freak show. An extremely convoluted story may contain flashbacks within flashbacks within flashbacks, as in 1037: 350:, a flashback was added not to soften the blow of a later plot development but because the stage show had been criticized for shifting too abruptly in tone from near-comedy to tragedy. 53:
In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". Flashbacks are important in
50:(or prolepsis) reveals events that will occur in the future. Both flashback and flashforward are used to cohere a story, develop a character, or add structure to the narrative. 752:. While many of the flashbacks take place years before the events of each series, there are also cases in which new scenes set during previous episodes are shown, such as 196:, which changes the nature of flashbacks from a mere narrative device to an event directly experienced by the characters, who are thus able to provide commentary. 544:(1992), for example, scenes of the story present are intercut with various flashbacks to give each character's backstory and motivation additional context. In 326:
Sometimes a flashback is inserted into a film even though there was none in the original source from which the film was adapted. The 1956 film version of
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used a flashback device which somewhat takes the impact away from a very dramatic plot development later in the film. This was done because the plot of
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episode "Cicely" used a similar device, with the main cast playing unrelated characters of 84 years before, at the founding of the village.)
652:. Many detective shows routinely use flashback in the last act to illustrate the detective's reconstruction of the culprit's plot, e.g. 1084: 410:(1962). As we learn a few minutes later, what we are seeing in that scene is a flashback to the past, since the present of the film's 2563: 1004: 299:(1943) which tells the story of Henry Van Cleve. Though usually used to clarify plot or backstory, flashbacks can also act as an 437:(1925) contains a flashback scene in a Chinese laundry, with a flashback within that flashback in the corner of the screen. In 2246: 1113: 258:
is told almost entirely through flashback: the story starts with the murder of a man in a hotel. While the murderer, played by
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narrative, traditional flashback is also used in the sequence titled "The Gold Watch". Other films, such as his two-part
193: 1575: 289: 262:, is surrounded by the police, several flashbacks tell the story of why he killed the man at the beginning of the film. 224:(1918): for example, during the wall scene with the Boy at 1:33. Flashbacks were first employed during the sound era in 730: 689:
uses flashbacks that take one back half a century ago in the two-part episode "The Tragic Love Song of Destiny" in the
366:(1944), a flashback from the main character is used to provide a confession to his fraudulent and criminal activities. 2649: 2229: 944: 466: 443: 1202: 791: 769: 433: 851: 826: 702: 694: 421:
Occasionally, a story may contain a flashback within a flashback, with the earliest known example appearing in
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uses a flashback at the end of each episode to show how the protagonists successfully carried out their
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timeline, also include flashbacks taking place both between and during the two series' time frames.
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use flashbacks in every episode. Flashbacks were also a predominant feature of the television shows
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where the narrative jumps back and forth in time, so there is no actual present time line.
511:(2010) – set in 2030 containing multiple flashbacks ranging from 2010 to 2015 depicting a 179:
but it quickly flashes back to the beginning of the story which is when they were leaving
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does this in the most celebrated fictional use of contested multiple testimonies.
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makes extensive use of the flashback and flashforward in many of his films. In
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was then considered unusually strong for a film musical. In the film version of
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in 1901. An early use of the flashback technique in cinema occurs throughout
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Teaching Tv Production in a Digital World: Integrating Media Literacy
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that takes the narrative back in time from the current point in the
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He also uses extensive flashbacks in the Kanchenjunga (1962).
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frequently employ flashbacks, most often in the form of the
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set at a later time. Another early use of this device in a
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are presented as flashbacks based on divergent testimony.
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and back. The narration starts when they were arriving in
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Flashbacks in Film: Memory & History By Maureen Turim
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One of the most famous examples of a flashback is in the
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Dictionary of the Theatre: Terms, Concepts, and Analysis
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narrated by the elderly younger sister of Lady Kikyo,
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The creator of the flashback technique in cinema was
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Interjected scene that takes a narrative back in time
527:(Pratidwandi, 1972), pioneering the technique of 493:. He has employed this technique in his movies – 130:, and by poet, author, historian and mythologist 2862: 1063:. Kolkata: Ananda Publishers. pp. 100–110. 1025: 933:Story-Telling Techniques in the Arabian Nights 1569: 1107: 846:. Libraries Unltd Incorporated. p. 163. 816: 92:, where the main story is narrated through a 986:(Third Edition). Routledge, 2006. p. 153-160 921:(Third Edition). Routledge, 2006. p. 153-160 908:(Third Edition). Routledge, 2006. p. 153-160 895:(Third Edition). Routledge, 2006. p. 153-160 821:. University of Toronto Press. p. 151. 764:," whose openings are set during the show's 279:, dies at the beginning, uttering the word 1576: 1562: 1114: 1100: 234:, but were rare until about 1939 when, in 997:"The Lone Stalker A.K.A. Lone Wolf Isazo" 192:series employs a magical device called a 126:Analepsis was used extensively by author 80:An early example of analepsis is in the 930: 14: 2863: 2247:Types of fiction with multiple endings 1557: 1095: 841: 400:A good example of both flashback and 1058: 1007:from the original on 1 January 2011 70: 24: 25: 2887: 2650:Third-person omniscient narrative 1040:from the original on 25 June 2009 1121: 1026:Nick Pinkerton (14 April 2009). 984:Cinema Studies: The Key Concepts 919:Cinema Studies: The Key Concepts 906:Cinema Studies: The Key Concepts 893:Cinema Studies: The Key Concepts 789:The 2D hand-drawn animated show 521:experimented with flashbacks in 505:(1998) and the futuristic flick 485:This technique is a hallmark of 444:The Man Who Shot Liberty Valance 1052: 1019: 989: 982:Hayward, Susan. "Flashback" in 976: 917:Hayward, Susan. "Flashback" in 904:Hayward, Susan. "Flashback" in 891:Hayward, Susan. "Flashback" in 374:movie with several flashbacks. 293:. Lubitsch used a flashback in 46:. In the opposite direction, a 2038:Conflict between good and evil 963: 952: 924: 911: 898: 885: 860: 835: 810: 18:Flashback (literary technique) 13: 1: 1583: 803: 680:on the episode's antagonist. 563: 414:is a time directly following 167:is a story about a voyage of 75: 62:coloration or sepia tone, or 792:Rapunzel's Tangled Adventure 550:(1994), which uses a highly 7: 10: 2892: 137:The Bridge of San Luis Rey 2713: 2685: 2677:Stream of unconsciousness 2620: 2364: 2255: 2208:Falling action/Catastasis 2153: 2058: 1993: 1916: 1728: 1591: 1477: 1417: 1396: 1365: 1330: 1295: 1247: 1216: 1165: 1129: 467:Six Degrees of Separation 275:(1941). The protagonist, 2045:Self-fulfilling prophecy 697:; Episodes 147 and 148. 457:The Phantom of the Opera 2672:Stream of consciousness 2135:Suspension of disbelief 931:Pinault, David (1992), 631:Orange Is the New Black 328:Rodgers and Hammerstein 290:The Power and the Glory 199: 2213:Denouement/Catastrophe 2194:Rising action/Epitasis 1521:Video editing software 1495:Post-classical editing 1059:Ray, Satyajit (2015). 817:Pavis, Shantz (1998). 670:. The television show 568:The television series 404:is the first scene of 2559:Utopian and dystopian 1490:Soviet montage theory 872:thefreedictionary.com 589:How I Met Your Mother 346:(1967), according to 2871:Narrative techniques 2113:Narrative techniques 1893:Story within a story 1705:Supporting character 1510:Linear video editing 473:Passage to Marseille 307:'s 1988 documentary 2818:Political narrative 2660:Unreliable narrator 2517:Speculative fiction 2225:Nonlinear narrative 2173:Three-act structure 2033:Deal with the Devil 1147:Attentional control 797:Tangled: The Series 703:Princess Half-Demon 434:Little Annie Rooney 301:unreliable narrator 277:Charles Foster Kane 221:Hearts of the World 207:Histoire d'un crime 158:Slaughterhouse-Five 2796:Narrative paradigm 2791:Narrative identity 2721:Dominant narrative 2667:Multiple narrators 1951:Fictional location 1794:Dramatic structure 1515:Non-linear editing 1485:Continuity editing 1085:Writing Flashbacks 1061:Prabandha Sangraha 782:, set in the post- 310:The Thin Blue Line 34:is an interjected 2858: 2857: 2801:Narrative therapy 2235:television series 2180:Freytag's Pyramid 2023:Moral development 1926:Alternate history 1636:False protagonist 1551: 1550: 1536:Real-time editing 1500:In-camera editing 1437:Establishing shot 1348:Shot/reverse shot 1326: 1325: 1193:Multiple exposure 1083:Pattison, Darcy. 1070:978-93-5040-553-6 1033:The Village Voice 731:Northern Exposure 725:Dr. Doofenshmirtz 655:Murder, She Wrote 595:Grounded for Life 536:Quentin Tarantino 330:'s stage musical 285:William K. Howard 241:Wuthering Heights 121:The City of Brass 117:Sinbad the Sailor 16:(Redirected from 2883: 2876:Plot (narrative) 2781:Literary science 2324:Narrative poetry 2220:Linear narrative 2130:Stylistic device 2125:Show, don't tell 2088:Figure of speech 1878:Shaggy dog story 1621:Characterization 1578: 1571: 1564: 1555: 1554: 1214: 1213: 1198:Optical illusion 1116: 1109: 1102: 1093: 1092: 1075: 1074: 1056: 1050: 1049: 1047: 1045: 1023: 1017: 1016: 1014: 1012: 993: 987: 980: 974: 969:Turim, Maureen. 967: 961: 956: 950: 949: 937:Brill Publishers 928: 922: 915: 909: 902: 896: 889: 883: 882: 880: 878: 864: 858: 857: 839: 833: 832: 814: 780:Better Call Saul 745:Better Call Saul 742:and its spinoff 720:Phineas and Ferb 678:confidence trick 625:Phineas and Ferb 601:Once Upon a Time 392:(1946) a unique 363:Double Indemnity 226:Rouben Mamoulian 134:. 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529:photo-negative 423:Jacques Feyder 368:Fish & Cat 315:Akira Kurosawa 201: 198: 113:Arabian Nights 107:Arabian Nights 98:murder mystery 77: 74: 72: 69: 26: 9: 6: 4: 3: 2: 2888: 2877: 2874: 2872: 2869: 2868: 2866: 2851: 2848: 2846: 2843: 2841: 2838: 2836: 2835:Screenwriting 2833: 2829: 2826: 2825: 2824: 2821: 2819: 2816: 2812: 2809: 2808: 2807: 2804: 2802: 2799: 2797: 2794: 2792: 2789: 2787: 2784: 2782: 2779: 2775: 2772: 2771: 2770: 2767: 2763: 2759: 2756: 2754: 2751: 2747: 2744: 2742: 2739: 2737: 2734: 2733: 2732: 2729: 2728: 2727: 2724: 2722: 2719: 2718: 2716: 2712: 2706: 2703: 2701: 2698: 2696: 2693: 2692: 2690: 2688: 2684: 2678: 2675: 2673: 2670: 2668: 2665: 2661: 2658: 2656: 2653: 2651: 2648: 2647: 2646: 2643: 2641: 2640:Second-person 2638: 2636: 2633: 2631: 2628: 2627: 2625: 2623: 2619: 2611: 2608: 2606: 2603: 2602: 2601: 2598: 2594: 2591: 2589: 2586: 2584: 2581: 2579: 2576: 2572: 2569: 2565: 2562: 2560: 2557: 2555: 2552: 2551: 2550: 2547: 2545: 2544:Magic realism 2542: 2540: 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2165: 2164: 2161: 2160: 2158: 2156: 2152: 2146: 2143: 2141: 2138: 2136: 2133: 2131: 2128: 2126: 2123: 2119: 2116: 2115: 2114: 2111: 2109: 2106: 2104: 2101: 2099: 2096: 2094: 2091: 2089: 2086: 2084: 2081: 2079: 2076: 2074: 2071: 2069: 2066: 2065: 2063: 2061: 2057: 2051: 2048: 2046: 2043: 2039: 2036: 2034: 2031: 2030: 2029: 2026: 2024: 2021: 2019: 2016: 2014: 2011: 2009: 2006: 2004: 2001: 2000: 1998: 1996: 1992: 1986: 1985:Worldbuilding 1983: 1981: 1978: 1972: 1969: 1968: 1967: 1964: 1962: 1959: 1957: 1954: 1953: 1952: 1949: 1947: 1944: 1942: 1939: 1937: 1934: 1932: 1929: 1927: 1924: 1923: 1921: 1919: 1915: 1909: 1906: 1904: 1901: 1899: 1896: 1894: 1891: 1889: 1886: 1884: 1881: 1879: 1876: 1874: 1871: 1869: 1866: 1864: 1861: 1859: 1856: 1854: 1851: 1849: 1846: 1844: 1841: 1839: 1836: 1834: 1833: 1832:KishĹŤtenketsu 1829: 1827: 1826: 1825:In medias res 1822: 1820: 1817: 1815: 1812: 1810: 1807: 1805: 1804:Foreshadowing 1802: 1800: 1799:Eucatastrophe 1797: 1795: 1792: 1790: 1787: 1785: 1784: 1780: 1778: 1775: 1773: 1770: 1768: 1765: 1763: 1762:Chekhov's gun 1760: 1756: 1753: 1752: 1751: 1748: 1746: 1743: 1741: 1740: 1736: 1735: 1733: 1731: 1727: 1721: 1718: 1716: 1713: 1711: 1708: 1706: 1703: 1701: 1698: 1696: 1693: 1691: 1688: 1686: 1683: 1679: 1676: 1674: 1671: 1669: 1666: 1665: 1664: 1661: 1659: 1658: 1654: 1652: 1651:Gothic double 1649: 1647: 1644: 1642: 1639: 1637: 1634: 1632: 1631:Deuteragonist 1629: 1627: 1624: 1622: 1619: 1617: 1614: 1612: 1611:Character arc 1609: 1607: 1604: 1602: 1599: 1598: 1596: 1594: 1590: 1586: 1579: 1574: 1572: 1567: 1565: 1560: 1559: 1556: 1542: 1541:Vision mixing 1539: 1537: 1534: 1532: 1529: 1527: 1524: 1522: 1519: 1516: 1513: 1511: 1508: 1507: 1506: 1505:Video editing 1503: 1501: 1498: 1496: 1493: 1491: 1488: 1486: 1483: 1482: 1480: 1476: 1468: 1467:Stock footage 1465: 1463: 1460: 1459: 1458: 1455: 1453: 1450: 1448: 1445: 1443: 1440: 1438: 1435: 1431: 1428: 1427: 1426: 1425:Reaction shot 1423: 1422: 1420: 1416: 1410: 1407: 1405: 1402: 1401: 1399: 1395: 1389: 1388:Walk and talk 1386: 1384: 1381: 1379: 1376: 1374: 1371: 1370: 1368: 1364: 1358: 1354: 1351: 1349: 1346: 1344: 1341: 1339: 1338:Cut on action 1336: 1335: 1333: 1329: 1319: 1316: 1314: 1311: 1309: 1308:Invisible cut 1306: 1304: 1301: 1300: 1298: 1294: 1288: 1285: 1283: 1280: 1278: 1275: 1273: 1270: 1266: 1263: 1262: 1261: 1258: 1256: 1253: 1252: 1250: 1246: 1240: 1237: 1235: 1232: 1230: 1227: 1225: 1222: 1221: 1219: 1215: 1209: 1206: 1204: 1201: 1199: 1196: 1194: 1191: 1189: 1186: 1184: 1183:Eyeline match 1181: 1179: 1176: 1174: 1171: 1170: 1168: 1164: 1158: 1155: 1153: 1150: 1148: 1145: 1143: 1140: 1138: 1135: 1134: 1132: 1128: 1124: 1117: 1112: 1110: 1105: 1103: 1098: 1097: 1094: 1086: 1082: 1081: 1072: 1066: 1062: 1055: 1039: 1035: 1034: 1029: 1022: 1006: 1002: 1001:Japan Society 998: 992: 985: 979: 972: 966: 960: 955: 948: 946:90-04-09530-6 942: 938: 934: 927: 920: 914: 907: 901: 894: 888: 873: 869: 863: 855: 849: 845: 838: 830: 824: 820: 813: 809: 801: 798: 794: 793: 787: 785: 781: 777: 774: 771: 767: 763: 759: 755: 754:Breaking Bad' 751: 747: 746: 741: 740: 735: 733: 732: 726: 722: 721: 716: 711: 709: 705: 704: 698: 696: 692: 688: 687: 681: 679: 675: 674: 669: 668: 664: 662: 657: 656: 651: 650: 645: 644: 639: 638: 633: 632: 627: 626: 621: 620: 615: 614: 609: 608: 603: 602: 597: 596: 591: 590: 585: 584: 579: 578: 573: 572: 561: 559: 558: 553: 549: 548: 543: 542: 537: 533: 530: 526: 525: 524:The Adversary 520: 516: 514: 510: 509: 504: 503: 498: 497: 492: 488: 483: 481: 480: 475: 474: 469: 468: 463: 459: 458: 453: 450: 449:Japanese film 446: 445: 440: 436: 435: 430: 429: 424: 419: 417: 416:World War III 413: 409: 408: 403: 398: 395: 391: 389: 384: 380: 375: 373: 370:is the first 369: 365: 364: 360: 356: 351: 349: 345: 344: 339: 335: 334: 329: 324: 322: 321: 316: 312: 311: 306: 302: 298: 297: 292: 291: 286: 282: 278: 274: 273: 268: 263: 261: 257: 256: 251: 247: 243: 242: 237: 236:William Wyler 233: 232: 228:'s 1931 film 227: 223: 222: 217: 216:D.W. Griffith 213: 209: 208: 197: 195: 191: 190: 184: 182: 178: 174: 170: 169:Vasco da Gama 166: 165: 160: 159: 154: 150: 149: 143: 139: 138: 133: 132:Robert Graves 129: 124: 122: 118: 114: 109: 108: 103: 99: 95: 91: 90: 85: 84: 68: 65: 60: 56: 51: 49: 45: 41: 37: 33: 19: 2840:Storytelling 2655:Subjectivity 2645:Third-person 2635:First-person 2269: 2078:Comic relief 1830: 1823: 1814:Flashforward 1808: 1781: 1755:Origin story 1737: 1700:Straight man 1655: 1383:Slow cutting 1357:Flashforward 1352: 1343:Contrast cut 1331:Storytelling 1303:Fast cutting 1203:Split screen 1157:Parallel cut 1137:Choreography 1123:Film editing 1060: 1054: 1042:. Retrieved 1031: 1021: 1009:. Retrieved 991: 983: 978: 970: 965: 954: 932: 926: 918: 913: 905: 900: 892: 887: 875:. Retrieved 871: 862: 843: 837: 818: 812: 796: 790: 788: 784:Breaking Bad 783: 779: 753: 743: 739:Breaking Bad 737: 736: 729: 718: 712: 701: 699: 691:sixth season 684: 682: 671: 665: 659: 653: 647: 641: 635: 629: 623: 617: 611: 606: 600: 593: 587: 581: 576: 570: 567: 555: 547:Pulp Fiction 545: 539: 534: 522: 519:Satyajit Ray 517: 506: 500: 494: 484: 477: 471: 465: 455: 451: 442: 432: 426: 420: 405: 402:flashforward 399: 385: 376: 361: 355:Billy Wilder 352: 341: 337: 331: 325: 318: 308: 305:Errol Morris 294: 288: 280: 272:Citizen Kane 270: 267:Orson Welles 264: 253: 250:Marcel CarnĂ© 246:Emily BrontĂ« 239: 231:City Streets 229: 219: 210:directed by 205: 203: 189:Harry Potter 187: 185: 162: 156: 146: 135: 125: 112: 105: 87: 81: 79: 52: 48:flashforward 31: 29: 2845:Tellability 2811:Metafiction 2806:Narratology 2578:Theological 2470:Pop culture 2351:Short story 2329:Epic poetry 2050:Time travel 1863:Red herring 1848:Plot device 1819:Frame story 1772:Cliffhanger 1715:Tritagonist 1690:Protagonist 1282:Slow motion 1248:Timelapsing 1152:Master shot 959:Os LusĂ­adas 454:and 2004's 428:L'Atlantide 372:single-shot 164:Os LusĂ­adas 153:Elie Wiesel 94:frame story 89:Mahabharata 2865:Categories 2731:Continuity 2600:Nonfiction 2564:Underwater 2460:Picaresque 2435:Historical 2420:Epistolary 2292:Fairy tale 2203:Peripeteia 2185:Exposition 1941:Dreamworld 1883:Stereotype 1853:Plot twist 1601:Antagonist 1208:Transition 853:1591581990 828:0802081630 804:References 795:(known as 762:Ozymandias 695:Lady Kaede 683:The anime 564:Television 479:The Locket 388:The Locket 379:John Brahm 260:Jean Gabin 76:Literature 64:monochrome 2622:Narration 2571:Superhero 2495:Chivalric 2480:Religious 2465:Political 2400:Adventure 2385:Biography 2307:Tall tale 2155:Structure 2140:Symbolism 2108:Narration 2008:Leitmotif 1936:Crossover 1931:Backstory 1888:Story arc 1838:MacGuffin 1809:Flashback 1750:Backstory 1626:Confidant 1606:Archenemy 1593:Character 1585:Narrative 1442:Long take 1378:Cross cut 1373:Smash cut 1353:Flashback 1265:Axial cut 1234:Long shot 1229:Match cut 1217:Insertion 1166:Technique 750:cold open 649:Quicksand 557:Kill Bill 552:nonlinear 439:John Ford 394:hat trick 383:film noir 359:film noir 218:'s film, 59:melodrama 55:film noir 44:backstory 32:flashback 2828:Glossary 2823:Rhetoric 2630:Diegesis 2610:Creative 2583:Thriller 2532:Southern 2450:Paranoid 2445:Nautical 2356:Vignette 2314:Gamebook 2282:Folklore 2189:Protasis 2068:Allegory 2013:Metaphor 1971:parallel 1966:universe 1946:Dystopia 1903:Suspense 1789:Dialogue 1777:Conflict 1685:Narrator 1657:Hamartia 1318:Supercut 1277:Dissolve 1260:Jump cut 1224:Dialogue 1038:Archived 1011:16 March 1005:Archived 776:episodes 686:Inuyasha 673:Leverage 571:Quantico 499:(1995), 412:diegesis 407:La JetĂ©e 338:Carousel 333:Carousel 320:Rashomon 317:'s 1950 252:'s film 194:Pensieve 181:Portugal 100:was in " 83:Ramayana 2758:Prequel 2714:Related 2700:Present 2593:Western 2549:Science 2522:Fantasy 2490:Romance 2440:Mystery 2425:Ergodic 2390:Fiction 2346:Parable 2341:Novella 2271:Fabliau 2242:Premise 2093:Imagery 2083:Diction 1961:country 1918:Setting 1898:Subplot 1720:Villain 1673:Byronic 1478:Editing 1457:Footage 1313:Montage 1178:Cutaway 1130:Concept 973:. p. 24 760:" and " 717:series 713:In the 667:Columbo 661:Banacek 577:Kung Fu 515:India. 513:Utopian 491:Upendra 487:Kannada 343:Camelot 281:Rosebud 269:' film 119:" and " 2762:Sequel 2746:Retcon 2741:Reboot 2705:Future 2539:Horror 2527:Gothic 2512:Satire 2430:Erotic 2297:Legend 2199:Climax 2073:Bathos 1980:Utopia 1868:Reveal 1767:ClichĂ© 1745:Action 1739:Ab ovo 1678:Tragic 1462:B-roll 1366:Action 1287:Prelap 1239:Insert 1067:  1044:9 July 943:  850:  825:  768:. The 604:, and 476:, and 244:as in 177:Africa 104:", an 2769:Genre 2736:Canon 2687:Tense 2605:Novel 2588:Urban 2500:Prose 2485:Rogue 2410:Crime 2405:Comic 2366:Genre 2336:Novel 2287:Fable 2265:Drama 2230:films 2060:Style 2028:Motif 2018:Moral 2003:Irony 1995:Theme 1908:Trope 1517:(NLE) 1296:Other 1173:Clues 877:2 May 773:three 770:final 766:pilot 643:Elite 619:Arrow 583:Psych 508:Super 173:India 148:Night 40:story 36:scene 2774:List 2695:Past 2554:Hard 2507:Saga 2415:Docu 2371:List 2302:Myth 2257:Form 2145:Tone 2118:Hook 2103:Mood 2098:Mode 1956:city 1843:Pace 1730:Plot 1668:Anti 1663:Hero 1646:Foil 1418:Term 1397:Rule 1272:Wipe 1065:ISBN 1046:2009 1013:2011 941:ISBN 879:2018 848:ISBN 823:ISBN 646:and 613:Lost 200:Film 186:The 86:and 57:and 2163:Act 1255:Cut 778:of 758:Más 756:s " 700:In 441:'s 425:'s 381:'s 377:In 357:'s 353:In 287:'s 238:'s 171:to 151:by 140:by 123:". 2867:: 2760:/ 1355:/ 1036:. 1030:. 1003:. 999:. 935:, 870:. 658:, 640:, 634:, 628:, 622:, 616:, 598:, 592:, 586:, 580:, 574:, 496:Om 482:. 470:, 431:. 183:. 30:A 2373:) 2369:( 2201:/ 2187:/ 1577:e 1570:t 1563:v 1115:e 1108:t 1101:v 1073:. 1048:. 1015:. 881:. 856:. 831:. 663:, 502:A 390:" 386:" 20:)

Index

Flashback (literary technique)
scene
story
backstory
flashforward
film noir
melodrama
monochrome
Ramayana
Mahabharata
frame story
murder mystery
The Three Apples
Arabian Nights
Sinbad the Sailor
The City of Brass
Ford Madox Ford
Robert Graves
The Bridge of San Luis Rey
Thornton Wilder
Night
Elie Wiesel
Slaughterhouse-Five
Os LusĂ­adas
Vasco da Gama
India
Africa
Portugal
Harry Potter
Pensieve

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