32:. Daniels was the first portrait photographer to popularise Powell and Pressburger and created stylised photographs that were developed into publicity material. In a effort to retain creative freedom Daniels maintained copyright of his work and developed hand printed photographs from his small studio. These were often signed works. His portraits will be forever linked to Powell and Pressburger.
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at
Pinewood Studios. The actors were paired together, either seated or standing together to suggest intimacy and to create an ambiguity about their characters that is not present in the film. This assignment is unusual in the sense that the photographer was interpreting the film for a modern
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In 1939 Daniels set up his own portrait studio in
Coventry Street as a specialist portrait photographer. The film industry tended to be integrated and outside specialists were discouraged. The studios achieved control by relying on staff stills photographers under contract to the studio and
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From 1941 until 1956 Daniels simultaneously worked from a small studio he created at his home known as the White House near
Elstree. This enabled him to experiment with colour photography, although only a few colour images remain of the garden and grounds of the
307:. His association with Powell and Pressburger was the most creative period of his career and he became a trusted member of their team. Daniels was also recruited by Michael Powell Theatre Productions between 1944 and 1949 including publicity photographs for
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but this relationship soured when Billie Love started producing counterfeit prints of his work in the darkroom. In 1959 his health deteriorated and he died suddenly of a heart attack. A permanent collection of his work is held by the
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for his stills and was offered a contract in
Hollywood. During the 1930s his career developed with the British and Dominions Film Company, and he became their star photographer, taking portraits of actors such as
64:. The Antibes summer schools attracted artists from the performing arts, and for Daniels it was an opportunity to capture the grace and elegance of the human form. His camera studies were also published in
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Editors: Nigel Arthur & Ewa Reeves "Fred
Daniels: Powell and Pressburger Portraits".2012. Published by Twarda Sztuka Foundation
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to avoid freelance photographers to manoeuvre into the industry. However, with the support of the
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at home with his wife enjoying a life of leisure. The villa also caught the attention of art historian
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inspired house. In a feature titled "The Art of Fred
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Daniels managed to progress on his own terms. From his small third floor studio next to the
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although it was not a major work. In 1955 Powell and
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respectfully. During the same year
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