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50:(1760–63) to which he contributed extensively. Some of his plates have been of importance in the taxonomy and identification of now extinct species. Some of his engravings were later hand coloured and these are not uniform or consistent across copies. He also produced illustrations of architecture, landscape, and theatre.
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Martinet's year of birth is known but sources are divided on the year of his death. Little is known of his life, a son, Aaron
Martinet, became a print dealer in Paris. By 1756 he became engraver for the King's cabinet, reporting to the Maison du Roi. Martinet engraved the plates for numerous works on
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136:, éd. originale conservée en un unique exemplaire au Trinity College d'Hartford. Nouvelle édition par le Bibliothèque des introuvables, avec les 208 gravures, 450 pages avec le texte originale et des commentaires d'
42:. Notable in particular are those for Buffon's natural history where he made 1008 engravings. He also contributed 21 ornithological illustrations to Diderot and d'Alembert's Encyclopédie. His major work was for
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83:"Martinet's engravings in Buffon (1770–83): variation in their hand-colouring and its implications for defining Echo Parakeet Psittacula eques (Boddaert, 1783)"
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L'Histoire des oiseaux, peints dans leurs aspects apparents et sensibles
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Jansen, Justin J. F. J.; Cheke, Anthony S. (2020-09-21).
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157:Smithsonian Library: François-Nicolas Martinet
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