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253:. Cendrars describes him as a "proud soldier, calm, placid, strong", but really too old to be a soldier, being at least 25 years older than the rest. When the regiment set out from Paris for the front in Picardy (they marched all the way on foot) Mme Kupka met the column as they arrived at the La Défense roundabout, near where they lived. She marched with them, carrying her husband's bag and his rifle. She would have marched all the way to the front, but at the end of the first day the colonel had her arrested and sent back to Paris. She later made her way to the front lines to spend time with her husband. Kupka himself left the front due to frostbite in the foot, caused by nights in the trenches waist-deep in freezing water.
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440:(c. 1907) as "Kupka's first attempt to come to terms with color theory in which the result is both personal and successful". Although a self-portrait, the subject of the painting was the color yellow. Around 1910 he began developing his own color wheels, adapting a format previously explored by Sir
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marked a break in his representational style. His work became increasingly abstract around 1910–11, reflecting his theories of motion, color, and the relationship between music and painting (
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Kupka had a strong interest in color theory and freeing colors from descriptive associations (which is thought to have possibly influenced other artists like
413:, where he continued to exhibit regularly until his death. During the early 1950s, he gained general recognition and had several solo shows in New York.
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of books and posters and, during his early years in Paris, became known for his satirical drawings for newspapers and magazines. In 1906, he settled in
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which influenced his artwork. His theosophic visions inspired his painting Disks of Newton (Study for "Fugue in Two Colors"). He also practiced
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in Paris. A retrospective of his work took place at the
Galerie Mánes in Prague in 1946. The same year, Kupka participated in the
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565:. He practiced as a spiritualist medium and was alleged to have experienced clairvoyant trances. He was a believer in
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217:(1851–1913) and his naturistic life-style. Kupka exhibited at the Kunstverein, Vienna, in 1894. His involvement with
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Between 1919 and 1938 Kupka was financially supported by his good friend, art collector and industrialist
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448:. This work in turn led Kupka to execute a series of paintings he called "Discs of Newton" (1911–12).
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The Salon d'Automne of 1912, held in Paris at the Grand Palais from 1 October to 8 November. Kupka's
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792:"Kupkovo Tryskání II se vydražilo za téměř 231 milionů. Výrazně víc, než se čekalo - Novinky.cz"
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dates from this period. By spring 1894, Kupka had settled in Paris; there he attended the
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Study for
Organization of Graphic Motifs I (Localisations de mobiles graphiques I)
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in the Cubist room, although he did not wish to be identified with any movement.
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who accumulated a substantial collection of his art. Kupka died in 1957 in
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Kupka served as a volunteer in the First World War, and is mentioned in
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Margit Rowell (1975). "František Kupka: A Metaphysics of
Abstraction".
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Color and
Culture: Practice and Meaning from Antiquity to Abstraction
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subjects. He was influenced by the painter and social reformer
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156:. He was a pioneer and co-founder of the early phases of the
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Permanent exhibition of Waldes collection of František Kupka
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Study for Woman
Picking Flowers (Femme cueillant des fleurs)
816:"František Kupka: A free and lonely pioneer of abstraction"
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On Art and
Science: Tango of an Eternally Inseparable Duo
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Alchemist of the Avant-Garde: The Case of Marcel
Duchamp
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in New York City, and in an important show with another
137:(23 September 1871 – 24 June 1957), also known as
272:), oil on canvas, 210 × 200 cm, 1912, Národní Galerie
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Paris, 1923; edited and translated E. Abrams, 1989.
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Paris, 1923; edited and translated E. Abrams, 1989.
389:. In 1936, his work was included in the exhibition
341:is exhibited on the left. Other works are shown by
326:, a book Kupka completed in 1913, was published in
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645:
825:. artfactproject.com. Retrieved 30 December 2021.
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835:"Kupka, Pioneer of Abstraction, At Grand Palais"
758:. The Solomon R. Guggenheim Museum. p. 68.
731:. University of California Press. p. 264.
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168:). Kupka's abstract works arose from a base of
197:in 1871. From 1889 to 1892, he studied at the
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172:, but later evolved into pure abstract art.
850:. State University of New York Pre. p. 85.
837:. ideelart.com. Retrieved 30 December 2021.
755:František Kupka, 1871-1957: A Retrospective
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288:. Kupka was deeply impressed by the first
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909:Rothstein, Mikael; Hammer, Olav. (2013).
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549:, so far the highest price for his work.
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436:). Margit Rowell described his painting
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306:). In 1911, he attended meetings of the
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627:. The Museum of Modern Art. p. 73.
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889:Meecham, Pam; Sheldon, Julie. (2000).
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975:La Création dans Les Arts Plastiques.
949:La Création dans Les Arts Plastiques.
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663:1 artwork by or after František Kupka
545:7,551,600 in an auction organized by
506:(Fugue a deux couleurs), ca 1911-1912
385:In 1931, he was a founding member of
911:Handbook of the Theosophical Current
866:Wuppuluri, Shyam; Wu, Dali. (2019).
671:Oxford Dictionary of Art and Artists
1122:Academy of Fine Arts, Prague alumni
891:Modern Art: A Critical Introduction
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13:
1127:Recipients of the Legion of Honour
522:Around a point (Autour d'un point)
14:
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988:Works by or about František Kupka
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673:biography, under "artist profile"
623:The Museum of Modern Art (1936).
510:Vertical Planes (Plans verticaux)
1040:List and images of Kupka's works
774:The Museum of Fine Arts, Houston
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16:Czech painter and graphic artist
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266:Amorpha, Fugue en deux couleurs
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684:"collection.britishmuseum.org"
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379:Mountaineers Attacked by Bears
316:Amorpha. Fugue à deux couleurs
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229:briefly and then studied with
203:Academy of Fine Arts in Vienna
199:Academy of Fine Arts in Prague
105:Academy of Fine Arts in Prague
1:
1157:Painters from Austria-Hungary
1069:Art - Nouveau, The Athenaeum
638:Benezit Dictionary of Artists
314:). In 1912, he exhibited his
1052:Museum of Fine Arts, Houston
411:Salon des Réalités Nouvelles
324:Creation in the Plastic Arts
185:František Kupka was born in
180:
175:
7:
1132:20th-century Czech painters
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475:Peggy Guggenheim Collection
463:Reminiscence of a Cathedral
205:, where he concentrated on
109:Academy of Fine Arts Vienna
35:František Kupka, circa 1928
10:
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955:Fauchereau, Serge (1989).
1137:20th-century male artists
929:Cendrars, Blaise (1989).
846:Moffitt, John F. (2012).
531:The Cathedral (Katedrála)
256:
122:
100:
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40:
28:
21:
298:. Kupka's 1909 painting
1097:Czech graphic designers
625:Cubism and Abstract Art
537:In March 2021, Kupka's
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391:Cubism and Abstract Art
292:, published in 1909 in
215:Karl Wilhelm Diefenbach
1025:Links to Kupka's works
913:. Brill. pp. 437-438.
382:
320:Salon des Indépendants
273:
561:and took interest in
446:Hermann von Helmholtz
336:
264:
158:abstract art movement
1056:Museum magical Arts
1046:Museum Kampa, Prague
1020:Museum of Modern Art
893:. Routledge. p. 68.
589:Notes and references
528:Other works include
395:Museum of Modern Art
387:Abstraction-Création
235:École des Beaux-Arts
117:École des Beaux-Arts
1142:Czech male painters
933:. Editions Denoël.
870:. Springer. p. 77.
669:: see extended
583:Kupka and Theosophy
539:Le Jaillissement II
504:Fugue in Two Colors
375:Henri Le Fauconnier
339:Fugue in Two Colors
300:Piano Keyboard/Lake
276:Kupka worked as an
270:Fugue in Two Colors
231:Jean-Pierre Laurens
1107:People from Opočno
1078:Private Collection
1074:2017-03-07 at the
1061:2016-05-28 at the
1036:2014-03-23 at the
1008:2017-12-14 at the
973:Kupka, František.
947:Kupka, František.
821:2021-12-30 at the
500:Chromatique chaude
383:
290:Futurist Manifesto
274:
223:Eastern philosophy
1092:Abstract painters
966:978-0-8478-1047-5
940:978-2-07-036619-4
770:"František Kupka"
738:978-0-520-22225-0
603:"František Kupka"
492:Study for Amorpha
373:(sculptures) and
371:Amedeo Modigliani
132:
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51:23 September 1871
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1050:The Yellow Scale
992:Internet Archive
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652:Grove Art Online
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438:The Yellow Scale
358:Groupe de femmes
348:Dancer in a Café
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1076:Wayback Machine
1063:Wayback Machine
1038:Wayback Machine
1016:František Kupka
1012:Centre Pompidou
1010:Wayback Machine
1003:Frantisek Kupka
997:Frantisek Kupka
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496:Warm Chromatics
458:The Colored One
434:Robert Delaunay
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418:Jindřich Waldes
363:Francis Picabia
286:Salon d'Automne
259:
251:Blaise Cendrars
243:
227:Académie Julian
195:Austria-Hungary
183:
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143:François Kupka,
135:František Kupka
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113:Académie Julian
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59:Austria-Hungary
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931:La Main Coupée
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780:on 2013-04-29.
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123:Known for
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692:. Retrieved
688:the original
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606:. Retrieved
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557:Kupka was a
556:
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521:
518:, ca 1911-12
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442:Isaac Newton
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407:Jeu de Paume
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312:Section d'Or
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134:
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76:(1957-06-24)
74:24 June 1957
61:(now in the
1117:1957 deaths
1112:1871 births
959:. Rizzoli.
512:, 1911–1912
278:illustrator
241:World War I
211:allegorical
160:and Orphic
139:Frank Kupka
93:Nationality
1086:Categories
802:2021-03-27
694:2016-10-16
559:vegetarian
468:Blue Space
424:, France.
47:1871-09-23
725:John Gage
563:theosophy
547:Sotheby's
541:sold for
488:, ca 1910
473:Works in
405:, at the
401:painter,
367:La Source
330:in 1923.
318:, at the
295:Le Figaro
219:theosophy
189:(eastern
181:Education
176:Biography
101:Education
1072:Archived
1059:Archived
1034:Archived
1006:Archived
819:Archived
727:(1999).
608:23 March
577:See also
571:naturism
502:and for
207:symbolic
127:Painting
1018:at the
990:at the
422:Puteaux
393:at the
304:orphism
282:Puteaux
233:at the
191:Bohemia
170:realism
166:Orphism
150:painter
82:Puteaux
963:
937:
917:
897:
874:
854:
735:
667:Art UK
328:Prague
257:Career
187:Opočno
162:Cubism
145:was a
86:France
55:Opočno
957:Kupka
399:Czech
193:) in
147:Czech
96:Czech
961:ISBN
935:ISBN
915:ISBN
895:ISBN
872:ISBN
852:ISBN
733:ISBN
610:2014
444:and
428:Work
221:and
209:and
152:and
71:Died
41:Born
369:),
361:),
351:),
249:by
141:or
1088::
882:^
794:.
772:.
714:^
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644:^
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534:.
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481::
477:,
381:).
237:.
84:,
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805:.
741:.
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612:.
543:£
377:(
365:(
355:(
345:(
310:(
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45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
