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Frederick Mackenzie (painter)

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Mackenzie married in Lambeth in 1843 Mrs. Mary Hine, a widow, the daughter of John Carpenter, a farmer; but his married life was subject to money troubles. He died leaving his wife and invalid daughter dependent on charity. The Water-colour Society presented them with £110, and a subscription was
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from 1813, becoming an associate in 1822, and a full member the following year. From 30 November 1831 till his death he was treasurer to the society. In later life Mackenzie was no longer commissioned to illustrate books.
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Mackenzie drew architecture almost exclusively. Of 88 drawings which formed his contributions to the exhibitions of the Water-colour Society during his membership, nearly all were English in subject.
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The Principal Room of the Original National Gallery, formerly the Residence of John Julius Angerstein, Esq., lately pulled down
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Born in London on 6 April 1787, he was the son of Thomas Mackenzie, linendraper and his wife Lucy. A pupil of
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the architect. He was employed in making architectural and topographical drawings for the works of
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He died on 25 April 1854, aged 67, of disease of the heart and was buried on the western side of
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and others, and this set the direction for his career. His style was quite close to that of
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Observations on the Construction of the Roof of King's College Chapel, Cambridge
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In 1842 Mackenzie designed the slab which was placed over the grave of
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raised among his friends to purchase an annuity for their benefit.
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Architectural Antiquities of St. Stephen's Chapel, Westminster
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English park idyll with dancing women. Gouache, monogrammed
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Boyd's Inhabitants Of London & Family Units 1200-1946
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The Dictionary of British Watercolour Artists up to 1920
92:. The bulk of his work was in the following books: 430: 364: 425:. Vol. 35. London: Smith, Elder & Co. 351:. Vol. 35. London: Smith, Elder & Co. 106:(1807 and 1809—twenty-five drawings engraved); 82:Etchings of Landscapes for the Use of Students 277:after Frederick Mackenzie, from Britton's 110:History of the Abbey Church at Westminster 104:Architectural Antiquities of Great Britain 49:In 1804 Mackenzie began to exhibit at the 369:. Antique Collectors' Club. p. 223. 80:On his own account, Mackenzie published 112:(Ackerman, 1812—32 coloured aquatints); 431: 360: 358: 331: 329: 327: 325: 323: 321: 319: 317: 162:Principal Antiquities of Oxfordshire 135:(Ackerman, 1814 and 1815—39 plates); 55:Society of Painters in Water-colours 411: 355: 335: 13: 314: 139:Colleges of Winchester, Eton, etc. 14: 485: 474:19th-century British male artists 232:, Lincolnshire. sepia drawing of 133:Histories of Oxford and Cambridge 422:Dictionary of National Biography 401: 348:Dictionary of National Biography 286: 266: 224:, together with two drawings of 156:Specimens of Gothic Architecture 127:Noblemen's and Gentlemen's Seats 119:(Salisbury Cathedral—58 plates); 145:Abbeys and Castles in Yorkshire 129:(drawings dated 1816 and 1819); 383: 305: 1: 454:19th-century British painters 98:Beauties of England and Wales 449:Burials at Highgate Cemetery 342:"Mackenzie, Frederick"  7: 389:England Marriages 1538-1973 10: 490: 259: 279:Architectural Antiquities 250: 245:George Barret the younger 365:H. L. Mallalieu (1986). 298: 212:Among his drawings were 208:(drawings dated 1837–9). 72: 464:British watercolourists 222:South Kensington Museum 196:Harry Longueville Jones 25: 202:The Churches of London 188:Memorials of Cambridge 459:British male painters 275:King's College Chapel 214:The King's Coronation 117:Cathedral Antiquities 417:Mackenzie, Frederick 184:, 1839 (six plates); 174:, 1837 (100 plates); 469:British draughtsmen 168:Memorials of Oxford 141:, 1816 (13 plates); 88:(1844) and in 1846 20:Frederick Mackenzie 182:Picturesque Annual 234:Antwerp Cathedral 226:Lincoln Cathedral 63:Highgate Cemetery 481: 426: 405: 404: 390: 387: 381: 380: 362: 353: 352: 344: 333: 312: 309: 290: 270: 32:John Adey Repton 489: 488: 484: 483: 482: 480: 479: 478: 429: 428: 415:, ed. (1893). " 402: 394: 393: 388: 384: 377: 363: 356: 334: 315: 310: 306: 301: 294: 291: 282: 271: 262: 253: 204:, published by 164:, Oxford, 1823; 149:William Westall 75: 69:in March 1855. 28: 17: 16:British painter 12: 11: 5: 487: 477: 476: 471: 466: 461: 456: 451: 446: 441: 399: 398: 392: 391: 382: 375: 354: 339:, ed. (1893). 313: 303: 302: 300: 297: 296: 295: 292: 285: 283: 272: 265: 261: 258: 252: 249: 238:British Museum 230:Thornton Abbey 210: 209: 199: 185: 175: 165: 159: 152: 142: 136: 130: 120: 113: 107: 101: 74: 71: 27: 24: 15: 9: 6: 4: 3: 2: 486: 475: 472: 470: 467: 465: 462: 460: 457: 455: 452: 450: 447: 445: 442: 440: 437: 436: 434: 427: 424: 423: 418: 414: 409: 408:public domain 396: 395: 386: 378: 376:1-85149-025-6 372: 368: 361: 359: 350: 349: 343: 338: 332: 330: 328: 326: 324: 322: 320: 318: 308: 304: 289: 284: 280: 276: 269: 264: 263: 257: 248: 246: 241: 239: 235: 231: 227: 223: 219: 215: 207: 203: 200: 197: 193: 192:Thomas Wright 189: 186: 183: 179: 178:Charles Heath 176: 173: 169: 166: 163: 160: 157: 153: 150: 146: 143: 140: 137: 134: 131: 128: 124: 123:Robert Havell 121: 118: 114: 111: 108: 105: 102: 99: 95: 94: 93: 91: 87: 83: 78: 70: 68: 64: 59: 56: 52: 51:Royal Academy 47: 45: 41: 40:Auguste Pugin 37: 33: 23: 21: 420: 400: 385: 366: 346: 307: 278: 273:Interior of 254: 242: 236:went to the 217: 213: 211: 206:Charles Tilt 201: 187: 181: 172:James Ingram 167: 161: 155: 144: 138: 132: 126: 116: 109: 103: 97: 89: 85: 81: 79: 76: 60: 48: 36:John Britton 29: 19: 18: 444:1854 deaths 439:1787 births 413:Lee, Sidney 397:Attribution 337:Lee, Sidney 228:and one of 216:(1822) and 433:Categories 115:Britton's 96:Britton's 67:Sotheby's 44:John Nash 154:Pugin's 84:(1812), 410::  260:Gallery 198:, 1841; 158:, 1821; 373:  281:, 1812 251:Family 147:(with 299:Notes 190:, by 170:, by 73:Works 371:ISBN 194:and 26:Life 419:". 180:'s 125:'s 435:: 357:^ 345:. 316:^ 247:. 240:. 151:); 46:. 379:. 100:;

Index

John Adey Repton
John Britton
Auguste Pugin
John Nash
Royal Academy
Society of Painters in Water-colours
Highgate Cemetery
Sotheby's
Robert Havell
William Westall
James Ingram
Charles Heath
Thomas Wright
Harry Longueville Jones
Charles Tilt
South Kensington Museum
Lincoln Cathedral
Thornton Abbey
Antwerp Cathedral
British Museum
George Barret the younger
Interior of King's College Chapel after Frederick Mackenzie, from Britton's Architectural Antiquities, 1812
King's College Chapel
English park idyll with dancing women. Gouache, monogrammed





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