29:
320:
477:
180:
3680:
508:
156:, which consisted literally of a transposition of her unmade and disheveled bed, surrounded by shed clothing and other bedroom detritus, directly from her bedroom to the Tate. In this sense the artist gives the audience time and a stage to contemplate an object. As such, found objects can prompt philosophical reflection in the observer ranging from disgust to indifference to nostalgia to empathy.
466:
269:, a urinal signed with the pseudonym "R. Mutt", and generally attributed to Duchamp, confounded the art world. In the same year, Duchamp indicated in a letter to his sister, Suzanne Duchamp, that a female friend was centrally involved in the conception of this work. As he writes: "One of my female friends who had adopted the pseudonym Richard Mutt sent me a porcelain urinal as a sculpture."
1114:—a genre of art that started umpteen years ago with a guy in New York who took a urinal and cleverly refashioned it into a fountain. Found art is created when odd, disparate, unlikely, even long-abandoned castoffs are put together with other similarly unexpected remnants to create something new and, if all goes as planned, lovely.
291:. Norton, who recently had separated from her husband, was living at the time in an apartment owned by her parents at 110 West 88th Street in New York City, and this address is partially discernible (along with "Richard Mutt") on the paper entry ticket attached to the object, as seen in Stieglitz's photograph.
160:
that it cannot be recognized, as is the case with ready-mades. Recent critical theory, however, would argue that the mere designation and relocation of any object, ready-mades included, constitutes a modification of the object because it changes our perception of its utility, its lifespan, or its status.
384:
By the time of the
Surrealist Exhibition of Objects in 1936 a whole range of sub-classifications had been devised—including found objects, ready-made objects, perturbed objects, mathematical objects, natural objects, interpreted natural objects, incorporated natural objects, Oceanic objects, American
159:
As an art form, found objects tend to include the artist's output—at the very least an idea about it, i.e. the artist's designation of the object as art—which is nearly always reinforced with a title. There is usually some degree of modification of the found object, although not always to the extent
1056:
On the surface, anyway, there is no mystery about the making of the great bulk of works of artifactual art; they are crafted in various traditional ways—painted, sculpted, and the like. (Later, I will attempt to go below the surface a bit.) There is, however, a puzzle about the artifactuality of
522:
Creating and using trash art can expose people to hazardous substances. For instance, older computer and electronic components can contain lead (in solder and insulation). Jewelry made from these items may require careful handling. In France, trash art became known as "Poubellisme", art made from
195:
to be early examples of found objects. Found and collected in natural settings, the rocks are changed only minimally for display, seldom beyond the addition of a display stand, and are meant to be contemplated as idealized representations of nature. Geological processes, chief among them
619:
headline "For 1,000 years art has been one of our great civilising forces. Today, pickled sheep and soiled beds threaten to make barbarians of us all". A more unexpected rejection in 1999 came from artists—some of whom had previously worked with found objects—who founded the
298:
indicates that
Duchamp may have fabricated his found objects. Exhaustive research of mundane items like snow shovels and bottle racks in use at the time failed to reveal identical matches. The urinal, upon close inspection, is non-functional. However, there are accounts of
1057:
some relatively recent works of art: Duchamp's readymades, found art, and the like. Some deny that such things are art because, they claim, they are not artifacts made by artists. It can, I think, be shown that they are the artifacts of artists. (In
99:(1917), a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its back. In its strictest sense the term "ready-made" is applied exclusively to works produced by Marcel Duchamp, who borrowed the term from the
593:, who uses found sounds from the natural world in his music, has stated that incorporating the "soundscape" of ecosystems into music may be an effective means of communicating important messages about issues such as climate change.
121:
Found objects derive their identity as art from the designation placed upon them by the artist and from the social history that comes with the object. This may be indicated by either its anonymous wear and tear (as in collages of
417:, "It's not a symbol. I have changed the physical substance of the glass of water into that of an oak tree. I didn't change its appearance. The actual oak tree is physically present, but in the form of a glass of water."
130:). The context into which it is placed is also a highly relevant factor. The idea of dignifying commonplace objects in this way was originally a shocking challenge to the accepted distinction between what was considered
504:
takes trash from the beach and creates dresses, vests, and other clothes. Many organizations sponsor junk art competitions. Trash art may also have a social purpose, of raising awareness of trash.
434:
where commercially mass-produced items would be arranged in the art gallery as sculpture. The focus of this variety of sculpture was on the marketing, display of products. These artists included
1407:
1234:
1351:
214:
found and identified seventeen unpublished works in a private collection, classified as a national treasure on May 7, 2021, by the French
Ministry of Culture, including
1745:
1215:
226:
exhibitions in Paris between 1883 and 1893. According to Johann Naldi, this work is the oldest known readymade and was a source of inspiration for Marcel
Duchamp.
1716:
1383:
1888:
404:
exhibited modified found objects, such as rocks with a hole in them stuffed with fur and fat, a van with sledges trailing behind it, and a rusty girder.
1599:
1202:
They embody the original impulse to elevate a found object to fine art status, not unlike a "readymade," where a commonplace artifact is viewed as art.
1770:
3634:
3413:
624:
group and issued a manifesto denouncing such work in favour of a return to painting with the statement "Ready-made art is a polemic of materialism".
496:. These works primarily comprise components that have been discarded. Often they come quite literally from the trash. One example of trash art is
3363:
3163:
1830:
1478:
204:
605:. It has been rejected by the general public and journalists, and supported by public museums and art critics. In his 2000 Dimbleby lecture,
2725:
1807:
1844:
2718:
3418:
1479:"Australian artist Paul Yore speaks about censorship in art, queer culture and Catholic kitsch as ACCA exhibition surveys his career"
2693:
2156:
3126:
1881:
1125:
1361:
2170:
1261:
1096:
547:
queerness", "bad taste aesthetic", in order to challenge people's perceptions, and to examine excess consumption in society.
93:, consisting of completely unaltered everyday objects selected by Duchamp and designated as art. The most famous example is
3440:
2654:
1625:
601:
The found object in art has been a subject of polarised debate in
Britain throughout the 1990s due to the use of it by the
348:
who combined it with traditional art by sticking combs onto a painting to represent hair. A well-known work by Man Ray is
3562:
2878:
2162:
1486:
138:. Although it may now be accepted in the art world as a viable practice, it continues to arouse questioning, as with the
1153:
389:, defined ready-mades as "manufactured objects raised to the dignity of works of art through the choice of the artist".
3572:
3462:
1874:
255:
73:
that are not normally considered materials from which art is made, often because they already have a non-art function.
1724:
1574:
1339:"Marcel Duchamp's Impossible Bed and Other 'Not' Readymade Objects: A Possible Route of Influence From Art To Science"
3630:
3396:
2178:
1533:
1042:
1028:
1001:
920:
1082:
247:
in 1915 to describe a common object that had been selected and not materially altered in any way. Duchamp assembled
3626:
3597:
3540:
1015:
Found Art is a term coined to describe works which are composed in part or entirety of natural or salvaged objects.
373:
222:
consisting of a green carriage curtain suspended from a wooden cylinder. This work was certainly exhibited at the
1549:
28:
2466:
1861:
945:
253:
in 1913 by attaching a common front wheel and fork to the seat of a common stool. This was not long after his
3550:
3239:
2500:
2213:
1956:
3567:
3401:
3203:
2134:
1760:
877:
274:
235:
86:
638:
Many modern artists are notable for their use of found objects in their art. These include the following:
3720:
3557:
3535:
3356:
77:
first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled
1796:
3705:
3670:
3582:
3467:
987:
377:, consisting of a small birdcage containing a thermometer, cuttlebone, and 151 marble cubes resembling
20:
3710:
2773:
2301:
352:(1921), which is an iron with nails sticking out from its flat underside, thus rendering it useless.
1761:"Pablo Picasso's Bull's Head | A Magical Metamorphosis of the Ordinary | Masterpiece by Eric Gibson"
1439:
200:, give the rocks their distinctive qualities, rather than any modification by an artist or artisan.
3621:
3614:
3592:
3215:
2778:
2490:
2067:
1934:
1836:
1672:
733:
3545:
3406:
3063:
2871:
2732:
2511:
1765:
1141:
273:
argues that the piece is more in line with the scatological aesthetics of
Duchamp's friend, the
3577:
3520:
3344:
2803:
2783:
993:
668:
3700:
3604:
3525:
3510:
3271:
3158:
3121:
2830:
2798:
2395:
777:
728:
633:
602:
457:, 1985, which consisted of two basketballs floating in water, which half-fills a glass tank.
295:
3390:
1690:
319:
185:
Des souteneurs encore dans la force de l'âge et le ventre dans l'herbe boivent de l'absinthe
3725:
3477:
3430:
3227:
3116:
2935:
2505:
2296:
935:
827:
807:
557:
408:
329:
1817:
1651:
8:
3715:
3530:
3494:
3472:
3351:
3266:
2905:
2840:
2793:
2788:
2768:
2529:
2390:
2218:
2129:
1924:
1897:
915:
837:
1856:, Volume 10 of Blackwell Companions to Art History, John Wiley & Sons, May 2, 2016,
1030:
Art and
Interpretation: An Anthology of Readings in Aesthetics and the Philosophy of Art
787:
562:
3684:
3652:
3435:
3261:
3111:
2864:
2704:
2517:
2306:
2092:
1677:
1193:
867:
367:
The combination of several found objects is a type of ready-made sometimes known as an
265:
95:
70:
37:
1668:
763:
3609:
3587:
3515:
3256:
3070:
2989:
2920:
2748:
2377:
2203:
2046:
2001:
1976:
1919:
1857:
1529:
1257:
1197:
1092:
1038:
997:
516:
192:
100:
1800:
3489:
3291:
3286:
3276:
3075:
2945:
2451:
2416:
2124:
2097:
2072:
2031:
2021:
1971:
1306:
1183:
910:
872:
812:
470:
443:
368:
300:
118:') while living in New York, and especially to works dating from 1913 to 1921.
43:
688:
278:
3647:
3457:
3425:
3319:
3296:
3011:
2808:
2623:
2618:
2598:
2446:
2385:
2329:
2198:
2087:
1824:
1412:
1188:
1171:
1034:
862:
817:
773:
610:
590:
345:
209:
123:
2856:
2431:
1850:
643:
386:
3311:
3301:
3198:
3080:
2915:
2667:
2260:
2228:
2139:
1996:
1966:
1961:
1511:
857:
792:
748:
718:
713:
678:
658:
439:
353:
240:
127:
82:
32:
1338:
613:
advocated such kinds of "difficult" art, while quoting opposition such as the
3694:
3450:
3339:
3329:
3251:
3090:
3085:
2984:
2845:
2743:
2608:
2603:
2573:
2558:
2441:
2286:
2238:
2041:
2026:
1946:
1311:
832:
822:
782:
758:
698:
663:
570:
512:
501:
304:
283:
277:, than Duchamp's. The other possible, and more probable, "female friend" is
249:
115:
74:
1866:
1235:"17 œuvres des Arts incohérents : un trésor redécouvert dans une malle"
476:
3334:
3016:
2835:
2265:
2208:
2082:
2077:
1986:
1941:
1790:
1786:
1356:
1277:
967:
961:
940:
900:
882:
768:
753:
653:
401:
270:
143:
139:
930:
3657:
3445:
3324:
3246:
3210:
3193:
3183:
3148:
3026:
2999:
2994:
2955:
2950:
2887:
2825:
2613:
2563:
2546:
2411:
2367:
2223:
2036:
797:
743:
723:
673:
481:
413:
324:
260:
223:
147:
126:) or by its recognizability as a consumer icon (as in the sculptures of
3484:
3379:
3234:
3222:
3188:
3143:
3133:
3036:
3031:
2644:
2568:
2357:
2291:
1929:
852:
802:
683:
615:
450:
435:
378:
216:
Des souteneurs encore dans la force de l'âge et le ventre dans l'herbe
3153:
3043:
2960:
2891:
2593:
2541:
2421:
2362:
2250:
2051:
2006:
1991:
1981:
1088:
956:
887:
708:
693:
582:
574:
540:
480:
Art made from trash found on the streets of New York City by artist
3384:
3281:
3021:
3006:
2977:
2930:
2813:
2699:
2523:
2495:
2426:
2352:
2337:
2245:
1172:"Interpreting the natural: contemporary visions of scholars' rocks"
905:
847:
738:
703:
621:
578:
497:
174:
1451:
586:
179:
85:
is thought to have perfected the concept several years later when
3138:
3048:
2925:
2910:
2738:
2712:
2456:
2281:
2255:
2119:
925:
842:
397:
341:
197:
1352:"Tate Collection - The Handsome Pork-Butcher by Francis Picabia"
385:
objects and
Surrealist objects. At this time Surrealist leader,
3106:
3058:
3053:
2972:
2461:
2347:
2342:
2233:
2016:
1951:
1600:"Bjork emerges from her internal battle, with strings attached"
1216:"Dix-neuf œuvres des Arts incohérents classées trésor national"
950:
544:
465:
393:
152:
54:
3679:
507:
2967:
2553:
2534:
2011:
1426:
648:
357:
2820:
2687:
1157:
964:, ancient Chinese art inspired by the shape of found roots.
337:
1704:
1438:
Heal the Bay. News and Blog feature story, no date given.
1061:
I claimed, I now think mistakenly, that artifactuality is
430:
In the 1980s, a variation of found objects emerged called
364:(1925), made of scrap metal, rubber and other materials.
66:
530:
Spanish artist
Francisco de Pajaro ("Art is trash" or "
69:
created from undisguised, but often modified, items or
3668:
1808:"The Richard Mutt Case: Looking for Marcel Duchamp's
1126:
definition of Objet trouvé at the MoMA Art Terms page
336:
The use of found objects was quickly taken up by the
392:
In the 1960s found objects were present in both the
1626:"At the Intersection of Art, Science and Community"
1328:(New York: Harry N. Abrams, 1994), p. 239, note 17.
229:
1282:Baroness Elsa: Gender, Dada and Everyday Modernity
1254:Arts incohérents, discoveries and new perspectives
307:being with Duchamp when he purchased the original
2886:
1841:, paper magazine featuring internet image finders
1284:. Cambridge, Massachusetts: MIT Press, 2002, 224.
1069:and found art, but I will not discuss this here.)
488:A specific subgenre of found objects is known as
3692:
1825:"Environmental Art and Land Art as objet trouvé"
511:A permanent yet evolving example of junk art on
446:(who later moved on to do other kinds of work).
19:"Readymade" redirects here. For other uses, see
3364:Timeline of 20th century printmaking in America
1820:(See section "The medium modifies the message")
1084:Found Art: Discovering Beauty in Foreign Places
989:Art from Found Materials, Discarded and Natural
420:
259:was attracting the attention of critics at the
1847:fan scarf remix knitting pattern by Schalalala
569:Found sounds have been used by acts including
2872:
2192:Cinema / television / video
1896:
1882:
1575:"The Books: Making Music Through Found Sound"
1408:"There's No Need to be Afraid of the Present"
1136:Chilvers, Ian & Glaves-Smith, John eds.,
531:
2726:Palimpsests: Literature in the Second Degree
281:(later Varèse), who contributed an essay to
526:Artists who create art from trash include:
371:. Another such example is Marcel Duchamp's
109:
2879:
2865:
1889:
1875:
1470:
1080:
1187:
1138:Dictionary of Modern and Contemporary Art
985:
16:Non-standard material used in work of art
1833:– An extended examination of the subject
1669:"Arman, 76, Found-Object Sculptor, Dies"
1440:"Styrofoam Cups: From Trash to Fashion."
1232:
1213:
506:
475:
464:
356:began making large-scale assemblages in
318:
178:
27:
1523:
1514:and C. W. Davis, Methuen, Toronto, 1979
3693:
1251:
1176:Creative Arts in Education and Therapy
1169:
1026:
543:, who uses trash to create a kind of "
523:contents of "poubelles" (trash bins).
425:
261:International Exhibition of Modern Art
2860:
1870:
1831:"Readymade, found object, photograph"
1705:Official Louis (Lou) Hirshman website
1476:
275:Baroness Elsa von Freytag-Loringhoven
1256:. Paris: Lienart. pp. 164–183.
314:
1487:Australian Broadcasting Corporation
1425:Marshall Raeburn Found Object Art:
1276:Duchamp, Marcel trans. and qtd. in
1233:Philippe, Dagen (3 February 2021).
1081:Tankersley, Leeana (14 June 2009).
13:
3463:Index of painting-related articles
1853:A Companion to Dada and Surrealism
1524:Randall, Mac (12 September 2000).
14:
3737:
1780:
1773:from the original on 31 May 2023.
1550:"Four Tet Looks Back on 'Rounds'"
1477:Heath, Nicola (6 November 2022).
921:Classificatory disputes about art
560:. It is an important part of the
191:One curator considers East Asian
3678:
1649:
1154:Marcel Duchamp and the Readymade
1027:Dayton, Eric (2 February 1999).
203:In 2017–2018, the French expert
187:, carriage curtain, before 1897.
1753:
1739:
1709:
1698:
1684:
1662:
1643:
1618:
1592:
1567:
1542:
1526:Exit Music: The Radiohead Story
1517:
1500:
1444:
1432:
1419:
1401:
1376:
1344:
1331:
1318:
1300:
1287:
1270:
1245:
1214:Philippe, Dagen (10 May 2021).
1226:
1207:
1163:
1147:
1130:
1119:
1074:
1020:
979:
946:Found footage (disambiguation)
168:
1:
2655:Pierre Menard, Author of the
2501:Archetypal literary criticism
2061:Literature / theatre
1360:. 16 May 2011. Archived from
1170:Dodson, Donna (August 2021).
973:
3402:Museum collection management
3325:Art history (academic study)
3204:alternative exhibition space
2467:Source criticism in the arts
2135:Readymades of Marcel Duchamp
1252:Johann, Naldi (April 2022).
1065:on things such as Duchamp's
986:Stribling, Mary Lou (1970).
878:Elsa von Freytag-Loringhoven
596:
460:
453:' early signature works was
421:Other types of found objects
374:Why Not Sneeze, Rose SĂ©lavy?
236:Readymades of Marcel Duchamp
79:Still Life with Chair Caning
7:
3563:Colossal sculptures in situ
3267:Artist-in-residence program
2668:Reality Hunger: A Manifesto
1692:Five Feet of Colorful Tools
1315:, no. 2, May 1917, pp. 5-6.
894:
558:used as musical instruments
551:
500:, fashion made from trash.
256:Nude Descending a Staircase
10:
3742:
3573:Contemporary art galleries
3468:Outline of the visual arts
2774:Appropriation in sociology
631:
627:
607:Who's afraid of modern art
556:Found objects can also be
311:at J. L. Mott Iron Works.
233:
172:
163:
21:Readymade (disambiguation)
18:
3643:
3503:
3372:
3310:
3174:
3099:
2898:
2779:Articulation in sociology
2757:
2680:
2632:
2582:
2479:
2404:
2376:
2328:
2319:
2302:Revivalism (architecture)
2274:
2191:
2148:
2115:
2106:
2060:
1912:
1905:
1652:"The Stuckists manifesto"
1604:The Sydney Morning Herald
1528:. Delta. pp. 71–73.
1110:... That is what we call
3627:Most expensive paintings
3414:Conservation-restoration
3216:Contemporary art gallery
2491:Aesthetic interpretation
1818:"A Stuckist on Stuckism"
1427:"Stuff I Made from Junk"
1337:Shearer, Rhonda Roland:
1307:"Buddha of the Bathroom"
340:movement, being used by
3635:works by living artists
3397:Classificatory disputes
2733:The Pictures Generation
2512:The Death of the Author
1766:The Wall Street Journal
1749:, 1965, MoMA collection
1694:, 1962, MoMA collection
1142:Oxford University Press
2804:Copyright infringement
2784:Cultural appropriation
1326:New York Dada, 1915-23
1189:10.15212/CAET/2021/7/1
994:Crown Publishing Group
669:Jake and Dinos Chapman
532:
519:
485:
473:
333:
230:Duchamp's "readymades"
188:
104:
46:
3272:Artist-run initiative
3159:Visual arts education
2831:Participatory culture
2799:Intellectual property
1059:Art and the Aesthetic
634:List of found objects
632:Further information:
603:Young British Artists
510:
479:
468:
322:
296:Rhonda Roland Shearer
182:
31:
3568:Contemporary artists
3431:Destination painting
3228:Single-artist museum
3117:Conservator-restorer
2506:Artistic inspiration
2330:Intertextual figures
2297:Parody advertisement
1806:Betacourt, Michael:
1747:One and Three Chairs
1324:Francis M. Naumann,
936:Found object (music)
828:Niki de Saint Phalle
808:Michael Craig-Martin
411:claimed of his work
409:Michael Craig-Martin
330:Michael Craig-Martin
42:1917; photograph by
3558:Art reference books
3352:History of painting
2936:Fine-art photograph
2841:Recontextualisation
2794:Information society
2789:History of printing
2769:Academic dishonesty
2530:Genius (literature)
2219:Literal music video
2130:Photographic mosaic
1925:Chopped and screwed
1829:Iverson, Margaret:
1823:den Arend, Lucien:
1816:Thompson, Charles:
1727:on 31 December 2012
1144:, 2009. pp. 587–588
916:Appropriation (art)
838:Robert Rauschenberg
611:Sir Nicholas Serota
455:Two Ball 50/50 Tank
432:commodity sculpture
426:Commodity sculpture
3721:Types of sculpture
3653:Visual arts portal
3583:National galleries
3436:Eclecticism in art
3391:Catalogue raisonné
3262:Artist cooperative
2518:Divine inspiration
2307:Video game modding
2149:By source material
1678:The New York Times
868:Michelle Stitzlein
539:Australian artist
520:
486:
474:
334:
218:by Alphonse Allais
189:
47:
3706:Visual arts media
3666:
3665:
3257:Artist collective
3071:Site-specific art
2921:Cultural artifact
2854:
2853:
2761:artistic concepts
2749:Russian formalism
2475:
2474:
2315:
2314:
2204:Anime music video
2187:
2186:
2179:Statue of Liberty
1977:Musical quotation
1920:Bootleg recording
1793:, defined by MOMA
1681:, 24 October 2005
1630:Texas Geosciences
1606:. 9 December 2015
1456:franciscodepajaro
1263:978-2-35906-366-0
1098:978-0-310-56182-8
953:, an art movement
517:Amboy, California
315:Later development
183:Alphonse Allais,
113:
101:clothing industry
3733:
3711:Contemporary art
3683:
3682:
3674:
3622:Stolen paintings
3490:Sociology of art
3441:Economics of art
3292:Sculpture garden
3277:Artist-run space
3076:Social sculpture
2946:Installation art
2881:
2874:
2867:
2858:
2857:
2673:
2663:
2650:
2481:Related artistic
2447:Imitation in art
2417:Assemblage (art)
2326:
2325:
2125:Combine painting
2113:
2112:
2098:Verbatim theatre
2073:Cut-up technique
1972:Music plagiarism
1910:
1909:
1891:
1884:
1877:
1868:
1867:
1851:Hopkins, David,
1775:
1774:
1757:
1751:
1743:
1737:
1736:
1734:
1732:
1723:. Archived from
1713:
1707:
1702:
1696:
1688:
1682:
1666:
1660:
1659:
1656:www.stuckism.com
1647:
1641:
1640:
1638:
1636:
1622:
1616:
1615:
1613:
1611:
1596:
1590:
1589:
1587:
1585:
1571:
1565:
1564:
1562:
1560:
1546:
1540:
1539:
1521:
1515:
1508:The Music of Man
1504:
1498:
1497:
1495:
1493:
1474:
1468:
1467:
1465:
1463:
1448:
1442:
1436:
1430:
1423:
1417:
1405:
1399:
1398:
1396:
1394:
1380:
1374:
1373:
1371:
1369:
1348:
1342:
1335:
1329:
1322:
1316:
1304:
1298:
1291:
1285:
1274:
1268:
1267:
1249:
1243:
1242:
1230:
1224:
1223:
1211:
1205:
1204:
1191:
1167:
1161:
1151:
1145:
1134:
1128:
1123:
1117:
1116:
1107:
1105:
1078:
1072:
1071:
1053:
1051:
1024:
1018:
1017:
1012:
1010:
983:
873:Tomoko Takahashi
813:Rodney McMillian
788:Paweł Kowalewski
563:musique concrète
535:
471:Oak Street Beach
444:Ashley Bickerton
396:movement and in
301:Walter Arensberg
243:coined the term
213:
111:
108:
87:he made a series
57:from the French
44:Alfred Stieglitz
3741:
3740:
3736:
3735:
3734:
3732:
3731:
3730:
3691:
3690:
3689:
3677:
3669:
3667:
3662:
3648:Painting portal
3639:
3546:sculpture parks
3499:
3458:Elements of art
3426:Cultural policy
3368:
3320:Timeline of art
3306:
3297:Sculpture trail
3176:
3170:
3095:
3012:Performance art
2894:
2885:
2855:
2850:
2836:Pirate politics
2809:Derivative work
2762:
2760:
2753:
2676:
2671:
2661:
2648:
2637:
2635:
2628:
2624:Story structure
2619:Stock character
2599:Formula fiction
2587:
2585:
2584:Standard blocks
2578:
2484:
2482:
2471:
2400:
2372:
2321:
2311:
2270:
2199:Abridged series
2183:
2171:Michelangelo's
2163:Michelangelo's
2144:
2109:
2102:
2088:Jukebox musical
2056:
1901:
1895:
1803:defined by Tate
1783:
1778:
1759:
1758:
1754:
1744:
1740:
1730:
1728:
1715:
1714:
1710:
1703:
1699:
1689:
1685:
1667:
1663:
1648:
1644:
1634:
1632:
1624:
1623:
1619:
1609:
1607:
1598:
1597:
1593:
1583:
1581:
1573:
1572:
1568:
1558:
1556:
1548:
1547:
1543:
1536:
1522:
1518:
1505:
1501:
1491:
1489:
1475:
1471:
1461:
1459:
1450:
1449:
1445:
1437:
1433:
1424:
1420:
1413:The Independent
1406:
1402:
1392:
1390:
1382:
1381:
1377:
1367:
1365:
1350:
1349:
1345:
1336:
1332:
1323:
1319:
1305:
1301:
1292:
1288:
1275:
1271:
1264:
1250:
1246:
1231:
1227:
1212:
1208:
1168:
1164:
1152:
1148:
1135:
1131:
1124:
1120:
1103:
1101:
1099:
1079:
1075:
1049:
1047:
1045:
1037:. p. 259.
1035:Broadview Press
1025:
1021:
1008:
1006:
1004:
984:
980:
976:
897:
892:
863:Kurt Schwitters
818:Louise Nevelson
764:Irma HĂĽnerfauth
734:Victoria Fuller
636:
630:
599:
591:Cosmo Sheldrake
589:. The musician
554:
463:
428:
423:
346:Francis Picabia
317:
238:
232:
207:
193:scholar's rocks
177:
171:
166:
124:Kurt Schwitters
24:
17:
12:
11:
5:
3739:
3729:
3728:
3723:
3718:
3713:
3708:
3703:
3688:
3687:
3664:
3663:
3661:
3660:
3655:
3650:
3644:
3641:
3640:
3638:
3637:
3624:
3619:
3618:
3617:
3607:
3602:
3601:
3600:
3598:by nationality
3595:
3585:
3580:
3578:Modern artists
3575:
3570:
3565:
3560:
3555:
3554:
3553:
3548:
3543:
3538:
3528:
3523:
3521:Art techniques
3518:
3513:
3507:
3505:
3501:
3500:
3498:
3497:
3492:
3487:
3482:
3481:
3480:
3475:
3465:
3460:
3455:
3454:
3453:
3448:
3438:
3433:
3428:
3423:
3422:
3421:
3411:
3410:
3409:
3407:deaccessioning
3399:
3394:
3387:
3382:
3376:
3374:
3370:
3369:
3367:
3366:
3361:
3360:
3359:
3349:
3348:
3347:
3337:
3332:
3327:
3322:
3316:
3314:
3312:History of art
3308:
3307:
3305:
3304:
3302:Virtual museum
3299:
3294:
3289:
3284:
3279:
3274:
3269:
3264:
3259:
3254:
3249:
3244:
3243:
3242:
3232:
3231:
3230:
3220:
3219:
3218:
3208:
3207:
3206:
3199:Art exhibition
3196:
3191:
3186:
3180:
3178:
3172:
3171:
3169:
3168:
3167:
3166:
3156:
3151:
3146:
3141:
3136:
3131:
3130:
3129:
3124:
3114:
3109:
3103:
3101:
3097:
3096:
3094:
3093:
3088:
3083:
3081:Soft sculpture
3078:
3073:
3068:
3067:
3066:
3061:
3056:
3051:
3041:
3040:
3039:
3029:
3024:
3019:
3014:
3009:
3004:
3003:
3002:
2997:
2992:
2982:
2981:
2980:
2975:
2965:
2964:
2963:
2953:
2948:
2943:
2938:
2933:
2928:
2923:
2918:
2916:Conceptual art
2913:
2908:
2902:
2900:
2896:
2895:
2884:
2883:
2876:
2869:
2861:
2852:
2851:
2849:
2848:
2843:
2838:
2833:
2828:
2823:
2818:
2817:
2816:
2811:
2806:
2796:
2791:
2786:
2781:
2776:
2771:
2765:
2763:
2758:
2755:
2754:
2752:
2751:
2746:
2741:
2736:
2729:
2722:
2715:
2710:
2702:
2697:
2694:De Copia Rerum
2690:
2684:
2682:
2678:
2677:
2675:
2674:
2664:
2651:
2640:
2638:
2633:
2630:
2629:
2627:
2626:
2621:
2616:
2611:
2606:
2601:
2596:
2590:
2588:
2583:
2580:
2579:
2577:
2576:
2571:
2566:
2561:
2556:
2551:
2550:
2549:
2539:
2538:
2537:
2532:
2527:
2515:
2508:
2503:
2498:
2493:
2487:
2485:
2480:
2477:
2476:
2473:
2472:
2470:
2469:
2464:
2459:
2454:
2449:
2444:
2439:
2434:
2429:
2424:
2419:
2414:
2408:
2406:
2405:Other concepts
2402:
2401:
2399:
2398:
2393:
2388:
2382:
2380:
2374:
2373:
2371:
2370:
2365:
2360:
2355:
2350:
2345:
2340:
2334:
2332:
2323:
2317:
2316:
2313:
2312:
2310:
2309:
2304:
2299:
2294:
2289:
2284:
2278:
2276:
2272:
2271:
2269:
2268:
2263:
2258:
2253:
2248:
2243:
2242:
2241:
2231:
2229:Re-cut trailer
2226:
2221:
2216:
2211:
2206:
2201:
2195:
2193:
2189:
2188:
2185:
2184:
2182:
2181:
2176:
2168:
2160:
2152:
2150:
2146:
2145:
2143:
2142:
2137:
2132:
2127:
2122:
2116:
2110:
2107:
2104:
2103:
2101:
2100:
2095:
2090:
2085:
2080:
2075:
2070:
2064:
2062:
2058:
2057:
2055:
2054:
2049:
2044:
2039:
2034:
2029:
2024:
2019:
2014:
2009:
2004:
1999:
1997:Plunderphonics
1994:
1989:
1984:
1979:
1974:
1969:
1964:
1959:
1954:
1949:
1944:
1939:
1938:
1937:
1927:
1922:
1916:
1914:
1907:
1903:
1902:
1894:
1893:
1886:
1879:
1871:
1865:
1864:
1848:
1842:
1834:
1827:
1821:
1814:
1804:
1797:"Found object"
1794:
1787:"Found object"
1782:
1781:External links
1779:
1777:
1776:
1752:
1738:
1708:
1697:
1683:
1661:
1642:
1617:
1591:
1566:
1541:
1534:
1516:
1499:
1469:
1443:
1431:
1418:
1416:, 25 June 2001
1400:
1375:
1364:on 6 July 2011
1343:
1330:
1317:
1299:
1286:
1269:
1262:
1244:
1225:
1206:
1162:
1146:
1129:
1118:
1097:
1073:
1043:
1019:
1002:
977:
975:
972:
971:
970:
965:
959:
954:
948:
943:
938:
933:
928:
923:
918:
913:
908:
903:
896:
893:
891:
890:
885:
880:
875:
870:
865:
860:
858:Daniel Spoerri
855:
850:
845:
840:
835:
830:
825:
820:
815:
810:
805:
800:
795:
793:John Lefelhocz
790:
785:
780:
778:Nancy Kienholz
771:
766:
761:
756:
751:
749:Louis Hirshman
746:
741:
736:
731:
726:
721:
719:Marcel Duchamp
716:
714:Jose de Creeft
711:
706:
701:
696:
691:
686:
681:
679:Joseph Cornell
676:
671:
666:
661:
659:Guillaume Bijl
656:
651:
646:
640:
629:
626:
598:
595:
553:
550:
549:
548:
537:
533:Arte es basura
462:
459:
440:Haim Steinbach
427:
424:
422:
419:
354:Jose de Creeft
316:
313:
241:Marcel Duchamp
234:Main article:
231:
228:
170:
167:
165:
162:
146:exhibition of
134:as opposed to
128:Haim Steinbach
83:Marcel Duchamp
33:Marcel Duchamp
15:
9:
6:
4:
3:
2:
3738:
3727:
3724:
3722:
3719:
3717:
3714:
3712:
3709:
3707:
3704:
3702:
3699:
3698:
3696:
3686:
3681:
3676:
3675:
3672:
3659:
3656:
3654:
3651:
3649:
3646:
3645:
3642:
3636:
3632:
3628:
3625:
3623:
3620:
3616:
3613:
3612:
3611:
3608:
3606:
3605:Photographers
3603:
3599:
3596:
3594:
3591:
3590:
3589:
3586:
3584:
3581:
3579:
3576:
3574:
3571:
3569:
3566:
3564:
3561:
3559:
3556:
3552:
3551:single artist
3549:
3547:
3544:
3542:
3539:
3537:
3534:
3533:
3532:
3529:
3527:
3526:Art movements
3524:
3522:
3519:
3517:
3514:
3512:
3511:Art magazines
3509:
3508:
3506:
3502:
3496:
3493:
3491:
3488:
3486:
3483:
3479:
3476:
3474:
3471:
3470:
3469:
3466:
3464:
3461:
3459:
3456:
3452:
3451:art valuation
3449:
3447:
3444:
3443:
3442:
3439:
3437:
3434:
3432:
3429:
3427:
3424:
3420:
3417:
3416:
3415:
3412:
3408:
3405:
3404:
3403:
3400:
3398:
3395:
3393:
3392:
3388:
3386:
3383:
3381:
3378:
3377:
3375:
3371:
3365:
3362:
3358:
3355:
3354:
3353:
3350:
3346:
3343:
3342:
3341:
3338:
3336:
3335:Art movements
3333:
3331:
3330:Art manifesto
3328:
3326:
3323:
3321:
3318:
3317:
3315:
3313:
3309:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3263:
3260:
3258:
3255:
3253:
3252:Arts festival
3250:
3248:
3245:
3241:
3238:
3237:
3236:
3233:
3229:
3226:
3225:
3224:
3221:
3217:
3214:
3213:
3212:
3209:
3205:
3202:
3201:
3200:
3197:
3195:
3192:
3190:
3187:
3185:
3182:
3181:
3179:
3173:
3165:
3162:
3161:
3160:
3157:
3155:
3152:
3150:
3147:
3145:
3142:
3140:
3137:
3135:
3132:
3128:
3125:
3123:
3120:
3119:
3118:
3115:
3113:
3110:
3108:
3105:
3104:
3102:
3098:
3092:
3091:Artwork title
3089:
3087:
3086:Stained glass
3084:
3082:
3079:
3077:
3074:
3072:
3069:
3065:
3062:
3060:
3057:
3055:
3052:
3050:
3047:
3046:
3045:
3042:
3038:
3035:
3034:
3033:
3030:
3028:
3025:
3023:
3020:
3018:
3015:
3013:
3010:
3008:
3005:
3001:
2998:
2996:
2993:
2991:
2988:
2987:
2986:
2985:New media art
2983:
2979:
2976:
2974:
2971:
2970:
2969:
2966:
2962:
2959:
2958:
2957:
2954:
2952:
2949:
2947:
2944:
2942:
2939:
2937:
2934:
2932:
2929:
2927:
2924:
2922:
2919:
2917:
2914:
2912:
2909:
2907:
2906:Appropriation
2904:
2903:
2901:
2897:
2893:
2889:
2882:
2877:
2875:
2870:
2868:
2863:
2862:
2859:
2847:
2846:Remix culture
2844:
2842:
2839:
2837:
2834:
2832:
2829:
2827:
2824:
2822:
2819:
2815:
2812:
2810:
2807:
2805:
2802:
2801:
2800:
2797:
2795:
2792:
2790:
2787:
2785:
2782:
2780:
2777:
2775:
2772:
2770:
2767:
2766:
2764:
2756:
2750:
2747:
2745:
2744:Postmodernism
2742:
2740:
2737:
2735:
2734:
2730:
2728:
2727:
2723:
2721:
2720:
2716:
2714:
2711:
2709:
2708:
2703:
2701:
2698:
2696:
2695:
2691:
2689:
2686:
2685:
2683:
2679:
2670:
2669:
2665:
2659:
2658:
2652:
2647:
2646:
2642:
2641:
2639:
2634:Epoch-marking
2631:
2625:
2622:
2620:
2617:
2615:
2612:
2610:
2609:Jazz standard
2607:
2605:
2604:Genre fiction
2602:
2600:
2597:
2595:
2592:
2591:
2589:
2581:
2575:
2574:Western canon
2572:
2570:
2567:
2565:
2562:
2560:
2559:Genre studies
2557:
2555:
2552:
2548:
2545:
2544:
2543:
2540:
2536:
2533:
2531:
2528:
2526:
2525:
2521:
2520:
2519:
2516:
2513:
2509:
2507:
2504:
2502:
2499:
2497:
2494:
2492:
2489:
2488:
2486:
2478:
2468:
2465:
2463:
2460:
2458:
2455:
2453:
2450:
2448:
2445:
2443:
2440:
2438:
2435:
2433:
2430:
2428:
2425:
2423:
2420:
2418:
2415:
2413:
2410:
2409:
2407:
2403:
2397:
2394:
2392:
2389:
2387:
2384:
2383:
2381:
2379:
2375:
2369:
2366:
2364:
2361:
2359:
2356:
2354:
2351:
2349:
2346:
2344:
2341:
2339:
2336:
2335:
2333:
2331:
2327:
2324:
2318:
2308:
2305:
2303:
2300:
2298:
2295:
2293:
2290:
2288:
2287:Internet meme
2285:
2283:
2280:
2279:
2277:
2273:
2267:
2264:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2244:
2240:
2239:Shot-for-shot
2237:
2236:
2235:
2232:
2230:
2227:
2225:
2222:
2220:
2217:
2215:
2214:Found footage
2212:
2210:
2207:
2205:
2202:
2200:
2197:
2196:
2194:
2190:
2180:
2177:
2175:
2174:
2169:
2167:
2166:
2161:
2159:
2158:
2154:
2153:
2151:
2147:
2141:
2138:
2136:
2133:
2131:
2128:
2126:
2123:
2121:
2118:
2117:
2114:
2111:
2105:
2099:
2096:
2094:
2091:
2089:
2086:
2084:
2081:
2079:
2076:
2074:
2071:
2069:
2066:
2065:
2063:
2059:
2053:
2050:
2048:
2045:
2043:
2040:
2038:
2035:
2033:
2030:
2028:
2027:Sound collage
2025:
2023:
2020:
2018:
2015:
2013:
2010:
2008:
2005:
2003:
2000:
1998:
1995:
1993:
1990:
1988:
1985:
1983:
1980:
1978:
1975:
1973:
1970:
1968:
1965:
1963:
1960:
1958:
1957:Interpolation
1955:
1953:
1950:
1948:
1947:Cover version
1945:
1943:
1940:
1936:
1933:
1932:
1931:
1928:
1926:
1923:
1921:
1918:
1917:
1915:
1911:
1908:
1904:
1899:
1898:Appropriation
1892:
1887:
1885:
1880:
1878:
1873:
1872:
1869:
1863:
1859:
1855:
1854:
1849:
1846:
1843:
1840:
1839:
1835:
1832:
1828:
1826:
1822:
1819:
1815:
1813:
1811:
1805:
1802:
1798:
1795:
1792:
1788:
1785:
1784:
1772:
1768:
1767:
1762:
1756:
1750:
1748:
1742:
1726:
1722:
1720:
1712:
1706:
1701:
1695:
1693:
1687:
1680:
1679:
1674:
1670:
1665:
1657:
1653:
1646:
1631:
1627:
1621:
1605:
1601:
1595:
1580:
1576:
1570:
1555:
1554:Rolling Stone
1551:
1545:
1537:
1535:0-385-33393-5
1531:
1527:
1520:
1513:
1509:
1503:
1488:
1484:
1480:
1473:
1457:
1453:
1447:
1441:
1435:
1428:
1422:
1415:
1414:
1409:
1404:
1389:
1388:Man Ray Photo
1385:
1384:"Gift (1921)"
1379:
1363:
1359:
1358:
1353:
1347:
1340:
1334:
1327:
1321:
1314:
1313:
1312:The Blind Man
1308:
1303:
1296:
1295:Baroness Elsa
1290:
1283:
1279:
1278:Gammel, Irene
1273:
1265:
1259:
1255:
1248:
1240:
1236:
1229:
1221:
1217:
1210:
1203:
1199:
1195:
1190:
1185:
1181:
1177:
1173:
1166:
1159:
1155:
1150:
1143:
1139:
1133:
1127:
1122:
1115:
1113:
1100:
1094:
1091:. p. 2.
1090:
1086:
1085:
1077:
1070:
1068:
1064:
1060:
1046:
1044:1-551-11190-X
1040:
1036:
1032:
1031:
1023:
1016:
1005:
1003:0-517-54307-9
999:
996:. p. 2.
995:
991:
990:
982:
978:
969:
966:
963:
960:
958:
955:
952:
949:
947:
944:
942:
939:
937:
934:
932:
929:
927:
924:
922:
919:
917:
914:
912:
909:
907:
904:
902:
899:
898:
889:
886:
884:
881:
879:
876:
874:
871:
869:
866:
864:
861:
859:
856:
854:
851:
849:
846:
844:
841:
839:
836:
834:
833:Pablo Picasso
831:
829:
826:
824:
823:Nam June Paik
821:
819:
816:
814:
811:
809:
806:
804:
801:
799:
796:
794:
791:
789:
786:
784:
783:Joseph Kosuth
781:
779:
775:
772:
770:
767:
765:
762:
760:
759:Lonnie Holley
757:
755:
752:
750:
747:
745:
742:
740:
737:
735:
732:
730:
727:
725:
722:
720:
717:
715:
712:
710:
707:
705:
702:
700:
699:Marina DeBris
697:
695:
692:
690:
689:Salvador DalĂ
687:
685:
682:
680:
677:
675:
672:
670:
667:
665:
664:George Brecht
662:
660:
657:
655:
652:
650:
647:
645:
642:
641:
639:
635:
625:
623:
618:
617:
612:
608:
604:
594:
592:
588:
584:
580:
576:
572:
571:Cop Shoot Cop
567:
565:
564:
559:
546:
542:
538:
534:
529:
528:
527:
524:
518:
514:
509:
505:
503:
502:Marina DeBris
499:
495:
491:
483:
478:
472:
467:
458:
456:
452:
447:
445:
441:
437:
433:
418:
416:
415:
410:
405:
403:
399:
395:
390:
388:
382:
380:
376:
375:
370:
365:
363:
359:
355:
351:
347:
343:
339:
331:
327:
326:
321:
312:
310:
306:
305:Joseph Stella
302:
297:
292:
290:
286:
285:
284:The Blind Man
280:
279:Louise Norton
276:
272:
268:
267:
262:
258:
257:
252:
251:
250:Bicycle Wheel
246:
242:
237:
227:
225:
221:
217:
211:
206:
201:
199:
194:
186:
181:
176:
161:
157:
155:
154:
149:
145:
141:
137:
133:
129:
125:
119:
117:
116:ready-to-wear
106:
105:prĂŞt-Ă -porter
102:
98:
97:
92:
88:
84:
80:
76:
75:Pablo Picasso
72:
68:
64:
60:
56:
52:
45:
41:
39:
34:
30:
26:
22:
3701:Found object
3541:most visited
3389:
3017:Plastic arts
2941:Found object
2940:
2759:Related non-
2731:
2724:
2717:
2706:
2692:
2681:Theorization
2666:
2656:
2643:
2522:
2437:Found object
2436:
2432:DĂ©tournement
2266:YouTube poop
2261:Video mashup
2209:Collage film
2172:
2164:
2155:
2083:Found poetry
2078:Flarf poetry
1987:Parody music
1967:Music mashup
1942:Contrafactum
1852:
1837:
1809:
1764:
1755:
1746:
1741:
1729:. Retrieved
1725:the original
1719:Fool's House
1718:
1711:
1700:
1691:
1686:
1676:
1664:
1655:
1650:Guru, Ella.
1645:
1633:. Retrieved
1629:
1620:
1608:. Retrieved
1603:
1594:
1582:. Retrieved
1578:
1569:
1557:. Retrieved
1553:
1544:
1525:
1519:
1507:
1502:
1490:. Retrieved
1482:
1472:
1460:. Retrieved
1458:(in Spanish)
1455:
1446:
1434:
1421:
1411:
1403:
1391:. Retrieved
1387:
1378:
1366:. Retrieved
1362:the original
1357:Tate Gallery
1355:
1346:
1333:
1325:
1320:
1310:
1302:
1294:
1289:
1281:
1272:
1253:
1247:
1238:
1228:
1219:
1209:
1201:
1182:(1): 11–13.
1179:
1175:
1165:
1149:
1137:
1132:
1121:
1111:
1109:
1102:. Retrieved
1083:
1076:
1066:
1062:
1058:
1055:
1048:. Retrieved
1029:
1022:
1014:
1007:. Retrieved
988:
981:
968:Sound object
962:Root carving
941:Found poetry
901:Altered book
883:Wolf Vostell
769:Jasper Johns
754:Damien Hirst
729:Tom Friedman
654:Joseph Beuys
644:Saâdane Afif
637:
614:
606:
600:
568:
561:
555:
525:
521:
493:
489:
487:
469:Junk art at
454:
448:
431:
429:
412:
406:
402:Joseph Beuys
391:
387:André Breton
383:
372:
366:
361:
349:
335:
323:
308:
294:Research by
293:
288:
282:
271:Irene Gammel
264:
254:
248:
244:
239:
219:
215:
205:Johann Naldi
202:
190:
184:
158:
151:
144:Turner Prize
140:Tate Gallery
135:
131:
120:
94:
90:
78:
62:
59:objet trouvé
58:
51:found object
50:
48:
36:
25:
3726:Repurposing
3685:Visual arts
3658:Arts portal
3531:Art museums
3446:art finance
3247:Arts centre
3211:Art gallery
3194:Art commune
3184:Art auction
3027:Printmaking
2956:Mixed media
2951:Kinetic art
2888:Visual arts
2826:Open source
2614:Plot device
2564:Originality
2547:Fan fiction
2412:After (art)
2368:Translation
2224:Parody film
2108:Visual arts
2037:Tribute act
1900:in the arts
1845:"READYMADE"
1801:"Readymade"
1791:"Readymade"
1731:7 September
1673:Ken Johnson
1635:8 September
798:Sarah Lucas
744:Genco Gulan
724:Tracey Emin
674:Greg Colson
482:Bobby Puleo
414:An Oak Tree
379:sugar cubes
325:An Oak Tree
287:discussing
263:. In 1917,
224:Incoherents
208: [
169:Antecedents
148:Tracey Emin
91:ready-mades
3716:Modern art
3695:Categories
3631:sculptures
3485:Provenance
3380:Art market
3287:Commission
3235:Art school
3223:Art museum
3189:Art colony
3177:and events
3037:street art
3032:Public art
2719:Nachahmung
2705:Dionysian
2645:L.H.O.O.Q.
2569:Simulacrum
2378:Adaptation
2358:Plagiarism
2292:Joke theft
2275:Other arts
2068:Assemblage
1930:Contrafact
1862:1118476182
1512:Y. Menuhin
1492:6 November
1462:3 February
1393:6 November
1368:6 November
1297:, 224–225.
1140:, Oxford:
974:References
911:Assemblage
853:Leo Sewell
803:David Mach
684:Tony Cragg
616:Daily Mail
513:Highway 66
451:Jeff Koons
436:Jeff Koons
369:assemblage
360:, such as
245:ready-made
173:See also:
3610:Sculptors
3516:Art media
3478:sculpture
3419:paintings
3340:Criticism
3122:paintings
3112:Collector
3044:Sculpture
2961:bricolage
2892:art world
2594:Archetype
2586:and forms
2542:Fan labor
2422:Bricolage
2363:Quotation
2251:TV format
2157:Mona Lisa
2052:Vaporwave
2047:Variation
2007:Quodlibet
2002:Potpourri
1992:Pasticcio
1982:Nightcore
1198:238719901
1112:found art
1089:Zondervan
1063:conferred
957:Happening
931:DĂ©collage
888:Paul Yore
709:Mark Divo
694:Jack Daws
622:Stuckists
597:Criticism
583:The Books
575:Radiohead
541:Paul Yore
490:trash art
461:Trash art
407:In 1973,
103:(French:
63:found art
3588:Painters
3473:painting
3385:The arts
3345:feminist
3282:Biennale
3022:Portrait
3007:Painting
2978:graffiti
2931:Fine art
2890:and the
2814:Fair use
2707:imitatio
2700:Diegesis
2524:Afflatus
2496:Anti-art
2483:concepts
2427:Citation
2391:Literary
2353:Pastiche
2338:Allusion
2322:concepts
2320:General
2246:Supercut
2032:Standard
2022:Sampling
1906:By field
1810:Fountain
1771:Archived
1584:21 March
1483:ABC News
1293:Gammel,
1239:Le Monde
1220:Le Monde
1160:Learning
1067:Fountain
906:Anti-art
895:See also
848:Joe Rush
739:Jim Gary
704:Jim Dine
579:Four Tet
552:In music
498:trashion
494:junk art
309:Fountain
289:Fountain
266:Fountain
175:Manuport
96:Fountain
81:(1912).
71:products
38:Fountain
3593:by name
3536:largest
3373:Related
3357:outline
3139:Curator
3127:frescos
3064:tallest
3049:carving
3000:virtual
2995:digital
2990:history
2926:Drawing
2911:Collage
2899:Artwork
2739:Pop art
2713:Mimesis
2657:Quixote
2457:Reprise
2396:Theatre
2282:In-joke
2256:Vidding
2120:Collage
1721:, 1962"
1610:2 March
1559:2 March
1452:"About"
1429:, 2009.
1341:, 1997.
1104:25 June
1050:25 June
1009:25 June
926:Collage
843:Man Ray
628:Artists
566:genre.
449:One of
398:pop art
362:Picador
342:Man Ray
198:erosion
164:History
136:not art
112:
3671:Portal
3615:female
3240:Europe
3175:Places
3164:Europe
3154:Patron
3144:Dealer
3134:Critic
3107:Artist
3059:statue
3054:relief
2973:fresco
2672:(2010)
2662:(1939)
2649:(1919)
2462:Satire
2452:Mashup
2442:Homage
2348:Parody
2343:Calque
2234:Remake
2017:Riddim
1962:Medley
1952:DJ mix
1860:
1532:
1260:
1196:
1095:
1041:
1000:
951:Fluxus
774:Edward
585:, and
545:kitsch
484:(2021)
442:, and
394:Fluxus
332:; 1973
153:My Bed
61:), or
55:calque
3504:Lists
3495:Style
3149:Model
3100:Roles
2968:Mural
2636:works
2554:Genre
2535:Muses
2173:PietĂ
2165:David
2140:Swipe
2093:Trope
2042:Trope
2012:Remix
1913:Music
1838:FAUND
1194:S2CID
649:Arman
587:Björk
515:near
358:Paris
212:]
114:'
65:, is
2821:Meme
2688:Dada
2386:Film
1935:list
1858:ISBN
1799:and
1789:and
1733:2012
1637:2021
1612:2016
1586:2016
1561:2016
1530:ISBN
1506:See
1494:2022
1464:2021
1395:2022
1370:2022
1258:ISBN
1158:MoMA
1106:2021
1093:ISBN
1052:2021
1039:ISBN
1011:2021
998:ISBN
776:and
350:Gift
344:and
338:Dada
303:and
110:lit.
1671:by
1579:NPR
1184:doi
492:or
328:by
150:'s
142:'s
132:art
89:of
67:art
53:(a
3697::
3633:,
3629:,
2660:"
1769:.
1763:.
1675:,
1654:.
1628:.
1602:.
1577:.
1552:.
1510:,
1485:.
1481:.
1454:.
1410:,
1386:.
1354:.
1309:,
1280:.
1237:.
1218:.
1200:.
1192:.
1178:.
1174:.
1156:,
1108:.
1087:.
1054:.
1033:.
1013:.
992:.
609:,
581:,
577:,
573:,
536:")
438:,
400:.
381:.
210:fr
107:,
49:A
35:,
3673::
2880:e
2873:t
2866:v
2653:"
2514:"
2510:"
1890:e
1883:t
1876:v
1812:"
1735:.
1717:"
1658:.
1639:.
1614:.
1588:.
1563:.
1538:.
1496:.
1466:.
1397:.
1372:.
1266:.
1241:.
1222:.
1186::
1180:7
220:,
40:,
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
