Knowledge

François Lemoyne

Source 📝

120: 100: 31: 764: 690: 288:
The following year, 1737, Lemoyne committed suicide in Paris. The reasons for this are not known, though excess of work, court intrigue at Versailles, the death of his wife, temperamental instability, and frustration at his inability to attain artistic perfection have been submitted. He chose death
238:, held an art competition in the hopes of reviving history painting among members of the Académie. Only one Salon had been held since 1704 (in 1725), so this offered a rare opportunity for public exhibition of paintings. Twelve paintings were submitted in all, by artists including 316:
Lemoyne's early studies in Rome instilled in him knowledge of the works of the Old Masters, Raphael, Correggio, and Titian, though his strongest influence was undoubtedly Rubens (particularly in his use of color). During his second trip in 1723, Lemoyne admired the ceiling of the
644: 440: 290: 492: 223:
until 1713. In 1711, Lemoyne won the Prix de Rome and travelled to Italy to continue his studies. After his return to Paris, Lemoyne was accepted as a full member of the
328:
Pierre Rosenberg describes Lemoyne's style as "refined and introverted." Philip Conisbee refers to Lemoyne's paintings as having a "sensuous beauty" similar to works by
811:
Jean-Luc Bordeaux, Francois Le Moyne ( 1688–1737) and His Generations, published in 1984-1985 jointly by the Getty Trust and the Louvre Arthena. ( reviewed by the late
652: 395: 200: 155: 454: 246:. Opinion was widely divided, with critical opinion favoring the paintings by the two Coypels, but in the end the first place prize of 5,000 863: 289:
by sword, stabbing himself a total of nine times in the chest and throat. This was six months after finishing the ceiling painting "
500: 211:. He killed himself in 1737, at the height of his career. With his death, the fashion of large allegorical ceilings disappeared. 224: 71: 828: 848: 853: 465: 858: 806: 723: 365: 273:
as much as the Italians. When the work was complete, he received "unanimous praise," including accolades from
833: 227:
in 1718 and later elected as a professor in 1733. In 1723, Lemoyne returned to Italy for a second trip.
739: 714:
Rowell, Christopher (July 2019). "François Lemoyne, The Annunciation, 1727". In Foster, Richard (ed.).
278: 298: 184: 325:. Over the course of his career, Lemoyne's style shifted more in favor of the Italian influence. 239: 208: 169: 160: 243: 461: 308:
Lemoyne has been characterized by David Wakefield as "industrious, painstaking and serious."
792: 119: 843: 838: 399: 329: 258: 188: 8: 419: 204: 261:, which he worked on from 1733 to 1736. He had seen similar paintings in Italy (such as 235: 173: 433: 409: 371: 294: 254: 165: 802: 719: 447: 318: 266: 262: 250:
was jointly awarded to Lemoyne and de Troy, a compromise which frustrated them both.
99: 413: 812: 390: 192: 180: 142: 195:". He collaborated with or worked alongside other artists of the era, including 322: 231: 220: 196: 113: 822: 183:
and the leading painter of his generation, titles also vied for by his rival
44: 253:
In 1728, Lemoyne was awarded a royal commission to paint the ceiling of the
151: 234:(Louis-Antoine de Pardaillan de Grondin), serving as the director of the 765:"Wallace Collection Online - Time Saving Truth from Falsehood and Envy" 645:"Wallace Collection Online - Time Saving Truth from Falsehood and Envy" 191:, earned him the esteem of his contemporaries and the name of the "new 104: 274: 81: 321:
and found inspiration in the works of the Venetians, particularly
30: 179:
Throughout his career, Lemoyne sought to be seen as the heir to
187:(1679–1752). Lemoyne's work and talent, notably plied in 147: 108: 91: 281:. His career was at its peak in 1736, when he was appointed 386:(1727), the painting he displayed at the 1727 competition. 126:(1737) Completed on the day before the artist's suicide. 269:), and sought to prove that the French could excel at 473:(1737), currently at the Wallace Collection, London. 219:
Lemoyne was born in Paris in 1688 and studied under
691:"Wallace Collection Online - Perseus and Andromeda" 344:(1711), the painting he won the Prix de Rome with. 820: 674:François Le Moyne and His Generation, 1688-1737 611:. Toledo: The Toledo Museum of Art. p. 13. 609:The Age of Louis XV: French Painting 1710-1774 571:. Toledo: The Toledo Museum of Art. p. 5. 569:The Age of Louis XV: French Painting 1710-1774 301:, and the day after completing the painting 305:for his friend and patron François Berger. 156:Académie royale de peinture et de sculpture 29: 628: 606: 566: 544: 471:Time Saving Truth from Falsehood and Envy 303:Time Saving Truth from Falsehood and Envy 124:Time Saving Truth from Falsehood and Envy 586: 549:. London: Gordon Fraser. pp. 42–43. 118: 98: 380:(1724), currently in the Louvre, Paris. 821: 791:Cours sur la peinture du XVIII, 2006, 713: 589:Painting in Eighteenth-Century France 540: 538: 490: 360:Tancred Surrendering Arms to Clorinda 141: 716:50 Treasures from Winchester College 633:. London: Gordon Fraser. p. 44. 624: 622: 620: 618: 602: 600: 598: 582: 580: 578: 562: 560: 558: 556: 536: 534: 532: 530: 528: 526: 524: 522: 520: 518: 225:Académie de peinture et de sculpture 72:Académie de peinture et de sculpture 815:in the Burlington Magazine in 1985. 391:Louis XV donnant la Paix à l'Europe 146:; 1688 – 4 June 1737) was a French 13: 631:French Eighteenth-Century Painting 591:. Oxford: Phaidon. pp. 77–78. 547:French Eighteenth-Century Painting 14: 875: 769:wallacelive.wallacecollection.org 695:wallacelive.wallacecollection.org 649:wallacelive.wallacecollection.org 615: 595: 575: 553: 515: 864:18th-century French male artists 150:painter. He was a winner of the 785: 757: 732: 707: 466:Abbey of Saint-Germain-des-Prés 362:(1722), commissioned by Berger. 683: 666: 637: 484: 441:Church of Saint-Thomas-d'Aquin 1: 799:François Lemoyne à Versailles 477: 829:18th-century French painters 740:"Museum Masterpiece Returns" 680:127, no. 993 (1985): 908-09. 672:Conisbee, Philip. Review of 412:, previously on loan to the 214: 7: 849:Artists who died by suicide 10: 880: 607:Rosenberg, Pierre (1975). 567:Rosenberg, Pierre (1975). 16:French painter (1688–1737) 854:Prix de Rome for painting 629:Wakefield, David (1984). 587:Conisbee, Philip (1981). 545:Wakefield, David (1984). 491:Plock, Phillippa (2011). 370:(1723), currently at the 87: 77: 67: 59: 51: 37: 28: 21: 859:Premiers peintres du Roi 801:, Gourcuff, Paris 2001, 676:, by Jean-Luc Bordeaux, 335: 311: 299:grand appartement du roi 678:The Burlington Magazine 493:"Time Uncovering Truth" 143:[fʁɑ̃swaləmwan] 718:. SCALA. p. 100. 350:, in Nantes Cathedral. 348:St Jean dans le Désert 283:Premier peintre du Roi 240:Charles-Antoine Coypel 170:Charles-Joseph Natoire 161:Premier peintre du Roi 127: 116: 797:Xavier Salmon : 744:winchestercollege.org 367:Perseus and Andromeda 291:L'apothéose d'Hercule 185:Jean-François de Troy 122: 102: 834:French male painters 436:in Versailles (1736) 384:Continence of Scipio 378:Hercules and Omphale 244:Noel-Nicholas Coypel 205:Charles de La Fosse 154:, professor of the 793:Université Nancy 2 460:He also worked at 410:Winchester College 372:Wallace Collection 354:Hercules and Cacus 168:. He was tutor to 128: 117: 448:Diane chasseresse 319:Palazzo Barberini 267:Palazzo Barberini 263:Pietro da Cortona 135:François Le Moine 97: 96: 871: 779: 778: 776: 775: 761: 755: 754: 752: 750: 736: 730: 729: 711: 705: 704: 702: 701: 687: 681: 670: 664: 663: 661: 660: 651:. Archived from 641: 635: 634: 626: 613: 612: 604: 593: 592: 584: 573: 572: 564: 551: 550: 542: 513: 512: 510: 508: 499:. Archived from 488: 427:Venus and Adonis 414:National Gallery 406:The Annunciation 396:Salon de la Paix 236:Bâtiments du Roi 201:Gilles Dutilleul 174:François Boucher 145: 140: 131:François Lemoyne 33: 23:François Lemoyne 19: 18: 879: 878: 874: 873: 872: 870: 869: 868: 819: 818: 813:Philip Conisbee 788: 783: 782: 773: 771: 763: 762: 758: 748: 746: 738: 737: 733: 726: 712: 708: 699: 697: 689: 688: 684: 671: 667: 658: 656: 643: 642: 638: 627: 616: 605: 596: 585: 576: 565: 554: 543: 516: 506: 504: 489: 485: 480: 434:Salon d'Hercule 432:Ceiling of the 338: 314: 295:Salon d'Hercule 279:Cardinal Fleury 255:Salon d’Hercule 217: 181:Charles Le Brun 138: 47: 42: 24: 17: 12: 11: 5: 877: 867: 866: 861: 856: 851: 846: 841: 836: 831: 817: 816: 809: 795: 787: 784: 781: 780: 756: 731: 724: 706: 682: 665: 636: 614: 594: 574: 552: 514: 482: 481: 479: 476: 475: 474: 468: 458: 451: 444: 437: 430: 424: 416: 403: 387: 381: 375: 363: 357: 351: 345: 337: 334: 323:Paolo Veronese 313: 310: 221:Louis Galloche 216: 213: 197:Donat Nonnotte 114:Nationalmuseum 95: 94: 89: 85: 84: 79: 78:Known for 75: 74: 69: 65: 64: 61: 57: 56: 53: 49: 48: 43: 39: 35: 34: 26: 25: 22: 15: 9: 6: 4: 3: 2: 876: 865: 862: 860: 857: 855: 852: 850: 847: 845: 842: 840: 837: 835: 832: 830: 827: 826: 824: 814: 810: 808: 807:2-909838-57-9 804: 800: 796: 794: 790: 789: 770: 766: 760: 745: 741: 735: 727: 725:9781785512209 721: 717: 710: 696: 692: 686: 679: 675: 669: 655:on 2017-10-23 654: 650: 646: 640: 632: 625: 623: 621: 619: 610: 603: 601: 599: 590: 583: 581: 579: 570: 563: 561: 559: 557: 548: 541: 539: 537: 535: 533: 531: 529: 527: 525: 523: 521: 519: 503:on 2015-09-19 502: 498: 494: 487: 483: 472: 469: 467: 463: 462:Saint-Sulpice 459: 457: 456: 452: 450: 449: 445: 442: 438: 435: 431: 428: 425: 422: 421: 417: 415: 411: 407: 404: 401: 397: 393: 392: 388: 385: 382: 379: 376: 373: 369: 368: 364: 361: 358: 355: 352: 349: 346: 343: 342:Ruth and Booz 340: 339: 333: 331: 326: 324: 320: 309: 306: 304: 300: 296: 292: 286: 284: 280: 276: 272: 271:à ciel ouvert 268: 264: 260: 256: 251: 249: 245: 241: 237: 233: 230:In 1727, the 228: 226: 222: 212: 210: 206: 202: 198: 194: 190: 186: 182: 177: 175: 171: 167: 163: 162: 157: 153: 149: 144: 136: 132: 125: 121: 115: 111: 110: 106: 101: 93: 90: 86: 83: 80: 76: 73: 70: 66: 62: 58: 54: 50: 46: 45:Paris, France 40: 36: 32: 27: 20: 798: 786:Bibliography 772:. Retrieved 768: 759: 747:. Retrieved 743: 734: 715: 709: 698:. Retrieved 694: 685: 677: 673: 668: 657:. Retrieved 653:the original 648: 639: 630: 608: 588: 568: 546: 505:. Retrieved 501:the original 496: 486: 470: 453: 446: 439:Arch of the 426: 418: 405: 389: 383: 377: 366: 359: 353: 347: 341: 327: 315: 307: 302: 287: 282: 270: 252: 247: 229: 218: 178: 159: 152:Prix de Rome 134: 130: 129: 123: 103: 844:1737 deaths 839:1688 births 464:and at the 455:Les Nymphes 408:(1727), at 232:duc d'Antin 60:Nationality 55:4 June 1737 823:Categories 774:2017-11-18 700:2017-11-18 659:2017-11-18 507:22 October 478:References 400:Versailles 265:’s in the 259:Versailles 189:Versailles 497:Waddesdon 420:Narcissus 374:, London. 330:Correggio 293:" in the 215:Biography 68:Education 443:in Paris 275:Voltaire 166:Louis XV 112:, 1729, 88:Movement 82:Painting 749:6 March 297:in the 193:Le Brun 139:French: 805:  722:  429:(1729) 423:(1728) 402:(1727) 356:(1718) 248:livres 209:Coypel 207:, and 158:, and 148:rococo 109:Adonis 92:Rococo 63:French 336:Works 312:Style 105:Venus 803:ISBN 751:2022 720:ISBN 509:2017 277:and 242:and 172:and 107:and 52:Died 41:1688 38:Born 398:in 257:at 164:to 133:or 825:: 767:. 742:. 693:. 647:. 617:^ 597:^ 577:^ 555:^ 517:^ 495:. 394:, 332:. 285:. 203:, 199:, 176:. 777:. 753:. 728:. 703:. 662:. 511:. 137:(

Index


Paris, France
Académie de peinture et de sculpture
Painting
Rococo

Venus
Adonis
Nationalmuseum

[fʁɑ̃swaləmwan]
rococo
Prix de Rome
Académie royale de peinture et de sculpture
Premier peintre du Roi
Louis XV
Charles-Joseph Natoire
François Boucher
Charles Le Brun
Jean-François de Troy
Versailles
Le Brun
Donat Nonnotte
Gilles Dutilleul
Charles de La Fosse
Coypel
Louis Galloche
Académie de peinture et de sculpture
duc d'Antin
Bâtiments du Roi

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.