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Frank Gohlke

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970: 778: 510: 285: 116:. He bought his first camera as a teenager and was a member of the Wichita Falls camera club during high school, eventually purchasing an enlarger and learning to process gelatin silver prints. His early subjects included family members and models hired by the camera club. Late in high school, Gohlke's interest in photography waned; he sold his enlarger and, save for family snapshots, stopped taking pictures altogether. 188:) over various periods of time. From 1981 to 1990, Gohlke made five visits to the region, in many cases returning several times to the same location to record its transformation. He authored short didactic texts to accompany the images. In 2004, the Museum of Modern Art in New York mounted “Mt. St. Helens: Photographs by Frank Gohlke,” a solo exhibition (with accompanying catalog), co-organized by 149:
his early aesthetic interest in grain elevators, Gohlke became fascinated by their design, their connection to the surrounding landscape, and their function within the cities and towns they occupied. His photographic practice grew to include a research component whose relationship to the pictures themselves was one of reciprocal influence. A selection of the photographs was eventually published as
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tornado struck Gohlke's hometown of Wichita Falls, Texas, killing 42 people, injuring 1,700 more, and significantly damaging an 8 mile-square swath of the city. Shortly thereafter, Gohlke returned home to photograph the wreckage left in the tornado's wake. He returned to rephotograph the same sites a
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In 1971, Gohlke relocated to Minneapolis, and a year later, in 1972, he began his first major body of work, documenting the grain elevators of America's central plains. Over the next five years, from 1972 to 1977, the project took Gohlke from Minnesota to Kansas, Oklahoma, Texas, and New Mexico. From
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During a career spanning nearly five decades, Gohlke has photographed grain elevators in the American midwest; the aftermath of a 1979 tornado in his hometown of Wichita Falls, Texas; changes in the land around Mount St. Helens during the decade following its 1980 eruption; agriculture in central
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Gohlke has, in his work, dealt consistently with questions of human usage and perception of land. He has photographed farmland in central France (on a commission from la mission photographique de la DATAR); conducted a personal survey of a portion of the line of latitude 42˚30’ N, which bisects
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Gohlke was one of ten photographers to be included in the 1975 exhibition “New Topographics: Photographs of a Man-Altered Landscape,” organized by William Jenkins, then the assistant curator at the International Museum of Photography at George Eastman House (now the George Eastman Museum). “New
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Massachusetts; made two series of photographs tracing the courses of the Red River in North Texas and the Sudbury River in Massachusetts; and documented the urban landscape and residential architecture of Queens, NY (conjointly with photographer Joel Sternfeld, on a commission from
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in 1966. During a period of writer's block while at Yale, Gohlke returned to photography. He began making near-still films with a Super 8 movie camera before transitioning to 35-mm still photography. He eventually showed his work to documentary photographer and then-Yale professor
184:, Gohlke made his first trip there to photograph the volcano and its environs. In order to convey the enormity of the event, which devastated approximately 250 square miles, Gohlke employed a variety of approaches, including aerial and panoramic views and sequential photography ( 77:(born April 3, 1942) is an American landscape photographer. He has been awarded two Guggenheim fellowships, two fellowships from the National Endowment for the Arts, and a Fulbright Scholar Grant. His work is included in numerous permanent collections, including those of 915:
Bahnhof Ost Basel: Art and Architecture. A commission to collaborate with the architects of a new office complex in Basel, Switzerland, on the design of an interior skylit courtyard. (Unbuilt), 1995–1996.
1954: 136:, whose mode of seeing the American vernacular landscape would exert an enduring influence on Gohlke's work. From 1967 to 1968, after leaving Yale, Gohlke studied with the landscape photographer 998: 2042: 921:
Venezia–Marghera. A commission from the City of Venice to contribute to a project on the transformation of Marghera, the industrial port of Venice. (Book published in 1999–2000.) 1998–1999.
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to create a permanent installation of photographs of Queens for Powdermaker Hall, center of the Social Sciences Division. 9 photomurals and 20 small prints each. 2003–2004.
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Photographs for the Mission Photographique de la DATAR, a French government-sponsored agency photographically documenting the French landscape (see Bibliography), 1986–1987
212:, 2015). In 2013, Gohlke received a Fulbright travel grant to travel to Kazakhstan in order to document the disappearing wild apple forests surrounding the Kazakh city of 2032: 1942: 955:"Prairie Castles," 1/2 hour special for KTCA, Twin Cities Public Television. Produced by Mark Lowry, written and directed by Gohlke and Lowry. 1980 1002: 161:
toward unvarnished consideration of the vernacular landscape, has come to be regarded as a watershed moment in the history of the medium.
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College of Fine Arts in Tucson, Arizona, where he now lives and works. Gohlke has been a visiting artist in the photography program at
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Commission from the Province of Reggio Emilia to photograph in the "Parco del Gigante". (Exhibition and catalogue in 1995.) 1994.
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George Gund Foundation Annual Report. A commission to Create a body of work on the Lake Erie shoreline. 1997–1998.
127:, where he received a B.A. in English Literature in 1964. He went on to complete an M.A. in English Literature at 2037: 1970: 1645: 1184: 1096: 1943:
Smithsonian American Art Museum presents nationally touring retrospective of acclaimed photographer Frank Gohlke
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year later, crafting precise reconstructions of his previous views in order to document the city's recovery. .
78: 1038: 835: 567: 342: 2062: 1748: 1718: 1143: 124: 96:," the landmark 1975 exhibition at the International Museum of Photography at George Eastman House (now the 247: 1324: 1020: 817: 549: 324: 181: 1178: 1161: 1155: 994: 802: 534: 309: 82: 1905: 1881: 1138: 983: 791: 523: 389: 298: 86: 1173: 987: 795: 527: 302: 2017: 425:
Museum of Contemporary Photography, Columbia College, Chicago, IL (traveled through 1991), 1988
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Gallery of the School of Architecture and Allied Arts, University of Oregon, Eugene, OR, 1993
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Tsukuba Museum of Photography, Tsukuba, Japan; Miyagi Museum of Art, Japan (catalogue), 1985
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Commission from Vassar College to create a series of photographs of campus trees. 2006.
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Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA, 1981
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International Museum of Photography at George Eastman House, Rochester, NY, 1975
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Linea di Confine della Provincia di Reggio Emilia: Laboratorio di Fotografia 7.
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1984: Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation
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The Intimate and the Infinite: Waterscapes by Frank Gohlke and Stuart Klipper,
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La Mission photographique de la DATAR: Un laboratoire du paysage contemporain
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Joseph E. Seagram's & Sons, Inc., Bicentennial Project (book), 1975–1976.
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The Museum of Modern Art, New York, NY (MoMA) (traveled through 1980), 1978
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traveling exhibition sponsored by the Bell System (catalogue), 1979-1980
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and John Rohrbach, Senior Curator of Photographs, Amon Carter Museum.
204:). A selection of Gohlke's and Sternfeld's pictures were published as 677:
Mishkan Le'Omanut, Museum of Art, Ein Harod, Israel (catalogue), 1988
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A City Seen: Photographs from The George Gund Foundation Collection,
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Art Institute of Chicago (traveling exhibition with catalogue), 1983
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Tradition and Change: Contemporary American Landscape Photography,
153:(Johns Hopkins University Press, 1992), Gohlke's first monograph. 1556:
Gohlke, Frank; Galassi, Peter; LeVay, Simon; Sieh, Kerry (2005).
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DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, 1999
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DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, 1993
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A mid-career retrospective of Gohlke's work was organized by the
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1986: Photographer's Fellowship, National Endowment for the Arts
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16 photographic murals for Tulsa International Airport, 1980–81.
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Film in the Cities Gallery, St. Paul, MN, 1981, 1983, 1985, 1987
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From Icon to Irony: German and American Industrial Photography,
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Living Water: Photographs of the Sudbury River by Frank Gohlke,
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Landscapes from the Middle of the World: Photographs 1972-1987,
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Measure of Emptiness: Grain Elevators in the American Landscape
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from the article and its talk page, especially if potentially
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The Henry Art Gallery, University of Washington, Seattle, 1994
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Florida International University, Miami (Mt. St. Helens), 1994
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University Gallery, University of Massachusetts, Amherst, 1980
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Topographics,” which represented a burgeoning movement within
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Addison Gallery of American Art, Andover, Massachusetts, 1998
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University of Texas at Austin College of Liberal Arts alumni
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Installed 6 new murals at Tulsa International Airport, 1988.
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The National Museum of American Art, Washington, D.C., 1994
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Gohlke was one of ten photographers selected to be part of "
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Gohlke's work is held in the following public collections:
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Centro de Arte Reina Sofia, Madrid, Spain (catalogue), 1987
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New England Science Center, Worcester, Massachusetts, 1997
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1983: Film in the Cities Photography Fellowship from the
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Thoughts on Landscape: Collected Writings and Interviews
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Blue Sky Gallery, Portland, Oregon (Sudbury River), 1997
140:, making weekly visits to Caponigro's Connecticut home. 94:
New Topographics: Photographs of a Man-Altered Landscape
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Gohlke, Frank; Rohrbach, John; Solnit, Rebecca (2007).
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Gohlke, Frank; Sternfeld, Joel; Mehta, Suketu (2016).
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Amon Carter Museum of Western Art, Ft. Worth, TX, 1975
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Accommodating Nature: The Photographs of Frank Gohlke
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The Victoria and Albert Museum, London, England, 1989
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Mirrors and Windows: American Photography Since 1960,
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Accommodating Nature: The Photographs of Frank Gohlke
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pArts Gallery, Minneapolis, MN (Sudbury River), 1994
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After graduating high school, Gohlke first attended
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An Open Land: Photographs of the Midwest 1852-1982,
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Light Gallery, New York, NY, 1975, 1978, 1981, 1982
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Accessed December 8, 2013. 1558:Mount St. Helens: Photographs by Frank Gohlke 419:Daniel Wolf Gallery, New York, NY, 1983, 1986 123:in North Carolina before transferring to the 1466:Salvesen, Britt; Nördstrom, Allison (2010). 898:Contemporary Texas: A Photographic Portrait, 743:Museum of Photographic Arts, San Diego, 2002 1289: 729:Expanded Visions: the Panoramic Photograph, 725:Boston University Art Gallery, Boston, 1995 16:American landscape photographer (born 1942) 1957:, SAAM catalog. Accessed December 8, 2013. 1848:, MoMA catalog. Accessed December 8, 2013. 1496:"1979 Texas tornado led to safety changes" 1001:about living persons that is unsourced or 707:Jingshan Tushuguan, Guangzhou, China, 1993 1932:, CMA catalog. Accessed December 8, 2013. 1920:, WAC catalog. Accessed December 8, 2013. 1908:, NGC catalog. Accessed December 8, 2013. 1884:, BnF catalog. Accessed December 8, 2013. 1872:, NGA catalog. Accessed December 8, 2013. 1860:, AIC catalog. Accessed December 8, 2013. 1350:. Tucson: Hol Art Books. pp. 23–24. 1227:John Simon Guggenheim Memorial Foundation 1091:John Simon Guggenheim Memorial Foundation 1072:Learn how and when to remove this message 900:Texas Historical Foundation (book), 1984. 869:Learn how and when to remove this message 759:Selektion # 1, Arbeiten in Schwarz/WeiĂź,* 601:Learn how and when to remove this message 438:Franklin Parrasch Gallery, New York, 1992 376:Learn how and when to remove this message 244:School of the Museum of Fine Arts, Boston 755:Howard Greenberg Gallery, New York, 2004 675:The Second Israeli Photography Biennial, 486:Howard Greenberg Gallery, New York, 2005 2005: 1781:from the original on November 18, 2015 1619: 1345: 1624:. Paris: La Documentation française. 468:Bonni Benrubi Gallery, New York, 1995 448:Mt. St. Helens as a Public Landscape, 1217: 1215: 1213: 963: 771: 503: 499: 278: 1977:, ACMMA. 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St. Helens: Work in Progress, 234:Gohlke has taught photography at 1150:Bibliothèque nationale de France 1119:1999: National Millennium Survey 968: 776: 508: 475:Making Waves: The Sudbury River, 283: 1980: 1960: 1948: 1923: 1911: 1899: 1887: 1875: 1863: 1851: 1839: 1814: 1793: 1767: 1741: 1711: 1682: 1668: 1638: 1613: 1599: 1574: 1549: 1535: 1510: 1488: 1459: 1434: 1420: 1406: 1185:Smithsonian American Art Museum 1097:National Endowment for the Arts 275:One- and two-person exhibitions 2058:New Topographics photographers 1392: 1378: 1364: 1339: 1313: 1264: 1239: 1123: 767: 645:Photography: A Sense of Order, 629:Art Institute of Chicago, 1979 623:MoMA (see Bibliography), 1978 483:Dorsky Gallery, New York, 1999 466:On Edge: Landscapes 1972-1990, 269: 79:Museum of Modern Art, New York 1: 1966:Search results for Gohlke in 1203: 1144:National Gallery of Australia 125:University of Texas at Austin 107: 1545:. pp. 84, 86–87, 91–92. 979:biography of a living person 924:National Millennium Survey, 787:biography of a living person 519:biography of a living person 294:biography of a living person 248:Massachusetts College of Art 7: 1006:must be removed immediately 807:must be removed immediately 539:must be removed immediately 314:must be removed immediately 182:Skamania County, Washington 112:Frank Gohlke was raised in 10: 2079: 2028:Princeton University staff 1179:Metropolitan Museum of Art 1162:National Gallery of Canada 1156:Victoria and Albert Museum 699:More Than One Photography, 627:Photographers of the 70's, 462:Reggio Emilia, Italy, 1995 460:Conversations in the Park, 392:(with Edward Ranney), 1974 83:Metropolitan Museum of Art 2053:Lesley University faculty 1930:Search results for Gohlke 1620:Bertho, RaphaĂ«le (2013). 959: 949: 665:MoMA, New York, 1985-1986 143: 64: 56: 48: 40: 28: 21: 2023:Harvard University staff 1139:Art Institute of Chicago 940:Queens College, New York 928:, New Mexico, 1999–2000. 431:(with Gregory Conniff), 416:MoMA, New York, NY, 1983 390:Art Institute of Chicago 87:Art Institute of Chicago 2048:Yale University faculty 1174:Cleveland Museum of Art 926:The College of Santa Fe 753:Six from the Seventies, 641:MoMA (catalogue), 1981 633:American Photographers, 2038:Yale University alumni 1346:Gohlke, Frank (2009). 993:Please help by adding 801:Please help by adding 693:Photography Until Now, 533:Please help by adding 429:Two Days in Louisiana, 308:Please help by adding 1428:Thoughts on Landscape 1414:Thoughts on Landscape 1400:Thoughts on Landscape 1386:Thoughts on Landscape 1372:Thoughts on Landscape 1087:Guggenheim Fellowship 796:references or sources 657:Paris-New York-Tokyo, 528:references or sources 435:, Milwaukee, WI, 1989 303:references or sources 260:University of Arizona 159:landscape photography 98:George Eastman Museum 2063:Bard College faculty 1691:Landscape as Longing 1676:Accommodating Nature 1607:Accommodating Nature 1543:Accommodating Nature 1197:George Eastman House 1133:Museum of Modern Art 999:Contentious material 938:. A commission from 717:Recent Acquisitions, 701:MoMA, New York, 1992 695:MoMA, New York, 1989 639:American Landscapes, 493:Museum of Modern Art 433:Milwaukee Art Museum 206:Landscape as Longing 114:Wichita Falls, Texas 68:Elise Paradis Gohlke 1251:howardgreenberg.com 1109:McKnight Foundation 934:Collaboration with 735:Pictures of Europe, 1992:2015-09-24 at the 1973:2013-12-12 at the 1678:. pp. 25, 97. 1388:. pp. 33, 51. 977:This section of a 785:This section of a 517:This section of a 292:This section of a 236:Middlebury College 221:Amon Carter Museum 1755:on April 25, 2015 1729:on April 25, 2015 1168:Walker Art Center 1082: 1081: 1074: 1056: 982:needs additional 879: 878: 871: 853: 615:New Topographics, 611: 610: 603: 585: 500:Group exhibitions 386: 385: 378: 360: 72: 71: 35:Wichita Falls, TX 2070: 1997: 1984: 1978: 1968:this search page 1964: 1958: 1952: 1946: 1939: 1933: 1927: 1921: 1918:Entry for Gohlke 1915: 1909: 1906:Entry for Gohlke 1903: 1897: 1891: 1885: 1879: 1873: 1867: 1861: 1855: 1849: 1846:Entry for Gohlke 1843: 1837: 1836: 1834: 1833: 1818: 1812: 1811: 1809: 1807: 1797: 1791: 1790: 1788: 1786: 1771: 1765: 1764: 1762: 1760: 1751:. 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Göttingen: 1469: 1462: 1447: 1443: 1437: 1429: 1423: 1415: 1409: 1402:. p. 35. 1401: 1395: 1387: 1381: 1374:. p. 26. 1373: 1367: 1359: 1353: 1349: 1342: 1326: 1322: 1316: 1301: 1295: 1293: 1277: 1273: 1267: 1252: 1248: 1242: 1228: 1224: 1218: 1216: 1214: 1209: 1198: 1195: 1192: 1189: 1186: 1183: 1180: 1177: 1175: 1172: 1170:, Minneapolis 1169: 1166: 1163: 1160: 1157: 1154: 1151: 1148: 1145: 1142: 1140: 1137: 1134: 1131: 1130: 1129: 1118: 1115: 1112: 1110: 1106: 1104: 1100: 1098: 1094: 1092: 1088: 1084: 1083: 1076: 1073: 1065: 1054: 1051: 1047: 1044: 1040: 1037: 1033: 1030: 1026: 1023: â€“  1022: 1018: 1017:Find sources: 1011: 1007: 1004: 1000: 996: 990: 989: 985: 980: 975: 966: 965: 954: 953: 944: 941: 937: 933: 930: 927: 923: 920: 917: 914: 911: 908: 905: 902: 899: 896: 893: 890: 887: 884: 881: 880: 873: 870: 862: 859:December 2013 851: 848: 844: 841: 837: 834: 830: 827: 823: 820: â€“  819: 815: 814:Find sources: 808: 804: 798: 797: 793: 788: 783: 774: 773: 760: 757: 754: 751: 750: 748: 745: 742: 739: 736: 733: 730: 727: 724: 721: 718: 715: 712: 709: 706: 703: 700: 697: 694: 691: 688: 685: 682: 679: 676: 673: 670: 667: 664: 661: 658: 655: 652: 649: 646: 643: 640: 637: 634: 631: 628: 625: 622: 619: 616: 613: 612: 605: 602: 594: 591:December 2013 583: 580: 576: 573: 569: 566: 562: 559: 555: 552: â€“  551: 547: 546:Find sources: 540: 536: 530: 529: 525: 520: 515: 506: 505: 494: 491: 488: 485: 482: 479: 476: 473: 470: 467: 464: 461: 458: 455: 452: 449: 446: 443: 440: 437: 434: 430: 427: 424: 421: 418: 415: 412: 409: 406: 403: 400: 397: 394: 391: 388: 387: 380: 377: 369: 366:December 2013 358: 355: 351: 348: 344: 341: 337: 334: 330: 327: â€“  326: 322: 321:Find sources: 315: 311: 305: 304: 300: 295: 290: 281: 280: 267: 265: 261: 257: 253: 249: 245: 241: 237: 232: 230: 226: 222: 217: 215: 211: 207: 203: 197: 195: 191: 190:Peter Galassi 187: 186:rephotography 183: 179: 174: 171: 167: 162: 160: 154: 152: 141: 139: 135: 130: 126: 122: 117: 115: 105: 101: 99: 95: 90: 88: 84: 80: 76: 67: 63: 59: 55: 51: 47: 43: 39: 32:April 3, 1942 31: 27: 20: 1982: 1962: 1950: 1937: 1925: 1913: 1901: 1889: 1877: 1865: 1853: 1841: 1830:. 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Index

Museum of Modern Art, New York
Metropolitan Museum of Art
Art Institute of Chicago
New Topographics: Photographs of a Man-Altered Landscape
George Eastman Museum
Wichita Falls, Texas
Davidson College
University of Texas at Austin
Yale University
Walker Evans
Paul Caponigro
landscape photography
April 10, 1979
F4
Mount St. Helens
Skamania County, Washington
rephotography
Peter Galassi
John Szarkowski
Queens College
Steidl
Almaty
Amon Carter Museum
Rebecca Solnit
Middlebury College
Colorado College
School of the Museum of Fine Arts, Boston
Massachusetts College of Art
Harvard
Princeton

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