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role in the contemporary French theatre influence in contemporary Dutch culture. Many new French plays had their Dutch premiere in her theatre. She was a successful theatre manager who managed the theatre with profit, and stayed in her position for over a decade when most of her successors resigned after but a short term.
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between 1750 and 1769. She was also a shareholder in the same theatre, succeeded her spouse as its manager and director and served as such between 1759 and 1767 with her daughter as co-manager. As a singer and actor, she had a mediocre career, but as a theater manager and director, she played a major
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She was the daughter of Pierre
Gravillon, a Frenchman employed at the Dutch court, and Jeanne Rat; married the French musician Jean Baptiste Anselme in 1728, and became the mother of the ballerina
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Content in this edit is translated from the existing
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Anna de Haas, Gravillon, Françoise, in: Digitaal
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22:(1710–1781), was a Dutch theatre manager of French origin.
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