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dissolution to such society as might take its place), the income to be devoted to the encouragement of
British painting and sculpture, by "the purchase of works of fine art of the highest merit ... that can be obtained." The funds might be allowed to accumulate for not more than five years; works by British or foreign artists, dead or living, might be acquired, so long as such works were entirely executed within Great Britain, the artists having been in residence there during the execution and completion. The prices to be paid were to be "liberal," and no sympathy for an artist or his family was to influence the selection or the purchase of works, which were to be acquired solely on the ground of intrinsic merit. No commission or orders might be given: the works must be finished before purchase. Conditions were made as to the exhibition of the works, in the confident expectation that the government or the country would provide a suitable gallery for their display; and an annual sum of £300 and £50 was to be paid to the president and the secretary of the
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108:), where his family had a small farm. His father, who also dabbled in carpentry and wood-carving, died when Francis was twelve; and his mother remarried, leaving him without a clear career to follow. At fifteen, he was working for a grocer in Sheffield, when, having seen some wood-carving in a shop-window, he asked to be apprenticed as a carver instead, and was placed with a woodcarver and gilder called Ramsay in Sheffield.
231:
He visited Paris in 1814, and again in 1815, this time with his wife, Thomas
Stothard, and D. A. Alexander, visiting the Louvre where he especially admired the works of Raphael and Titian. In 1819 he went to Italy, accompanied by the painter John Jackson, and an old friend named Read. In Rome he met
633:
By his will, dated 31 December 1840, Chantrey (who had no children) left his whole residuary personal estate after the decease or on the second marriage of his widow (less certain specified annuities and bequests) in trust for the president and trustees of the Royal
Academy (or in the event of its
311:
wrote that
Chantrey "had a great gift for characterisation, his ability to render the softness of flesh was much admired" and that "though compelled by the fashion of the day to produce, on occasions, classicizing works, his robust common sense and his enormous talent is better displayed in works
52:
Britain, producing busts and statues of many notable figures of the time. Chantrey's most notable works include the statues of King George IV (Trafalgar Square); King George III (Guildhall), and George
Washington (Massachusetts State House). He also executed four monuments to military heroes for
227:
placed the bust of Tooke between two of his own, and the prominence given to it is said to have had a significant influence on
Chantrey's career. In the wake of the exhibition he received commissions amounting to £12,000. In 1813 he was able to raise his price for a bust to a hundred and fifty
302:
Those who wish to trace the return of
English sculpture from the foreign artificial and allegorical style, to its natural and original character—from cold and conceited fiction to tender and elevated truth, will find it chiefly in the history of Francis Chantrey and his productions.
684:
By the end of 1905, 203 works had been bought—all but two from living artists—at a cost of nearly £68,000. Of these, 175 were oil paintings, 12 were watercolours, and 16 were sculptures. The bequest remained the main source of funding for expanding the collection of what is now
529:; Chantrey's biographer, James Holland, however gave more credence to another account of its history, according to which Stothard had merely made a drawing from Chantrey's preliminary model. Another popular work, much reproduced, was a small statue, made for
336:
Chantrey was a prolific sculptor. According to an article published in 1842, he produced, besides his busts and reliefs, three equestrian statues, 18 standing ones, 18 seated ones and 14 recumbent figures. His most notable works include the statues of
521:, a monument to two girls of the Robinson family, depicting them asleep in one another's arms, the younger holding a bunch of snowdrops. It attracted a great deal of attention when shown at the Royal Academy in 1817, before its installation in
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1792:
204:. By this time he was settled permanently in London, His wife brought £10,000 into the marriage, which allowed Chantrey to pay off his debts, and for the couple to move into a house at 13 Eccleston Street,
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were his chief assistants, and made many of the works produced under
Chantrey's name. The debilitating effects of heart disease made him even more reliant on assistants in the last few years of his life.
1815:
136:
Asked later in life, as a witness in a court case, whether he had ever worked for any other sculptors, he replied: "No, and what is more, I never had an hour's instruction from any sculptor in my life".
208:, (recorded as Chantrey's address in the Royal Academy catalogues from 1810). He also bought land to build two more houses, a studio and offices. In 1811, he showed six busts in the Royal Academy.
1842:
681:
should be its future home, but that the trustees and director of the
National Gallery should have no power over what works were to be transferred there, or added to the collection at a later date.
267:
Chantrey developed a procedure of making a portrait sculpture in which he would begin by making two life-sized drawings of his sitter's head, one full-face and one in profile, with the aid of a
592:
He died suddenly at his home in
Eccleston Street, Pimlico, London, on 25 November 1841, having suffered from heart disease for some years. He was buried in a tomb constructed by his assistant
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118:
In 1802, Chantrey paid £50 to buy himself out of his apprenticeship with Ramsay and immediately set up a studio as a portrait artist in Sheffield, which allowed him a reasonable income.
1782:
1640:
243:
In 1828 Chantrey set up his own foundry in Eccleston Place, not far from his house and studio, where large-scale works in bronze, including equestrian statues, could be cast.
661:(reduced to 2½% in 1903), which was producing an available annual income varying between £2,100 and £2,500 by around 1910. Initially the works acquired were shown at the
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1206:
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who recognised his artistic potential and gave him lessons in painting, and was later to help advance his career by introducing him to potential patrons.
182:
657:, and two years later the fund became available for the purchase of paintings and sculptures. The capital sum available amounted to £105,000 in 3%
294:
Chantrey was rare among the leading sculptors of his time in not having visited Italy at a formative stage in his career. A writer in Blackwood's
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273:. His assistants would then make a clay model based on the drawings, to which Chantrey would add the finishing touches in front of the sitter. A
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in Calcutta, a replica of which was made for St Paul's Cathedral in London. Other good examples of his church monuments are those to the
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665:, but in 1898 the Royal Academy arranged with the treasury, on behalf of the government, for the transfer of the collection to the
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Initially installed in St John's church, Calcutta it was transferred to the city's new cathedral in 1847. Whinney 1971, p. 172
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69:) for the purchase of works of art for the nation, which was available from 1878 after the death of his widow.
939:
Report of the trial of the cause Carew against Burrell, Bt and another, executors of the late Earl of Egremont
2633:
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1090:
488:, and (in a single monument) Major-Generals Gore and Skerrett. He was also responsible for the memorials to
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Holland, pp. 43–4, disputes the claim, frequently made, that his apprenticeship had only six months to run.
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472:, portrays two young sisters, Ellen-Jane and Marianne Robinson, who died in tragic circumstances in 1812.
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48:(7 April 1781 – 25 November 1841) was an English sculptor. He became the leading portrait sculptor in
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For several years he divided his time between Sheffield and London, studying intermittently at the
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1074:
The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904
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respectively, for the discharge of their duties in carrying out the provisions of the will.
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2007:
1971:
1951:
1916:
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420:, originally commissioned, on the instructions of the king himself, to stand on top of the
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179:, for which he received £10 each. Three of them were shown at the Royal Academy that year.
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which combine an almost classical simplicity of form with naturalism in presentation".
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for a few years from 1804, but from 1807 onwards devoted himself mainly to sculpture.
112:
1366:"Perfected by the Hand of Taste: Funerary Monuments at St Patrick's Cathedral, Armagh"
2559:
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2158:
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1941:
1936:
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219:, two political figures he greatly admired; his early mentor John Raphael Smith, and
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1165:"Preliminary drawings for busts and statues by Sir Francis Chantrey, circa 1807–40"
674:
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224:
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504:(1826) in Urney Parish Church, Cavan and Mary Anne Boulton (1834) in Great Tew In
140:
His first recorded marble bust was one of the Rev. James Wilkinson (1805–06), for
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2012:
1981:
1611:. Victoria and Albert Museum Monographs. London: Her Majesty's Stationery Office.
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216:
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Memorials of Sir Francis Chantry, R. A., sculptor, in Hallamshire and Elsewhere
1215:
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in the churchyard of his native village, Norton in Derbyshire (now a suburb of
565:
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Monument to Amelia Ann Smyth, d. 1817 (wife of acting Lt. Gov. of Nova Scotia
77:
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2074:
1966:
1961:
1636:
1631:
635:
553:
269:
220:
130:
1711:
Report from the Select Committee of the House of Lords on the Chantrey Trust
1649:. Vol. 5 (11th ed.). Cambridge University Press. pp. 847–848.
1599:
Sir Francis Chantrey, R. A. Recollections of his Life, Practice and Opinions
1140:"British bronze sculpture founders and plaster figure makers, 1800–1980 – C"
129:, where he fell very ill, losing all his hair. He exhibited pictures at the
2504:
2179:
2079:
2032:
1921:
1911:
1823:
1542:
Theorizing museums: representing identity and diversity in a changing world
686:
678:
530:
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93:
1707:
A controversial publication by the leading assailant of the Royal Academy.
2089:
1956:
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Former Fellows of The Royal Society of Edinburgh, 1783–2002: Part 1 (A–J)
623:
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394:
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would be made of the clay model, and then a marble replica made of that.
49:
2529:
2022:
670:
370:
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in 1820 saw him as liberating English sculpture from foreign influence:
155:
commissioned him to make four monumental plaster busts of the admirals
101:
30:
2027:
597:
176:
105:
451:, Tory politician, coalowner and essayist, in the parish church of
358:
1838:
1811:
1788:
1630:
This article incorporates text from a publication now in the
658:
205:
1493:
Dictionary of British Sculptors 1660-1851 by Rupert Gunnis p.196
753:
1735:
505:
432:. The horses in these two works are identical. A third, of the
237:
126:
86:
58:
1715:
Proceedings of the Committee, Minutes of Evidence and Appendix
1010:"Vice-Admiral Horatio Nelson (1758–1805), 1st Viscount Nelson"
989:. Vol. 10. London: Smith, Elder & Co. pp. 44–47.
533:
of the young Louisa, Lady Russell, depicted cradling a dove.
200:
On 23 November 1809, he married his cousin, Mary Ann Wale at
145:
1317:. Bell's Cathedrals. London: George Bell and Sons. pp.
1496:
1513:
1511:
1406:
Collins Pocket Guide to English Parish Churches: the North
1248:. Vol. II. London: Bradbury & Evans. p. 163.
525:. The design of the monument was widely rumoured to be by
817:
815:
813:
811:
809:
807:
805:
803:
801:
799:
1743:"Archival material relating to Francis Leggatt Chantrey"
1681:. A complete illustrated record of the purchases, etc..
1508:
1444:. Marine Heritage Society. 2 March 2016. Archived from
1244:
Knight, Charles, ed. (1858). "Chantrey, Sir Francis".
796:
111:
At Ramsay's house he met the draughtsman and engraver
1282:"Chantrey's Statue of George IV in Trafalgar Square"
1076:. Vol. 2. London: Henry Graves. pp. 40–41.
1210:(online ed.). Oxford University Press. 2004.
1195:
476:He executed four monuments to military heroes for
1807:, from the Friendship's Offering annual for 1826.
1732:157 artworks by or after Francis Leggatt Chantrey
440:in London, was completed after Chantrey's death.
2610:
1886:
1539:Macdonald, Sharon; Fyfe, Gordon (29 June 1998).
754:C D Waterston; A Macmillan Shearer (July 2006).
564:in Ontario after him. He received the degree of
556:in 1816 and a full Academician in 1818. In 1822
25:Portrait of Chantrey standing next to a bust of
2194:Miravan Breaking Open the Tomb of his Ancestors
649:Lady Chantrey died in 1875 and was buried with
1403:
689:until the 1920s, and it remains active today.
612:Grave of Lady Mary Ann Chantrey (née Wale) in
240:, getting to know the latter especially well.
1872:
1834:, from The Literary Souvenir annual for 1826.
1572:(Exhibition Catalogue). Royal Academy. 2007.
1538:
1262:"Sir Francis Chantrey and Allan Cunningham".
144:. His first imaginative sculpture, a head of
1783:Profile on Royal Academy of Arts Collections
1879:
1865:
1765:
1751:
1701:: CS1 maint: location missing publisher (
1688:The Administration of the Chantrey Bequest
1675:: CS1 maint: location missing publisher (
1529:Treasury Letter, 18054-98, 7 December 1898
914:
912:
910:
908:
906:
377:and in Greenock (also a bust, plus one of
2101:Gen. Johnson Saving Officer from Tomahawk
1849:for the Forget Me Not annual for 1829 on
1759:Portraits of Sir Francis Leggatt Chantrey
1349:
1257:
1255:
1197:"Stevens T. 'Weekes, Henry (1807–1877)',
1134:
1132:
1130:
1128:
1126:
1067:
1065:
1055:
1053:
942:. London: William Nicol. 1841. p. 64
836:Dictionary of British sculptors,1660–1751
552:Chantrey was elected an Associate of the
148:was shown at the Royal Academy in 1808.
125:. In the summer of 1802, he travelled to
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1517:
1502:
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640:
618:
607:
458:
442:
319:
250:
181:
76:
20:
1684:
1606:
1586:
1391:"Mary Anne Boulton (1834) at Great Tew"
1207:Oxford Dictionary of National Biography
1199:Oxford Dictionary of National Biography
1085:
1083:
973:
903:
851:
2611:
1310:
1252:
1243:
1159:
1157:
1123:
1071:
1062:
1050:
969:
967:
965:
963:
961:
959:
957:
718:"Chantrey, Francis Leggatt, 1781–1841"
508:church there is a notable monument to
412:He made a bronze equestrian statue of
2173:A Philosopher Lecturing on the Orrery
1860:
1773:Works by Sir Francis Leggatt Chantrey
1595:
1237:
857:
827:
228:guineas, and in 1822 to two hundred.
2669:People from Derbyshire (before 1933)
2201:The Alchemist Discovering Phosphorus
1660:
1188:
1080:
246:
1246:The English Cyclopædia of Biography
1154:
1034:. Twickenham Museum. Archived from
954:
484:, Major-General Bowes, and Colonel
13:
1654:
1430:
833:
14:
2700:
2689:19th-century English male artists
2353:Derby Racecourse Roman settlement
1763:National Portrait Gallery, London
1725:
1468:"St James's-Palace, July 1, 1835"
1352:Irish Church Monuments, 1570–1880
645:King George IV by Chantrey (1827)
515:One of his most famous works was
480:: they commemorate Major-General
2187:Romeo and Juliet: the Tomb Scene
1837:
1810:
1787:
1623:
1545:. Wiley-Blackwell. p. 214.
1314:The Cathedral Church of St. Paul
986:Dictionary of National Biography
980:"Chantrey, Francis Legatt"
669:, which had been erected by Sir
455:, where he was lord of the manor
259:by Sir Francis Chantrey (1832),
1532:
1523:
1487:
1478:
1460:
1421:
1412:
1408:. London: Collins. p. 349.
1397:
1383:
1358:
1343:
1334:
1325:
1304:
1274:
1179:
1114:
1105:
1024:
1002:
993:
930:
921:
894:
885:
667:National Gallery of British Art
2674:19th-century British sculptors
2449:British Rail Research Division
1717:(Wyman & Sons, 1904), and
876:
842:
747:
735:
710:
698:
1:
2679:19th-century English painters
2166:Grotto in the Gulf of Salerno
1721:(separate publication, 1904).
692:
416:(now Chennai) and another of
383:St. Mary's Church, Handsworth
2664:Fellows of the Royal Society
2629:Burials at Highgate Cemetery
2421:Whitehurst & Son sundial
1888:Derby Museum and Art Gallery
1641:Chantrey, Sir Francis Legatt
1591:. Sheffield: J. Pearce, Jun.
1404:Betjeman, John, ed. (1968).
1370:www.buildingconservation.com
1231:UK public library membership
1091:"Francis Chantrey, sculptor"
202:St Mary's Church, Twickenham
81:King George IV by Chantrey,
41:Sir Francis Leggatt Chantrey
16:English sculptor (1781–1841)
7:
2454:Derby Philosophical Society
1609:English Sculpture 1720–1830
1474:(19285): 1283. 3 July 1835.
1167:. National Portrait Gallery
1142:. National Portrait Gallery
436:for a site in front of the
428:, but eventually placed in
414:Sir Thomas Munro for Madras
10:
2705:
2444:Andrew Handyside & Co.
2368:Heath Wood barrow cemetery
2229:A Philosopher by Lamplight
2054:Bonnie Prince Charlie Room
1607:Whinney, Margaret (1971).
1562:
1012:. National Maritime Museum
765:Royal Society of Edinburgh
663:Victoria and Albert Museum
603:
547:
2572:
2467:
2436:
2429:
2401:
2330:
2292:Chelsea porcelain factory
2284:
2146:
2128:William Richardson Linton
2110:
2062:
2046:
2000:
1894:
1777:National Portrait Gallery
1350:Potterton, Homan (1975).
1072:Graves, Algernon (1905).
861:Annual Register volume 83
677:. It was agreed that the
369:, London (in bronze); of
190:by Sir Francis Chantrey,
188:Massachusetts State House
104:village, now a suburb of
2348:Strutt's Park Roman fort
1902:Francis Leggatt Chantrey
1816:Lady Louisa Jane Russell
1663:Chantrey and His Bequest
1393:. flickr. 28 April 2006.
587:
494:St James' Church, Sydney
447:Chantrey's memorial for
363:William Pitt the Younger
315:
289:
2590:Pickford's House Museum
2520:Sir George Harpur Crewe
2459:Derby Exhibition (1839)
2402:Science and engineering
1853:in Lichfield Cathedral.
1843:The Sculptured Children
1685:MacColl, D. S. (1904).
1646:Encyclopædia Britannica
1311:Dimock, Arthur (1901).
1292:: 128. 24 February 1844
1286:Illustrated London News
540:has an unusual bust of
151:In 1809, the architect
142:Sheffield parish church
72:
2649:English male sculptors
2639:Artists from Sheffield
2495:6th Duke of Devonshire
2151:paintings and drawings
2070:9th/12th Royal Lancers
1992:Joseph Wright of Derby
1805:The Child's Last Sleep
1596:Jones, George (1849).
1587:Holland, John (n.d.).
1438:"About Chantry Island"
1216:10.1093/ref:odnb/28969
1120:Jones 1849, pp. 27–29.
1032:"Sir Francis Chantrey"
858:Burke, Edmund (1842).
646:
630:
616:
473:
456:
349:in the State-house at
333:
305:
264:
261:Victoria Park, Halifax
211:The subjects included
197:
153:Daniel Asher Alexander
89:
37:
27:William Hyde Wollaston
2684:English male painters
2215:The Blacksmith's Shop
1851:The Sleeping Children
1795:., an image drawn by
1661:Fish, Arthur (1904).
644:
622:
611:
558:Henry Wolsey Bayfield
518:The Sleeping Children
465:The Sleeping Children
462:
446:
351:Boston, Massachusetts
323:
300:
254:
185:
123:Royal Academy Schools
92:Chantrey was born at
80:
24:
2634:History of Sheffield
2338:Creswellian culture
2275:Vesuvius in Eruption
2133:William Hunt Painter
2008:Ashford Black Marble
1917:Derby Sketching Club
1747:UK National Archives
1713:, together with the
1418:Holland, pp. 267– 74
1340:Whinney 1971, p. 172
1038:on 11 September 2014
999:Holland, pp. 125–127
918:Whinney 1971, p. 147
882:Whinney 1971, p. 148
628:Manchester Town Hall
449:Isaac Hawkins Browne
403:Lord President Blair
399:Manchester Town Hall
326:George Stracey Smyth
2317:William Billingsley
2085:Francis O. Grenfell
1826:and accompanied by
1822:from the statue at
1799:and accompanied by
1602:. London: E. Moxon.
1505:, pp. 847–848.
1101:: 3–10. April 1820.
848:Holland, pp. 43, 50
523:Lichfield Cathedral
478:St Paul's Cathedral
470:Lichfield Cathedral
186:George Washington,
55:St Paul's Cathedral
2654:Royal Academicians
2363:Great Heathen Army
1932:Count Holtzendorff
1907:Ernest Ellis Clark
1832:The Child and Dove
1570:Citizens and Kings
1472:The London Gazette
1448:on 8 February 2017
1095:Edinburgh Magazine
900:Holland, pp. 42–44
784:on 24 January 2013
742:Citizens and Kings
704:Sometimes spelled
647:
631:
617:
490:Sir James Brisbane
474:
457:
453:Badger, Shropshire
434:Duke of Wellington
334:
296:Edinburgh Magazine
265:
198:
196:, 26 February 1861
173:Royal Naval Asylum
113:John Raphael Smith
90:
38:
2644:English sculptors
2606:
2605:
2568:
2567:
2560:Charles Sylvester
2525:Llewellynn Jewitt
2416:Benjamin Vulliamy
2307:Pinxton Porcelain
2302:Royal Crown Derby
2159:Richard Arkwright
1942:Alfred John Keene
1937:Richard Hurleston
1579:978-1-903973-23-3
1264:Fraser's Magazine
1229:(Subscription or
1111:Jones 1849, p. 16
655:Highgate Cemetery
614:Highgate Cemetery
426:Buckingham Palace
393:in Liverpool; of
375:Westminster Abbey
347:George Washington
330:St. Paul's Church
247:Working practices
2696:
2659:Knights Bachelor
2545:5th Earl Ferrers
2515:Alfred E. Goodey
2434:
2433:
2322:William Duesbury
2250:The Captive King
2222:The Earthstopper
2138:Joseph Whittaker
2063:Military history
1947:Henry Lark Pratt
1881:
1874:
1867:
1858:
1857:
1841:
1814:
1791:
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1059:Jones 1849, p. 9
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840:
839:
834:Gunnis, Robert.
831:
825:
819:
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793:
791:
789:
783:
777:. Archived from
762:
751:
745:
739:
733:
732:
730:
728:
714:
708:
702:
430:Trafalgar Square
361:(in bronze); of
309:Margaret Whinney
279:Allan Cunningham
225:Joseph Nollekens
83:Trafalgar Square
63:Chantrey Bequest
47:
2704:
2703:
2699:
2698:
2697:
2695:
2694:
2693:
2609:
2608:
2607:
2602:
2597:Central Library
2578:Derby Silk Mill
2564:
2550:George Sorocold
2540:Joseph Pickford
2463:
2425:
2410:Atlas Coelestis
2397:
2378:Duffield Castle
2358:Hanson Log Boat
2331:Ancient Britain
2326:
2297:Derby Porcelain
2280:
2150:
2142:
2111:Natural history
2106:
2058:
2047:Decorative arts
2042:
2038:John Whitehurst
1996:
1982:Ernest Townsend
1890:
1885:
1741:
1728:
1694:
1693:
1668:
1667:
1657:
1655:Further reading
1639:, ed. (1911). "
1624:
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1565:
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1537:
1533:
1528:
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1509:
1501:
1497:
1492:
1488:
1484:Holland, p. 329
1483:
1479:
1466:
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1451:
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1436:
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1427:Holland, p. 276
1426:
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1280:
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1275:
1261:
1260:
1253:
1242:
1238:
1228:
1220:
1218:
1194:
1193:
1189:
1185:Holland, p. 295
1184:
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1170:
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1162:
1155:
1145:
1143:
1138:
1137:
1124:
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1089:
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1041:
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1008:
1007:
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994:
975:Stephen, Leslie
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945:
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832:
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594:James Heffernan
590:
550:
527:Thomas Stothard
502:Earl of Farnham
379:William Murdoch
318:
307:More recently,
292:
249:
217:Francis Burdett
193:Harper's Weekly
75:
43:
17:
12:
11:
5:
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2557:
2552:
2547:
2542:
2537:
2532:
2527:
2522:
2517:
2512:
2507:
2502:
2500:James Ferguson
2497:
2492:
2490:Erasmus Darwin
2487:
2482:
2477:
2471:
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2464:
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2239:
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2176:
2169:
2162:
2154:
2152:
2144:
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2141:
2140:
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2125:
2120:
2118:Allenton hippo
2114:
2112:
2108:
2107:
2105:
2104:
2097:
2092:
2087:
2082:
2077:
2072:
2066:
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2057:
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2048:
2044:
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2040:
2035:
2030:
2025:
2020:
2018:William Martin
2015:
2010:
2004:
2002:
1998:
1997:
1995:
1994:
1989:
1984:
1979:
1974:
1969:
1964:
1959:
1954:
1949:
1944:
1939:
1934:
1929:
1927:Harold Gresley
1924:
1919:
1914:
1909:
1904:
1898:
1896:
1892:
1891:
1884:
1883:
1876:
1869:
1861:
1855:
1854:
1847:Felicia Hemans
1835:
1828:Felicia Hemans
1820:Henry Corbould
1808:
1801:Felicia Hemans
1797:Henry Corbould
1793:Sleeping Child
1785:
1780:
1770:
1756:
1739:
1727:
1726:External links
1724:
1723:
1722:
1708:
1682:
1656:
1653:
1652:
1651:
1637:Chisholm, Hugh
1614:
1613:
1604:
1593:
1584:
1578:
1564:
1561:
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1558:
1551:
1531:
1522:
1520:, p. 848.
1507:
1495:
1486:
1477:
1459:
1442:Chantry Island
1429:
1420:
1411:
1396:
1382:
1357:
1342:
1333:
1324:
1303:
1273:
1270:: 664–5. 1843.
1251:
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1104:
1079:
1061:
1049:
1023:
1001:
992:
977:, ed. (1887).
953:
929:
927:Holland, p. 50
920:
902:
893:
884:
875:
850:
841:
826:
824:, p. 847.
795:
773:
746:
744:(2007), p. 302
734:
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696:
694:
691:
605:
602:
589:
586:
572:, and that of
562:Chantry Island
549:
546:
542:William Strutt
510:Viscount Downe
498:Reginald Heber
482:Daniel Hoghton
438:Royal Exchange
424:, in front of
418:King George IV
409:in Edinburgh.
391:George Canning
387:William Roscoe
367:Hanover Square
317:
314:
291:
288:
248:
245:
74:
71:
61:. He left the
15:
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2555:Joseph Strutt
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2536:
2535:William Mundy
2533:
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2511:
2510:R. K. Freeman
2508:
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2491:
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2480:P. P. Burdett
2478:
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2437:Organisations
2435:
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2393:The Long Lane
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2373:Codnor Castle
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2312:André Planché
2310:
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2264:Thomas Borrow
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2208:Virgil's Tomb
2205:
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2149:
2148:Joseph Wright
2145:
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2119:
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2075:William Goate
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2019:
2016:
2014:
2011:
2009:
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2003:
1999:
1993:
1990:
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1987:George Turner
1985:
1983:
1980:
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1967:Louise Rayner
1965:
1963:
1962:Samuel Rayner
1960:
1958:
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1852:
1848:
1845:., a poem by
1844:
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1633:
1632:public domain
1621:
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1600:
1594:
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1554:
1552:0-631-20151-3
1548:
1544:
1543:
1535:
1526:
1519:
1518:Chisholm 1911
1514:
1512:
1504:
1503:Chisholm 1911
1499:
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909:
907:
897:
888:
879:
864:. p. 232
863:
862:
854:
845:
837:
830:
823:
822:Chisholm 1911
818:
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690:
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664:
660:
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652:
643:
639:
637:
636:Royal Academy
629:
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554:Royal Academy
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520:
519:
513:
512:by Chantrey.
511:
507:
503:
499:
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486:Henry Cadogan
483:
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407:Lord Melville
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345:, London; of
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332:, Nova Scotia
331:
327:
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313:
310:
304:
299:
297:
287:
284:
280:
276:
272:
271:
270:camera lucida
263:, Nova Scotia
262:
258:
253:
244:
241:
239:
235:
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222:
221:Benjamin West
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67:Chantrey Fund
64:
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36:
32:
28:
23:
19:
2595:
2588:
2582:Lombe's Mill
2576:
2505:Arthur Keily
2408:
2383:Icknield St.
2273:
2267:
2263:
2255:
2248:
2241:
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2227:
2220:
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2206:
2199:
2192:
2185:
2180:Indian Widow
2178:
2171:
2164:
2157:
2123:King of Rome
2099:
2095:David Spence
2080:Robert Kells
2033:White Watson
1977:William Tate
1972:Thomas Smith
1922:Harry Fidler
1912:W. J. Coffee
1901:
1850:
1831:
1824:Woburn Abbey
1818:., drawn by
1804:
1734: at the
1718:
1714:
1710:
1687:
1662:
1644:
1617:Attribution:
1616:
1615:
1608:
1598:
1588:
1569:
1541:
1534:
1525:
1498:
1489:
1480:
1471:
1462:
1450:. Retrieved
1446:the original
1441:
1432:
1423:
1414:
1405:
1399:
1385:
1373:. Retrieved
1369:
1360:
1351:
1345:
1336:
1327:
1313:
1306:
1294:. Retrieved
1289:
1285:
1276:
1267:
1263:
1245:
1239:
1219:. Retrieved
1205:
1198:
1190:
1181:
1169:. Retrieved
1144:. Retrieved
1116:
1107:
1098:
1094:
1073:
1040:. Retrieved
1036:the original
1026:
1014:. Retrieved
1004:
995:
984:
944:. Retrieved
938:
932:
923:
896:
887:
878:
866:. Retrieved
860:
853:
844:
835:
829:
788:18 September
786:. Retrieved
779:the original
756:
749:
741:
737:
725:. Retrieved
721:
712:
705:
700:
687:Tate Britain
683:
679:Tate Gallery
651:George Jones
648:
632:
591:
551:
538:Derby Museum
535:
531:Woburn Abbey
516:
514:
475:
463:
411:
335:
306:
301:
295:
293:
283:Henry Weekes
275:plaster cast
268:
266:
257:Walter Scott
242:
230:
210:
199:
191:
150:
139:
135:
120:
117:
110:
94:Jordanthorpe
91:
66:
62:
40:
39:
35:John Jackson
18:
2624:1841 deaths
2619:1781 births
2485:D'Ewes Coke
2243:The Captive
2236:Samuel Ward
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