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Franklin Dyall

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called Dyall's performance "splendid ... the actor has done nothing half so good heretofore and his was ... the best performance we have ever had in London of his role". In 1913, he originated the role of the Stranger/Conjurer, in
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Dyall's son Valentine was the regular narrator ("The Man in Black") of this long-running series, but Dyall senior was a frequent cast member and for several programmes took over the role of narrator.
323:, who followed his parents into the acting profession. At about the same time Dyall changed his stage name from Frank Dyall to Franklin Dyall, He acted in a wide range of roles, including several 1545: 974: 1019: 866: 597:, London, he and Forbes-Robertson gave a Shakespearean recital in May 1925, and in August 1939 he headed the cast in two live television transmissions of 507:(both 1923). In 1928 he and his first wife were divorced, and the following year he married Mary Merrall, with whom he had been living for several years. 613: 910: 383:
found his performances "easy, natural and enjoyable". He remained in the US in early 1915, playing the paterfamilias in a new comedy,
1540: 1535: 195: 1404: 1408: 214:. In his early career he appeared under his real name, and as Frank Dyall he played a servant in Alexander's production of 611:, and in the late 1940s he played a wide range of parts on radio, including John Gabriel Borkman, the Dream Chronicler in 1525: 566: 1439: 1530: 1087: 226: 1364: 896: 603: 286: 1125: 347: 311:'s company, and played a variety of roles, both Shakespearean and modern. In 1905–06 he toured the US in 706: 295: 601:. Other than these, he made few broadcasts until the 1940s, when he appeared frequently in the series 1167:
Parker, p. 249; and England & Wales, Civil Registration Birth Index, 1837–1915, Volume 8b, p. 432
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in May 1897. Claudius was a role to which he returned during his career, playing it to the Hamlet of
150: 926: 852: 392: 199: 165:. He broadcast on radio and television and made more than 20 films. He was the father of the actor 138: 882: 740: 401: 607:. When television resumed after wartime suspension Dyall once again made two live broadcasts in 1053: 807: 266: 241: 1129:, but the actual year is recorded in the England & Wales, Civil Registration Birth Index. 821: 650: 582: 497: 203: 1520: 1515: 1070: 940: 757: 638: 477: 457: 379: 329: 290: 1123:
In adult life Dyall deducted four years from his age, giving his year of birth as 1874 in
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at the Playhouse, and, in the Christmas season, the Caterpillar and the King of Hearts in
8: 1005: 549: 516: 281: 154: 485:(all 1934), and Claudius with Gielgud (1935). Between these his appearances ranged from 1176: 689: 633: 491: 407: 254: 211: 187: 146: 1500: 1478: 1461: 1360: 1138:
The change was gradual: he was billed variously as Frank or Franklin as late as 1918.
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on 3 February 1870, the youngest of four sons of Charles Dyall, first curator of the
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the following year ("satisfactory, though we should prefer female witches", said
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Between 1918 and 1939 Dyall played five Shakespearean roles: Friar Lawrence in
153:. During a 50-year stage career he played a wide range of parts in plays from 1509: 1482: 774: 723: 486: 449: 420: 366: 312: 158: 135: 1465: 581:, Sussex on 8 May 1950 at the age of 80. He was buried in the churchyard at 553:
at the Scala. His final stage appearances were on tour in 1944 and 1945, in
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Dyall appeared in, produced or directed 26 films between 1916 and 1948.
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In 1914 Dyall returned to North America, touring Canada and the US with
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Dyall was an early broadcaster in both radio and television. For
275: 319:, known professionally as Concordia Merrel. They had one child, 315:'s company. After returning to England, he married the actress 235: 495:(1931) as well as swashbuckling roles such as Duke Michael in 391:. After returning to London he appeared with Martin-Harvey at 130:(3 February 1870– 8 May 1950), professionally known as 93: 1546:
People educated at Liverpool Institute High School for Boys
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In his middle years Dyall had many successes playing what
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In the early years of the 20th century Dyall appeared in
1315:, 30 September 1906, p. 2; and "Manchester Amusements", 198:. He made his professional stage debut in April 1894 in 645:
and, his final role, Gardiner, the Lord Chancellor, in
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in 1926, and was followed by others over several years.
1460:(fourth ed.). London: Sir Isaac Pitman and Sons. 1409:
England & Wales, Civil Registration Marriage Index
1379:"Marie Tempest in 'At the Barn'", The New York Tribune 1317:
Manchester Courier and Lancashire General Advertiser
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In this genre his most notable achievements were in
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in January 1895 and created the role of Merriman in
345:(both 1911). Of the first of these the reviewer of 233:Dyall's first Shakespearean roles were Claudius in 437:called "saturnine villains in modern melodramas": 1267:Parker (1922), p. 249; and "The Lyceum Theatre", 1507: 1102: 523:. The following year he played Sir Valentine in 161:, swashbuckling costume drama and the works of 269:later in that year, playing Guildenstern in 415:. In 1918, in partnership with the actress 1354: 657:, broadcast in July 1950 after his death. 489:(1922), to another Ibsen lead (Solness in 31: 1435: 1433: 1359:. London: G.P. Putnam's Sons. p. 2. 444:, which was produced in May 1924, at the 196:Liverpool Institute High School for Boys 588: 531:he toured for five months as Weston in 1508: 1472: 1455: 1430: 1442:, BBC Genome. Retrieved 28 March 2021 1294: 1292: 1290: 1119: 1117: 519:in 1940 Dyall played Andrew Bevan in 302: 1254: 1252: 1250: 1248: 1199: 1197: 1195: 1193: 1191: 1189: 537:The Strange Case of Margaret Wishart 1225:"The Importance of Being Earnest", 13: 1411:, 19162005 1929, Q3-Jul-Aug-Sep D 1355:Chesterton, Gilbert Keith (1913). 1287: 1114: 614:A Yank at the Court of King Arthur 426: 194:Robertson. He was educated at the 172: 14: 1557: 1490: 1245: 1186: 423:, Dublin, for the summer season. 327:parts, playing the title role in 190:, and his wife Margaret Oliphant 1541:20th-century English male actors 555:The Case of the Frightened Lady, 1536:English male silent film actors 1417: 1398: 1385: 1373: 1348: 1335: 1322: 1305: 1274: 1141: 1132: 227:The Importance of Being Earnest 1423:"Death of Mr Franklin Dyall", 1261: 1232: 1219: 1206: 1183:, September 1935, pp. 168–169] 1170: 1161: 897:The Private Life of Henry VIII 289:in June 1898 as the Doctor in 177: 1: 1154: 1103:Notes, references and sources 564:, and finally as Svengali in 510: 456:, which ran for 12 months at 452:crime pieces, beginning with 1181:Liverpool Institute Magazine 1093:MacDonald of Keppoch - Morar 543:later that year as Vasin in 411:, and the Duke of Exeter in 7: 1405:Electoral Registers, London 1343:The Illustrated London News 348:The Illustrated London News 10: 1562: 1526:Male actors from Liverpool 1477:. Detroit: Gale Research. 1475:Who Was Who in the Theatre 1449: 1258:Parker (1978), pp. 729–730 1203:Parker (1922), pp. 249–250 707:The Garden of Resurrection 573:Dyall died at his home in 1357:Magic: A Fantastic Comedy 1345:, 29 October 1910, p. 646 1280:"PellĂ©as and MĂ©lisande", 1271:, 19 September 1898, p. 3 1229:, 16 February 1895, p. 11 986: 958:The Case of Gabriel Perry 921: 877: 847: 769: 287:Prince of Wales’s Theatre 263:Johnston Forbes-Robertson 151:Johnston Forbes-Robertson 115: 99: 89: 70: 48: 30: 23: 16:English actor (1870–1950) 1531:English male film actors 1458:Who's Who in the Theatre 1407:, 1847-1965, p. 79; and 1391:"New Play at Plymouth", 1216:, 12 January 1895, p. 11 1126:Who's Who in the Theatre 1107: 927:Mr. Stringfellow Says No 660: 535:. He toured in 1943, in 1413:(subscription required) 1381:, 1 December 1914, p. 9 1332:, 19 October 1918, p. 3 1330:Manchester Evening News 402:The Taming of the Shrew 395:in 1916, as Laertes in 41:Sacred and Profane Love 1395:, 17 April 1915, p. 11 1319:, 2 October 1906, p. 3 643:The Master of Santiago 539:, and was back in the 483:The Merchant of Venice 385:The Younger Generation 285:). He appeared at the 242:The Merchant of Venice 111:(1929–1950; his death) 106:(1907–1929; divorced) 1473:Parker, John (1978). 1456:Parker, John (1922). 1298:"Mr Franklin Dyall", 1284:, 25 June 1898, p. 13 1088:Bonnie Prince Charlie 822:A Night in Montmartre 604:Appointment with Fear 583:Thaxted Parish Church 525:The Devil's Sanctuary 498:The Prisoner of Zenda 296:PellĂ©as and MĂ©lisande 230:the following month. 65:, Lancashire, England 639:Henry de Montherlant 589:Radio and television 501:and Captain Hook in 380:The New York Tribune 330:John Gabriel Borkman 291:Mrs Patrick Campbell 273:and Second Witch in 37:Dyall as Emilio Diaz 1427:, 12 May 1950, p. 8 1311:"Dramatic Gossip", 1242:, 15 May 1897, p. 1 975:Conquest of the Air 550:Alice in Wonderland 517:Shaftesbury Theatre 373:and James Crane in 339:and Judge Brack in 333:(1910), Dr Rank in 261:in 1935. He joined 1341:"The Playhouses", 1302:, 9 May 1950, p. 6 1177:"Old Boys Section" 1096:(final film role) 637:, Don Fernando in 634:Great Expectations 492:The Master Builder 469:(1919), Pistol in 317:Mary Phyllis Logan 303:Early 20th century 255:John Martin-Harvey 249:'s company at the 239:, and the Duke in 212:Henry Arthur Jones 204:St James's Theatre 200:George Alexander's 188:Walker Art Gallery 182:Dyall was born in 157:to modern comedy, 147:John Martin-Harvey 104:Mary Phyllis Logan 1100: 1099: 992:Fire Over England 795:Sir Roger Ackroyd 649:'s adaptation of 521:Behind the Scenes 354:G.K. Chesterton's 293:'s production of 128:Frank Poole Dyall 125: 124: 84:, Sussex, England 1553: 1486: 1469: 1443: 1440:"Franklin Dyall" 1437: 1428: 1421: 1415: 1414: 1402: 1396: 1393:The Boston Globe 1389: 1383: 1377: 1371: 1370: 1352: 1346: 1339: 1333: 1328:"The Theatres", 1326: 1320: 1309: 1303: 1296: 1285: 1278: 1272: 1265: 1259: 1256: 1243: 1236: 1230: 1223: 1217: 1210: 1204: 1201: 1184: 1174: 1168: 1165: 1148: 1145: 1139: 1136: 1130: 1121: 1006:Captain's Orders 980:Jerome de Ascoli 836:Creeping Shadows 668: 667: 466:Romeo and Juliet 389:Stanley Houghton 208:The Masqueraders 139:George Alexander 77: 58: 56: 35: 21: 20: 1561: 1560: 1556: 1555: 1554: 1552: 1551: 1550: 1506: 1505: 1493: 1452: 1447: 1446: 1438: 1431: 1422: 1418: 1412: 1403: 1399: 1390: 1386: 1378: 1374: 1367: 1353: 1349: 1340: 1336: 1327: 1323: 1310: 1306: 1297: 1288: 1279: 1275: 1266: 1262: 1257: 1246: 1238:"The Olympic", 1237: 1233: 1224: 1220: 1211: 1207: 1202: 1187: 1175: 1171: 1166: 1162: 1157: 1152: 1151: 1146: 1142: 1137: 1133: 1122: 1115: 1110: 1105: 902:Thomas Cromwell 888:Dr. Jose Manuel 813:Maurice Meister 663: 591: 575:High Salvington 513: 461: 429: 427:Inter-war years 371:Mary Goes First 305: 251:Olympic Theatre 202:company at the 180: 175: 173:Life and career 167:Valentine Dyall 120:Valentine Dyall 107: 85: 79: 75: 66: 60: 59:3 February 1870 54: 52: 44: 38: 26: 17: 12: 11: 5: 1559: 1549: 1548: 1543: 1538: 1533: 1528: 1523: 1518: 1504: 1503: 1497:Franklin Dyall 1492: 1491:External links 1489: 1488: 1487: 1470: 1451: 1448: 1445: 1444: 1429: 1416: 1397: 1384: 1372: 1365: 1347: 1334: 1321: 1304: 1286: 1273: 1260: 1244: 1231: 1218: 1212:"St James's", 1205: 1185: 1169: 1159: 1158: 1156: 1153: 1150: 1149: 1140: 1131: 1112: 1111: 1109: 1106: 1104: 1101: 1098: 1097: 1094: 1091: 1084: 1080: 1079: 1077: 1076:Captain Foster 1074: 1067: 1063: 1062: 1060: 1057: 1050: 1046: 1045: 1043: 1040: 1033: 1029: 1028: 1026: 1023: 1020:Leave It to Me 1015: 1014: 1012: 1009: 1001: 1000: 997: 995: 988: 984: 983: 981: 978: 971: 967: 966: 964: 961: 954: 950: 949: 947: 944: 936: 935: 933: 930: 923: 919: 918: 916: 914: 906: 905: 903: 900: 892: 891: 889: 886: 879: 875: 874: 872: 870: 867:First Division 862: 861: 859: 858:Charles Paxton 856: 849: 845: 844: 842: 839: 831: 830: 828: 825: 817: 816: 814: 811: 803: 802: 796: 793: 785: 784: 781: 778: 771: 767: 766: 764: 761: 754: 750: 749: 747: 744: 737: 733: 732: 729: 727: 720: 716: 715: 713: 710: 703: 699: 698: 695: 693: 686: 682: 681: 678: 675: 672: 662: 659: 647:Tyrone Guthrie 590: 587: 512: 509: 439: 428: 425: 405:, Richmond in 399:, Lucentio in 336:A Doll's House 304: 301: 179: 176: 174: 171: 136:actor-managers 132:Franklin Dyall 123: 122: 117: 113: 112: 101: 97: 96: 91: 87: 86: 80: 78:(aged 80) 72: 68: 67: 61: 50: 46: 45: 36: 28: 27: 25:Franklin Dyall 24: 15: 9: 6: 4: 3: 2: 1558: 1547: 1544: 1542: 1539: 1537: 1534: 1532: 1529: 1527: 1524: 1522: 1519: 1517: 1514: 1513: 1511: 1502: 1498: 1495: 1494: 1484: 1480: 1476: 1471: 1467: 1463: 1459: 1454: 1453: 1441: 1436: 1434: 1426: 1420: 1410: 1406: 1401: 1394: 1388: 1382: 1376: 1368: 1362: 1358: 1351: 1344: 1338: 1331: 1325: 1318: 1314: 1308: 1301: 1295: 1293: 1291: 1283: 1277: 1270: 1264: 1255: 1253: 1251: 1249: 1241: 1235: 1228: 1222: 1215: 1209: 1200: 1198: 1196: 1194: 1192: 1190: 1182: 1178: 1173: 1164: 1160: 1144: 1135: 1128: 1127: 1120: 1118: 1113: 1095: 1092: 1090: 1089: 1085: 1082: 1081: 1078: 1075: 1073: 1072: 1071:Yellow Canary 1068: 1065: 1064: 1061: 1058: 1056: 1055: 1051: 1048: 1047: 1044: 1041: 1039: 1038: 1034: 1031: 1030: 1027: 1024: 1022: 1021: 1017: 1016: 1013: 1010: 1008: 1007: 1003: 1002: 998: 996: 994: 993: 989: 985: 982: 979: 977: 976: 972: 969: 968: 965: 962: 960: 959: 955: 952: 951: 948: 945: 943: 942: 941:The Iron Duke 938: 937: 934: 931: 929: 928: 924: 920: 917: 915: 913: 912: 908: 907: 904: 901: 899: 898: 894: 893: 890: 887: 885: 884: 880: 876: 873: 871: 869: 868: 864: 863: 860: 857: 855: 854: 850: 846: 843: 840: 838: 837: 833: 832: 829: 826: 824: 823: 819: 818: 815: 812: 810: 809: 805: 804: 800: 797: 794: 792: 791: 787: 786: 782: 779: 777: 776: 775:A Safe Affair 772: 768: 765: 762: 760: 759: 755: 752: 751: 748: 746:Aubrey Filton 745: 743: 742: 738: 735: 734: 730: 728: 726: 725: 721: 718: 717: 714: 711: 709: 708: 704: 701: 700: 696: 694: 692: 691: 687: 684: 683: 679: 676: 673: 670: 669: 666: 658: 656: 652: 648: 644: 640: 636: 635: 631:, Jaggers in 630: 629: 624: 620: 616: 615: 610: 606: 605: 600: 596: 586: 584: 580: 576: 571: 569: 568: 563: 559: 556: 552: 551: 546: 542: 538: 534: 530: 526: 522: 518: 508: 506: 505: 500: 499: 494: 493: 488: 487:grand guignol 484: 481:, Shylock in 480: 479: 478:Julius Caesar 475:, Cassius in 474: 473: 468: 467: 459: 455: 451: 450:Edgar Wallace 447: 443: 438: 436: 435: 424: 422: 421:Abbey Theatre 419:, he ran the 418: 414: 410: 409: 404: 403: 398: 394: 393:His Majesty's 390: 386: 382: 381: 376: 372: 368: 367:Marie Tempest 363: 362: 360: 355: 350: 349: 344: 343: 338: 337: 332: 331: 326: 322: 318: 314: 313:E. 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Willard 310: 300: 298: 297: 292: 288: 284: 283: 278: 277: 272: 268: 264: 260: 256: 252: 248: 244: 243: 238: 237: 231: 229: 228: 223: 222: 217: 213: 209: 206:, London, in 205: 201: 197: 193: 189: 185: 170: 168: 164: 160: 159:grand guignol 156: 152: 148: 144: 140: 137: 133: 129: 121: 118: 114: 110: 105: 102: 98: 95: 92: 88: 83: 73: 69: 64: 51: 47: 42: 34: 29: 22: 19: 1474: 1457: 1424: 1419: 1400: 1392: 1387: 1380: 1375: 1356: 1350: 1342: 1337: 1329: 1324: 1316: 1312: 1307: 1299: 1281: 1276: 1268: 1263: 1239: 1234: 1226: 1221: 1213: 1208: 1180: 1172: 1163: 1143: 1134: 1124: 1086: 1069: 1052: 1035: 1018: 1004: 990: 973: 956: 939: 932:Count Hokana 925: 909: 895: 881: 865: 853:Men of Steel 851: 834: 820: 806: 798: 788: 773: 756: 739: 722: 705: 688: 664: 654: 642: 632: 626: 625:, Anselm in 622: 619:Joseph Haydn 612: 608: 602: 598: 592: 572: 565: 561: 557: 554: 548: 545:The Russians 544: 536: 532: 524: 520: 514: 502: 496: 490: 482: 476: 470: 464: 462: 453: 441: 432: 430: 417:Mary Merrall 412: 406: 400: 396: 384: 378: 374: 370: 364: 357: 356:first play, 346: 342:Hedda Gabler 340: 334: 328: 309:Lewis Waller 306: 294: 280: 274: 270: 259:John Gielgud 257:in 1911 and 240: 234: 232: 225: 221:Guy Domville 219: 207: 191: 181: 131: 127: 126: 109:Mary Merrall 76:(1950-05-08) 40: 18: 1521:1950 deaths 1516:1870 births 1313:The Referee 999:Uncredited 963:Prosecution 883:Called Back 741:Easy Virtue 712:Cruickshank 533:White Cargo 442:White Cargo 408:Richard III 375:At the Barn 216:Henry James 178:Early years 155:Shakespeare 1510:Categories 1425:The Herald 1366:1542777119 1155:References 1054:All at Sea 827:Max Levine 808:The Ringer 780:Rupert Gay 724:Duke's Son 655:Queen Mary 623:Papa Haydn 609:The Ringer 599:The Ringer 585:in Essex. 562:The Ringer 527:, and for 511:Last years 454:The Ringer 90:Occupation 74:8 May 1950 55:1870-02-03 1483:297602022 1300:The Times 1059:Dr. Stolk 1037:Mr. Satan 783:Producer 763:John Rool 731:Director 628:The Miser 558:The Frog, 504:Peter Pan 458:Wyndham's 446:Playhouse 434:The Times 321:Valentine 247:Ben Greet 184:Liverpool 143:Ben Greet 100:Spouse(s) 63:Liverpool 1466:10013159 911:No Satan 758:Atlantic 651:Tennyson 579:Worthing 541:West End 116:Children 82:Worthing 1450:Sources 1282:The Era 1269:The Era 1240:The Era 1227:The Era 1214:The Era 946:BlĂĽcher 515:At the 472:Henry V 413:Henry V 282:The Era 276:Macbeth 265:at the 1481:  1464:  1363:  1011:Newton 841:Disher 697:Short 690:Esther 680:Notes 674:Title 567:Trilby 397:Hamlet 271:Hamlet 267:Lyceum 236:Hamlet 43:(1920) 1108:Notes 1042:Billy 801:film 790:Alibi 677:Role 671:Year 661:Films 387:, by 359:Magic 325:Ibsen 163:Ibsen 94:Actor 1501:IMDb 1479:OCLC 1462:OCLC 1361:ISBN 1083:1948 1066:1943 1049:1940 1032:1938 1025:Sing 987:1937 970:1936 953:1935 922:1934 878:1933 848:1932 799:Lost 770:1931 753:1929 736:1928 719:1920 702:1919 685:1916 560:and 529:ENSA 149:and 71:Died 49:Born 1499:at 653:'s 641:'s 621:in 595:2LO 245:in 218:'s 210:by 192:nĂ©e 39:in 1512:: 1432:^ 1289:^ 1247:^ 1188:^ 1179:, 1116:^ 617:, 577:, 570:. 377:. 299:. 169:. 145:, 141:, 1485:. 1468:. 1369:. 361:. 57:) 53:(

Index


Liverpool
Worthing
Actor
Mary Phyllis Logan
Mary Merrall
Valentine Dyall
actor-managers
George Alexander
Ben Greet
John Martin-Harvey
Johnston Forbes-Robertson
Shakespeare
grand guignol
Ibsen
Valentine Dyall
Liverpool
Walker Art Gallery
Liverpool Institute High School for Boys
George Alexander's
St James's Theatre
Henry Arthur Jones
Henry James
Guy Domville
The Importance of Being Earnest
Hamlet
The Merchant of Venice
Ben Greet
Olympic Theatre
John Martin-Harvey

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