59:, and composed a few songs. While studying singing at the Conservatoire, he became unsatisfied with what he felt were arbitrary methods for teaching acting. He began to study how humans moved, behaved and responded to various emotional and real-life situations. By observing people in real life and in public places of all kinds, he discovered certain patterns of expression, eventually called the Science of Applied Aesthetics. This consisted of a thorough examination of voice, breath, movement dynamics, encompassing all of the expressive elements of the human body. His hope was to develop an exact science of the physical expression of emotions, but he died before he had achieved his goals.
611:
77:
1470:
17:
25:
68:
into various rules, ‘laws’ or ‘principles.’ These laws were organized by
Delsarte in charts and diagrams. Delsarte did not teach systematically but rather through inspiration of the moment, and left behind no publications on his lessons. In America, Delsarte's theories were developed into what became known as the (American) Delsarte System.
485:
Duncan's official denial of any familiarity with
Desarte's work failed to convince her biographers as plausible: for example, in an interview of 1898 she extolled his mastery of the principles of flexibility and bodily lightness, and her aesthetic pronouncements on the "inner man" in relation to the
67:
Delsarte coached preachers, painters, singers, composers, orators and actors in the bodily expression of emotions. His goal was to help clients connect their inner emotional experience with the use of gesture. Delsarte categorized ideas related to how emotions are expressed physically in the body
181:
Ironically, it was the great success of the
Delsarte System that was also its undoing. By the 1890s, it was being taught everywhere, and not always in accordance with the emotional basis that Delsarte originally had in mind. No certification was needed to teach a course with the name Delsarte
547:. Des interactions dynamiques, PhD in history, Lyon, Université Lyon 3, 2009, 1032 pages + CDROM of annexes (manuscripts, interview of Joe Williams, video reconstitutions of body exercises) (the last and longer chapter of this thesis concerns Delsarte training for the body).
130:
illustrating a poem, story or concept, thereby bringing
Delsarte's work closer to dance. According to a contemporary description, Stebbins's statue poses, spiralling from head to toe, would "flow gracefully onward from the simple to complex... commencing with a simple
495:
Laban is said to have acknowledged the stimulus of
Delsarte's work and appears to have studied what he loosely referred to as "Delsarte mime" while in Paris between 1900 and 1908; the evolution of his own movement theory seems to reflect familiarity with Delsartian
182:
attached, and the study regressed into empty posing with little emotional truth behind it. Stephen Wangh concludes, "it led others into stereotyped and melodramatic gesticulation, devoid of the very heart that
Delsarte had sought to restore."
122:, which became a major success with six editions (as well as numerous copycat publications). Stebbins also lectured extensively on Delsarte's theories, and displayed them (in conjunction with harmonic gymnastics) by
135:, and continuing with a slow, rhythmic motion of every portion of the body." Although she did not describe herself as a dancer, from 1890 at the latest she started to perform actual dances as well as poses.
35:(19 November 1811 – 20 July 1871) was a French singer, orator, and coach. Though he achieved some success as a composer, he is chiefly known as a teacher in singing and declamation (oratory).
166:(1954) is a key English-language text on the subject). As well as permeating the entire modern-dance movement in America, Delsartian influence may also be felt in German
118:
continued in their footsteps by developing a system of 'harmonic gymnastics', and in 1886 she published a book building on the foundation of
Delsarte's theories titled
162:. While St. Denis claimed a performance by Stebbins inspired her to dance, Shawn consciously embodied the Delsarte System in his work (and his book
114:, who brought his teacher's theories to America in lecture demonstrations he delivered in New York and Boston in 1871. However, MacKaye's student
1520:
1515:
644:
680:
629:
1400:
1292:
439:
414:
389:
355:
279:
703:
637:
463:
138:
There was a renewed interest in
Delsartism in the 1890s in Europe. The principles of Delsarte were incorporated into
1028:
673:
650:
217:
1128:
728:
962:
780:
239:
110:
Delsarte never wrote a text explaining his method, and neither did his only protégé, the
American actor
1439:
925:
643:
226:
590:
Gestures and
Attitudes: Exposition of the Delsarte Philosophy of Expression, Practical and Theoretical
1505:
1473:
1233:
666:
1395:
890:
885:
755:
875:
1018:
835:
566:
48:
538:
456:
An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski
1510:
1424:
1268:
1033:
1008:
880:
840:
708:
381:
375:
83:
posing (in 1902). Her performances ultimately helped Delsarte's ideas permeate modern dance.
1500:
1495:
1385:
1347:
1332:
1228:
850:
713:
195:
8:
1322:
1013:
139:
557:
1327:
1243:
920:
323:
212:
115:
80:
1238:
1173:
1138:
1083:
988:
967:
935:
810:
606:
459:
435:
410:
385:
351:
315:
275:
855:
845:
1444:
1367:
1248:
1158:
1133:
1078:
1068:
1058:
930:
865:
860:
805:
723:
718:
689:
615:
573:
307:
151:
88:
580:
56:
1429:
1375:
1312:
1183:
1153:
1073:
1038:
1003:
830:
785:
775:
104:
92:
76:
602:
1317:
1198:
1178:
1143:
1108:
1098:
1053:
1023:
900:
371:
155:
147:
132:
123:
111:
44:
16:
1489:
1390:
1380:
1188:
1123:
1118:
1103:
1063:
998:
993:
972:
825:
770:
738:
620:
319:
207:
191:
1357:
1337:
1307:
1253:
1223:
1208:
1148:
1048:
915:
910:
820:
733:
624:
562:, by Genevieve Stebbins; public-domain, online version on Internet Archive.
171:
143:
1352:
1263:
1218:
1113:
1088:
950:
905:
870:
815:
795:
175:
167:
1449:
1434:
1342:
1273:
1213:
1203:
1193:
1163:
1043:
790:
327:
91:
movement in the late 19th century. Delsarte intended his work for the
1258:
1168:
940:
272:
Dance, Modernity, and Culture: Explorations in the Sociology of Dance
159:
311:
945:
895:
658:
1454:
1278:
1093:
957:
96:
525:
Trois décennies de recherches européennes sur François Delsarte
100:
545:
Corps, arts et spiritualité chez François Delsarte (1811–1871)
552:
Dance Research: The Journal of the Society for Dance Research
300:
Dance Research: The Journal of the Society for Dance Research
206:
This article incorporates text from a publication now in the
52:
127:
24:
298:
Ruyter, Nancy Lee Chalfa (1996). "The Delsarte Heritage".
518:
Every Little Movement: A Book about François Delsarte
407:
Mastering Movement: The Life and Work of Rudolf Laban
364:
645:"Delsarte, François Alexandre Nicolas Chéri"
550:Nancy Lee Chalfa Ruyter, "The Delsarte Heritage,"
99:, and one of his many students (who also included
582:Physical Culture Founded on Delsartean Principles
423:
370:
1487:
377:No Fixed Points: Dance in the Twentieth Century
211:
429:
350:. Princeton Book Company. pp. 1–4, 8–12.
674:
293:
291:
265:
263:
261:
259:
257:
255:
253:
251:
554:, 14, no. 1 (Summer, 1996), pp. 62–74.
681:
667:
398:
341:
339:
337:
215:; Peck, H. T.; Colby, F. M., eds. (1905).
511:François Delsarte, une recherche sans fin
509:Franck Waille, Christophe Damour (dir.),
288:
248:
87:Delsarte's ideas were influential to the
33:François Alexandre Nicolas Chéri Delsarte
146:more generally through the influence of
75:
23:
15:
1521:Musicians from Nord (French department)
1516:People associated with physical culture
568:The Delsarte system of physical culture
434:. London: Dance Books. pp. 14–15.
404:
348:Introduction to Modern Dance Techniques
334:
71:
1488:
297:
269:
28:François Delsarte (Madeleine Delsarte)
662:
221:(1st ed.). New York: Dodd, Mead.
38:
704:Johann Christoph Friedrich GutsMuths
688:
345:
274:. Psychology Press. pp. 48–52.
612:Works by or about François Delsarte
486:body closely echoed Delsarte's own.
432:Rudolf Laban: An Extraordinary Life
190:Delsarte was the uncle of composer
13:
503:
458:. New York: Vintage Books. p. 32.
62:
14:
1532:
596:
532:François Delsarte, une anthologie
380:. Yale University Press. p.
120:The Delsarte System of Expression
1469:
1468:
430:Preston-Dunlop, Valerie (2008).
585:. New York: Fowler & Wells.
651:New International Encyclopedia
579:Carolina W. Le Farve. (1894).
489:
479:
448:
409:. Routledge . pp. 64–67.
218:New International Encyclopedia
1:
559:Delsarte system of expression
374:; McCormick, Malcolm (2003).
201:
781:Edward William Barton-Wright
7:
539:A Brief History of Delsarte
527:, Paris, L'Harmattan, 2011.
513:, Paris, L'Harmattan, 2015.
194:and grandfather of painter
47:. He became a pupil at the
10:
1537:
729:Francisco Amorós y Ondeano
638:Laban Biography and Method
631:Oxford Dictionary of Dance
621:Works by François Delsarte
603:Works by François Delsarte
1463:
1417:
1366:
1300:
1291:
981:
763:
754:
747:
696:
185:
126:and performing so-called
472:
454:Wangh, Stephen. (2000).
20:François Delsarte (1864)
405:Hodgson, John (2016) .
1401:Bhawanrao Shriniwasrao
523:Franck Waille (dir.),
270:Thomas, Helen (1995).
170:, through the work of
84:
29:
21:
1425:Battle of the Systems
1269:Warren Lincoln Travis
1034:Marie Bjelke Petersen
841:Edith Margaret Garrud
709:Friedrich Ludwig Jahn
346:Legg, Joshua (2011).
164:Every Little Movement
79:
43:Delsarte was born in
27:
19:
1386:Seetharaman Sundaram
1348:Kodi Rammurthy Naidu
1333:Jatindra Charan Guho
1229:Dudley Allen Sargent
851:George Hackenschmidt
714:Johann Baptist Krebs
534:, Paris, IPMC, 1992.
72:Influence and impact
886:Jørgen Peter Müller
140:expressionist dance
51:, was for a time a
1328:Ambika Charan Guha
1244:Genevieve Stebbins
921:Clara Schlaffhorst
588:Edward B. Warman.
116:Genevieve Stebbins
103:and teachers) was
85:
81:Genevieve Stebbins
49:Paris Conservatory
39:Applied aesthetics
30:
22:
1483:
1482:
1440:Muscular religion
1413:
1412:
1409:
1408:
1287:
1286:
1239:Amos Alonzo Stagg
1174:Bernarr Macfadden
1139:Annette Kellerman
1084:Keene Fitzpatrick
989:Marguerite Agniel
968:Emily Diana Watts
936:Lionel Strongfort
836:Gustav Frištenský
811:Launceston Elliot
801:François Delsarte
607:Project Gutenberg
565:Eleanor Georgen,
441:978-1-85273-124-3
416:978-1-135-86086-8
391:978-0-300-09366-7
357:978-0-87127-325-3
281:978-0-415-08793-3
234:Missing or empty
227:cite encyclopedia
1528:
1506:French musicians
1472:
1471:
1445:Yoga as exercise
1298:
1297:
1249:Alois P. Swoboda
1159:Diocletian Lewis
1134:George F. Jowett
1079:Carrica Le Favre
1069:Ludwig Durlacher
1059:C. Ward Crampton
931:Mary Bagot Stack
866:F. A. Hornibrook
861:Oscar Heidenstam
806:Edmond Desbonnet
761:
760:
752:
751:
724:Franz Nachtegall
719:Pehr Henrik Ling
690:Physical culture
683:
676:
669:
660:
659:
655:
647:
616:Internet Archive
574:Internet Archive
497:
493:
487:
483:
466:
452:
446:
445:
427:
421:
420:
402:
396:
395:
368:
362:
361:
343:
332:
331:
295:
286:
285:
267:
243:
237:
232:
230:
222:
152:Denishawn school
95:, including the
89:physical culture
1536:
1535:
1531:
1530:
1529:
1527:
1526:
1525:
1486:
1485:
1484:
1479:
1459:
1450:Natural hygiene
1430:Fitness culture
1405:
1376:Krishnamacharya
1362:
1313:Ramesh Balsekar
1283:
1184:William Muldoon
1154:W. R. C. Latson
1074:George Eiferman
1039:William Blaikie
1004:Sanford Bennett
977:
831:Bob Fitzsimmons
786:Zishe Breitbart
776:William Bankier
743:
692:
687:
642:
599:
543:Franck Waille,
537:Williams, Joe,
506:
504:Further reading
501:
500:
494:
490:
484:
480:
475:
470:
469:
453:
449:
442:
428:
424:
417:
403:
399:
392:
372:Reynolds, Nancy
369:
365:
358:
344:
335:
312:10.2307/1290825
296:
289:
282:
268:
249:
235:
233:
224:
223:
204:
196:Thérèse Geraldy
188:
105:Sarah Bernhardt
93:performing arts
74:
65:
63:Delsarte System
41:
12:
11:
5:
1534:
1524:
1523:
1518:
1513:
1508:
1503:
1498:
1481:
1480:
1478:
1477:
1464:
1461:
1460:
1458:
1457:
1452:
1447:
1442:
1437:
1432:
1427:
1421:
1419:
1415:
1414:
1411:
1410:
1407:
1406:
1404:
1403:
1398:
1393:
1388:
1383:
1378:
1372:
1370:
1364:
1363:
1361:
1360:
1355:
1350:
1345:
1340:
1335:
1330:
1325:
1320:
1318:The Great Gama
1315:
1310:
1304:
1302:
1295:
1289:
1288:
1285:
1284:
1282:
1281:
1276:
1271:
1266:
1261:
1256:
1251:
1246:
1241:
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1201:
1199:Harry Paschall
1196:
1191:
1186:
1181:
1179:Artie McGovern
1176:
1171:
1166:
1161:
1156:
1151:
1146:
1144:Siegmund Klein
1141:
1136:
1131:
1126:
1121:
1116:
1111:
1109:Joe Greenstein
1106:
1101:
1099:John B. Gagnon
1096:
1091:
1086:
1081:
1076:
1071:
1066:
1061:
1056:
1054:Edwin Checkley
1051:
1046:
1041:
1036:
1031:
1026:
1024:George Brosius
1021:
1016:
1011:
1009:Pierre Bernard
1006:
1001:
996:
991:
985:
983:
979:
978:
976:
975:
970:
965:
960:
955:
954:
953:
948:
938:
933:
928:
923:
918:
913:
908:
903:
901:William Pullum
898:
893:
891:Hartvig Nissen
888:
883:
878:
873:
868:
863:
858:
856:Georges Hébert
853:
848:
846:Hermann Görner
843:
838:
833:
828:
823:
818:
813:
808:
803:
798:
793:
788:
783:
778:
773:
767:
765:
758:
749:
745:
744:
742:
741:
736:
731:
726:
721:
716:
711:
706:
700:
698:
694:
693:
686:
685:
678:
671:
663:
657:
656:
640:
635:
634:(subscription)
627:
618:
609:
598:
597:External links
595:
594:
593:
586:
577:
563:
555:
548:
541:
535:
528:
521:
514:
505:
502:
499:
498:
488:
477:
476:
474:
471:
468:
467:
447:
440:
422:
415:
397:
390:
363:
356:
333:
287:
280:
246:
245:
203:
200:
187:
184:
156:Ruth St. Denis
148:Isadora Duncan
112:Steele MacKaye
73:
70:
64:
61:
45:Solesmes, Nord
40:
37:
9:
6:
4:
3:
2:
1533:
1522:
1519:
1517:
1514:
1512:
1509:
1507:
1504:
1502:
1499:
1497:
1494:
1493:
1491:
1476:
1475:
1466:
1465:
1462:
1456:
1453:
1451:
1448:
1446:
1443:
1441:
1438:
1436:
1433:
1431:
1428:
1426:
1423:
1422:
1420:
1416:
1402:
1399:
1397:
1394:
1392:
1391:Shri Yogendra
1389:
1387:
1384:
1382:
1381:Kuvalayananda
1379:
1377:
1374:
1373:
1371:
1369:
1365:
1359:
1356:
1354:
1351:
1349:
1346:
1344:
1341:
1339:
1336:
1334:
1331:
1329:
1326:
1324:
1321:
1319:
1316:
1314:
1311:
1309:
1306:
1305:
1303:
1299:
1296:
1294:
1290:
1280:
1277:
1275:
1272:
1270:
1267:
1265:
1262:
1260:
1257:
1255:
1252:
1250:
1247:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1200:
1197:
1195:
1192:
1190:
1189:Ralph Parcaut
1187:
1185:
1182:
1180:
1177:
1175:
1172:
1170:
1167:
1165:
1162:
1160:
1157:
1155:
1152:
1150:
1147:
1145:
1142:
1140:
1137:
1135:
1132:
1130:
1127:
1125:
1124:Roy Hilligenn
1122:
1120:
1119:Milo Hastings
1117:
1115:
1112:
1110:
1107:
1105:
1104:Vince Gironda
1102:
1100:
1097:
1095:
1092:
1090:
1087:
1085:
1082:
1080:
1077:
1075:
1072:
1070:
1067:
1065:
1064:Jack Delinger
1062:
1060:
1057:
1055:
1052:
1050:
1047:
1045:
1042:
1040:
1037:
1035:
1032:
1030:
1029:Drexel Biddle
1027:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
999:Clarence Bass
997:
995:
994:Charles Atlas
992:
990:
987:
986:
984:
980:
974:
973:Freddie Welsh
971:
969:
966:
964:
963:Ronald Walker
961:
959:
956:
952:
949:
947:
944:
943:
942:
939:
937:
934:
932:
929:
927:
924:
922:
919:
917:
914:
912:
909:
907:
904:
902:
899:
897:
894:
892:
889:
887:
884:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
857:
854:
852:
849:
847:
844:
842:
839:
837:
834:
832:
829:
827:
826:Eileen Fowler
824:
822:
819:
817:
814:
812:
809:
807:
804:
802:
799:
797:
794:
792:
789:
787:
784:
782:
779:
777:
774:
772:
771:Bert Assirati
769:
768:
766:
762:
759:
757:
753:
750:
746:
740:
739:Thomas Topham
737:
735:
732:
730:
727:
725:
722:
720:
717:
715:
712:
710:
707:
705:
702:
701:
699:
695:
691:
684:
679:
677:
672:
670:
665:
664:
661:
653:
652:
646:
641:
639:
636:
633:
632:
628:
626:
622:
619:
617:
613:
610:
608:
604:
601:
600:
591:
587:
584:
583:
578:
575:
571:
569:
564:
561:
560:
556:
553:
549:
546:
542:
540:
536:
533:
530:Alain Porte,
529:
526:
522:
519:
515:
512:
508:
507:
492:
482:
478:
465:
464:0-375-70672-0
461:
457:
451:
443:
437:
433:
426:
418:
412:
408:
401:
393:
387:
383:
379:
378:
373:
367:
359:
353:
349:
342:
340:
338:
329:
325:
321:
317:
313:
309:
305:
301:
294:
292:
283:
277:
273:
266:
264:
262:
260:
258:
256:
254:
252:
247:
244:
241:
228:
220:
219:
214:
213:Gilman, D. C.
209:
208:public domain
199:
197:
193:
192:Georges Bizet
183:
179:
177:
173:
169:
165:
161:
157:
153:
149:
145:
141:
136:
134:
129:
125:
124:statue-posing
121:
117:
113:
108:
106:
102:
98:
94:
90:
82:
78:
69:
60:
58:
57:Opéra Comique
54:
50:
46:
36:
34:
26:
18:
1511:Modern dance
1467:
1358:Monotosh Roy
1338:Guru Hanuman
1308:Manohar Aich
1301:Bodybuilding
1254:Armand Tanny
1224:Tony Sansone
1209:Steve Reeves
1149:Jack LaLanne
1049:Alan Calvert
916:Arthur Saxon
911:Eugen Sandow
821:Juan Ferrero
800:
734:Adolf Spiess
649:
630:
625:Open Library
589:
581:
567:
558:
551:
544:
531:
524:
517:
510:
491:
481:
455:
450:
431:
425:
406:
400:
376:
366:
347:
306:(1): 62–74.
303:
299:
271:
236:|title=
216:
205:
189:
180:
172:Rudolf Laban
163:
144:modern dance
137:
128:'pantomimes'
119:
109:
86:
66:
42:
32:
31:
1501:1871 deaths
1496:1811 births
1353:Chandgi Ram
1323:B. C. Ghosh
1264:John Terpak
1234:Larry Scott
1219:Joe Rollino
1129:Bob Hoffman
1114:John Grimek
1089:Mark Forest
951:Monte Saldo
906:Joan Rhodes
871:Thomas Inch
816:Tony Emmott
796:Victor Dane
697:Antecedents
516:Ted Shawn,
176:Mary Wigman
168:Tanztheater
1490:Categories
1435:Gymnastics
1343:K. V. Iyer
1274:Al Treloar
1214:Leo Robert
1204:Bill Pearl
1194:Kid Parker
1164:Gilman Low
1044:Paul Bragg
1019:Joe Bonomo
1014:Mark Berry
881:Dan McLeod
791:Niels Bukh
202:References
1259:Vic Tanny
1169:Dan Lurie
982:New World
941:Maxalding
876:John Lees
320:0264-2875
160:Ted Shawn
1474:Category
896:Reg Park
764:European
150:and the
133:attitude
1455:Pilates
1418:Related
1279:Turners
1094:Ed Fury
958:Vulcana
756:Western
748:Systems
654:. 1905.
614:at the
592:, 1892.
328:1290825
210::
101:orators
97:theatre
55:in the
1396:Tiruka
1293:Indian
946:Maxick
570:(1893)
520:, 1954
496:ideas.
462:
438:
413:
388:
354:
326:
318:
278:
186:Family
1368:Yogic
926:Sokol
473:Notes
324:JSTOR
53:tenor
460:ISBN
436:ISBN
411:ISBN
386:ISBN
352:ISBN
316:ISSN
276:ISBN
240:help
174:and
158:and
142:and
623:at
605:at
308:doi
154:of
107:.
1492::
648:.
384:.
382:11
336:^
322:.
314:.
304:14
302:.
290:^
250:^
231::
229:}}
225:{{
198:.
178:.
682:e
675:t
668:v
576:)
572:(
444:.
419:.
394:.
360:.
330:.
310::
284:.
242:)
238:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.