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The following year, 1737, Lemoyne committed suicide in Paris. The reasons for this are not known, though excess of work, court intrigue at
Versailles, the death of his wife, temperamental instability, and frustration at his inability to attain artistic perfection have been submitted. He chose death
238:, held an art competition in the hopes of reviving history painting among members of the Académie. Only one Salon had been held since 1704 (in 1725), so this offered a rare opportunity for public exhibition of paintings. Twelve paintings were submitted in all, by artists including
316:
Lemoyne's early studies in Rome instilled in him knowledge of the works of the Old
Masters, Raphael, Correggio, and Titian, though his strongest influence was undoubtedly Rubens (particularly in his use of color). During his second trip in 1723, Lemoyne admired the ceiling of the
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until 1713. In 1711, Lemoyne won the Prix de Rome and travelled to Italy to continue his studies. After his return to Paris, Lemoyne was accepted as a full member of the
328:
Pierre
Rosenberg describes Lemoyne's style as "refined and introverted." Philip Conisbee refers to Lemoyne's paintings as having a "sensuous beauty" similar to works by
811:
Jean-Luc
Bordeaux, Francois Le Moyne ( 1688–1737) and His Generations, published in 1984-1985 jointly by the Getty Trust and the Louvre Arthena. ( reviewed by the late
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246:. Opinion was widely divided, with critical opinion favoring the paintings by the two Coypels, but in the end the first place prize of 5,000
863:
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by sword, stabbing himself a total of nine times in the chest and throat. This was six months after finishing the ceiling painting "
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211:. He killed himself in 1737, at the height of his career. With his death, the fashion of large allegorical ceilings disappeared.
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as much as the
Italians. When the work was complete, he received "unanimous praise," including accolades from
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in 1718 and later elected as a professor in 1733. In 1723, Lemoyne returned to Italy for a second trip.
739:
714:
Rowell, Christopher (July 2019). "François
Lemoyne, The Annunciation, 1727". In Foster, Richard (ed.).
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325:. Over the course of his career, Lemoyne's style shifted more in favor of the Italian influence.
239:
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169:
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Lemoyne has been characterized by David
Wakefield as "industrious, painstaking and serious."
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261:, which he worked on from 1733 to 1736. He had seen similar paintings in Italy (such as
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was jointly awarded to
Lemoyne and de Troy, a compromise which frustrated them both.
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195:". He collaborated with or worked alongside other artists of the era, including
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and the leading painter of his generation, titles also vied for by his rival
44:
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In 1728, Lemoyne was awarded a royal commission to paint the ceiling of the
151:
234:(Louis-Antoine de Pardaillan de Grondin), serving as the director of the
765:"Wallace Collection Online - Time Saving Truth from Falsehood and Envy"
645:"Wallace Collection Online - Time Saving Truth from Falsehood and Envy"
191:, earned him the esteem of his contemporaries and the name of the "new
104:
274:
81:
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and found inspiration in the works of the
Venetians, particularly
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179:
Throughout his career, Lemoyne sought to be seen as the heir to
187:(1679–1752). Lemoyne's work and talent, notably plied in
147:
108:
91:
281:. His career was at its peak in 1736, when he was appointed
386:(1727), the painting he displayed at the 1727 competition.
126:(1737) Completed on the day before the artist's suicide.
269:), and sought to prove that the French could excel at
473:(1737), currently at the Wallace Collection, London.
219:
Lemoyne was born in Paris in 1688 and studied under
691:"Wallace Collection Online - Perseus and Andromeda"
344:(1711), the painting he won the Prix de Rome with.
820:
674:François Le Moyne and His Generation, 1688-1737
611:. Toledo: The Toledo Museum of Art. p. 13.
609:The Age of Louis XV: French Painting 1710-1774
571:. Toledo: The Toledo Museum of Art. p. 5.
569:The Age of Louis XV: French Painting 1710-1774
301:, and the day after completing the painting
305:for his friend and patron François Berger.
156:Académie royale de peinture et de sculpture
29:
628:
606:
566:
544:
471:Time Saving Truth from Falsehood and Envy
303:Time Saving Truth from Falsehood and Envy
124:Time Saving Truth from Falsehood and Envy
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549:. London: Gordon Fraser. pp. 42–43.
118:
98:
380:(1724), currently in the Louvre, Paris.
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791:Cours sur la peinture du XVIII, 2006,
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589:Painting in Eighteenth-Century France
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538:
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360:Tancred Surrendering Arms to Clorinda
141:
716:50 Treasures from Winchester College
633:. London: Gordon Fraser. p. 44.
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225:Académie de peinture et de sculpture
72:Académie de peinture et de sculpture
815:in the Burlington Magazine in 1985.
391:Louis XV donnant la Paix à l'Europe
146:; 1688 – 4 June 1737) was a French
13:
631:French Eighteenth-Century Painting
591:. Oxford: Phaidon. pp. 77–78.
547:French Eighteenth-Century Painting
14:
875:
769:wallacelive.wallacecollection.org
695:wallacelive.wallacecollection.org
649:wallacelive.wallacecollection.org
615:
595:
575:
553:
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864:18th-century French male artists
150:painter. He was a winner of the
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732:
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466:Abbey of Saint-Germain-des-Prés
362:(1722), commissioned by Berger.
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441:Church of Saint-Thomas-d'Aquin
1:
799:François Lemoyne à Versailles
477:
829:18th-century French painters
740:"Museum Masterpiece Returns"
680:127, no. 993 (1985): 908-09.
672:Conisbee, Philip. Review of
412:, previously on loan to the
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7:
849:Artists who died by suicide
10:
880:
607:Rosenberg, Pierre (1975).
567:Rosenberg, Pierre (1975).
16:French painter (1688–1737)
854:Prix de Rome for painting
629:Wakefield, David (1984).
587:Conisbee, Philip (1981).
545:Wakefield, David (1984).
491:Plock, Phillippa (2011).
370:(1723), currently at the
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51:
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21:
859:Premiers peintres du Roi
801:, Gourcuff, Paris 2001,
676:, by Jean-Luc Bordeaux,
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299:grand appartement du roi
678:The Burlington Magazine
493:"Time Uncovering Truth"
143:[fʁɑ̃swaləmwan]
718:. SCALA. p. 100.
350:, in Nantes Cathedral.
348:St Jean dans le Désert
283:Premier peintre du Roi
240:Charles-Antoine Coypel
170:Charles-Joseph Natoire
161:Premier peintre du Roi
127:
116:
797:Xavier Salmon :
744:winchestercollege.org
367:Perseus and Andromeda
291:L'apothéose d'Hercule
185:Jean-François de Troy
122:
102:
834:French male painters
436:in Versailles (1736)
384:Continence of Scipio
378:Hercules and Omphale
244:Noel-Nicholas Coypel
205:Charles de La Fosse
154:, professor of the
793:Université Nancy 2
460:He also worked at
410:Winchester College
372:Wallace Collection
354:Hercules and Cacus
168:. He was tutor to
128:
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448:Diane chasseresse
319:Palazzo Barberini
267:Palazzo Barberini
263:Pietro da Cortona
135:François Le Moine
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651:. Archived from
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499:. Archived from
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427:Venus and Adonis
414:National Gallery
406:The Annunciation
396:Salon de la Paix
236:Bâtiments du Roi
201:Gilles Dutilleul
174:François Boucher
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131:François Lemoyne
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23:François Lemoyne
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434:Salon d'Hercule
432:Ceiling of the
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295:Salon d'Hercule
279:Cardinal Fleury
255:Salon d’Hercule
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181:Charles Le Brun
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323:Paolo Veronese
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221:Louis Galloche
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197:Donat Nonnotte
114:Nationalmuseum
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78:Known for
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655:on 2017-10-23
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503:on 2015-09-19
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342:Ruth and Booz
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271:à ciel ouvert
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230:In 1727, the
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45:Paris, France
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786:Bibliography
772:. Retrieved
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747:. Retrieved
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698:. Retrieved
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657:. Retrieved
653:the original
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505:. Retrieved
501:the original
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439:Arch of the
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152:Prix de Rome
134:
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844:1737 deaths
839:1688 births
464:and at the
455:Les Nymphes
408:(1727), at
232:duc d'Antin
60:Nationality
55:4 June 1737
823:Categories
774:2017-11-18
700:2017-11-18
659:2017-11-18
507:22 October
478:References
400:Versailles
265:’s in the
259:Versailles
189:Versailles
497:Waddesdon
420:Narcissus
374:, London.
330:Correggio
293:" in the
215:Biography
68:Education
443:in Paris
275:Voltaire
166:Louis XV
112:, 1729,
88:Movement
82:Painting
749:6 March
297:in the
193:Le Brun
139:French:
805:
722:
429:(1729)
423:(1728)
402:(1727)
356:(1718)
248:livres
209:Coypel
207:, and
158:, and
148:rococo
109:Adonis
92:Rococo
63:French
336:Works
312:Style
105:Venus
803:ISBN
751:2022
720:ISBN
509:2017
277:and
242:and
172:and
107:and
52:Died
41:1688
38:Born
398:in
257:at
164:to
133:or
825::
767:.
742:.
693:.
647:.
617:^
597:^
577:^
555:^
517:^
495:.
394:,
332:.
285:.
203:,
199:,
176:.
777:.
753:.
728:.
703:.
662:.
511:.
137:(
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